The Incomparable Mothership

Play ball! It’s opening weekend, so Old Movie Club returns with two classic baseball movies: “Pride of the Yankees” and “The Bad News Bears.” Even if you don’t like baseball (like Erika), you may enjoy these movies just fine! One’s a biopic from the 1940s complete with a song, and the other is an appropriately gross 1970s comedy. Join us, won’t you?

Our Rocket Surgery visit to bad sci-fi movies returns with a look at 1984’s “The Ice Pirates.” Foam robots! Swords and lasers! A mysterious water world! A strange balance of racism and social commentary! Bad effects! Baby animals! Robert Urich! A space herpe! Questional castration methods! Poop jokes! Oakland Raiders! John Carradine! Please, someone make it stop.

In honor of Sir Terry Pratchett, who died a week ago, four voracious Pratchett readers discuss what made Pratchett great, their favorite Pratchett works, and recommend places for newcomers to Terry Pratchett to get started.

Finished, this podcast torture is. We conclude our conversation about “Star Wars - Episode III: Revenge of the Sith,” taking you all the way through the dissatisfying ending. As a bonus, we try to rank the prequels, and discover a surprising winner. (part 2 of 2)

War! We begin our final battle with the “Star Wars” prequels with our take on “Star Wars - Episode III: Revenge of the Sith.” After a long string of opening statements, we take on the crawl and the first few scenes of the film. Why does a droid wheeze? Why are villains introduced off screen? Why is Christopher Lee wasted? What’s the deal with all the elevators? Why is Darth Vader a chump? Why is there even more boring political science? What happened to Natalie Portman, and why is she wearing beaded bedclothes while standing on balconies? (part 1 of 2)

We celebrate Leonard Nimoy, pondering what made us love Mr. Spock, discussing some of Spock’s finest moments, and even bringing up some lesser known corners of the Nimoy canon.

Our Old Movie Club, featuring classic films many of us haven’t seen selected just for us by Philip Michaels, is back! In this edition, we look at two underappreciated films of Alfred Hitchcock: 1943’s “Shadow of a Doubt” and 1948’s “Rope.” The former features Joseph Cotten shooting up through the ceiling of creepy, a battle of telepathy versus telegraphy, the special bond of people named Charlie, murder by soda, and an appearance by the Exposition Radio Network. The latter offers long unbroken scenes, drunk Farley Granger, a perfect murder perpetrated by Batman villains, and Jimmy Stewart as Columbo. Both films have Hitchcock in common, as well as Hume Cronyn… and murder!

Introducing a new recurring segment on The Incomparable that we call Rocket Surgery, in which we watch an unappreciated science fiction movie from the past and then talk about it. For our first installment, we watched the 2003 film “The Core,” starring Hilary Swank, Aaron Eckhart, Stanley Tucci, Delroy Lindo, and Bruce Greenwood. Yes, this is a movie about people riding a spaceship (of a sort) down into the core of the Earth in order to blow it up with nuclear bombs because reasons. Our discussion topics include the science of birds, peaches as metaphors for the Earth, friendly whales, the destruction of the Golden Gate Bridge, and the powers of computer hackers.

We convene our Comic Book Club not to talk about a specific comic, but more generally the plight of the comic-book reader when it comes to events and continuity. Marvel and DC are both in the process of revisiting and changing their continuity via dramatic in-universe events. Is continuity worth the trouble? Are events fun, or soul-crushing? How do we feel about the old and new Marvel Secret Wars? Does the new all-woman Avengers team fill us with excitement or trepidation or both? And stick around after the show as we discuss Superman’s new power, the appeal of Harley Quinn, and even more comic nerdery!

Okay campers, rise and shine, and don’t forget your booties because it’s coooold out there! We partake in our midwinter ritual of watching “Groundhog Day” over and over again, not because we have to, but because we want to. How does something that seems so generic on its surface unfold into one of the deepest and (dare we say it) most beloved films of all time? Plus, we cope with the Andie MacDowell problem, theorize about everything Phil did in Punxsutawney that the movie didn’t show us, and liken the entire thing to a video-game speed run. Let’s live here!