New Books in Literary Studies

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written. Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things: Writing and Materiality in Early Modern China (Columbia UP, 2023) broadens understandings of the links between the literary and the material.Huijun Mai is an Assistant Professor in Medieval Chinese Studies at the University of California, Los Angeles. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A compelling study of medical and literary imaginations, Anne Linton's Unmaking Sex: The Gender Outlaws of Nineteenth-Century France (Cambridge University Press, 2022) examines the complex relationship between modes of seeing, thinking, and writing intersex bodies and lives. In this project, Linton brings a rich archive of medical cases from 1800 to 1902 into dialogue with canonical nineteenth-century authors (Honoré de Balzac, Théophile Gautier, and Emile Zola), as well as an impressive range of less well-known writers and popular fictions that captivated French readers during the period. Challenging the (Foucauldian) emphasis on the principle of a "true sex" that apparently preoccupied French doctors following the Napoleonic Code's regulation of sexual identification (within three days of birth), Linton looks at multiple instances in which the instability of sex, the uncertainties of bodies and their stories, came up again and again for medical and other observers. Revisiting the well-known case of Herculine Barbin, Linton situates Barbin's own account within the wider medical and literary worlds of nineteenth-century France. The book's earlier chapters lay a historical groundwork for subsequent closer readings of fictions that responded and contributed to a broader cultural fascination with sexual and gender identities, desires, and ambiguities. While historically specific in its research and arguments, Unmaking Sex offers much to readers interested in the past and present politics of medical, legal, and cultural debates surrounding intersex people, with implications well beyond the French context.Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Olga V. Solovieva's book The Russian Kurosawa: Transnational Cinema, Or the Art of Speaking Differently (Oxford UP. 2023) offers a new historical perspective on the work of the renowned Japanese film director Akira Kurosawa. It uncovers Kurosawa's debt to the intellectual tradition of Japanese-Russian democratic dissent, reflected in the affinity for Kurosawa's worldview expressed by such Russian directors as Grigory Kozintsev and Andrei Tarkovsky. Through a detailed discussion of the Russian subtext of Kurosawa's cinema, most clearly manifested in the director's films based on Dostoevsky, Tolstoy, Gorky, and Arseniev, the book shows that Kurosawa used Russian intertexts to deal with the most politically sensitive topics of postwar Japan. Locating the director in the cultural tradition of Russian-inflected Japanese anarchism, the book challenges prevalent views of Akira Kurosawa as an apolitical art house director or a conformist studio filmmaker of muddled ideological alliances by offering a philosophically consistent picture of the director's participation in post-war debates on cultural and political reconstruction.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A novel about womanhood, modern family, and the interior landscape of maternal life, as seen through the life of a young wife and mother on a single day.At night, Maisie Moore dreams that her life is perfect: the looming mortgages and credit card debt have magically vanished, and she can raise her four children, including newborn Esme, on an undulating current of maternal bliss, by turns oceanic and overwhelming, but awash in awe and wonder. Then she jolts awake and, after checking that her husband and baby are asleep beside her, remembers the real-world money problems to be resolved amid the long days of grocery shopping, gymnastics practices, and soccer games. From this moment, Eliza Minot draws readers into the psyche of the perceptive and warmhearted Maisie, who yearns to understand the world around her and overflows with fierce love for her growing family.Unfolding over the course of a single day in which Maisie and her husband take their children to pick apples, In the Orchard (Knopf, 2023) is luminous, masterfully crafted, revelatory--a shining exploration of motherhood, childhood, and love.Eliza Minot is the author of the critically acclaimed novels THE TINY ONE, THE BRAMBLES, and IN THE ORCHARD published by Knopf/Vintage. Her books have been named to various lists, including The New York Times Notable, Booksense 76, Nancy Pearl’s, and Oprah’s Top Ten Summer Picks. She went to Barnard College and received her MFA from Rutgers-Newark, where she was a Presidential Fellow. She has taught at Rutgers-Newark, Barnard College, and NYU. She received the Maplewood Library Literary Award in 2023. She grew up the youngest of seven children in Manchester-by-the-Sea, Massachusetts. She lives in Maplewood, NJ, with her family.Recommended Books: Anne Patchett, Tom Lake (audiobook) Barbara Kingsolver, Demon Copperhead (audiobook) Victor Frankl, Man’s Search for Meaning DOIREANN NIě GHRIěOFA, Ghost in the Throat Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Despite their literary and cultural significance, Afro-Latino memoirs have been marginalized in both Latino and African American studies. Trent Masiki remedies this problem by bringing critical attention to the understudied African American influences in Afro-Latino memoirs published after the advent of the Black Arts movement. In The Afro-Latino Memoir: Race, Ethnicity and Literary Interculturalism (University of North Carolina Press, 2023) Masiki argues that these memoirs expand on the meaning of racial identity for both Latinos and African Americans. Using interpretive strategies and historical methods from literary and cultural studies, Masiki shows how Afro-Latino memoir writers often turn to the African American experience as a model for articulating their Afro-Latinidad. African American literary production, expressive culture, political ideology, and religiosity shaped Afro-Latino subjectivity more profoundly than typically imagined between the post-war and post-soul eras. Masiki recovers this neglected history by exploring how and why Black nationalism shaped Afro-Latinidad in the United States.Trent Masiki is assistant professor of Africana Studies at Worchester Polytechnic Institute. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

To hyphenate or not to hyphenate has been a central point of controversy since before the imprinting of the first Gutenberg Bible. And yet, the hyphen has persisted, bringing and bridging new words and concepts.Hyphen (Bloomsbury, 2021) by Dr. Pardis Mahdavi is part of the Object Lessons series and follows the story of the hyphen from antiquity-"Hyphen” is derived from an ancient Greek word meaning “to tie together” -to the present, but also uncovers the politics of the hyphen and the role it plays in creating identities. The journey of this humble piece of connective punctuation reveals the quiet power of an orthographic concept to speak to the travails of hyphenated individuals all over the world. Hyphen is ultimately a compelling story about the powerful ways that language and identity intertwine.Mahdavi-herself a hyphenated Iranian-American-weaves in her own experiences struggling to find a sense of self amidst feelings of betwixt and between. Through stories of the author and three other individuals, Hyphen collectively considers how to navigate, articulate, and empower new identities.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today’s guest is Jonathan Kramnick, the author of a new book, Criticism and Truth: On Method in Literary Studies (University of Chicago Press, 2023). Criticism and Truth offers a formal analysis of the particular practices and habits of academic literary criticism, within the context of the transformations brought on by the Great Recession of 2008 and the Covid-19 pandemic. In this book, Jonathan describes close reading as a “creative, immersive, and transformative writing practice that fosters a unique kind of engagement with the world.” The case for literary study is made not through an appeal to contemporary relevance or intellectual abstraction—but in the material specificity of how literary criticism is done. Though it may share its objects of study with linguistics or history, as a scholarly discipline, literary criticism gains insight from an intimacy with and even mimicry of its object of study.Jonathan Kramnick is Professor of English at Yale University. Previously, he has published the monographs Paper Minds: Literature and the Ecology of Consciousness (Chicago, 2018), Actions and Objects from Hobbes to Richardson (Stanford, 2010), and Making the English Canon: Print Capitalism and the Cultural Past, 1700-1770 (Cambridge, 1999). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Where were the Brontë sisters actually born? If this was a quiz question, most people would give the wrong answer. Even standard books on the Brontë family often gloss over the fact that Charlotte, Emily and Anne – along with their wayward brother Branwell – were all born between 1815 and 1820 in Thornton, a village on the edge of Bradford, and not at the famous Brontë Parsonage in nearby Haworth. The original hearth in front of which they were born – and the modest terraced property in Market Street, Thornton still housing that historic fireplace – is surprisingly little-known even among Bronte enthusiasts.All that is about to change. A group of dedicated volunteers, backed by a couple of grants and a lot of crowdfunding, has just bought the long-neglected house and will soon embark on transforming it into an arts and education project with a difference. Under the banner ‘Be More Brontë’, local youngsters will be introduced to the Bronte sisters, hear about wonderful books such as Jane Eyre and Wuthering Heights, and be encouraged to explore their imaginations and their own future dreams.By 2025, the Brontë Birthplace will be open to the public, featuring a café, a lively programme of educational, community and creative events, and even three guest rooms (named after Charlotte, Emily and Anne respectively) where visitors can stay the night.In this podcast, Duncan McCargo talks to two Brontë Birthplace committee members about the project, and about what the Brontes mean to them. Christa Ackroyd is a former regional television news presenter, while Steve Stanworth is a local historian responsible for the restoration of the nearby Brontë Bell Chapel site.Your support is still needed: please visit brontebirthplace.com to offer financial assistance, or to find out how you can get involved.Duncan McCargo is a professor of global affairs at Nanyang Technological University in Singapore, and a host on the NBN Literature Channel. Full disclosure: he is also a patron of the Brontë Birthplace. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Since the age of Tolstoy, Dostoevsky, and Chekhov, Russian literature has posed questions about good and evil, moral responsibility, and human freedom with a clarity and intensity found nowhere else. In Wonder Confronts Certainty: Russian Writers on the Timeless Questions and Why Their Answers Matter (Harvard University Press, 2023), Dr. Gary Saul Morson delineates intellectual debates that have coursed through two centuries of Russian writing, as the greatest thinkers of the empire and then the Soviet Union enchanted readers with their idealism, philosophical insight, and revolutionary fervor.Dr. Morson describes the Russian literary tradition as an argument between a radical intelligentsia that uncompromisingly followed ideology down the paths of revolution and violence, and writers who probed ever more deeply into the human condition. The debate concerned what Russians called “the accursed questions”: If there is no God, are good and evil merely human constructs? Should we look for life’s essence in ordinary or extreme conditions? Are individual minds best understood in terms of an overarching theory or, as Tolstoy thought, by tracing the “tiny alternations of consciousness”? Exploring apologia for bloodshed, Dr. Morson adapts Mikhail Bakhtin’s concept of the non-alibi—the idea that one cannot escape or displace responsibility for one’s actions. And, throughout, Dr. Morson isolates a characteristic theme of Russian culture: how the aspiration to relieve profound suffering can lead to either heartfelt empathy or bloodthirsty tyranny.What emerges is a contest between unyielding dogmatism and open-minded dialogue, between heady certainty and a humble sense of wonder at the world’s elusive complexity—a thought-provoking journey into inescapable questions.Gary Saul Morson is without a doubt one of the leading specialists on 19th and 20th century Russian literature. He is professor of Arts and Humanities at Northwestern University. And he is perhaps one of the few writers who has written for both The New Criterion and the New York Review of Books. Charles Coutinho, PH. D., Associate Fellow of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this interview the distinguished historian Jackson Lears talks about his latest book, Animal Spirits: The American Pursuit of Vitality from Camp Meeting to Wall Street (FSG, 2023), which explores an alternative American cultural history by tracking the thinkers who championed the individual’s spontaneous energies and the idea of a living universe against the strictures of conventional religion, business, and politics. From Puritan times to today, Lears traces ideas and fads such as hypnosis and faith healing from the pulpit and stock exchange to the streets and the betting table. We meet the great prophets of American vitality, from Walt Whitman and William James to Andrew Jackson Davis (the “Poughkeepsie Seer”) and the “New Thought” pioneer Helen Wilmans, who spoke of the “god within—rendering us diseaseless incarnations of the great I Am."Well before John Maynard Keynes stressed the reliance of capitalism on investors’ “animal spirits,” these vernacular vitalists established an American religion of embodied mind that also suited the needs of the marketplace. In the twentieth century, the vitalist impulse would be enlisted in projects of violent and racially charged national regeneration by Theodore Roosevelt and his legatees, even as African American writers confronted the paradoxes of primitivism and the 1960s counterculture imagined new ways of inspiriting the universe. Today, scientists are rediscovering the best features of the vitalist tradition—permitting us to reclaim the role of chance and spontaneity in the conduct of our lives and our understanding of the cosmos. Have a listen to our conversation here.Erika Monahan is the author of The Merchants of Siberia: Trade in Early Modern Eurasia (Cornell UP, 2016) and a 2023-2024 Alexander von Humboldt Fellow. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies