The Incomparable Mothership

It’s the Rocket Surgery Film Festival! In this episode, we’re watching something that proves that computer-game film adaptations were a bad idea from the very beginning! Based on a late 1970s Atari game, it’s the ill-fated “Star Raiders.” There’s a not-dashing star pilot, a sullen space princess, an annoying robot, and is that Sheriff Lobo in a tight-fitting jumpsuit? If you’re looking for a cross between “Star Wars” and “Raiders of the Lost Ark”, are you in for some disappointment. Once again, we watched the movie so you don’t have to. Correction: Due to a clerical error, none of these movies actually exist. This episode was entirely improvised.

Protocol Omega has been activated, so it’s time to discuss the final season of Netflix’s “Travelers.” This is a mid-budget Canadian time travel show that we love, and if you haven’t dived in yet, now’s a great time. In this episode we talk about the show’s surprisingly satisfying ending, try to work out what makes this show’s particular brand of time-travel rules so intriguing, discuss some of our favorite moments, and air a few of our complaints about the final season.

Put on some flannel and pop in a grunge CD—it’s time to talk about Marvel’s 1990s throwback movie, “Captain Marvel.” We discuss Brie Larson and Samuel Jackson’s buddy-movie connection, surprise twists designed to trip up comics know-it-alls, and the dangers of gaslighting someone with cosmic powers. Strap in, and let’s fly this thing into orbit!

Spin a web, any size, and join us as our Comic Book Club discusses the comics from 2014 that inspired “Spider-Man: Into the Spider-Verse” and, more generally, the concept of alternate versions of Spider-Man. We read “Edge of Spider-Verse,” which introduces Spider-Gwen and Peni Parker, and the “Spider-Verse” issues of “Amazing Spider-Man.” Along the way we talk about our favorite alternate spiders and what path the makers of “Into the Spider-Verse” might choose as they ponder sequels and spin-offs.

Take our advice—it’s good advice—and revisit 2011’s “Source Code”, an under-appreciated gem of a sci-fi thriller directed by Duncan Jones and starring Jake Gyllenhaal. A first glance at the plot summary would suggest it’s a certain kind of movie, but this film has many more layers that are revealed over its 93 well-paced minutes. (And if you don’t know what it’s about, don’t look!) We’ve got praise for the script, the direction, the performances—especially by Michelle Monaghan and Vera Farmiga—and at some point we order Jeffrey Wright a creepy pizza. You’ll never look at Chicago commuter trains the same way again.

Dan Moren’s second novel, “The Bayern Agenda,” is coming soon to bookstores. He joins Jason to discuss how writing a novel is different the second time around, how the book connects (and doesn’t connect) with his previous novel, where he writes, and how he balances tech writing and podcasting and novel writing. And in a final lightning round, Dan answers some of the Internet’s most pressing Dan Moren-related questions.

We’re just back from the annual Gallifrey One convention, and so with “Doctor Who” on our minds we thought we’d ask a panel of fans both new and old to select their favorite “Doctor Who” monsters of all time. But let’s keep in mind that if science fiction has taught us anything, it’s that we were the true monsters all along.

Clip the labels off your clothes and put on a World War II replica bomber jacket—it’s time to revisit one of our favorite novels of this century, 2003’s “Pattern Recognition” by William Gibson. It was Gibson’s first book to be set in the present day, and yet 16 years later it still feels like a work of science fiction, with a very modern story about brands and viral marketing and our desperate search to find meaning in a world that may have none. If all you’ve read of Gibson is “Neuromancer”, it’s past time that you visited the post-9/11 world of cool-finder Cayce Pollard, the mysterious internet video clips known as The Footage, the global marketing firm Blue Ant, and a series of increasingly lonely international hotel rooms.

Put on your fake beard and step out of a magic door, because 2004’s “Howl’s Moving Castle” is in the spotlight. Hayao Miyazaki adapts Diana Wynne Jones’s novel as an anti-war statement that also plays as a Miyazaki’s Greatest Hits collection. We discuss the choices of the English audio dub versus the original Japanese version, ponder the film’s many discarded story threads, note the lengthy scenes involving climbing and cleaning, and debate the true role of Calcifer the fire demon in Howl’s household.

Our Old Movie Club visits two musicals—but they’re both unusual. From near the beginning of the sound era comes “Gold Diggers of 1933”, a Depression-era tale of showgirls and swells and misunderstandings with enormous Busby Berkeley production numbers. And from the early days of Beatlemania comes 1964’s “A Hard Day’s Night”, intended (at least by its financiers) to be disposable boy-band fluff, but ended up being one of the most influential films of the 20th century.