The Good Robot

Happy holidays from your favourite jingle belles at the Good Robot podcast!  In this episode we celebrate both the holidays and Eleanor's new book, The Planetary Humanism of European Women's Science Fiction: An Experience of the Impossible, which is a history of women's utopian science fiction from 1666 to 2016. We talk about the ways that women have imagined better places and times and worse ones throughout history, as well as what utopia means politically and why we need it, lesbian bacteria, Hitchcock's The Birds, and weird deep sea fish..

In this episode we talk to British physicist Jess Wade about the 1923 Wikipedia pages (and counting) she’s created and edited in her aim to put more women and more people of colour onto the online encyclopaedia.  

In this episode we welcome Eleanor back from Slovenia, where she was speaking at a conference on digital sovereignty. But what is digital sovereignty, and what does it mean for you and your data? 

 In this episode, we talked to Azerbaijani journalist Arzu Geybulla, a specialist on digital authoritarianism and its implications on human rights and press freedoms in Azerbaijan. She now lives in self-imposed exile in Istanbul. Aside from writing for big publications like Al Jazeera, Eurasianet, Foreign Policy Democracy Lab, she also founded Azerbaijan Internet Watch and is writing a political memoir about a lost generation of civil society artists in Azerbaijan. We chat to Arzu about Azerbaijan's use of technology to go after diasporic community members or people who've been exiled from the country, how women are more often targeted than men, subliminal propaganda, misinformation and censorship in the recent Turkish elections, and the importance of tracking and mapping internet censorship and surveillance in authoritarian states.

 In this episode, we speak to K Allado-McDowell a writer, speaker, and musician. They've written three books and an opera libretto, and they've established the artists and machine intelligence program at Google AI. We talk about good technology as healing, the relationship between psychedelics and technology, utopianism and the counter-cultural movements in the Bay Area, and the economics of Silicon Valley. 

Giada Pistilli, Principal Ethicist at Hugging Face and PhD candidate at Sorbonne University, dives into value pluralism in AI, advocating for the inclusion of diverse human values in technology development. She discusses the ethical responsibilities of AI companies and the necessity of collaboration among varied teams to combat bias. The conversation also touches on the current state of feminism in France, exploring the complexities faced by women in academic and tech fields, while emphasizing the need for women-only spaces to foster support.

In this episode, we talk to Dr. Matt Mahmoudi, a researcher and advisor on artificial intelligence and human rights at Amnesty International, and an affiliated lecturer at the Department of Sociology at the University of Cambridge. We discuss how AI is being used to survey Palestinians in Hebron and East Jerusalem, both in their bedrooms and in their streets, which Dutch and Chinese companies are supporting this surveillance, and how Israeli security forces have been pivotal to the training of US police. We also think about creative resistance projects like plastering stickers on cameras to notify passes by that they're being watched.

In this episode, we hear all about Kerry’s trip to Japan (spoiler alert: she loved it) and explore her work on anti-Asian racism and AI. Kerry explains what the very long word ‘techno-Orientalism’ means and how fears and fantasies of East Asia or the so-called ‘Orient’ shape Western approaches to technology and AI. We chat about how US sci-fi genres like cyberpunk use imagery from East and South East Asia to connote scary, dystopian futures where the ‘human’ is indistinguishable from the ‘machine’, and how this mimics old stereotypes about East Asian people as ‘mechanical’ or ‘machinic’. 

Dr. Hayleigh Bosher, an expert in intellectual property law and host of Whose Song is it Anyway?, discusses tomorrow's legal disputes over AI and music copyright. She explains why AI can never create an original song, the potential for suing generative AI companies, and the risks of AI missing the point of creativity.

In this episode we talk to Meredith Broussard,  data journalism professor at the Arthur L. Carter Institute at New York University. She's also the author of Artificial Unintelligence, which made waves following its release in 2018 by claiming that AI was nothing more than really fancy math. We talk about why we need to bring a little bit more friction back into technology and her latest book More Than a Glitch, which argues that AI that's not designed to be accessible is bad for everyone, in the same way that raised curbs between the pavement and the street that you have to go down to cross the road makes urban outings difficult for lots of people, not just wheelchair users.