New Books in Literary Studies

Love Me Fierce In Danger: The Life of James Ellroy (Bloomsbury, 2023) is the story of James Ellroy, one of the most provocative and singular figures in American literature. The so-called “Demon Dog of Crime Fiction,” Ellroy enjoys a celebrity status and notoriety that few authors can match. However, traumas from the past have shadowed his literary success.When Ellroy was ten years old, his mother was brutally murdered. The crime went unsolved, and her death marked the start of a long and turbulent road for Ellroy that has included struggles with alcoholism, drug addiction, homelessness, and jail time. In tracing his life and career, Steven Powell reveals how Ellroy's upbringing in LA, always on the periphery of Hollywood, had a profound and dark influence on his work as a novelist. Using new sources, Powell also uncovers Ellroy's family secrets, including the mysterious first marriage of his mother Jean Ellroy, eighteen years before her murder. At its heart, Love Me Fierce in Danger is the story of how Ellroy overcame his demons to become the bestselling and celebrated author of such classics as The Black Dahlia and LA Confidential.Informed by interviews with friends, family, peers, and literary and Hollywood collaborators, as well as extensive conversations with Ellroy himself, Love Me Fierce In Danger pulls back the curtain on an enigmatic figure who has courted acclaim and controversy with equal zealotry.Steven Powell is an Honorary Fellow in the English Department at the University of Liverpool, UK. He is the editor of Conversations with James Ellroy (2012) and 100 American Crime Writers (2012). His most recent work is James Ellroy: Demon Dog of Crime Fiction (2016).Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His writing and other interviews about literature and film can also be found on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Persevering with our literary theme this season, in this episode Claudia Radiven and Chella Ward chat to A. M. Dassu about her books for young readers. Az is a children’s author of fiction and non-fiction, whose books include Fight Back (Tu Books, 2022) and Boy, Everywhere (Tu Books, 2021). Her books engage young readers with themes of migration, activism and political solidarity, and she often writes Muslim characters whose Muslimness is more than simply an aspect of their culture or heritage but plays an important role in their characterisation. We talked to her about her work for different age groups, about what it means to write Muslim characters with their own agency, and about the contexts in which children encounter Islamophobia and other racisms. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Theater As Data: Computational Journeys Into Theater Research (U Michigan Press, 2021), Miguel Escobar Varela explores the use of computational methods and digital data in theater research. He considers the implications of these new approaches, and explains the roles that statistics and visualizations play. Reflecting on recent debates in the humanities, the author suggests that there are two ways of using data, both of which have a place in theater research. Data-driven methods are closer to the pursuit of verifiable results common in the sciences; and data-assisted methods are closer to the interpretive traditions of the humanities. The book surveys four major areas within theater scholarship: texts (not only playscripts but also theater reviews and program booklets); relationships (both the links between fictional characters and the collaborative networks of artists and producers); motion (the movement of performers and objects on stage); and locations (the coordinates of performance events, venues, and touring circuits). Theater as Data examines important contributions to theater studies from similar computational research, including in classical French drama, collaboration networks in Australian theater, contemporary Portuguese choreography, and global productions of Ibsen. This overview is complemented by short descriptions of the author's own work in the computational analysis of theater practices in Singapore and Indonesia. The author ends by considering the future of computational theater research, underlining the importance of open data and digital sustainability practices, and encouraging readers to consider the benefits of learning to code. A web companion offers illustrative data, programming tutorials, and videos. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Bombarded with the equivalent of one Hiroshima bomb a day for half a century, Pacific people have long been subjected to man-made cataclysm. Well before climate change became a global concern, nuclear testing brought about untimely death, widespread diseases, forced migration, and irreparable destruction to the shores of Oceania. In The Ocean on Fire: Pacific Stories from Nuclear Survivors and Climate Activists (Duke UP, 2023), Anaïs Maurer analyzes the Pacific literature that incriminates the environmental racism behind radioactive skies and rising seas. Maurer identifies strategies of resistance uniting the region by analyzing an extensive multilingual archive of decolonial Pacific art in French, Spanish, English, Tahitian, and Uvean, ranging from literature to songs and paintings. She shows how Pacific nuclear survivors’ stories reveal an alternative vision of the apocalypse: instead of promoting individualism and survivalism, they advocate mutual assistance, cultural resilience, South-South transnational solidarities, and Indigenous women’s leadership. Drawing upon their experience resisting both nuclear colonialism and carbon imperialism, Pacific storytellers offer compelling narratives to nurture the land and each other in times of global environmental collapse. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this elegantly written study Rival Wisdoms: Reading Proverbs in the Canterbury Tales (Penn State University Press, 2024), Dr. Nancy Mason Bradbury situates Chaucer’s last and most ambitious work in the context of a zeal for proverbs that was still rising in his day. Rival Wisdoms demonstrates that for Chaucer’s contemporaries, these tiny embedded microgenres could be potent, disruptive, and sometimes even incendiary.In order to understand Chaucer’s use of proverbs and their reception by premodern readers, we must set aside post-Romantic prejudices against such sayings as prosaic and unoriginal. The premodern focus on proverbs conditioned the literary culture that produced the Canterbury Tales and helped shape its audience’s reading practices. Aided by Thomas Speght’s notations in his 1602 edition, Dr. Bradbury shows that Chaucer acknowledges the power of the proverb, reflecting on its capacity for harm as well as for good and on its potential to expand and deepen—but also to regulate and constrict—the meanings of stories. Far from banishing proverbs as incompatible with the highest reaches of poetry, Chaucer places them at the center of the liberating interpretive possibilities the Canterbury Tales extends to its readers.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Committed: On Meaning and Madwomen (Vintage, 2024) is a critical memoir about women, reading, and mental illness. When Suzanne Scanlon was a student at Barnard in the 90s, grieving the loss of her mother—feeling untethered and swimming through inarticulable pain—she made a suicide attempt that landed her in the New York State Psychiatric Institute. After nearly three years and countless experimental treatments, Suzanne left the ward on shaky legs. In the decades after, Suzanne came to understand her suffering as part of something larger: a long tradition of women whose complicated and compromised stories of self-actualization are reduced to “crazy chick” and “madwoman” narratives. She searched for more books, more woman writers, as the journey of her life converged with her journey through the literature that shaped her. Committed is a story of discovery and of questioning linear and neat ideas of recovery. It reclaims the idea of the madwoman as a template for insight and transcendence through the works of Audre Lorde, Charlotte Perkins Gilman, Virginia Woolf, Sylvia Plath, Janet Frame, Shulamith Firestone, and others.Suzanne Scanlon is the author of the memoir Committed, which was recently published with from Vintage in Spring 2024. She is also the author of two works of fiction, Promising Young Women (Dorothy, 2012) and Her 37th Year, An Index (Noemi, 2015). Her writing has appeared in Granta, BOMB, Fence, The Iowa Review, Electric Literature’s Recommended Reading, Los Angeles Review of Books, The Millions, and elsewhere. Scanlon has a BA from Barnard College and both an MFA and an MA from Northwestern University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Suddenly, the Sight of War: Violence and Nationalism in Hebrew Poetry in the 1940s (Stanford UP, 2016) is a genealogy of Hebrew poetry written in pre-state Israel between the beginning of World War II and the War of Independence in 1948. In it, renowned literary scholar Hannan Hever sheds light on how the views and poetic practices of poets changed as they became aware of the extreme violence in Europe toward the Jews.In dealing with the difficult topics of the Shoah, Natan Alterman's 1944 publication of The Poems of the Ten Plagues proved pivotal. His work inspired the next generation of poets like Haim Guri, as well as detractors like Amir Gilboa. Suddenly, the Sight of War also explores the relations between the poetry of the struggle for national independence and the genre of war-reportage, uniquely prevalent at the time. Hever concludes his genealogy with a focus on the feminine reaction to the War of Independence showing how women writers such as Lea Goldberg and Yocheved Bat-Miryam subverted war poetry at the end of the 1940s. Through the work of these remarkable poets, we learn how a culture transcended seemingly unspeakable violence. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Yanagawa Seigan (1789–1858) and his wife Kōran (1804–79) were two of the great poets of nineteenth-century Japan. They practiced the art of traditional Sinitic poetry—works written in literary Sinitic, or classical Chinese, a language of enduring importance far beyond China’s borders. Together, they led itinerant lives, traveling around Japan teaching poetry and selling calligraphy. Seigan established Edo-period Japan’s largest poetry society and attained nationwide renown as a literary figure, as well as taking part in stealthy political activities in the years before the Meiji Restoration. Kōran was one of the most accomplished female composers of Sinitic poetry in Japanese history. After her husband’s death, she was arrested and imprisoned for six months as part of a crackdown on political reform. Seigan and Kōran’s works at once display mastery of a poetic tradition and depict Japan on the brink of monumental change.The Same Moon Shines on All: The Lives and Selected Poems of Yanagawa Seigan and Kōran (Columbia UP, 2024) explores the world of Seigan and Kōran, pairing an in-depth account of their lives and times with an inviting selection of their poetry. The book features eminent Sinologist Jonathan Chaves’s translations of more than 130 poems by Seigan and more than 50 by Kōran, each annotated and followed by the original Chinese text. An introduction by Matthew Fraleigh, a specialist in Japan’s Sinitic literature, offers insight into the historical and literary context as well as the poems themselves. Approachable and delightful, this book makes the riches of Japanese Sinitic poetry available to a range of readers. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Burn It Down: Feminist Manifestos for the Revolution (Verso, 2020), Breanne Fahs has curated a comprehensive collection of feminist manifestos from the nineteenth century to today. Fahs collected over seventy-five manifestos from around the world, calling on feminists to act, be defiant and show their rage. This thought-provoking and timely collection includes not only popular manifestos often taught in women and gender studies courses, but also introduces readers to works from feminist activists who are often placed on the margins. The eight sections of the book cover manifestos from a wide range of feminist activist spectrums: queer/trans, anticapitalist/anarchist, angry/violent, indigenous/women of color, sex/body, hacker/cyborg, trashy/punk, and witchy/bitchy. Fahs has put together a collection that has something for everyone and that is a must-need on every feminist bookshelf.Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Vanishing Vienna: Modernism, Philosemitism, and Jews in a Postwar City (U Pennsylvania Press, 2024) historian Frances Tanzer traces the reconstruction of Viennese culture from the 1938 German annexation through the early 1960s. The book reveals continuity in Vienna's cultural history across this period and a framework for interpreting Viennese culture that relies on antisemitism, philosemitism, and a related discourse of Jewish presence and absence. This observation demands a new chronology of cultural reconstruction that links the Nazi and postwar years, and a new geography that includes the history of refugees from Nazi Vienna. Rather than presenting the Nazi, exile, and postwar periods as discrete chapters of Vienna's history, Tanzer argues that they are part of a continuous spectrum of cultural evolution--the result of which was the creation of a coherent Austrian identity and culture that emerged by the 1950s. As she shows, antisemitism and philosemitism were not contradictory forces in post-Nazi Austrian culture. They were deeply interconnected aspirations in a city where nostalgia for the past dominated cultural reconstruction efforts and supported seemingly contradictory impulses. Viennese nostalgia at times concealed the perpetuation of antisemitic fantasies of the city without Jews. At the same time, the postwar desire to return to a pre-Nazi past relied upon notions of Austrian culture that Austrian Jews perfected in exile, as well as on the symbolic remigration of a mostly imagined "Jewish" culture now taxed with redeeming Austria in the aftermath of the Holocaust. From this perspective, philosemitism is much more than a simple inversion of antisemitism--instead, Tanzer argues, philosemitism, problematic as it may be, defines Vienna in the era of postwar reconstruction. In this way, Vanishing Vienna uncovers a rarely discussed phenomenon of the aftermath of the Holocaust--a society that consumes, redefines, and bestows symbolic meaning on the victims in their absence.Paul Lerner is Professor of History at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He can be reached at plerner@usc.edu and @PFLerner. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies