The Director’s Cut - A DGA Podcast

Director Jay Roach discusses his new film, The Roses, with fellow Director Jason Reitman in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses working with his Actors to find the right balance of dark comedy and drama in the film, collaborating with his spouse and many other musical artists to craft a soundtrack that fit the film’s tone, and how he approached remaking a foreign film for American audiences that may not receive the content in a similar way. The film tells the story of Ivy and Theo, a couple living a seemingly ideal life with a loving marriage, successful careers and great kids. But when Theo’s career nosedives and Ivy’s ambitions take off, a tinderbox of hidden resentment and fierce competition ignites as the reality of their relationship bubbles to the surface. See photos and a summary of this event below: https://www.dga.org/events/2025/november2025/theroses_qna_0925

Director Paul Thomas Anderson discusses his new film, One Battle After Another, with fellow Director Steven Spielberg in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he worked with his Actors to bring to life the distinct characters they inhabited, why Vistavision was the best format to capture the story, and how he discovered the ending sequence by exploring the location. The film follows Bob Ferguson, a former militant now living a quiet life in hiding with his daughter Willa. When Willa goes missing, Bob must track her down with the help of his fellow revolutionaries and battle the consequences of his past. See photos and a summary of this event below: https://www.dga.org/events/2025/november2025/onebattleafteranother_qna_0925a  

Rob Reiner, the legendary filmmaker behind classics like This Is Spinal Tap and The Princess Bride, joins Paul Feig for a captivating conversation about Spinal Tap II. They dive into the art of editing improvisations to create a cohesive film and how Reiner employs a documentary style by letting the crew appear in shots. He shares stories of rallying rock legends like Paul McCartney for authentic performances and discusses how internet culture inspired the sequel. Collaboration, emotion, and satire intertwine in this engaging filmmaking exploration.

Director Christopher Leone discusses his new film, Code 3, with fellow Director Etan Cohen in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses collaborating with his co-Writer - who was once a real paramedic - to maintain accuracy, working with his effects team to create realistic wound portrayals, and finding the tone of the film having pulled inspiration from comedy and war films. The film tells the story of Randy, an overworked paramedic who is about to resign. While training his replacement on his the last 24-hour shift, their routine night quickly spirals into a chaotic, citywide odyssey as they race from one emergency to the next. See photos and a summary of this event below: https://www.dga.org/events/2025/october2025/code3_qna_0925

Director Bill Condon discusses his new film, Kiss of the Spider Woman, with fellow Director Greg Berlanti in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how the interpretations from previous adaptations influenced his vision, how he approached shooting the dream sequences in contrast to the prison scenes, and the complex choreography that went into staging the musical sequences with Actor Jennifer Lopez. This reimagining of the 1976 novel and Tony Award-wining Broadway musical tells the story of Valentín, a political prisoner who shares a cell with Molina, a gay window dresser convicted of public indecency. To escape the grim reality of their incarceration, Molina entertains Valentín by recounting the plot of a Hollywood musical starring his favorite silver screen diva, Ingrid Luna. See photos and a summary of this event below: https://www.dga.org/events/2025/november2025/kissofthespiderwoman_qna_0925

Director Justin Tipping discusses his new film, Him, with fellow Director Jennifer Kaytin Robinson in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses working with his VFX team to create the x-ray scenes and their thematic function, the mixture of rehearsals and sports training he had his Actors go through to prepare for their roles, and putting consideration into the structures and locations of his settings to emphasize feelings of oppression and disorientation. The film tells the story of Cameron “Cam” Cade, a promising young football player who’s invited to train at the isolated compound of legendary quarterback Isaiah White. But things turn unsettling as White takes his protégé on a blood-chilling journey into the pursuit of excellence at all costs. See photos and a summary of this event below: https://www.dga.org/events/2025/october2025/him_qna_0925

Director Oliver Hermanus discusses his new film, The History of Sound, with fellow Director Mike Mills in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses working with his Actors to find little character details that speak to bigger aspects of their selves, how he walks his sets early in the days to discover opportunities for shots, and how working on his first American production differed from his past filmmaking experiences. The film tells the story of Lionel and David, who are determined to record the lives, voices and music of American culture in the shadow of World War I. But as they travel the American countryside in search of music, the two find love with one another instead. See photos and a summary of this event below: https://www.dga.org/events/2025/october2025/historyofsound_qna_0925

Director Anu Valia discusses her new film, We Strangers, with fellow Director Janicza Bravo in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses using the story to explore themes of power, class and loving oneself, working with Actor Kirby Howell-Baptiste to flesh out the protagonist, and collaborating with her Cinematographer to discover opportunities for shots while on-set. The film tells the story of Rayelle, a rural housekeeper who takes on a new and enigmatic job for a therapist client. But after she impulsively claims she can speak to the dead, Rayelle finds herself in an odd position of power and an ever-deepening web of deceit. See photos and a summary of this event below: https://www.dga.org/events/2025/october2025/westrangers_qna_0925  

Director Tony Tost discusses his new film, Americana, with fellow Director Mimi Cave in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how the story structure was influenced by Westerns and nonlinear narratives like Pulp Fiction, how he worked with his cinematographer to achieve an analog 1970s aesthetic, and what he learned making this film as a first-time Director. The film follows a waitress with dreams of bigger and better things, who teams up with a military veteran to gain possession of a mysterious and valuable artifact. They soon find themselves in the crosshairs of a ruthless criminal, an unrelenting Western antiquities dealer and an ever increasing list of pursuers as blood is shed to secure the relic. See photos and a summary of this event below: https://www.dga.org/events/2025/october2025/americana_qna_0825

Director Nisha Ganatra discusses her new film, Freakier Friday, with fellow Director Adele Lim in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses the uniquely complex rehearsal process involved in a body swap comedy, giving background characters prominent scenes so that every character is memorable, and filming in LA to utilize locations across the city while keeping production local. The follow-up to 2003’s Freaky Friday finds Tess and her daughter Anna navigating a shift in family dynamics with Anna’s daughter and stepdaughter. However, they soon discover that lightning might indeed strike twice. See photos and a summary of this event below: https://www.dga.org/events/2025/october2025/freakierfriday_qna_0825