A is for Architecture Podcast

In the A is for Architecture Podcast’s latest episode, Stefano Boeri - architect, urban planner, Professor of Urban Planning at Milan Polytechnic, President of the Future of the City Foundation and former editor of Domus (among some other things…) - joined to speak about his upbringing and education in Milan and Venice, his influences, mentors and inspirations, and the development of his design thinking and practice, Stefano Boeri Architetti. Now a leading voice in European – and more recently global – architecture, Professor Boeri’s work presents us with a new and beguiling vision, one that combines modern urban lifestyles with a genuine concern for nature, habitat and the co-living of species in the contemporary city.Stefano Boeri Architetti are perhaps best known for their pioneering work integrating vegetation and sustainability into urban architecture, most famously in the Bosco Verticale in Milan (2009-14) —as well as visionary research, writing and planning on biodiversity, urban forestry and the future of cities. As I hear it, running through Stefano’s work is a deep interest in the notion of plurality, networks and coalescence. It’s a transcendental vision, in the final analysis, one which seeks to elevate architecture, to make it important, instrumental and effective. Beyond the image – and few contemporary architects have captured the zeitgeist as well as Stefano Boeri Architetti – is a deep knowledge, great sensitivity and a fundamental optimism, that through and with architecture, we can make good change happen.So, worth a listen.Stefano can be found almost universally online. His practice and academic positions are linked above, and he can be met at Instagram; his practice are on LinkedIn. +Music credits: ⁠Bruno Gillick Image credits: 1/ Boeri Studio - Vertical Forest, Photographer: Dimitar Harizanov (2020); 2/ Stefano Boeri, Curator, Photographer: Laila Pozzo ©Michelangelo Foundation

In the newest episode of the A is for Architecture Podcast, I got to speak to Derek Jones and James Benedict Brown, two of five scholars responsible for the very recently published Studio Properties: A Field Guide to Design Education, published by Bloomsbury this year and also available as an open access publication on the Bloomsbury website. Alongside Elizabeth Boling, James Corazzo, Colin M. Gray and Nicole Lotz, James and Derek have written a book to help clarify the operation of the design studio in education. Repositioning ‘studio’ not as a monolithic entity but as a landscape made up of many interlocking properties, each of which has a character that can be encouraged or diminished to build better design thinking and culture. James, Derek and I discuss a few of these properties, where they can be seen, how they operate, how educators might interpret them and intervene in them to build better designers.Clever chaps, clever book. Have a sticky and see.James is Associate Professor of Architecture at Umeå School of Architecture and is on LinkedIn; Derek is Senior Lecturer in Design at The Open University and can be found on LinkedIn. The book is linked above and also on the Studio Properties website, where all the things can be found.+Music credits: ⁠Bruno Gillick 

For the latest episode of the A is for Architecture Podcast, I spoke to architectural historian, writer and curator, Sir Charles Saumarez Smith CBE about his forthcoming book, John Vanbrugh: The Drama of Architecture, which is due out with Lund Humphries in November this year. Sir John Vanbrugh (1664–1726) was an English dramatist turned architect, best known for designing Castle Howard and Blenheim Palace, two of the most ambitious Baroque buildings in Britain. A member of the Whig elite and the Kit-Cat Club, Vanbrugh’s work can be read through the social forms of his times but, as Sir John suggests, more importantly in the context of his unique theatrical imagination as it was revealed through his collaborations with professional architects, like Nicholas Hawksmoor. Mocked in his own life, Vanbrugh is now celebrated as one of England’s most original and daring architects.Sir Charles was chief executive of the Royal Academy of Arts (2007-2018), director of the National Gallery (2002 – 2007) and before that, director of the National Portrait Gallery (1994 – 2002). He can, as such, be found everywhere online. You may seek him on LinkedIn and his personal website. The book is linked above.In our own time we are #blessed with #Heatherwick. But back then, they had #Vanbrugh.+Music credits: ⁠Bruno Gillick 

For this week’s episode of the A is for Architecture Podcast, I spoke to Berlin-based writer, architect and activist Anna Kostreva who, with Alex Head, leads Plural Studio, ‘a studio for critical inquiry, publishing and architectural design’. We met to talk about Anna’s novel, Seeing Fire | Seeing Meadows, which she published in 2023.Seeing Fire | Seeing Meadows uses architecture – and an architect narrator - as a way to explore the growing digitisation of everyday urban and spatial life. We talk about this, about the book’s imperative but also about writing, [science] fiction and drawing as a routes to a sort-of triangulated and more shrewd understanding of the world around us.Seeing Fire is linked above. Anna can be found at Plural Studio here, on Instagram here and on LinkedIn here.Have a listen: see things differently.+Music credits: ⁠Bruno Gillick 

In Episode 167 of the A is for Architecture Podcast, Holly Smith, historian and Research Fellow at/ in St John’s College, University of Cambridge, discuss bits of her forthcoming book, Up in the Air: A History of High Rise Britain, which is out with Verso towards the end of October this year.In Up in the Air, Holly charts the story of Britain’s multistorey council housing—from the post-war construction of estates like Sheffield’s Park Hill to the modern battles to defend them. In the face of the much-publicised failures of high-rise housing to produce the utopian social logics that underpinned them - and punctuated by disaster and explicit tragedy, as at Grenfell - that defence has seemed largely a forlorn one. But were Britain’s high-rise estates really architectural failures? Or were they rather sites where welfare-state ideals were built, contested, and reimagined, as enduring battlegrounds for housing justice?Holly can be found at work here, on Instagram and X. The book is linked above.+Music credits: ⁠Bruno Gillick Image credit: © Bishopsgate Archive/Tower Blocks UK

In this new episode of the A is for Architecture Podcast, Charlotte Malterre-Barthes spoke with me about her recent book, A Moratorium on New Construction, published by Sternberg Press in 2025 as part of their Critical Spatial Practices series.If a book starts with, ‘To build is to destroy’, things are liable to get pretty exciting (for an architecture fan).  As the bumf puts it – and our chat opens out  - Charlotte’s provocation for a moratorium is in pursuit of a reimagined productive building culture: ‘To pause new construction—even if momentarily, creates a radical thinking framework for alternatives to the current regime of space production and its suspect growth imperative.’Sound good? Yes. It does.Charlotte has a personal website, as well as space at EPFL. She’s on Instagram too.  +Music credits: ⁠Bruno Gillick 

In this week’s release of the A is for Architecture Podcast, Wayne Hemingway MBE logged on to discuss one of his latest initiatives, The Housing Assembly, a growing movement seek paths out of the housing crisis by amplifying the voices of folk excluded from secure, affordable homes. Aiming to transform lived experiences into influential action and through grassroots initiatives The Housing Assembly is building from the bottom up a collective platform to demand well-built, affordable homes in good places.For those who don’t know, Wayne is a renowned British designer, co-founder with his wife Gerardine Hemingway of the iconic fashion label Red or Dead which delivered affordable, socially conscious design in the 1980s and 1990s. Wayne and Gerardine later establishing HemingwayDesign, a multi-disciplinary design team dedicated to creating positive social impact through culture-led regeneration, urban design, placemaking, branding, and community collaboration. In short Wayne is something like a national treasure, but edgier and more purposeful. An icon of mine since I first encountered his work – and bought a pair of Red or Dead shoes to go on a date - this was a genuine privilege to record. HemingwayDesign can be found here and on Instagram, The Housing Assembly is linked above and is on Instagram and all over SM. Wayne can be found on LinkedIn.+Music credits: ⁠Bruno Gillick 

In the newest episode of the A is for Architecture Podcast, I spoke to the architect, historian and theorist Dr Marianna Charitonidou about her fairly recent book, Architectural Drawings as Investigating Devices: Architecture’s Changing Scope in the 20th Century, which she published with Routledge in 2023. In the book, Marianna explores how evolving modes of architectural representation reflect epistemological shifts in architecture and urbanism in the modern period. Treating them as something like texts, Marianna analyses drawings’ (and their architects’) roles in mediating relationships between architects, observers and the inhabitants of built spaces. Touching on the work of all the biggies – from Corb and Mies to Rem and Zaha, Rossi, Tschumi, Eisenman, Hejduk and even (my fave) Ungers, the book argues that these transformations reveal ruptures in architecture's imagination, and its shift from modernist universality to PoMo multiplicity.   Marianna has her own website, she’s on Instagram and LinkedIn. The book is linked above.+Music credits: ⁠Bruno Gillick 

For this summer’s latest episode of the A is for Architecture Podcast, I spoke to the writer Michael Euade to discuss his 2023 book, Antoni Gaudi, part of Reaktion Books’ Critical Lives series. Gaudi has recently been beatified by the Catholic Church, making him one step short of being declared a saint. But for what? Gaudi is unquestionably a monumental figure in the pantheon of named architects, but saintly? That’s a bit different.  Antoni Gaudí, a revered Art Nouveau architect whose visionary designs reshaped Barcelona’s skyline, was a man of what some see as contrasts—devoutly religious, politically conservative, and boldly innovative. Michael and I discuss this in the context of Gaudi’s home in Catalonia and through his large body of work - including the iconic Sagrada Família - which blended Gothic, Baroque, and Orientalist elements with great sensitivity and style. From humble beginnings in Reus through transformations in Barcelona, Gaudi’s life was marked by personal trial and artistic evolution and Michael’s book – and our conversation - opens up the architect in new ways: as political, social, cultural and spiritual figure.   Michael can be found on his personal website here, and the book is on the Reaktion website, linked above.Visca Catalunya lliure! Well, maybe…+Music credits: ⁠Bruno Gillick 

In the newest episode of the A is for Architecture Podcast, I was joined by Piers Gough and Sophie Ryder, both of CZWG. Piers is the original G of CZWG and it is for that we speak, a firm he founded in 1975 with Nick Campbell, Rex Wilkinson and Roger Zogolovich. CZWG turned 50 years old this year, having become known for bold, characterful designs. Their work was at the vanguard of the postmodern movement in the UK, with notable projects in the 1980 and 1990s instrumental in the urban regeneration game in that period, as public taste moved on from a-historical modernism towards a sort-of playful contextualism, not least at London Docklands, where they played their part in redefining the city’s east including China Wharf and The Circle in Bermondsey, and Cascades on the Isle of Dogs, and where four of their buildings have now been listed for their postmodern significance. More recent work has built on this legacy, and the practice continues to deliver large scale urban and urbane projects that look back as they go on. We discuss all this, in a hybrid sort of way: Piers and Sophie bookend the practice. But as we know, difference makes for lovely conversation.CZWG is at work here, on Insta here and LinkedIn here.Tune in, tune up, tune on.+Music credits: ⁠Bruno Gillick