The Incomparable Mothership

Old Movie Club takes on two distinctly different Raymond Chandler adaptations: 1946’s “The Big Sleep” (with Humphrey Bogart as Philip Marlowe) and 1973’s “The Long Goodbye” (with Elliott Gould as Marlowe). Both of them have twisty plots that unravel, leaving dead bodies behind. Women throw themselves at Bogie! Elliott Gould needs to buy cat food! Film Boir will never be the same.

We’ve completed our read of this year’s six Nebula Award nominees for best science fiction/fantasy novel of the year, and have returned with our opinions! And this year was a pretty good one, with very few of our readers experiencing the pain of bad books. From space opera to portal fantasy to Mexican mythology, there are almost certainly books on this list that will strike your fancy. Also, we debate the perennial question: Are planets in space?

Just sit right back and you’ll hear a tale A tale of a fateful show We drafted yet more TV themes And the theme song list did grow The guest list was a lengthy one The pickers came prepared If not for the courage of our editor The listeners would be scared So join us on your podcast app You’ll listen till you’re full It’s favorite TV theme songs Here on The Incomparable

Dan Moren joins Jason to discuss what went into writing his new novel, “The Aleph Extraction.” No spoilers for the story, but we do discuss how he builds characters, the optimal length of a novel, how writing a novel under contract is different from having years to write one without a publisher, and why Jason has access to the Galactic Cold War wiki.

This podcast is like a donut hiding inside the hole of another donut. That’s because we’re talking “Knives Out,” Rian Johnson’s twisty and clever murder mystery set in the family of a very rich and very awful family. We discuss the movie’s storytelling choices, debate whether it plays fair with all its flashbacks, ponder which of the family members is the least awful, and laugh about all the jokes. (And yes, if you listen to this episode before watching the movie, you’re a monster.)

Put on your best shaggy flannel, because it’s time to go back to the ’90s for another album draft! In this episode Jason is joined by a decade’s worth of panelists to choose our favorite music albums from the 1990s. And yet, somehow, some of our panelists were born in that very decade! Isn’t it ironic?

The final season of SyFy’s “The Magicians” is in the books, and we’re here to wrap it up, as well as share some overall thoughts on the series as the whole. But before we do that, we spend 17 minutes convincing you that it’s a show that’s absolutely worth watching.

Put on a white vest, climb in your Corvette, and whatever you do, don’t stir the cryo tanks! It’s the 50th anniversary of Apollo 13 and the 25th anniversary of “Apollo 13,” so we’re here to discuss Ron Howard’s film, starring Tom Hanks, Ed Harris and an enormous collection of character actors. The real-life story of Apollo 13 is so unlikely that if they made it into a movie, you’d never believe it—but in 1995 they did, and you will.

Engage! Season one of “Star Trek: Picard” is in the books, and so now it’s time to break it all down. Is Data’s death the overriding theme of the season? Does Picard’s final destination live up to the set-up? How did Hugh and Seven fare? Were the other visits from past cast members cheesy or good? How cool are Romulan warrior nuns? Who’s your favorite synth? And can storytelling ever be described as “lumpy?”

By the end of this episode we will sell several copies of “The Three E.P.s” by The Beta Band. It’s time to put on that horrible Cosby sweater and rearrange your record collection autobiographically. On the 20th anniversary of its release, we’re here to discuss one of our All-Time Top 5 movies featuring Lisa Bonet coming alive like Frampton, “High Fidelity.” Based on Nick Hornby’s novel, this film stars John Cusack as a bad boyfriend with a glimmer of hope at finding a clue, features a career-making performance from Jack Black as a gatekeeper fan with a surprising singing voice, and still resonates with us after two decades.