Today is the Winter Solstice and the most appropriate recording we could think of was Coil “Winter Solstice” EP. The final four songs in the Solstice series, this is the perfect way to ring in the holidays, especially with the stunning beauty of the final track. It’s our first episode on Coil, and rather than going with one of their full lengths, it was nice to take our first steps in the form of this EP, as there will certainly be more Coil as the years go on. Feel the moon’s pull… Christmas is now drawing near. Follow us on Instagram: @noisextraFollow us on Twitter: @noisextraaaSupport us on Patreon: patreon.com/noisextra Recent Listening:Agonal Lust “Motivated by Malice”Kevin Drumm “Tannenbaum”The Haters “The Totimorphus”Moozzhead/Vincent Dallas “Controlled Chaos and Sound”“Safety Propaganda : Conceptual Manifesto for Psychological Warfare” by Adam LehrerDavid Tibet – FerelithDavid Tibet – FontelautusIron Destiny – s/t

Lon and Skott of legendary American industrial band Hunting Lodge join us for an in-depth discussion covering their entire output. 2022 marks the 40th anniversary of Hunting Lodge, and with multiple reissues of theirs rare release in the past handful of years, there’s no time like now to hear the history direct from the source. It’s a great talk with some true midwest DIY industrial stalwarts. For the ExtraNoisextra segment on the patreon, Lon and Skott have fun talking about their least favorite shows among other things. Get the cassette reissue of Harrington Ballroom – Exhumed + Re-Animated straight from the Hunting Lodge Bandcamp or get the CD from our friends at New ForcesFollow us on Instagram: @noisextraFollow us on Twitter: @noisextraaaSupport us on Patreon: patreon.com/noisextra

2022 is slipping away so it’s time to rewind and discuss our favorite things of the year. This time around, we hear from multiple people including Jim Haras, Dominick Fernow, Richard Ramirez, Sean Ramirez Matzus, and many more. Neverending noise forever and ever. Happy Noise Year. For the Self Abuse Murder Series, go to: selfabuserecords.netFollow us on Instagram: @noisextraFollow us on Twitter: @noisextraaaSupport us on Patreon: patreon.com/noisextra

A collaboration that has come up on two recent Seven Inch Sundays, and one that was requested multiple times in our early podcast days, Merzbow & Christoph Heemann “Sleeper Awakes on the Edge of Abyss” is this week’s focus. An interesting and unexpected work, this album settles in quickly and brings up as many images as it does questions. It’s a great look at ’80s Merzbow through the lens of Christoph Heemann. Check out the album on Christoph Heeman’s BandcampFollow us on Instagram: @noisextraFollow us on Twitter: @noisextraaaSupport us on Patreon: patreon.com/noisextra

A pure 90s noise tape was called for, and Killer Bug “Brutal Rainbow” answered that call. On the Noise label from Taiwan, this one tears the ground asunder. Killer Bug is the first incarnation of Kazumoto Endo, and while the cut up technique is present, “Brutal Rainbow” goes heavy on the trash, the porn, and the total noise. For the ExtraNoisextra segment on the patreon, Tara tells us about actual bugs that kill. Follow us on Instagram: @noisextraFollow us on Twitter: @noisextraaaSupport us on Patreon: patreon.com/noisextra Recent Listening:Haus Arafna – Blut: Trilogie Des Blutes / Nachblutung AlbumSuhne Mensch – SchmerzportraitMoth Drakula – s/tMeryll Ampe – W7EDust Belt – Melting Atlantis ResurrectionMlehst – Breathing in Dead FliesMlehst – History of MlehstMlehst – Bitter Regret (Back to the Iron Age)Mlehst – Deep Throat and FelchingSelf Abuse Murder Series ASM – Mission Hill 2001Richard Ramirez – Protective CustodyLinekraft – Bankrupt of Morals

Greh had the opportunity to play the Lausanne Underground Film and Music Festival in Switzerland this October. In its 21st year, this festival features experimental music and a variety of films and workshops. Greh spoke with perpetual LUFF attendee and former performer Dave Phillips, curator Francisco Meirino (aka Phroq), co-founder Thibault Walter, and performer Mark Vernon about the festival itself and some performances. Visit LUFF.CH to find out more about this and previous years.Follow us on Instagram: @noisextraFollow us on Twitter: @noisextraaaSupport us on Patreon: patreon.com/noisextra

The original Trashware guest is back in the hot seat. Crank Sturgeon proposed a discussion on contact microphones, so in this episode we go over what a contact mic is, general applications, how to record and affix the mics and amplifying slightly more traditional instruments. We also cover why the contact microphone is the perfect noise instrument, contact mics vs other microphones, in the studio and in the field, using with synthesizers and modular, troubleshooting contact mic issues, and plenty of Cranky anecdotes! This episode originally came from our Patreon, so thanks to all our Patrons for making it possible. If you want to hear more on gear with a variety of artists, head to the patreon.com/noisextra Check out Crank’s wares at etsy.com/shop/crank_sturgeonFollow us on Instagram: @noisextraFollow us on Twitter: @noisextraaaSupport us on Patreon: patreon.com/noisextra

JG Thirlwell was cool enough to to sit down with us for a deep look into his world of sound. Thirlwell has worked with everyone form Steven Stapleton and Coil to scoring “The Venture Brothers” and “Archer” television shows, not to mention his own hefty discography as Foetus, Steroid Maximus, Xordox and so much more. It was incredible to hear stories from his entire history as well as what’s being planned for the future. Prepare to enter Pigdom Come. For the ExtraNoisextra on the patreon, we talk more about being signed to a major label in the 90s and the atmosphere surrounding that, as well as Thirlwell’s recent listening. Visit JG Thirlwell’s comprehensive site at foetus.org and check out his BandCampFollow us on Instagram: @noisextraFollow us on Twitter: @noisextraaaSupport us on Patreon: patreon.com/noisextra

Our yearly Marco Corbelli episode has arrived and this time we went for something a little different — Morder Machine “DeathShow.” A project that existed directly alongside Atrax Morgue, Morder Machine utilized a bit more structure and rhythm without losing any darkness and obsession. We pull quotes directly about Morder Machine and relay Marco’s thoughts on the project. Additionally, we continue our tradition of choosing three Italian horror movies to highlight before discussing the album. Welcome to DeathShow. For the ExtraNoisextra segment on the patreon, we watch and discuss Atrax Morgue/Morder Machine live footage. Follow us on Instagram: @noisextraFollow us on Twitter: @noisextraaaSupport us on Patreon: patreon.com/noisextra

Zoe DeWitt is a bona fide legend of industrial culture and ritual underground. We were thrilled for Zoe to sit down with us to discuss the entire history of Nekrophile Records and her projects Korpses Katatonik and Zero Kama. We get into many aspects of her work, from musical output to fashioning instruments out of human bones to her work within the occult and much more. For the ExtraNoisextra segment on the patreon, Zoe discusses her participation in Hermann Nitsch’s aktions in 1984 and 1998. Visit Zoe’s website at zoedewitt.comCheck out the Nekrophile Rekords VOD boxsetFollow us on Instagram: @noisextraFollow us on Twitter: @noisextraaaSupport us on Patreon: patreon.com/noisextra