Sidedoor

Leeches don’t get a lot of love. They’re slimy, wriggly, and, well, they suck — blood that is. But there’s a lot to learn about the lowly leech. Led by a troupe of Smithsonian experts, we’ll discover how these toothy hangers-on wormed their way into medical practices, performance art, and EVERY human cavity. Yes, even that one. It's a journey of discovery from the swamp to the stage and deep into the vaults of the Smithsonian. And it just may leave you with a little more appreciation (dare we say, love?) for the bloodsuckers. 

The endangered Asian Elephant may be a conservation success story as its rapid decline appears to be stabilizing. But this has created a new set of problems. With little remaining habitat, these elephants have nowhere left to go but into roads, farms, and cities. This time on Sidedoor, we look at what happens when wild elephants go urban. 

Sidedoor returns for its seventh season on Wednesday, October 6th!

A new season of Sidedoor is just two weeks away! In the meantime, we’re sharing a special guest episode from Wonder Media Network’s podcast, “Encyclopedia Womannica.” In this episode, you’ll hear about the life of Patsy Mink, the first Asian-American woman to serve in Congress and run for U.S. President. She was also the first woman of color elected to the U.S. House of Representatives. She made a brief appearance in the Sidedoor episode, “Votes for Hawaiians,” and here you’ll hear more about how she paved the way for Asian-Americans across the nation. Encyclopedia Womannica is a daily podcast that explores the trials, tragedies and triumphs of groundbreaking women from antiquity through modernity, in just five minutes a day. You can find more episodes HERE. (https://wondermedianetwork.com/encyclopedia-womannica)

The “Men of Progress” painting, from 1862, shows the first Secretary of the Smithsonian surrounded by a group of scientists and inventors credited with “altering the course of contemporary civilization.” But what may be most remarkable about this tableau is who’s not there. To mark the 175th anniversary of the Smithsonian’s founding, the National Portrait Gallery’s Portraits podcast takes us back in time – to trace how the concept of progress has evolved, and who current Smithsonian Secretary Lonnie G. Bunch III would put in his “portrait of progress.”

This summer – for the first time ever - skateboarding will be an Olympic sport. In honor of its Olympic debut, we’re revisiting one of our favorite episodes: the story of how the best women skateboarders stood toe-to-toe with the most powerful people in the industry to demand equal pay. One of those women is none other than Mimi Knoop, who is coaching the USA women’s skateboarding team. In this bonus episode, we also talk about how skateboarding's entry onto the Olympic stage is a major achievement for the sport, but one not everybody is happy about.  

100 years ago, in the hills of West Virginia, Black, white and European immigrant coal miners banded together to demand better pay and safer working conditions and were met with machine guns. While the story made headlines in 1921, it didn't make it into the history books. In our final episode of the season, we unearth this buried history to help mark the centennial of the largest labor uprising in American history.

Every 17 years, the notorious Brood X cicadas crawl out of the earth by the billions to deafen Washington D.C. After nearly two decades underground, they spend their few short weeks in the sun singing, mating, and dying so the next generation can start anew. The cicadas' distinctive sound and strange life cycle have captivated our human ancestors for millennia, inspiring songs, art, royal attire and even some unique burial rituals. 

When Diosa Costello took the stage in the 1939 production of “Too Many Girls,” she became the first Puerto Rican performer to tread the boards on Broadway. She was fearless, funny, and brimming with talent. She never considered herself a trailblazer, but her legacy – and the gowns she left at the Smithsonian – tell a different story

LeRoy Neiman was a colorful man, both figuratively and literally. His handlebar mustache, long cigar, and sketchpad were fixtures at the sidelines of American pop culture: from boxing matches to jazz clubs and political conventions. His paintings, sketches, and prints papered the second half of the 20th century, highlighting American icons in his colorful expressionist style. He was rich, famous, and adored by many Americans… but not the art critics.