New Books in Literary Studies

Credited with popularizing the label "ex-wife" in 1929, Ursula Parrott wrote provocatively about divorcées, career women, single mothers, work-life balance, and a host of new challenges facing modern women. Her best sellers, Hollywood film deals, marriages and divorces, and run-ins with the law made her a household name. Part biography, part cultural history, Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott (U California Press, 2024) establishes Parrott's rightful place in twentieth-century American culture, uncovering her neglected work and keen insights into American women's lives during a period of immense social change.Although she was frequently dismissed as a "woman's writer," reading Parrott's writing today makes it clear that she was a trenchant philosopher of modernity—her work was prescient, anticipating issues not widely raised until decades after her decline into obscurity. With elegant wit and a deft command of the archive, Marsha Gordon tells a timely story about the life of a woman on the front lines of a culture war that is still raging today. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Historian Jeremy Black discusses interpreting Britain in the late 1600s through writers like Defoe, highlighting British nationalism, Defoe's outsider status, and his role as a storyteller. The podcast explores Defoe's political relationships, the collapse of King James II's regime, treaties in British history, and the genre diversity in Defoe's writing.

A missing boy. A corrupt system. A case that could change everything...When young queer dancer Wilbess "Bessy" Mulenga is arrested by corrupt police, fresh-from-the-village rookie lawyer Grace Zulu takes up his cause in her first pro bono case. Presented with a freshly beaten client, Grace protests to the police and gets barred from accessing Bessy, who then disappears from the system--and the world--without a trace. As she fights for justice for Bessy, Grace must navigate a dangerous world of corrupt politicians, traditional beliefs, and deep-seated homophobia.With the help of a former freedom fighter and the head of her law firm, who's rallying for one last fight as AIDS takes its toll on him, Grace brings together a coalition of unions, students, and political opposition to take on the corrupt administration of President Kaunda. But will justice prevail in the face of such overwhelming odds?The Lions' Den (Graydon House, 2024) is a gripping and enduring novel that will keep you on the edge of your seat from beginning to end. With unforgettable characters and a thrilling plot, Iris Mwanza has announced herself as a major new talent in fiction.Iris Mwanza is a Zambian American writer. As deputy director of the Gender Equality Division of the Bill & Melinda Gates Foundation, she leads strategy and investment for the Women in Leadership portfolio, and she has previously worked as a corporate lawyer in both Zambia and the US. Mwanza holds law degrees from Cornell University and the University of Zambia, and an MA and PhD in international relations from Johns Hopkins School of Advanced International Studies. In addition to her work at the foundation, Mwanza serves on the supervisory board of CARE International and on the board of directors of the World Wildlife Fund-US.Recommended Books: Fi, Alexandra Fuller Greenland, David Santos Donaldson Foster, Clare Keegan Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

According to Vālmīki's Sanskrit Rāmāyaṇa (early centuries CE), Śambūka was practicing severe acts of austerity to enter heaven. In engaging in these acts as a Śūdra, Śambūka was in violation of class- and caste-based societal norms prescribed exclusively by the ruling and religious elite. Rāma, the hero of the Rāmāyaṇa epic, is dispatched to kill Śambūka, whose transgression is said to be the cause of a young Brahmin's death. The works surveyed in Śambūka's Death Toll: A History of Motives and Motifs in an Evolving Rāmāyaṇa Narrative (Anthem Press, 2023) this study include numerous works originating in Hindu, Jain, Dalit and non-Brahmin communities while spanning the period from Śambūka's first appearance in the Vālmīki Rāmāyaṇa through to the present day. The book follows the Śambūka episode chronologically across its entire history--approximately two millennia--to illuminate the social, religious, legal, and artistic connections that span the entire range of the Rāmāyaṇa's influence and its place throughout various phases of Indian history and social revolution. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Jerusalem, as World War II was coming to an end, an extraordinary circle of friends began to meet at the bar of the King David Hotel. This group of aspiring artists, writers, and intellectuals—among them Wolfgang Hildesheimer, Jabra Ibrahim Jabra, Sally Kassab, Walid Khalidi, and Rasha Salam, some of whom would go on to become acclaimed authors, scholars, and critics—came together across religious lines in a fleeting moment of possibility within a troubled history. What brought these Muslim, Jewish, and Christian friends together, and what became of them in the aftermath of 1948, the year of the creation of the State of Israel and the Palestinian Nakba?Sonja Mejcher-Atassi tells the story of this unlikely friendship and in so doing offers an intimate cultural and social history of Palestine in the critical postwar period. She vividly reconstructs the vanished social world of these protagonists, tracing the connections between the specificity of individual lives and the larger contexts in which they are embedded. In exploring this ecumenical friendship and its artistic, literary, and intellectual legacies, Mejcher-Atassi demonstrates how social biography can provide a picture of the past that is at once more inclusive and more personal. This group portrait, she argues, allows us to glimpse alternative possibilities that exist within and alongside the fraught history of Israel/Palestine. Bringing a remarkable era to life through archival research and nuanced interdisciplinary scholarship, An Impossible Friendship: Group Portrait, Jerusalem Before and After 1948 (Columbia UP, 2024) unearths prospects for historical reconciliation, solidarity, and justice.Sonja Mejcher-Atassi is a professor of Arabic and comparative literature at the American University of Beirut. She is the author of Reading Across Modern Arabic Literature and Art (2012), as well as coeditor of The Theatre of Sa’dallah Wannous: A Critical Study of the Syrian Playwright and Public Intellectual (2021), Rafa Nasiri: Artist Books (2016), and Archives, Museums, and Collecting Practices in the Modern Arab World (2012). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Christina M. García’s book, Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking (University Press of Florida, 2024), looks at Cuban literature and art that challenge traditional assumptions about the body. García examines how writers and artists have depicted racial, gender, and species differences throughout the past century - specifically, how these works interact with ecologies of the human and nonhuman across diverse media, time periods, and ideologies. To answer these questions, García uses the lenses of new materialism, critical race studies, critical animal studies, queer studies, and poststructuralism and identifies historical continuities in the way they have emphasized the shared materiality of bodies. Corporeal Readings of Cuban Literature and Art demonstrates that through their attention to the connections that different kinds of bodies share, Cuban creators have long undermined rules of classification and unification, reimagining community as shared vulnerability and difference.Christina M. García is assistant professor of Spanish at the College of Charleston.Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Drawing on literary texts, conversion manuals, and colonial correspondence from sixteenth- and seventeenth-century Spain and Peru, Forms of Relation: Composing Kinship in Colonial Spanish America (University of Virginia, 2023) shows the importance of textual, religious, and bureaucratic ties to struggles over colonial governance and identities.Dr. Matthew Goldmark analyses these ties as forms of kinship forged outside of the well-studied paradigms of sex, biology, and procreation. He demonstrates how colonial actors—Spanish and Indigenous—vied for power when they argued that identity could be shaped by spiritual fatherhood, standardised education, or the regulation of doctrine.Forms of Relation illustrates why we must interrogate the dominant paradigms of mestizaje, heterosexuality, and biology that are too often left unchallenged in studies of Spanish colonialism, demonstrating how non-procreative kinships shaped the Spanish colonial regime.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Life on Earth is facing a mass extinction event of our own making. Human activity is changing the biology and the meaning of extinction. What Is Extinction?: A Natural and Cultural History of Last Animals (Fordham UP, 2023) examines several key moments that have come to define the terms of extinction over the past two centuries, exploring instances of animal and human finitude and the cultural forms used to document and interpret these events.Offering a critical theory for the critically endangered, Joshua Schuster proposes that different discourses of limits and lastness appear in specific extinction events over time as a response to changing attitudes toward species frailty. Understanding these extinction events also involves examining what happens when the conceptual and cultural forms used to account for species finitude are pressed to their limits as well. Schuster provides close readings of several case studies of extinction that bring together environmental humanities and multispecies methods with media-specific analyses at the terminus of life.What Is Extinction? delves into the development of last animal photography, the anthropological and psychoanalytic fascination with human origins and ends, the invention of new literary genres of last fictions, the rise of new extreme biopolitics in the Third Reich that attempted to change the meaning of extinction, and the current pursuit of de-extinction technologies. Schuster offers timely interpretations of how definitions and visions of extinction have changed in the past and continue to change in the present.Joshua Schuster is an associate professor of English and core faculty member of the Centre for the Study of Theory and Criticism at Western University. He is the author of The Ecology of Modernism: American Environments and Avant-Garde Poetics and co-author of Calamity Theory: Three Critiques of Existential Risk. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 2009, Fudan University launched China’s first MFA program in creative writing, spurring a wave of such programs in Chinese universities. Many of these programs’ founding members point to the Iowa Writers Workshop and, specifically, its International Writers Program, which invited dozens of Mainland Chinese writers to take part between 1979 and 2019, as their inspiration.In her book, The Transpacific Flow: Creative Writing Programs in China (Association for Asian Studies, 2024), Jin Feng explores why Chinese authors took part in the U.S. programs, and how they tried to implement its teaching methods in mainland China–clearly, a very different political and cultural environment.In this interview, Jin and I talk about the Iowa Writers Workshop, the Chinese authors that attended, and the surprising links between U.S. and Chinese academia.Jin Feng is Professor of Chinese and Japanese and the Orville and Mary Patterson Routt Professor of Literature at Grinnell College, USA. She has published four English monographs: The New Woman in Early Twentieth-Century Chinese Fiction (Purdue University Press: 2004), The Making of a Family Saga (SUNY Press: 2009), Romancing the Internet: Producing and Consuming Chinese Web Romance (Brill, 2013), and Tasting Paradise on Earth: Jiangnan Foodways (University of Washington Press, 2019), three Chinese books such as A Book for Foodies and numerous articles in both English and Chinese.You can read an excerpt of The Transpacific Flow here.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Transpacific Flow. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Growing Up in the Gutter: Diaspora and Comics (U Arizona Press, 2024) by Dr. Ricardo Quintana-Vallejo offers new understandings of contemporary graphic coming-of-age narratives by looking at the genre’s growth in stories by and for young BIPOC, LGBTQ+, and diasporic readers. Through a careful examination of the genre, Dr. Quintana-Vallejo analyses the complex identity formation of first- and subsequent-generation migrant protagonists in globalised rural and urban environments and dissects the implications that these diasporic formative processes have for a growing and popular genre.While the most traditional iteration of the bildungsroman—the coming-of-age story—follows middle-class male heroes who forge their identities in a process of complex introspection, contemporary graphic coming-of-age narratives represent formative processes that fit into, resist, or even disregard narratives of socialisation under capitalism, of citizenship, and of nationhood.Dr. Quintana-Vallejo delves into several important themes: how the coming-of-age genre can be used to study adulthood, how displacement and international or global heritage are fundamental experiences, how multi-diasporic approaches foreground lived experiences, and how queerness opens narratives of development to the study of adulthood as fundamentally diverse and nonconforming to social norms. Dr. Quintana-Vallejo shows how openness enables belonging among chosen families and, perhaps most importantly, freedom to disidentify. And, finally, how contemporary authors writing for the instruction of BIPOC children (and children otherwise affected by diaspora and displacement) use the didactic power of the coming-of-age genre, combined with the hybrid language of graphic narratives, to teach difficult topics in accessible ways.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies