New Books in Literary Studies

Explores expressionlessness, inscrutability, and emotional withholding in Black cultural production. Arguing that inexpression is a gesture that acquires distinctive meanings in concert with blackness, Deadpan: The Aesthetics of Black Inexpression (NYU Press, 2023) tracks instances and meanings of deadpan—a vaudeville term meaning “dead face”—across literature, theater, visual and performance art, and the performance of self in everyday life. Tina Post reveals that the performance of purposeful withholding is a critical tool in the work of black culture makers, intervening in the persistent framing of African American aesthetics as colorful, loud, humorous, and excessive. Beginning with the expressionless faces of mid-twentieth-century documentary photography and proceeding to early twenty-first-century drama, this project examines performances of blackness’s deadpan aesthetic within and beyond black embodiments, including Young Jean Lee’s The Shipment and Branden Jacobs-Jenkins’s Neighbors, as well as Buster Keaton’s signature character and Steve McQueen’s restitution of the former’s legacy within the continuum of Black cultural production. Through this varied archive, Post reveals how deadpan aesthetics function in and between opacity and fugitivity, minimalism and saturation, excess and insensibility.Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As You Like It is one of Shakespeare’s most beloved romantic comedies. It is also his most daring exploration of sex, gender, and identity. In the Forest of Arden, Rosalind flips the script of romantic convention and pursues the man she loves — while she is disguised as a man. In this course, you’ll learn the story of As You Like It, unpack the complex games it plays with gender and performance, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars. In Part 1, you’ll be guided through a detailed account of the story with commentary by Dr. Will Tosh, research fellow and lecturer at Shakespeare's Globe in London. Dr. Tosh discusses the significance of the play in Shakespeare’s career and of the way that Shakespeare’s company first performed it. This summary is told using the language of the play itself, placing key quotations in context to help you understand where these lines come from and what they mean.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Matthew Mewhinney's Form and Feeling in Japanese Literati Culture (Palgrave Macmillan, 2022) explores how two early modern and two modern Japanese writers – Yosa Buson (1716–83), Ema Saikō (1787–1861), Masaoka Shiki (1867–1902), and Natsume Sōseki (1867–1916) – experimented with the poetic artifice afforded by the East Asian literati (bunjin) tradition, a repertoire of Chinese and Japanese poetry and painting. Their experiments generated a poetics of irony that transformed the lineaments of lyric expression in literati culture and advanced the emergence of modern prose poetry in Japanese literature. Through rigorous close readings, this study changes our understanding of the relationship between lyric form and the representation of self, sense, and feeling in Japanese poetic writing from the late eighteenth through the early twentieth century. The book aims to reach a broad audience, including specialists in East Asian Studies, Anglophone literary studies, and Comparative Literature.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to the translators of Marianna Kiyanovska's The Voices of Babyn Yar (HURI, 2022), Max Rosochinsky and Oksana Maksymchuk.With this collection of stirring poems the award-winning Ukrainian poet honors the victims of the Holocaust by writing their stories of horror, death, and survival in their own imagined voices. Artful and carefully intoned, the poems convey the experiences of ordinary civilians going through unbearable events leading to the massacre at Kyiv’s Babyn Yar from a first-person perspective to an effect that is simultaneously immersive and estranging. While conceived as a tribute to the fallen, the book raises difficult questions about memory, responsibility, and commemoration of those who had witnessed an evil that verges on the unspeakable.Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Feeling is not “feelin”. Feelin, in African American Vernacular English, is how Black women artists approach and produce knowledge as sensation: internal and complex, entangled with pleasure, pain, anger, and joy, and manifesting artistic production itself as the meaning of the work.Feelin: Creative Practice, Pleasure, and Black Feminist Thought (Northwestern University Press, 2022) discusses Black women’s creative production as feminist knowledge production produced by registers of affect called feelin. Through interviews, close readings, and archival research, Judd draws on the fields of affect studies and Black studies to analyze the creative processes and contributions of Black women.Bettina Judd is an interdisciplinary writer, artist, scholar, and performer whose research focus is Black women’s creative production and our use of visual art, literature, and music to develop feminist thought. She is Associate Professor of Gender, Women, and Sexuality Studies at the University of Washington.Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing interests include books and reading in popular culture, the public history of women's fiction, and women in Greco-Roman mythology. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Helen Small, expert in literature and philosophy, explores the evolution and impact of cynicism in modern times. Topics include Nietzsche's philosophy on morality, challenges to conventional moral values, and the role of cynicism in contemporary society. The podcast delves into the interdisciplinary nature of cynicism, historical interpretations, and the ongoing relevance of confrontational styles in public discourse.

Hope Williard's book Friendship in the Merovingian Kingdoms: Venantius Fortunatus and His Contemporaries (Arc Humanities Press, 2022) explores how one early medieval poet survived and thrived amidst the political turbulence of sixth century Gaul—with a little help from his friends. Born in northern Italy, Venantius Fortunatus made his career writing for and about members of the Merovingian elite. Although he is no longer dismissed as an opportunistic poetaster who wrote undistinguished flattery for undeserving kings and aristocrats, his work remains unduly neglected. This book reframes Fortunatus as a writer uniquely suited to his times, a professional poet who addressed his contemporaries’ needs and wishes for the prestige and sophistication of Classical culture. His poems and letters enabled his aristocratic patrons to situate themselves in networks, which they made and maintained in order to navigate a post-imperial but not post-Roman world. It makes an important contribution to our understanding of friendship in the Middle Ages and offers a fresh look at the Frankish kingdoms of Merovingian Gaul.Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1941, Dorothy Sayers, Christian apologist, author of The Mind of the Maker, and even more famous for her Peter Whimsey mystery novels, wrote a cycle of plays on the life, death, and resurrection of Jesus Christ. It was produced by the BBC for the radio and was a great success, though Sayers got flak for it from all directions—from secular voices calling it religious propaganda, from conservative voices calling it blasphemy. She also broke an established prohibition against actors playing Jesus and made a number of editorial choices that were astonishing for the time and remain notable in the twenty-first century.In 2023, Kathryn Wehr annotated, edited, and published a new edition of these plays by Dorothy Sayers, including her commentary on the text and its context. Dr. Wehr is a Catholic apologist and writer, and is the managing editor of Logos: A journal of Catholic Thought and Culture. She also writes and performs devotional songs. She has a Doctorate of Divinity from St. Andrews University in Scotland. Kathryn Wehr’s website Kathryn Wehr’s YouTube Channel, which includes many of her songs A recording of the plays on YouTube, The Man Born to be King (but it is out of copyright and abridged, as Katy Wehr explains in our discussion). Krzysztof Odyniec is a historian of Medieval and Early Modern Europe; he is also the host of the 'Almost Good Catholics' podcast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

There is a vast body of imaginal literature in Bengali that introduces fictional Sufi saints into the complex mythological world of Hindu gods and goddesses. Dating to the sixteenth century, the stories--pīr katha--are still widely read and performed today. The events that play out rival the fabulations of the Arabian Nights, which has led them to be dismissed as simplistic folktales, yet the work of these stories is profound: they provide fascinating insight into how Islam habituated itself into the cultural life of the Bangla-speaking world. In Witness to Marvels: Sufism and Literary Imagination (U California Press, 2019), Tony K. Stewart unearths the dazzling tales of Sufi saints to signal a bold new perspective on the subtle ways Islam assumed its distinctive form in Bengal.This book is available open access here. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

"For me, there is something so solid and comforting in stone" says Sassan Tabatabai in our conversation, and in his poem "Firestones" the words roll, weigh and satisfyingly click together.FirestonesI was collecting rocks on the Cardiff coast,a testimony to centuries of siltleft on the shore, of sediment pressed into stone:sandstone, shale, tufa, travertine, jasper, flint.There was the stone that knew the sadness of the sea,that saved its secrets. It was pock-marked with holesand lay half-buried in sand eager to savethe ocean's spray, like tears, in its miniature pools.There was the stone that always rolled in place.It had rolled round and round with each wave,desperately trying to control the tide.The was the stone that shoe rings upon ringsplaced by the seas over the years,that kept time for the Pacific.There were stones that breathed sulfur,that sparked when they touched.Unremarkable in luster or shine, theywere the lovers of the ocean, firestoneswhose sparks were not dampened by salty waves(but they only made sense in pairs).And there was this one, more white,more brilliant, more polished than any stone.But it was once upon a shell;it needed centuries to become stone.It was a counterfeit firestone:it did not breathe sulfur, it could not make sparks.I traced my steps back along the Cardiff coastand the stones I returned to the sands.The ocean's secrets would be well-kept by the stones:its tears would be stored in pools,its tides kept in check,its years measured in rungs.But love itself I could not leave on the beach.I kept the firestones.Discussing this poem with Sassan, we touched on Scholar's stones came up and also Gerard Manley Hopkins's journals full of words/names.From here we moved to other poems and poems and Sassan's work in different languages (Persian, English), poetic traditions (haiku, Sufi poetry, ghazal) and activities (writing, translation, teaching). His dissertation on Persian poet Rudaki is mentioned. His "messy" practice across these many boundaries expresses a kind of playful profusion, ultimately rooted in sound, word, and the music of the lines.*Qazal*As a boy, I waited for the smile to appear in you.Listened for echoes of the sigh I could hear in you.You are the mirror where I have sought the beloved:Her hyacinth curls, a nod, a wink. a tear, in you.In the marketplace you can learn your future for a price.They are merchants of fate; I see the seer in you.What had been buried under the scriupture's weight,Its truth, without words or incense, becomes clear in you.They who bind you on the altar of sacrificeHide behind masks; don’t let them smell the fear in you.As I approach the house lit by dawn's blue light,Step by step, I lose myself, I disappear in you.We closed out our talk with a reading of Sassan's translation of David Ferry's "Resemblance" (also featured in episode 55), with the Persian and English stanzas alternating.Sassan's book Ferry to Malta will be out in April, and you can hear him read and discuss his work April 27th at Brookline Booksmith.Read the transcript here Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies