New Books in Literary Studies

Monsters are central to how we think about the human condition. Join award-winning historian of science in Humans: A Monstrous History (University of California Press, 2025) by Dr. Surekha Davies as she reveals how people have defined the human in relation to everything from apes to zombies, and how they invented race, gender, and nations along the way. With rich, evocative storytelling that braids together ancient gods and generative AI, Frankenstein's monster and E.T., Humans: A Monstrous History shows how monster-making is about control: it defines who gets to count as normal.In an age when corporations increasingly see people as obstacles to profits, this book traces the long, volatile history of monster-making and charts a better path for the future. The result is a profound, effervescent, empowering retelling of the history of the world for anyone who wants to reverse rising inequality and polarization. This is not a history of monsters, but a history through monsters.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Mark LeVine, a history professor with two decades of experience in Egypt, and Lucia Sorbera, a Middle East history expert from the University of Sydney, delve into their groundbreaking anthology of writings from Egypt's political prisoners. They highlight the role of artistic expression in survival and resistance against authoritarianism. The discussion also connects personal narratives of oppression to broader global struggles for human rights. Their insights remind us of the urgent need to amplify unheard voices trapped in cycles of repression.

From Kensington to the East End, under candlelight, gas lamp and then neon signs, London is both a bustling physical metropolis and a stirring psychic encounter. The most depraved depictions of London in fiction, film, poetry, television and theatre have irrevocably merged with the reality of its dark history, creating a phantasmagoria defined by murder, vice and the unnatural. In this panoptic look at the capital at its most eerie and macabre, Dr. Clive Bloom takes a tour of Gothic London's uncanny literature, arcane events and its infamous and imagined geographies.From David Bowie to T S Eliot, Thomas de Quincey to Aleister Crowley, the prophetess Joanna Southcott to the 'ghosts' of Abba and the worlds of Neil Gaiman and Clive Barker, these are the figures that populate a city lost in fog and blind alleys, where the dead can be raised, the living sacrificed and the clandestine thrive. Suturing together fact and fantasy, London Uncanny: A Gothic Guide to the Capital in Weird History and Fiction (Bloomsbury, 2025) presents the urban landscape of the capital as a space of wonder and madness, haunted by its past and haunting the present. Stalking through disease and degeneracy, death and murder, spiritualism, lunacy and the occult, Bloom crafts a singular, integrated concept of a London where dreams and nightmares meet.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today we present the first episode of a miniseries on audiobooks by getting into the history and theory of the medium. Audiobooks are having a moment—and it only took them over a century to get here. Dr. Matthew Rubery, a Harvard PhD and Professor of Modern Literature at Queen Mary University of London, pioneered the study of the audiobook, its history, and its affordances. Among his other works, Dr. Rubery is the author of The Untold Story of the Talking Book (2016, Harvard University Press). He’s also the editor of Audiobooks, Literature, and Sound Studies (2011, Routledge). Matt’s latest book is titled Reader’s Block: A History of Reading Differences (2022, Stanford University Press). In this fascinating conversation, we discuss the long history of recorded literature; the weird shame around audiobook reading and its cultural roots; the interplay between disability, neurodivergence, and alternate forms of reading; and what an audiobook criticism might look like. And for our patrons, we’ll have our What’s Good segment at the end of the show, where Matt will tell us something good to read, something good to listen to. Something good to do. You can become a patron of the show at patreon.com/phantompower.Today’s show was edited by Mack Hagood. Transcription by Katelyn Phan. Music by Graeme Gibson Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode, our host, Ti-han, invited one of her co-editors, Dr Ian Rowen, to talk about their forthcoming book publication, A Taiwanese Eco-literature Reader, soon to be published by Columbia University Press. This anthology brings together translations of nine compelling stories from Taiwan, examining Taiwan’s most vibrant literary genre and its resonance to the theme of HOME. While this podcast series has featured interviews with some of the anthology’s authors, Ian speaks from the perspective as an editor, showing why it is critical to work on translating Taiwanese eco-literature for global readers. On a personal note, Ian also reflects his own sense of belonging, and the evolving sense of HOME, and how Taiwan has played a key role in that journey. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Child Gaze: Narrating Resistance in American Literature (UP of Mississippi, 2024) theorizes the child gaze as a narrative strategy for social critique in twentieth- and twenty-first-century US literature for children and adults. Through a range of texts, including James Baldwin’s Little Man, Little Man, Mildred D. Taylor’s Roll of Thunder, Hear My Cry, Toni Morrison’s The Bluest Eye, Gene Luen Yang’s American Born Chinese, and more, Amanda M. Greenwell focuses on children and their literal acts of looking. Detailing how these acts of looking direct the reader, she posits that the sightlines of children serve as signals to renegotiate hegemonic ideologies of race, ethnicity, creed, class, and gender. In her analysis, Greenwell shows how acts of looking constitute a flexible and effective narrative strategy, capable of operating across multiple points of view, focalizations, audiences, and forms.Weaving together scholarship on the US child, visual culture studies, narrative theory, and other critical traditions, The Child Gaze explores the ways in which child acts of looking compel readers to look at and with a child character, whose gaze encourages critiques of privileged visions of national identity. Chapters investigate how child acts of looking allow texts to redraw circles of inclusion around the locus of the child gaze and mobilize childhood as a site of resistance. The powerful child gaze can thus disrupt dominant scripts of power, widening the lens through which belonging in the US can be understood. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

We kick off Season 9: TECH by talking with our very own Aarthi Vadde, the E. Blake Byrne Associate Professor of English at Duke University. Hosts and co-producers Chris Holmes and Emily Hyde ask Aarthi about the role of the novel in relation to the mass writing platforms that dominate our digital lives. Aarthi is at work on a book called We the Platform: Contemporary Literature after Web 2.0, and she explains how the novel can mark the invisible infrastructures of the internet, defamiliarize the “computational surround” of everyday life, and give us new angles on writing with and against bots. Join us to hear about the novelists and critics appearing in Season 9 of Novel Dialogue and to find out what Aarthi's students say when asked: "What would you never automate even if you could?"Mentions-Jennifer Egan: “Black Box”-Teju Cole: Small Fates, Tremor-Lauren Oyler: Fake Accounts-Stewart Home-Tom McCarthy: Satin Island-Yxta Maya Murray: Art Is Everything-Fred Benenson-Xu Bing: Book from the Ground-Rachel Cusk: TransitNaomi Alderman-R.F. Kuang: Yellowface-Sally Rooney: Beautiful World, Where Are You-Sheila Heti, “According to Alice” Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The People of the Book and the Camera: Photography in the Hebrew Novel (Syracuse UP, 2022), Amihay offers a pioneering study of the unique nexus between literature and photography in the works of Hebrew authors. Exploring the use of photography--both as a textual element and through the inclusion of actual images-- Amihay shows how the presence of visual elements in a textual work of fiction has a powerful subversive function. Contemporary Hebrew authors have turned to photography as a tool to disrupt narratives and give voice to marginalized sectors in Israel, including women, immigrants, Mizrahi Israelis, LGBTQ+ individuals, second-generation Holocaust survivors, and traumatized army veterans.Amihay discusses standard novels alongside graphic novels, challenging the dominance of the written word in literature. In addition to providing a poetic analysis of imagetext pages, Amihay addresses the social and political issues authors are responding to, including gender roles, Zionism, the ethnic divide in Israel, and its Palestinian minority. In exploring these avant-garde novels and their authors, Amihay elevates their significance and calls for a more expansive definition of canonical Hebrew literature. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Glorious Bodies: Trans Theology and Renaissance Literature (U Chicago Press, 2024) offers a prehistory of transness that recovers early modern theological resources for trans lifeworlds. In this striking contribution to trans history, Colby Gordon challenges the prevailing assumption that trans life is a byproduct of recent medical innovation by locating a cultural imaginary of transition in the religious writing of the English Renaissance. Marking a major intervention in early modern gender studies, Glorious Bodies insists that transition happened, both socially and surgically, hundreds of years before the nineteenth-century advent of sexology. Pairing literary texts by Shakespeare, Webster, Donne, and Milton with a broad range of primary sources, Gordon examines the religious tropes available to early modern subjects for imagining how gender could change. From George Herbert’s invaginated Jesus and Milton’s gestational Adam to the ungendered “glorious body” of the resurrection, early modern theology offers a rich conceptual reservoir of trans imagery. In uncovering early modern trans theology, Glorious Bodies mounts a critique of the broad consensus that secularism is a necessary precondition for trans life, while also combating contemporary transphobia and the right-wing Christian culture war seeking to criminalize transition. Developing a rehabilitative acco unt of theology’s value for positing trans lifeworlds, this book leverages premodern religion to imagine a postsecular transness in the present. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

While scholars of ancient Mediterranean literature have focused their efforts heavily on explaining why authors would write pseudonymously or anonymously, less time has been spent exploring why an author would write orthonymously (that is, under their own name).The Author in Early Christian Literature (Cambridge UP, 2025) explores how early Christian writers began to care deeply about 'correct' attribution of both Christian and non-Christian literature for their own apologetic purposes, as well as how scholars have overlooked the function that orthonymity plays in some early Christian texts. Orthonymity was not only a decision made by a writer regarding how to attribute one's own writings, but also how to classify other writers' texts based on proper or improper attribution. This Element urges us to examine forms of authorship that are often treated as an unexamined default, as well as to more robustly consider when, how, for whom, and for what purposes an instance of authorial attribution is deemed 'correct.New Books in Late Antiquity is Presented by Ancient Jew ReviewChance Bonar is a postdoc at Tufts University.Michael Motia teaches in the classics and religious studies department at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies