The Director’s Cut - A DGA Podcast

Director Emerald Fennell chats with fellow Director David Lowery about her film Saltburn, discussing the creation of an unlikeable protagonist, incorporating the gothic genre, and utilizing cinematography to evoke seduction and desire. They also delve into the joy of a climactic dance number, the evolution of the film during shooting, the power of music in creating ambiance, varied audience reactions, and the importance of authentic moments on set.

Director Blitz Bazawule discusses his new film, The Color Purple, with fellow Director Gina Prince-Bythewood in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses the importance of sketching in his artistic process, how his background in music prepared him for the film, and trying to identify the heart of the original text in order to do the story justice. The film spans decades to tell the story of Celie, a woman who faces many hardships throughout her life. But ultimately she finds strength and hope in the unbreakable bonds of sisterhood, on her journey to independence. See photos and a summary of this event below: https://dga.org/Events/2024/January2024/TheColorPurple_QnA_1223.aspx

Director Ava DuVernay discusses her new film, Origin, with fellow Director Ed Zwick in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses constructing the metalayers of the narrative, her intentional choice of the film format and look, and working with her composer to reflect music from multiple eras. The film follows author Isabel Wilkerson as she sets out on a path of global investigation following a tremendous personal tragedy. In what would become her novel, Caste: The Origins of Our Discontent, she chronicles how lives today are defined by a hierarchy of human divisions. See photos and a summary of this event below: https://dga.org/Events/2024/January2024/Origin_QnA_1223.aspx

Director Maryam Keshavarz discusses her new film, The Persian Version, with fellow Director Crystal Moselle in a Q&A at the DGA theater in New York. In the conversation, she discusses finding inspiration in her family and world events, achieving authenticity in her locations and production design, and aiming for representation in a grounded and personal story. The film tells the story of Leila, an Iranian-American woman who strives to find balance in her opposing cultures. But when her large family gathers in New York for her father’s heart transplant, a family secret is uncovered that catapults Leila and her mother into an exploration of the past. See photos and a summary of this event below: https://dga.org/Events/2024/January2024/PersianVersion_QnA_1123.aspx

Director Kristoffer Borgli discusses his film Dream Scenario with fellow Director Tim Heidecker. Topics include working with Nicolas Cage, writing process, blending genres, and transcending categorization.

Director Alexander Payne discusses his new film, The Holdovers, with Jason Reitman. They talk about the inspiration for the story, the lead actors' performances, and filmic inspirations. The film follows a history teacher forming bonds with students over Christmas. They also explore casting, directing actors, working with a new cinematographer, using snow in filmmaking, and self-reflection in filmmaking.

Director Sam Esmail discusses his new film, Leave the World Behind, with fellow Director Luke Greenfield in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses the changes he considered when adapting the book to screen, working with the Obama family as producers, and the amount of preparation he underwent before going into production. The film tells the story of Amanda and Clay, who rent a luxurious home for the weekend with their kids. Their getaway is upended when two strangers arrive bearing news of a mysterious cyberattack and the possibility of the collapse of life as we know it. See photos and a summary of this event below: https://dga.org/Events/2024/January2024/LeaveTheWorldBehind_QnA_1123.aspx

Directors Todd Haynes and Gregg Araki discuss the film May December, covering topics such as scouting for the right location, casting Julianne Moore, and playing with framing and reflections. The film delves into the scandalous past of a married couple and the resurfacing of long-dormant emotions when visited by an actress researching their story.

Director Michelle Danner discusses her new film, Miranda’s Victim, with fellow Director Sarah Pirozek in a Q&A at the DGA theater in New York. In the conversation, she discusses the intention behind her casting choices, how she aimed to capture a classic era through cinematography and editing, and how she sought to explore her lead character’s mindset in tandem to the events of the story. The film tells the story of Patricia Weir, who in 1963, was kidnapped and brutally raped by Ernesto Miranda. Committed to seeing him pay for the crime, her life is destroyed by America’s legal system as she triggers a law that transforms the nation. See photos and a summary of this event below: https://dga.org/Events/2023/December2023/MirandasVictim_QnA_1123.aspx

Director Bradley Cooper discusses his new film, Maestro, with fellow Director Todd Phillips in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses working with Bernstein’s children and how he was given the project, the practice that went into major performance scenes, and capturing the thought process of Leonard Bernstein while in the dual roles of lead Actor and Director of the film. The film tells the story of world renowned American composer Leonard Bernstein and his decade-spanning journey with Felicia Montealegre. A love letter to life and art, their relationship is an emotionally epic portrayal of endurance, passion and family. See photos and a summary of this event below: https://dga.org/Events/2024/January2024/Maestro_QnA_1123.aspx