New Books in Literary Studies

An intellectual who hated intellectuals, a socialist who didn't trust the state--our foremost political essayist and author of Animal Farm and Nineteen Eighty-Four was a man of stark, puzzling contradictions. Knowing Orwell's life and reading Orwell's works produces just as many questions as it answers.Celebrated Orwell biographer D. J. Taylor guides fans and new readers alike through the many twists and turns of Orwell's books, life and thought. As a writer he intended his works to be transparent and instantly accessible, yet they are also full of secrets and surprises, tantalising private histories, and psychological quirks. From his conflicted relationship with religion to his competing anti-imperialism and fascination with empire, Who Is Big Brother?: A Reader's Guide to George Orwell (Yale UP, 2024) delves into the complex development of this essential yet enigmatic voice.Taylor leads us through Orwell's principal writings and complex life--crafting an illuminating guide to one of the most enduringly relevant writers in the English language. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Contemporary Chinese film and literature often draw on time-honored fantastical texts and tales which were founded in the milieu of patriarchy, parental authority, heteronormativity, nationalism, and anthropocentrism. Cathy Yue Wang's Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy (Wayne State University Press, 2023) examines the processes by which modern authors and filmmakers reshape these traditional tales to develop new narratives that interrogate the ingrained patriarchal paradigm. Through a rigorous analysis, Wang delineates changes in both content and narrative that allow contemporary interpretations to reimagine the gender politics and contexts of the tales retold. With a broad transmedia approach and a nuanced understanding of intertextuality, this work contributes to the ongoing negotiation in academic and popular discourse between past and present, traditional and contemporary, and text and reality in a globalized and postmodern world. Snake Sisters and Ghost Daughters offers an engaging interdisciplinary investigation of issues at the heart of these traditional tales such as gender and status hierarchy, marriage and family life, and in-group/out-group distinction. Beyond the content of these individual stories, Wang ties these narratives together across time using cognitive literary criticism, especially affective narratology, to shed new light on the adaptation of literary and cultural texts and their sociopolitical contexts.Dr. Cathy Yue Wang is a lecturer in Department of Chinese Language and Literature, School of Humanities, Shanghai Normal University in China. She received her PhD from Macquarie University in Australia. She is particularly interested in applying feminist and queer perspectives into examinations of adaptation and retelling, children and young adult literature, as well as boys’ love subculture and fandom in the East Asian context. She is the author of Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy (Wayne State University Press, 2023) and editor of Catching Chen Qing Ling: The Untamed and Adaptation, Production, and Reception in Transcultural Contexts (Peter Lang, forthcoming).Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Through an original framework of literary sensory studies, Sensing the Sinophone: Urban Memoryscapes in Contemporary Fiction (Cambria, 2022) provides a comparative analysis of how six contemporary works of Sinophone fiction reimagine the links between the self and the city, the past and the present, as well as the physical and the imaginary. It explores the connection between elusive memories and material cityscapes through the matrix of the senses. Joining recent efforts to imagine world literature beyond the international, this monograph engages in a triangular comparison of fiction from Hong Kong, Shanghai, and Taipei – three Sinophone cities, each with its own strong urban identity that comes with unique cultural and linguistic hybridities.Sensing the Sinophone combines narratological tools for studying time in fiction with critical concepts of spatiality in order to establish an analytical focus on narrative voice and reliability (including the inaccuracy of memory), structural non-linearity (such as mental time travel), and the construction of fictional parallel cities as loci for plot development. In this study, the conventional sensorium and its role in recollection is explored and amplified to include whole-body sensations, habitual synesthesia, and the emotional aspects of sensations that produce a sense of place or self.Astrid Møller-Olsen is an international research fellow with Lund University (Sweden), University of Stavanger (Norway), and University of Oxford (United Kingdom); her position is funded by the Swedish Research Council. Dr. Møller-Olsen holds an MA in comparative literature and a PhD in Chinese studies. Her research has been published in Modern Chinese Literature and Culture, SFRA Review, Canadian Review of Comparative Literature, Prism: Theory and Modern Chinese Literature, and International Journal of Heritage Studies. She hosts the podcast Sinophone Unrealities and the literary blog xiaoshuo.blog.Tong He is a Lecturer in English at Central China Normal University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Written by iconic Egyptian novelist Ihsan Abdel Kouddous, this classic of love, desire, and family breakdown smashed through taboos when first published in Arabic and continues to captivate audiences todayIt is 1950s Cairo and 16-year-old Amina is engaged to a much older man. Despite all the excitement of the wedding preparations, Amina is not looking forward to her nuptials. And it is not because of the age gap or because of the fact that she does not love, or even really know, her fiancé. No, it is because she is involved with another man.This other man is Dr Hashim Abdel-Latif, and while he is Amina’s first love, she is certainly not his. Also many years her senior, Hashim is well-known in polite circles for his adventures with women. A Nose and Three Eyes tells the story of Amina’s love affair with Hashim, and that of two other young women: Nagwa and Rahhab.A Nose and Three Eyes is a story of female desire and sexual awakening, of love and infatuation, and of exploitation and despair. It quietly critiques the strictures put upon women by conservative social norms and expectations, while a subtle undercurrent of political censure was carefully aimed at the then Nasser regime. As such, it was both deeply controversial and wildly popular when first published in the 1960s. Still a household name, this novel, and its author, have stood the test of time and remain relevant and highly readable today.Ihsan Abdel Kouddous (Author, 1919–1990) is one of the most prolific and popular writers of Arabic fiction of the twentieth century. Born in Cairo, Egypt, Abdel Kouddous graduated from law school in 1942 but left his law practice to pursue a long and successful career in journalism. He was an editor at the daily Al-Akhbar and the weekly Rose al-Yusuf, and was editor-in-chief of Al-Ahram. The author of dozens of books, his controversial writings and political views landed him in jail more than once. A Nose and Three Eyes is his second book to be translated into English, and his first was I Do Not Sleep.Hanan al-Shaykh (Foreword by) was born and raised in Beirut. She is the author of The Story of Zahra, Women of Sand and Myrrh, Beirut Blues, and Only in London, which was shortlisted for the Independent Foreign Fiction Prize. She lives in London.Jonathan Smolin (Translated by) is the Jane and Raphael Bernstein Professor in Asian Studies at Dartmouth College in the US. He is the translator of several works of Arabic fiction, including Whitefly by Abdelilah Hamdouchi, A Rare Blue Bird Flies with Me by Youssef Fadel, and I Do Not Sleep and A Nose and Three Eyes by Ihsan Abdel Kouddous and the author of The Politics of Melodrama: The Cultural and Political Lives of Ihsan Abdel Kouddous and Gamal Abdel Nasser (forthcoming Stanford University Press). He lives in Hanover, NH.Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Adam Kabat’s The River Imp and the Stinky Jewel and Other Tales: Monster Comics from Edo Japan (Columbia UP, 2023) is an in-depth introduction to the rich and ribald world of kibyōshi, a short-lived (1778-1807) subgenre of books combining text and illustration on the same page, much like comic books and manga today. This book presents a selection of five kibyōshi in which monsters play central roles. Each of these short books is reproduced in its entirety, accompanied by Kabat’s translations and commentary. Kabat’s selection of tales communicates the entertainment value and thematic variety of these stories, as well as their deep web of interconnections with contemporary culture and the urban economy. The book will be of interest not only to scholars of premodern history and literature, but also to a larger audience including the growing ranks of manga and anime fans. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This book analyses the way that changes in the comics industry, book trade and webcomics distribution have shaped the publication of long-form comics. The US Graphic Novel (Edinburgh UP, 2022) pays particular attention to how the concept of the graphic novel developed through the twentieth century. Art historians, journalists, and reviewers debated whether it was possible for a comic to be a novel – debates that accelerated after the term ’graphic novel’ was coined by the comics fan Richard Kyle in 1964. This study underlines the proximity of the graphic novel to other media, showing that this cultural form is not only the meeting place between periodical comics and books, but that graphic novels are in dialogue with films, posters and computer screens.Dr. Paul Williams is an Associate Professor of Twentieth-Century literature and culture at the University of Exeter in the UK. His research is centrally concerned with comics and graphic novels. His monograph Dreaming the Graphic Novel broke new ground by explaining how graphic novels were published, circulated, and discussed in North America between the mid-1960s and 1980. Dr. Williams has also co-curated the exhibition The Great British Graphic Novel at the Cartoon Museum in London, which was visited by over 10,000 people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Seamus O’Malley is an associate professor at Yeshiva University. His first book was Making History New: Modernism and Historical Narrative (Oxford University Press, 2015). He has co-edited three volumes, one of essays on Ford Madox Ford and America (Rodopi, 2010), a research companion to Ford (Routledge, 2018) and a volume of essays on the cartoonists Julie Doucet and Gabrielle Bell (Mississippi, 2018). He is the chair of the Ford Madox Ford Society and co-chair of the Columbia University Seminar for Irish Studies.In this interview he discusses his new book, Irish Culture and "The People": Populism and Its Discontents (Oxford UP, 2022), a study of the rhetoric of populism and uses of the seemingly simple concept “The People” in Irish political and literary discourse.Irish Culture and ‘The People’ argues that populism has been a shaping force in Irish literary culture. Populist moments and movements have compelled authors to reject established forms and invent new ones. Sometimes, as in the middle period of W.B. Yeats's work, populism forces a writer into impossible stances, spurring ever greater rhetorical and poetic creativity. At other times, as in the critiques of Anna Parnell or Myles na gCopaleen, authors penetrate the rhetoric fog of populist discourse and expose the hollowness of its claims. Yet in both politics and culture, populism can be a generative force. Daniel O'Connell, and later the Land League, utilized populist discourse to advance Irish political freedom and expand rights. The most powerful works of Lady Gregory and Ernie O'Malley are their portraits of The People that borrows from the populist vocabulary. While we must be critical of populist discourse, we dismiss it at our loss. This study synthesizes existing scholarship on populism to explore how Irish texts have evoked "The People"--a crucial rhetorical move for populist discourse--and how some writers have critiqued, adopted, and adapted the languages of Irish populisms.Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Never before have comics seemed so popular or diversified, proliferating across a broad spectrum of genres, experimenting with a variety of techniques, and gaining recognition as a legitimate, rich form of art. Openness of Comics: Generating Meaning within Flexible Structures (UP of Mississippi, 2016) examines this trend by taking up philosopher Umberto Eco's notion of the open work of art, whereby the reader--or listener or viewer, as the case may be--is offered several possibilities of interpretation in a cohesive narrative and aesthetic structure. Ahmed delineates the visual, literary, and other medium-specific features used by comics to form open rather than closed works, methods by which comics generate or limit meaning as well as increase and structure the scope of reading into a work. Ahmed analyzes a diverse group of British, American, and European (Franco-Belgian, German, Finnish) comics. She treats examples from the key genre categories of fictionalized memoirs and biographies, adventure and superhero, noir, black comedy and crime, science fiction and fantasy. Her analyses demonstrate the ways in which comics generate openness by concentrating on the gaps essential to the very medium of comics, the range of meaning ensconced within words and images as well as their interaction with each other. The analyzed comics, extending from famous to lesser known works, include Will Eisner's The Contract with God Trilogy, Jacques Tardi's It Was the War of the Trenches, Hugo Pratt's The Ballad of the Salty Sea, Edmond Baudoin's The Voyage, Grant Morrison and Dave McKean's Arkham Asylum, Neil Gaiman's Sandman series, Alan Moore and Eddie Campbell's From Hell, Moebius's Arzach, Yslaire's Cloud 99 series, and Jarmo Mäkilä's Taxi Ride to Van Gogh's Ear.Dr. Maaheen Ahmed is associate professor of comparative literature at Ghent University, Belgium. Dr. Ahmed is the primary investigator of the COMICS Project, which is focused on the intercultural history of children and comics. Dr. Ahmed is author of Monstrous Imaginaries: The Legacy of Romanticism in Comics and Openness of Comics: Generating Meaning within Flexible Structures, both published by University Press of Mississippi. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Stephanie Bastek has been with The American Scholar for 10 years, where she is now senior editor. She hosts and produces the magazine’s Smarty Pants podcast, with has just returned with a new miniseries called “Exploding the Canon” about the student protests at her alma mater, Reed College, over the mandatory freshmen humanities course eight years ago.The American Scholar plays a unique role in the literary-journalism realm: its writings often offer a response to newsworthy events but may do through an interdisciplinary approach that weaves in history or literature, for example, and aims to be far-ranging and reflective. In this episode, the first essay we focus on is Hugh Martin’s “Shooting a Dog” from the Winter 2024 issue. Set in Iraq, it invokes a parallel to George Orwell’s essay “Shooting an Elephant” set in what was then called Burma. In each case, the supposedly superior Westerner fears being seen as a fool by those he lords over. Similar tensions involving masculine pride, patriotism, and more, surface here. A second essay being covered is “The Lives of Bryan” by Jennifer Sinor from the Summer 2023 issue. The author’s brother has had four previous brushes with death, before a heart attack ends his life. A distraught father’s insistence that what Bryan has hoarded in his mobile equates to “throwing away a piece of your brother,” brings up issues of loss, transience, and the uncertain vagaries we all try to navigate as best we can. “An Outrage Sacred to the Gods” by Greg Afinogenov from the Winter 2024 issue explores his father’s death, and the role of alcoholism as a death wish that the author struggles to overcome in his own life. With “I’ll Be Seeing You” by Patricia Hampl from the Spring 2023 issue, being an outsider is front and center. Hampl has made a pilgrimage to visit a close associate of the writer Katherine Mansfield, only to be rebuffed, leading to a more fruitful connection with her guide for the occasion, an editor whose “pure homosexual” accent places him, like his American visitor, outside England’s class structure.Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Anne Enright, writer, critic, Booker winner, kindly makes time for Irish literature maven Paige Reynolds and ND host John Plotz. She reads from The Wren, The Wren (Norton, 2023) and discusses the “etherized” state of our inner lives as they circulate on social media. Anne says we don't yet know if the web has become a space of exposure or of authority, but that the state of diffusion we all exist in is “pixilated”--though perhaps we can take comfort from the fact that “Jeff Bezos...is not as interested in your period as you might think.”Anne speaks of “a moment of doom” when a writer simply commits to a character, unlovely as they may or must turn out to be. (Although The Wren The Wren harbors one exception: “Terry is lovely.”) She also gently corrects one reviewer: her characters aren’t working class, they're "just Irish." Asked about teaching, Anne emphasizes giving students permission to write absolutely anything they want--while simultaneously “mortifying them...condemning them to absolute hell” by pointing out the need to engage in contemporary conversation. Students should aim for writing that mixes authority with carelessness. However, “to get to that state of carefree expression is very hard.”Although tempted by Lewis Carroll and Kenneth Grahame, Anne has a clear winner when it comes to the signature question: A. A. Milne’s Now We are Six. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies