Stories Are Soul Food

Brian springs an awful Aslan casting surprise on Nate, and the results are delightful. The SASF discussion of Greta Gerwig's new Netflix Narnia series ranges far afield. Planet Narnia, which book of the series is Nate's favorite, Lewis's repeated character archetypes, adaptation of books to film... this one has all things Lewis. Including Nate's claim that Edmund / Eustace / Digory all behave the way they do because CSL had thumbs that couldn't bend.

It's old news that the boys aren't reading. The NY publishing industry was obsessed with the idea when they first took at look at Nate's work twenty years ago. This episode of SASF features the story of the (female) editor who wanted to reach boys with Nate's manuscript of Leepike Ridge by 1) taking out the treasure, 2) taking out the father figure, and 3) making the book about the relationship between the boy and his widowed mom. The industry at large moved on to graphic novels to try to get boys to read. But Nate says things have gotten worse since then: Boys weren't reading then; they aren't even watching now. Hollywood is currently freaking out over the difficulty of getting young adult males into theaters. Turns out boys play video games a bit and watch YouTube and p*rnography a lot (devastating). The rest of the podcast discusses how to defeat the algorithms by creating dopamine with your family instead of your phones. This is the first step to freeing a generation of young people enslaved to the doomscroll.

What should your decision process be when you are thinking about moving your family across the country to a new place? Well, the answer is rooted in story. Are you moving to a place where you can be a better character, where your kids can be more active, where your family can grow -- or are you relocating yourself merely to consume the products that are brought to you by this new community? Don't be a hummingbird, be an ant. Jump on the moving walkway and start running. This discussion of communities, moving, and what makes Moscow, Idaho different from other parts of the US is equal parts practical and (probably) offensive. Enjoy!

The speakers dive into cherished childhood memories of animated films, reflecting on how their tastes have shifted. They critique the lack of depth in modern animation, addressing issues like character development and storytelling evolution. A sharp analysis of 'Zootopia' tackles its underlying themes, while lively debates on beloved franchises highlight nostalgia and skepticism towards recent releases. The discussion emphasizes the importance of critical thinking in evaluating animations, encouraging young audiences to assess what makes a good story.

This week the guys discuss some frustrating creative decisions behind the new Season of Severance. #severance #benstiller #adamscott

A project Nate worked on is arriving this February: It's House of David, a serious retelling of the life of David. But Nate only worked on early drafts, and it's now a Prime Video project. The guys watch the preview; Brian criticizes vestiges of what feels like Rings of Power; Nate talks about the vision for the project, and (even if he were to have quibbles about the final result) talks about what success for this series would do: Reignite some interest in telling faithful Bible stories. He talks about the importance of Christians telling real stories, and Brian makes a surprising pivot into the movie Magnolia (1999, directed by PTA, definitely NOT a Christian movie, don't show your family and then send us angry messages). Brian argues that Magnolia's director Paul Thomas Anderson is trying to take a divine perspective on the rise and fall of ten characters in Los Angeles. Nate gives his thoughts on a movie that is more honest about grace and judgment than any "Christian" film he has seen recently.  As Magnolia's Christian Officer Kurring (John C. Reilly) puts it: "Sometimes people need to be forgiven. And sometimes they need to go to jail. And that's a very tricky thing on my part." This leads to a challenge: Christian directors should be more ambitious than Paul Thomas Anderson in their efforts to make Christian films great again.

James Engerbretson, director of the nature documentary series Riot & the Dance, shares his passion for celebrating nature's beauty through film. He discusses the unique challenges of storytelling in animal documentaries and the need for a positive narrative that resonates with younger audiences. Engerbretson recounts thrilling adventures, like swimming with sharks and almost getting gored by a rhino. He emphasizes the spiritual connections found within nature, encouraging listeners to appreciate the artistry of creation in their backyards.

As a conservative artist who's been working in the mainstream since 2007, Nate has an artistic opinion that's going to get conservative folks angry: Capitalism doesn't produce great art. Lest you join this commenter who said "this take is so dumb it got me to engage, brilliant", if you care about this topic, you need to listen to the whole episode. Nate's argument is that the incentives of capitalism reward the MOST entertainment, for the MOST people, for the MOST money. But actual greatness of art? That's not a problem that capitalism is solving for. Capitalism is a Delta stewardess serving cheese cubes to the Delta Sky Club Diamond members. It'll get you the most cheese cubes at the lowest price, but it's not not gonna get a steak. Instead, Nate argues for a return of patronage. Cathedrals, requiems, masses, paintings, statuary -- it's all been the result of patronage. Brian objects. Nate qualifies. The truth is that when streaming is king, an uncompromising demand for excellence and improvement only eats into your profit, because a creator's profit is capped by the streaming service. How do you resist the allure of cold hard cash if you're a creator? Better make sure you have principles you can hold on to beyond the desire for money.

This episode is a justification for the Stories Are Soul Food manifesto. First, Brian makes Nate react to the worst SASF episode from last year; then, Brian makes Nate react to the 2025 Golden Globes winners (The Brutalist, Emilia Perez, The Substance, Flow, etc.); and lastly Brian makes Nate justify the importance of story in a time when everybody else seems to be crazy. Kinda seems like we should be focusing on more important stuff than narrative, right? Nate describes 2025 as the year of living next to the insane asylum -- what can we do with our own lives when your neighbors are coloring on all their walls? Nate says story is not only part of the answer, it's the solution for how you, your spouse, and your kids are going to get through these "interesting times."

Prepare for a journey through the murky waters of mediocrity where Black Pill Nate reveals the harsh reality of aiming for excellence while settling for subpar input. The duo delves into the surprising success of 'Wicked' despite its lack of quality, and critiques storytelling in adaptations like 'Silo.' They humorously navigate the minefield of second seasons, pointing out the essential role of high-quality production. With a mix of nostalgia and sharp critiques, the conversation inspires listeners to reconsider their creative endeavors and life choices.