The Incomparable Mothership

Warm up your modem and turn your nuclear-launch key—it’s time to play Global Thermonuclear War! We discuss “WarGames,” the 1983 John Badham film starring Matthew Broderick, Dabney Coleman, and Ally Sheedy. Is this the ultimate film for computer nerds like us? How do the film’s Cold War themes contrast with its anti-technology themes? Can a computer make moral decisions? Why is there so much nerd shaming and sexism? And why do they let tour buses into the heart of America’s nuclear command? So many questions, Professor Falken, and so few remote-controlled pterodactyls.

In the spirit of April Fool’s Day, we present the second edition of The Incomparable Game Show. Two teams match up in a battle of trivia and pointlessness. (Or is that redundant?)

Our Book Club reconvenes to discuss “The Martian” by Andy Weir. It’s a nuts-and-bolts adventure about a stranded astronaut who uses his botany and engineering skills to stay alive on Mars. Did we mention botany? And engineering? There’s a lot of both. Also, we tell you what we’re reading.

We reconvene our Old Movie Club to watch two gritty early-1970s films that have been unfortunately remade in the last decade: “Get Carter” starring Michael Caine, and “The Taking of Pelham One Two Three” starring Walter Matthau. We learn about slide-based pornography, metaphors involving stick-shift cars, angry New York transit officers, kazoo parades, and so much more.

It was the dawn of a new age—the rise of sci-fi shows with story arcs, complex characters, and computer-based special effects. “Babylon 5” was a trailblazing TV series and we give it the treatment it deserves in this double-sized episode. The curious can join us for a lengthy pre-Spoiler Horn conversation about why we like the show, and the veterans can stick around for detailed, spoilery conversations about where the show went during its five seasons on the air.

Do you love cardboard and hate sanity? Then join us for our draft of favorite board games! We do some uranium mining on a donkey, propose a new trivia-themed podcast, debate the merits of Sanka versus Yuban, and discuss two different versions of Risk—three, if you count the version Tony invented where each Risk battle is settled by a full game of Monopoly.

Against the advice of our doctors, we’re back with more prequels. This time it’s “Star Wars: Episode II — Attack of the Clones.” With three different opening statements, our podcast is about as bureaucratic as the Imperial Senate. We also discuss R2’s incompetence as a security system, ponder Anakin’s puzzling pick-up lines (and haircut), sympathize with the boring job of the Jedi, question the plight of the Fett family and the clone troopers, ponder the mystery of droid consciousness, fail to get excited about seeing our old friends from Episode I again, open a Variety Pack of monsters, debate Yoda’s fighting strategy, and talk John Siracusa off the ledge. Finally, we ponder whether it’s worse for a movie to be bad or boring. [This episode was originally two episodes, 182 and 183. It’s been rejoined into a single, double-length episode.]

Harrison Ford is Indiana Jones, but will he always be? We discuss the interesting problem of replacing the face of your franchise, whether it’s Doctor Who or James Bond or Captain Kirk or Batman or Superman. Fortunately, we leave plenty of time for digressions into old TV shows (including “Three’s Company,” “Bewitched,” and “Magnum P.I.”) and anger the internet’s foremost Robocopians. Spoiler: In the end, Hollywood ruins everything.

Unlock the front door to your mind palace, fake your death in numerous ways, and draw on a fake mustache! Season 3 of “Sherlock” is on our agenda, and we discuss all three episodes in turn. How does the introduction of Mary improve the cast dynamic? Does the middle episode sag as in past seasons, or prove to be a highlight? The game is on, Watson.

Our book club returns with discussion of two books! First we talk Scott Lynch’s “The Lies of Locke Lamora,” a fantasy book about a gang of thieves that are even outlaws to other thieves (spoiler horn at 12:00). Then it’s Ann Leckie’s “Ancillary Justice,” a space opera about AIs and ships and empires and corpse soldiers that brings Iain M. Banks to mind (starts at 28:48, spoilers at 33:22). Confusingly long prologues! Fun with gendered pronouns! Questionable burrito metaphors! Plus: What are we reading (starts at 68:13)?