New Books in European Politics

Within the space of only six months in 1990, the Serb Democratic Party (SDS) managed to win the majority of the Serb vote in Bosnia-Herzegovina. In his new book, Ethnic Mobilization, Violence, and the Politics of Affect: The Serb Democratic Party and the Bosnian War (Palgrave Macmillan, 2017), Adis Maksićtraces the rise of the SDS and the collapse of socialist Yugoslavia. Combining discourse analysis with a theoretical focus on affect, Maksic describes how the SDS created a regime of feeling that gave rise to ethnicized modes of identity.Jelena Golubovic is a PhD candidate in anthropology at Simon Fraser University. Learn more about your ad choices. Visit megaphone.fm/adchoices

During the 1960s, West Germany eagerly courted workers from Turkey to manage a labor shortage during the country’s Economic Miracle. This program caused one of the most consequential migrations in Cold War Germany. In her new book, Turkish Guest Workers in Germany: Hidden Lives and Contested Borders, 1960s to 1980s (University of Toronto Press, 2018), Jennifer A. Miller revises several assumptions about the men and women who arrived in West Germany from Turkey during this era. She traces the guest worker experience from recruitment in Turkey through the train ride to Germany, the search for housing, and attempts at social integration. Revising many traditional narratives, Miller uses oral histories as well as state documents to shed light on West German policies, guest worker agency, and gendered experiences. Miller’s work adds much nuance to scholarly understanding about the social history of the guest worker program.Michael E. O’Sullivan is Associate Professor of History at Marist College where he teaches courses about Modern Europe. He will publish Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in the fall of 2018.  Learn more about your ad choices. Visit megaphone.fm/adchoices

For decades the implementation of a single European currency was seen by its advocates as a vital step in the post-World War II movement toward greater European integration. As Ashoka Mody details in Eurotragedy: A Drama in Nine Acts (Oxford University Press, 2018), however, the euro that emerged was built on a dangerously flawed set of assumptions, ones which have made the euro a key factor in the continent’s ongoing economic problems. First proposed by French leaders in the 1960s, the idea of a single European currency was viewed by them as a way of shoring up their presence in the global economy. Though German politicians and bankers were initially resistant to implementing such a currency, this changed during the chancellorship of Helmut Kohl. As he grappled with the resistance to German reunification at the end of the Cold War, Kohl embraced the single currency as a symbol of Germany’s commitment to European cooperation and over the course of the 1990s he shepherded its creation over the objections of economists and growing popular discontent with the idea. These concerns proved prescient in the years following the euro’s introduction in 1999, as the single currency deprived participating nations of the ability to employ devaluation as a national response to global competition, creating added economic issues that have sharpened political tensions throughout the continent ever since. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the impact of austerity on minority women? How has this impacted on already long standing forms of social inequality across England, France and Scotland? These questions are the subject of Minority Women and Austerity: Survival and Resistance in France and Britain (Policy Press, 2017), the new book from Dr. Leah Bassel, an associate professor of sociology at the University of Leicester, and Professor Akwugo Emejulu, a professor of sociology at the University of Warwick. The book foregrounds the narratives and understandings of minority women activists with regard to the current political moment. It challenges contemporary social policy analysis by using an intersectional approach to the impact of both state and third sector actions, as well as the political mobilizations associated with resistance. Drawing on a wealth of interview fieldwork, detailed policy analysis, and a deep but accessible theoretical framework, the book offers an important intervention on the failures of both right and left wing politics in response to the ongoing marginalization and poverty experienced by women of color. The book is an essential and important read for social policy, sociology, and politics scholars, as well as for anyone who seeks to understand the reality of the racialized and patriarchal contemporary state. Learn more about your ad choices. Visit megaphone.fm/adchoices

Music is frequently connected to leftist politics and seen as the soundtrack to social protest movements, most notably the civil rights movement. But the far right groups use music too. Benjamin Teitelbaum‘s Lions of the North: Sounds of the New Nordic Radical Nationalism (Oxford University Press, 2017) explores how Swedish and Nordic far right parties deployed music in the 2000’s to expand the reach of their ideas. Consciously rejecting the sounds of White Power music and the image of skinheads in favor of pop music, hip-hop, and reggae, leaders of Sweden’s far right parties used the change in music to make in-roads into mainstream political discourse.In this podcast Teitelbaum discusses the shifting theoretical landscape that undergirds the radical nationalism and how this led to a variety of approaches toward music by far right parties. We explore how far right musicians and audiences came to use African-inspired musical forms in their effort to spread their ideas about Swedish nationalism. In addition to exploring questions of race, the conversation also examines the changing role of women in far right music and the vexed position of folk music. The podcast concludes with drawing some comparisons and contrasts between far right movements in the United States and Sweden.Benjamin R. Teitelbaum is Assistant Professor of Ethnomusicology at the University of Colorado. Teitelbaum’s commentary on music and politics has appeared in major European and American media outlets, in addition to scholarly venues. He has contributed as an expert for NPR, Swedish Radio, Norwegian Radio, the BBC, Aftonbladet, Dagens Nyheter, Helsinge Sanomat and Berlingske, and he has authored op-eds in the New York Times, Foreign Policy, Dagbladet and the Wall Street Journal. Teitelbaum is also a musician who specializes in Swedish folk music and Sweden’s unofficial national instrument, the nyckelharpa. More information about him can be found on his website.The host for this episode is Richard Schur, Professor of English at Drury University. He is the author of Parodies of Ownership: Hip Hop Aesthetics and Intellectual Property Law and the co-editor of African American Culture and Legal Discourse. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Disability and Mobile Citizenship in Postsocialist Ukraine (Indiana University Press, 2010), Sarah D. Phillips offers a compelling investigation of disability policies and movements in Ukraine after the disintegration of the Soviet Union. Scrupulously studied and researched, the data that the author presents reflect social and political changes that have been taking place in the country. Most importantly, this study is centered around people, around the lives of people who change our perception of life, love, and care and our understanding of self and other. In this regard, Sarah Phillips explores how official policies and informal movements, connected with the framing of the concept of disability, shape the ways people with physical impairments are integrated into social consciousness.As Sarah Phillips’s study shows, the concept of disability in Ukraine has undergone considerable transformations which were conditioned and triggered by historical circumstances. A particular attention is given to the Soviet period when official terms for the defining of disability became part not only of the Soviet official language but also of Soviet mentality as well. “Invalid”—a term defining a person who has an impairment—was rather often understood as a social stigma, entailing detrimental consequences for the emotional and psychological health of the individual. This “labelling” contributed to the deepening of a gap, separating citizens without impairments and citizens with disabilities.The current stage of the disability policies in Ukraine is to a large extent shaped by the challenges that were emerging during the Soviet period. As Sarah Phillips convincingly demonstrates, a number of profound changes in terms of the improvement of disability rights movement have taken place. Volunteering initiatives and individual endeavors to recover from injuries and find new ways of social activities considerably re-shaped the understanding of disability. This research recounts personal stories of people who discovered inner strength and stimuli to re-define their lives after severe injuries. When recovering, they do not have much to rely on; their will to rediscover joy and love is probably the most significant factor. In spite of positive changes, postsocialist Ukraine still has a number of problems that hinder an effective and productive re-integration of people with disabilities into society. Lack of equipment and accommodations that would facilitate access to public amenities is one of the factors that reduces physical mobility of people with disabilities.Disability and Mobile Citizenship in Postsocialist Ukraine touches upon the question of how the individual develops their relations with the inside and outside worlds after traumatizing experiences that lead to physical impairments. Drawing attention to the issues and concerns that are central to people experiencing spinal injuries, Sarah Philips invites her readers to think about disability as a phenomenon that breaks boundaries. Of course, medical diagnoses matter and in many cases these are, so to speak, official documents that shape the relationships within communities. But what seems to be at stake is the development of individual and societal relations which are based on inclusiveness that marks the individuals endeavor to reach out to others. In this regards, the title itself—Disability and Mobile Citizenship in Postsocialist Ukraine—encodes a message: disability, in spite of stereotypes and prejudices, Learn more about your ad choices. Visit megaphone.fm/adchoices

In Feminist Activism at War: Belgrade and Zagreb Feminists in the 1990s (Routledge, 2017), Macedonian researcher, peace-worker, and activist Ana Miskovska Kajevska analyses the way feminists in Belgrade and Zagreb reacted to the (post-)Yugoslav wars, with an emphasis on their discourses and activities regarding (sexual) war violence and on each other. Using a Bourdieu-based methodology supplemented by interviews, she challenges common assumptions that were not subject to scholarly debate before. Learn more about your ad choices. Visit megaphone.fm/adchoices

Benjamin Martin’s The Nazi-Fascist New Order for European Culture (Harvard University Press, 2016) examines the attempt by Nazi Germany and Fascist Italy to forge a European cultural empire out of their military conquests during World War II. Martin shows that the idea of Europe as a discrete political and cultural entity did not come from the postwar period (much less the European Union of the 1990s), but owes much to the cultural discourses of the 1930s. Germany in particular pushed for a kind of authentic “volkisch” cultural nationalism with a basis in folk traditions of central and eastern Europe. Germany’s initiatives in music, film, and literature appealed to the cultural sensibilities of Europe’s conservative cultural elite, offering a third way between American commercialism (epitomized by jazz and Hollywood films) and Soviet Bolshevism.With the Fall of France in 1940, the Nazi-fascist new order aimed to replace Anglo-French Civilization the universalist basis of European culture since the Enlightenment, with Kultur, a vision of culture that was transcendent and deeply rooted in national specificity. Nazi Germany’s attack on modernism created friction between its ally fascist Italy. Mussolini’s government promoted modernist experimentation in music and art as well the unconventional style of the futurists. Unlike Hitler, who abhorred modernism, Mussolini was a patron to modernism as well as more traditional artistic styles. Both coexisted in the fascist state. Martin shows that although Italy could scarcely compete with Germany militarily, the Italians believed they could export their culture in such a way as to build a kind of Italian-focused cultural hegemony in Europe, supplementing and even competing with Germany.James Esposito is a historian and researcher interested in digital history, empire, and the history of technology. James can be reached via email at espositojamesj@gmail.com and on Twitter @james_esposito_ Learn more about your ad choices. Visit megaphone.fm/adchoices

Jessica Greenberg’s After the Revolution: Youth, Democracy, and the Politics of Disappointment in Serbia (Stanford University Press, 2014) explores a dual tension at work in Serbia in the early 2000s. She reveals young people’s disappointment in what they saw as a betrayal by their parents’ generation that led to the collapse of Yugoslavia and the failure of democracy in Serbia, as well as adults’ disappointment that young people did not live up to expectations of what student activists should be. This “politics of disappointment”opened up new understandings of democratic engagement on the part of Serbian students, resulting in activism that utilized “quality” protests, expertise in administrative reform, and procedural participation in politics. Greenberg draws on ethnographic research with three student groups to demonstrate young people’s frustration with the practicalities of life in Serbia and the consequence that student activists rejected utopias, “whether socialist, nationalist or revolutionary.” Although Greenberg argues throughout the book that lived democracy is profoundly contradictory and flawed and that it will never live up to idealized moments and normative expectations, she also demonstrates that democratic engagement can take a variety of forms in post-socialist, post-Cold War Eastern Europe.Jessica Greenberg is Associate Professor of Anthropology at the University of Illinois, Urbana-Champaign.Amanda Jeanne Swain is executive director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. Recent publications include articles in Ab Imperio and Cahiers du Monde Russe. Learn more about your ad choices. Visit megaphone.fm/adchoices

How did two right wing presidents use culture to govern France? In Government through Culture and the Contemporary French Right (Palgrave Macmillan, 2014), Jeremy Ahearne, a Professor of French Studies and Cultural Policy Studies at the University of Warwick, explores are range of examples to probe the decade of Right Wing government between 2002 and 2012. Drawing on the implicit/explicit distinction in cultural policy studies, Ahearne considers how core cultural concepts have changed in France, for example the French idea of ‘laicity’ and state secularism, as well as discussing specific cultural examples. These include television and media policy, museum building, eduction policy and the political uses of French history. Overall the book is framed by the continuities and differences between the Chriac and Sarkozy regimes in France, along with the struggle for hegemony over culture and thus over government. The book will be of interest to cultural policy, cultural and media studies and French scholars, as well as those interested in examples of the governmental use of culture.Dave O’Brien is the host of New Books In Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets @Drdaveobrien. Learn more about your ad choices. Visit megaphone.fm/adchoices