New Books in Literary Studies

Today I talked to Hester Blum, editor of a new edition of Moby-Dick (Oxford UP, 2022)."It will be a strange sort of a book, tho', I fear; blubber is blubber you know; tho' you may get oil out of it, the poetry runs as hard as sap from a frozen maple tree;--& to cook the thing up, one must needs throw in a little fancy.... Yet I mean to give the truth of the thing, spite of this."Moby-Dick has a monumental reputation. Less well known are the novel's unexpectedly weird, funny, tantalizing, messy, and wondrous moments. Narrator Ishmael, along with the whaleship Pequod's other meanest mariners, and renegades and castaways, is beguiled into joining Captain Ahab in his vengeful pursuit of the white whale that dismasted him. But along the way, Ishmael takes the reader along many a detour into variegated ways of knowing. In a tone strangely compounded of fun and fury, Moby-Dick brings outlandish curiosity to bear on the multitudinous, oceanic scale of our diverse world.William Domnarski is a longtime lawyer who before and during has been a literary guy, with a Ph.D. in English. He's written five books on judges, lawyers, and courts, two with Oxford, one with Illinois, one with Michigan, and one with the American Bar Association. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

You probably already know the story of Snow White—as well as Little Red Riding Hood, Briar Rose, The Frog Prince, and so many others. These tales have a rich history of oral storytelling. They’ve travelled through culture, adapted and readapted in each retelling and reaching as far as the popular Disney movies that our kids watch over and over. Jacob and Wilhelm Grimm saw the power of this folklore and made it their life’s mission to compile and preserve it. But while we tend to think of Grimms’ Fairy Tales as stories for children, the themes found in Jacob and Wilhelm’s book can be pretty mature…and a little dark. Columbia professor Annie Pfeifer discusses how the Grimm brothers ended up creating a whole new literary genre and their stories have been shaped and molded throughout history. Annie Pfeifer is an Assistant Professor of Germanic Languages at Columbia University. She has published articles in The New German Critique, German Life and Letters, and the peer-reviewed volumes Que(e)rying Consent and Iran and the West and edited a collection of essays titled “Walk I absolutely Must” in 2019. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Frederik Ruysch (1638-1731) was a celebrated Dutch anatomist, master embalmer, and museologist. He is best remembered today for strange tableaux, crafted from fetal skeletons and other human remains, that flicker provocatively at the edges of science, art, and memento mori. Ruysch exhibited these pieces, along with hundreds of other artful specimens, in his home museum and catalogued them in his lavishly illustrated Frederik Ruysch and His Thesaurus Anatomicus (MIT Press, 2022). This book offers the first English translation of Ruysch's guide to his collection, along with all the illustrations from the original volume, photographs of some his most imaginative extant specimens, and more.Ruysch was at once a brilliant scientist, a preternaturally gifted technician, an esteemed physician, a religious moralizer, and an artist whose prime form of expression was the medium of human remains. His works were sometimes described as Rembrandts of anatomical preparation; today they seem so strange that we can hardly believe that they even existed, much less that they were so popular in their time. His combination of the religious and the scientific, the painstakingly accurate and the extravagantly fantastical, offers vivid testimony of an era in which science overlapped seamlessly with religion and art. Essays accompanying Ruysch's text and images consider such topics as the historical context of Ruysch's work, the paradox of an artist of death whose work engenders the illusion of life, the conservation of Ruysch's specimens, and the shifting ascendancies of romanticism and rationality in the natural sciences.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The African Heritage of Latinx and Caribbean Literature (Cambridge University Press, 2022) unearths a buried African archive within widely-read Latinx writers of the last fifty years. It challenges dominant narratives in World Literature and transatlantic studies that ignore Africa's impact in broader Latin American culture. Sarah Quesada argues that these canonical works evoke textual memorials of African memory. She shows how the African Atlantic haunts modern Latinx and Caribbean writing, and examines the disavowal or distortion of the African subject in the constructions of national, racial, sexual, and spiritual Latinx identity. Quesada shows how themes such as the 19th century 'scramble for Africa,' the decolonizing wars, Black internationalism, and the neoliberal turn are embedded in key narratives. Drawing from multilingual archives about West and Central Africa, she examines how the legacies of colonial French, Iberian, British and U.S. Imperialisms have impacted on the relationships between African and Latinx identities. This is the first book-length project to address the African colonial and imperial inheritance of Latinx literature. -From the Cambridge University Press website.Anna E. Lindner is a doctoral candidate in the Communication Department at Wayne State University in Detroit, Michigan. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the face of a Korean cultural world preoccupied with newness, literary output from the more measured and regulated Choson period (1392-1910) can seem difficult to engage with for readers both inside and outside the country. But as Ksenia Chizhova’s Kinship Novels of Early Modern Korea: Between Genealogical Time and the Domestic Everyday (Columbia UP, 2021) shows, a particular genre of late-Chsoson lineage novels reflect not only the staid norms of Confucian patriarchy and heredity, but also a more textured world of unruly emotions, gendered family disputes, calligraphic creativity and scandal simmering under the surface of mundane domestic life.Ed Pulford is an Anthropologist and Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and indigeneity in northeast Asia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When Thomas Mann published The Magic Mountain in 1924, tuberculosis had a deadly hold on Europe and the United States, killing one in seven adults in the late 19th and early 20th centuries. If that wasn’t enough, Mann’s writing was interrupted by the First World War, so it took him twelve years to finish the book. Mann was a modern, experimental writer who wrote about the major issues of his time—not only the war and the pandemic, but also industrialization, class resentment, and rising nationalism. The characters of The Magic Mountain live in a sanitorium, recovering from tuberculosis. The experiences they have and the people they meet there symbolize many of the big ideas circulating Europe at the time. Professor Pericles Lewis of Yale University discusses Thomas Mann’s literary legacy and the encyclopedic nature of The Magic Mountain. Pericles Lewis is the Douglas Tracy Smith Professor of Comparative Literature and Professor of English at Yale University. His works include Modernism, Nationalism, and the Novel and Religious Experience and the Modernist Novel. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is freedom? If we are free, why do we feel anxiety? How do I relate to the world? Saint Augustine of Hippo asked himself these questions around 400 AD as he wrote Confessions—indeed, as he lived his life. At various points in his life, Augustine was a Manichaean, a Platonist, an academic, a father, and a thief. He was on a quest for truth, an understanding of himself as an individual and a human being. Augustine wrote this text in his forties when he was a bishop. Formally speaking, it is a prayer, a confession to God, but it also an extremely influential philosophical text and one of the earliest ever autobiographies. Columbia Professor Dhananjay Jagannathan discusses the huge existential questions that Augustine tackled and the conclusions he drew that have influenced modern philosophy. Dhananjay Jagannathan is an Assistant Professor of Philosophy at Columbia University. His research focuses on ancient Greek and Roman philosophy and the history of ethics, and he is currently writing a book on Aristotle’s moral epistemology. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1869, Hayyim Habshush, a Yemeni Jew, accompanied the European orientalist Joseph Halévy on his archaeological tour of Yemen. Twenty years later, Habshush wrote A Vision of Yemen a memoir of their travels, that provides a vivid account of daily life, religion, and politics. More than a simple travelogue, it is a work of trickster-tales, thick anthropological descriptions, and reflections on Jewish-Muslim relations. At its heart lies the fractious and intimate relationship between the Yemeni coppersmith and the "enlightened" European scholar and the collision between the cultures each represents. The book thus offers a powerful indigenous response to European Orientalism.A Vision of Yemen: The Travels of a European Orientalist and His Native Guide--a Translation of Hayyim Habshush's Travelogue (Stanford UP, 2019) is the first English translation of Habshush's writings from the original Judeo-Arabic and Hebrew and includes an accessible historical introduction to the work. The translation maintains Habshush's gripping style and rich portrayal of the diverse communities and cultures of Yemen, offering a potent mixture of artful storytelling and cultural criticism, suffused with humor and empathy. Habshush writes about the daily lives of men and women, rich and poor, Jewish and Muslim, during a turbulent period of war and both Ottoman and European imperialist encroachment. With this translation, Alan Verskin recovers the lost voice of a man passionately committed to his land and people.Drora Arussy, EdD, MA, MJS, is the Senior Director of the ASF Institute of Jewish Experience. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In an exciting new book titled Vital Strife: Sleep, Insomnia, and the Early Modern Ethics of Care (Cornell UP, 2022), Benjamin Parris shows how early modern writing about care and sleep were deeply indebted with the Stoic principle of oikeiosis. While sleep could imperil the Christian soul, insomnia too could have deleterious effects on both communal and individual life. In Parris’s analysis, early modern writings by William Shakespeare, Jasper Heywood, John Milton, and Margaret Cavendish on the conjunction of sleep and care—and the Stoic philosophy that influenced those writers—opened onto startling revelations about both our obligation to the self and to an ethical engagement with society at large.Parris is Visiting Assistant Professor of English at the University of Pittsburgh, and his work has appeared in Shakespeare Studies, Modern Philology, and SEL: Studies in English Literature.John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1848, as political movements and events were sweeping Europe and Marx and Engels penned their famous Communist Manifesto, Kierkegaard wrote in a letter: “No, politics is not for me. To follow politics, even if only domestic politics, is nowadays an impossibility, for me, at any rate. I love to focus my attention on lesser things, in which one may sometimes encounter exactly the same.” This negation of politics (and it’s negation) is the starting point for Bartholomew Ryan with his book Kierkegaard’s Indirect Politics: Interludes with Lukacs, Schmitt, Benjamin and Adorno (Brill, 2014), which looks at Kierkegaard’s own thinking and it’s effect on several more explicitly political thinkers. Kierkegaard’s own politics are somewhat ambivalent, and one might struggle to fit them onto today’s political landscape, but Ryan has a different project in mind. Instead, Kierkegaard’s elusiveness, ambiguity and cultivation of the single individual in all their inner psychological and spiritual richness are shown to be inspiring for thinking politics and history in new ways. In the four figures Ryan looks at Kierkegaard’s presence in all their thinking, both explicit and implicit, emerging with a sophisticated form of inwardness capable of standing against despair, despotism and reification.Bartholomew Ryan is a philosophy research fellow at the NOVA Institute of Philosophy at the NOVA University Lisbon, where he works at the intersection of literature and philosophy. He is a coeditor of several books; Fernando Pessoa and Philosophy: Countless Lives Inhabit Us (2021), Faces of the Self: Autobiography, Confession, Therapy (2019), Nietzsche and Pessoa: Ensaios (2016), and Nietzsche and the Problem of Subjectivity (2015). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies