A is for Architecture Podcast

⁠In Episode 114 of A is for Architecture Jane Rendell, Professor in Critical Spatial Practice at The Bartlett, UCL, discusses some aspects of her recently republished book, The Architecture of Psychoanalysis: Spaces of Transition, which came out with Bloomsbury in the spring. Jane says ‘I think what I'm more interested in is how architecture can allow us to think psychoanalysis differently, as well as allow us to look for things in psychoanalytic theory. For example, the spatial drawings of different psychic concepts like conscious, pre-conscious, unconscious or ego, Id, super ego. Freud uses these incredible drawings of these phenomena. So there are all sorts of spatial diagrams that by thinking architecturally one looks at in a different way […]. Architecture helps you think about psychoanalytic drawings, about spatial metaphors. […] But I think also, what becomes interesting is how one can start to think about the […] most architectural part of psychoanalysis [which] is probably the setting, the physical place in which that psychoanalytic relationship takes place.’ You can find Jane at her website here, and on the UCL website here. She is multi-located across the internet through her various activities.   Thanks for listening. +  Music credits: ⁠Bruno Gillick

⁠Episode 113 of A is for Architecture’s is a conversation with Cécile Brisac, founder of Atelier Brisac, a practice based in London and Paris, with a body of work produced since Atelier Brisac's founding in 2019, and previously with Brisac Gonzalez, and that includes the Museum of World Cultures, Gothenburg, Pajol Sports Centre, Paris, the Performing Arts Center, Aurillac, France and more recently housing at Lot 04A in Batignolles, Paris and Allée du Parc, Massy, France. Describing her practice’s work, Cécile says ‘we're doing buildings that are uplifting, that have a certain amount of clarity, that are, you know, welcoming, and based around the users [and] designed with a sense of care. […]  in parallel to that is working at the scale of the city […] If you think of the word elegance in the engineering field […] the definition is something like ‘finding a solution to a range of problems that may not be connected to begin with’. […] that's what we're doing in a way.’ An elegant expression of complex things. You can find Atelier Brisac on Instagram, and at atelierbrisac.com.   Thanks for listening. +  Music credits: ⁠Bruno Gillick

⁠A is for Architecture’s 112th episode is with the British architect, Tony Fretton. Previously founder and principal of Tony Fretton Architects, and more recently acting as a design consultant, and previously Chair of Architecture and Interiors at TU Delft, Tony’s work includes Westkaai, Residential Towers, Antwerp, The British Embassy, Warsaw, Art Museum, Fuglsang, Denmark, and the The Red House and the Camden Arts Centre, London. Speaking of his work on galleries, Tony says:  ‘I think it's much more subtle and much more interesting to make buildings which sometimes are impressive and visible, and sometimes […] very low visibility. That's much more interesting, much more intellectually satisfying. And how can you make somebody feel comfortable, without [them] even seeing you do it? That's the measure of a good host, a good person, that you let people see the work. […] In Furslang we made a series of rooms which are different in character: one is for temporary exhibitions, and the other for small scale works in gold frames, and then there was section on Danish Impressionism. But each of them shares a vocabulary but it's treated in slightly different ways so that as you go through the room, you see the art but in the periphery of your vision the room stimulates you’. Sums it up rather neatly. You can find Tony on Instagram, on at tonyfretton.com, too.   Thanks for listening. +  Music credits: ⁠Bruno Gillick

⁠Episode 111 of A is for Architecture⁠ is a conversation with Des Fitzgerald, Professor of Medical Humanities and Social Sciences at University College Cork, about his fairly recent and quite well-covered book, The City of Today is a Dying Thing: In Search of the Cities of Tomorrow, which he published this year with Faber & Faber. Green urbanism is undergirded by an expectation – a belief? - that it will deliver on modernism’s promises of emancipated, healthful lives. The City of Today contests this. As Des explains, ‘the book is really an attempt to start […] thinking critically about the growing trend towards green, traditional, small, human scale - I would even say 15 minute - cities [and] that kind of vision of the city is something we need to develop critical language for. […] there's a pretty close mapping between 19th century discourse of the cities effect on character or its capacity to degenerate particular sorts of character in a heritable way [...] and our own discourse about the relationship between particular shapes of buildings and mental health disorders.’ A little bit saucy and rather funny, man, book and podcast. You can find Des professionally at UCC and on X. Thanks for listening. +  Music credits: ⁠Bruno Gillick

⁠In Episode 110 of A is for Architecture⁠ Victoria Jane Marshall, senior lecturer in the Department of Architecture at the National University of , discusses themes and methods underpinning her recent book, Periurban Cartographies: Kolkata’s Ecologies and Settled Ruralities, which she published with Oro Editions in spring this year. As Victoria notes, an increasingly public concept, the periurban describe those parts of urban peripheries that are ‘generally imagined […] as “becoming urban” and generally, in doing so, it sort of erases the rural in the imagination - of it just being a zone which is on its way to becoming urban, like a transition zone’. Instead, Victoria proposes, thorough the lens of a deep mapping in Kolkata, Bengal, we might instead ‘look more flat, and more even, at everything that's going on, and, and not bifurcate, not separate urban and rural, and not separate society and nature, but look at how they're all entangled together.’ It's a beautiful book, and Victoria's a great talker, the mapping is wonderful, so listen to her, see the book, and get freshness. You can find Victoria professionally at her work and on LinkedIn. The book is linked above. Thanks for listening. +  Music credits: ⁠Bruno Gillick

