The Incomparable Mothership

Awful people can make great art. Nice people can write bad books. Can you separate the creator from the art? We struggle with Orson Scott Card and his (rightfully) classic novel “Ender’s Game” and go on to list other writers and series who we’ve hand to break up with. To make things not entirely disappointing, we also talk about authors and series that have never let us down.

In this episode we talk about two video games even non-gamers like Jason can enjoy, “Gone Home” and “Brothers.” We ponder what makes a game challenging, and if a game must be challenging to be good. John likes both games, but has a list of grievances. All disagreements will be settled with a duel of ’80s mixtapes at dawn! Plus: What other games are we playing?

Grab a pint and marinate your brain as we discuss the “Cornetto Trilogy,” three films by Simon Pegg and Edgar Wright that are linked in theme if not in characters: “Shaun of the Dead,” “Hot Fuzz,” and recent release “The World’s End.” Why aren’t there more smart genre comedies? How do Pegg and Wright so deftly handle different genres? How are these movies like the Commedia dell’arte? Why do Jason and Jeff want to punch Nick Frost, then hug him? Plus, we give even more Incomparable love to “Spaced.”

The winner of our iTunes review contest had us read John Birmingham’s “Weapons of Choice,” which our Book Club used as a jumping-off point to talk about alt-history novels, time travel, military SF, and a whole lot more. You don’t need to read the book to appreciate the episode! Plus: What are we reading?

Live! From a (somewhat echoey, sorry) room in Portland Oregon, we talk about the exciting new world of Internet-aided content creation. How have sites like Kickstarter and Indiegogo and even Amazon changed how people create and consume books, movies, TV shows, and music? And what’s the missing piece of this content revolution?

Bonus episode! Here’s an edited fourth installment of our Dungeons and Dragons campaign. Our heroes have made it inside a strange desert temple and have mostly not died… yet. But the night is young and the basins in this temple are full of an unknown magical fluid, so anything could happen!

Take the red pill and enter “The Matrix,” 1999’s influential sci-fi/action classic. Why does Morpheus talk like a fortune cookie? Is Keanu’s woodenness an asset or detriment? Was skeuomorphism the fall of man? And if we accept that living things can be used as batteries, why wouldn’t the machines just use cows? Grad students, we are about to blow your minds. Whoa.

We conclude the second Incomparable Film Festival with 21 more films we think are worth seeing, in fantasy draft format. Don’t miss the exciting Lightning Round, and stay tuned when it’s all over for our expert post-draft analysis! (Part 2 of 2.)

It’s time for the second Incomparable Film Festival! We pick 35 films that we think are worth seeing, in fantasy draft format. From horror to comedy to drama to sci-fi to kung-fu, we’ve got just about every genre covered. (Part 1 of 2.)

An entire comic book about Hawkeye, the lesser Marvel superhero with a bow and arrow? Okay… this looks bad. But seriously, bro, this is one of the very best comics being published today. We cover the first two trade-paperback editions of Fraction and Aja’s series, including Lucky the Pizza Dog, 50 Shades of Purple, and how hooking up a laserdisc player is similar to defusing a bomb. Hop on board and join us—we’re great at boats.