⁠Episode 109 of A is for Architecture⁠ has architect, professor and writer, Charles Holland, discussing his new book, How to Enjoy Architecture: A Guide for Everyone, published by Yale University Press this year. As Charles says, How to Enjoy Architecture is ‘not a history of architecture, and it's definitely not a kind of polemic’. Rather, it ‘tries to open up architecture outside of a sort of standard linear history’ and is instead ‘a plea for more tolerance and pluralism, and for less condemnation […] it tries to say, there might be buildings that you don't like, but they might still be good. They might still be interesting. Just because they don't fit your tastes, that doesn't mean that they should be condemned in some way. So it tries to sort of make a plea for more interest and less condemning of things.’  A noble ideal. Have a listen and feel something. You can find Charles on his practice’s website, on Instagram and X. The book is linked above. Thanks for listening. +  Music credits: ⁠Bruno Gillick

⁠A is for Architecture’s⁠ 108th episode is a conversation with urban designer and President of the Congress for the New Urbanism, Mallory B.E. Baches.  With roots in the works of Jane Jacobs and Lewis Mumford, and later through Leon Krier and Christopher Alexander, the CNU was founded in 1993 as a ‘planning and development approach based on the principles of how cities and towns had been built for the last several centuries: walkable blocks and streets, housing and shopping in close proximity, and accessible public spaces. In other words: New Urbanism focuses on human-scaled urban design.’  The movement’s influence has been very wide, underpinning new classical and traditional developments, such as at Brandevoort in Holland, Harbor Town, USA and Poundbury in England. Arguably, recent movements like 15 Minute Cities have their roots in New Urbanist logics too. As such, might New Urbanism best be understood as other modern? You can find Mallory on her personal website, on Instagram, LinkedIn and X too. Thanks for listening. +  Music credits: ⁠Bruno Gillick

⁠A is for Architecture’s⁠ 108th episode is a conversation with the architect Sam Jacob, principal of Sam Jacob Studio and Professor and head of Architectural Design Studio 3 in the Institute of Architecture (I oA) at the University of Applied Arts Vienna. Formerly founding director of FAT with Charles Holland and Sean Griffiths, Sam’s work includes exceptional buildings and adaptations, exhibitions, interiors and things which, liberally distributed over the years of his practice[s], are to be found all over the internet.  Sam puts it thus in the recording, ‘normally when we make architecture […] you start with a sketch, and then you make it a little bit more accurate, and you get it into Vectorworks, maybe. And then you might make a model, and then you do, you know, detailed design and the tender etc, etc. And that’s the kind of process and then you end up with a building. […] But if we think about like, architecture itself, maybe there's not really a point where it becomes real and different, you know, becomes part of the real world and different from all those other forms of representation, which you were using, as you went through the design process. Maybe we could understand architecture itself as a form of representation’.  You can find Sam on Instagram. Thanks for listening. +  Music credits: ⁠Bruno Gillick

Episode 107 of ⁠A is for Architecture⁠ is a discussion with Tim Ingold, Emeritus Professor of Social Anthropology at the University of Aberdeen about Making: Anthropology, Archaeology, Art and Architecture, published by Routledge in 2013.  Acts of making, as the blurb puts it, ‘creates knowledge, builds environments and transforms lives.’ The book reflects ‘on what it means to create things, on materials and form, the meaning of design, landscape perception, animate life, personal knowledge and the work of the hand’. It’s a beautiful subject, and a great conversation. Tim is a fellow of the British Academy and the Royal Society of Edinburgh. He was awarded a CBE in 2022 for services to anthropology. His scholarship be found in all good libraries. He has a website, timingold.com, and his professional profile can be found on the University of Aberdeen website. Thanks for listening. +  Music credits: ⁠Bruno Gillick

In Episode 106 of ⁠A is for Architecture⁠ Sabina Andron talks about her book Urban Surfaces, Graffiti, and the Right to the City, which she published with Routledge this year.  The book discusses ‘the surfacescapes of our cities […] as material, visual, and legal territories [and] includes a critical history of graffiti and street art as contested surface discourses’ arguing for ‘surfaces as sites of resistance against private property, neoliberal creativity, and the imposition of urban order.’  Sabina is a Postdoctoral Research Fellow in Cities and Urbanism at the University of Melbourne and can be found on her personal website, as well as on social media, including  X and Instagram. Thanks for listening. +  Music credits: ⁠Bruno Gillick