This episode is a justification for the Stories Are Soul Food manifesto. First, Brian makes Nate react to the worst SASF episode from last year; then, Brian makes Nate react to the 2025 Golden Globes winners (The Brutalist, Emilia Perez, The Substance, Flow, etc.); and lastly Brian makes Nate justify the importance of story in a time when everybody else seems to be crazy. Kinda seems like we should be focusing on more important stuff than narrative, right? Nate describes 2025 as the year of living next to the insane asylum -- what can we do with our own lives when your neighbors are coloring on all their walls? Nate says story is not only part of the answer, it's the solution for how you, your spouse, and your kids are going to get through these "interesting times."

Prepare for a journey through the murky waters of mediocrity where Black Pill Nate reveals the harsh reality of aiming for excellence while settling for subpar input. The duo delves into the surprising success of 'Wicked' despite its lack of quality, and critiques storytelling in adaptations like 'Silo.' They humorously navigate the minefield of second seasons, pointing out the essential role of high-quality production. With a mix of nostalgia and sharp critiques, the conversation inspires listeners to reconsider their creative endeavors and life choices.

Nate and Brian dive into the tricky balance of flattery and honesty in parenting. They tackle the impact of compliments on children’s self-worth and the importance of genuine support. The duo humorously debates the implications of a gift-less Christmas. They also explore the individuality of children in large families and how to nurture their unique strengths. Plus, classic Christmas movies like 'Elf' and 'Die Hard' get a light-hearted critique, blending humor with reflections on holiday traditions.

Listeners of this podcast know that when Christmastime rolls around, the SASF podcast likes to focus on the less appreciated Bible stories that lead up to the birth of the Christ:. You may remember past Advent episodes on the Levite's concubine, Onan, and Tamar. This year, the guys discuss the place of the Jewish people in the Christmas story. Why? Well, nobody needs a reason to talk about the Gospel, but in addition (if you're on X), you've definitely noticed a certain vocal minority who loves nothing more than to denigrate the Jews. Don't worry, we don't spend much time on those dummies -- but we do spend time discussing the meaning of Christmas, its place in history, the rights and wrongs of Zionism, Old Testament heresies like Talmudic Judaism, and, of course, the Jewish story that is the whole basis for the birth of our Jewish Savior... and why we're Christians now. You're also going to find out that you're the second lobster on the heavenly sheet in Peter's vision, so get used to not being the main character. Merry Christmas!

Under duress, Brian admits that Gladiator (the original) is still his favorite movie, having stayed atop the BK Movie podium since Brian was a teenager. Nate attacks Brian for his bashfulness at recommending what is, in fact, an all-time great movie, and the guys have a pleasant reminiscence of Russell Crowe and 2000's Gladiator, remembering all the great parts and forgetting all the supporting actors' names. Unfortunately, all good things must come to an end, and it turns out they just released a NEW Gladiator, and Nate had watched it with his kids. You get to hear Nate's analysis of how the new Gladiator fails to emulate the old, along with his hypothesis for why Ridley Scott keep churning out poor quality movies from potentially amazing IP. You'll also hear Nate's director's take on the casting in Gladiator II, which is a single point of failure (well, maybe the CG baboons are the single point of failure). But the worst of Gladiator II is the effort spent undermining the nobility of Maximus.

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A monumental announcement kicks off discussions about the 1977 animated Hobbit now streaming. Nostalgia takes center stage as the guys reflect on its cinematic legacy and the importance of family film nights. They humorously critique sci-fi definitions, particularly targeting Heinlein. The conversation bridges humanity with divinity, highlighting storytelling's role in human values. There's a push for deeper engagement with art and spirituality, while redefining the fine line between sci-fi and fantasy, urging listeners to appreciate quality storytelling over strict genre borders.

Dive into the hilarious world of parenting as hosts tackle the challenges of potty talk with kids, balancing humor and modesty. They explore the narrative complexities of characters like Princess Fiona from Shrek, discussing the pitfalls of wish fulfillment in storytelling. With anecdotes about bodily functions and a critique of modern narratives, they emphasize the importance of character growth over superficial desires. Expect a thoughtful yet entertaining conversation about parenting, literature, and the nuances of storytelling.

Around election time people get addicted to bad stories, downing them cocktail after cocktail. And that's because presidential elections, which are the beauty pageants of babylon, usually turn on this simple storytelling question: Who can tell the most compelling tale about their opponents? Harris-Walz is trying with video games and guns and abortion; Trump-Vance is trying with filthy comedians and French fries and free speech. Analysis gets really entertaining when you get to watch how fringe elements on both side stand where their opponents tell them to stand and say what their opponents tell them to say (this is where AOC and groypers overlap in their hatred of Israel, and where fascists and communists sort everyone into categories based on sunburn-ability). In literary terms, we Americans in 2024 are living in a black comedy, which is a satire in which the main characters cannot see that the rules they live by are crazy. But the audience can. And unfortunately, black comedies usually end in destruction for everyone but the audience. Speaking of audiences: who is your audience? What matters for you, right now, on a Tuesday afternoon, isn't the centuries-long stories God is telling of the rise and fall of nations -- it's how you treat your wife, kids, boss, pastor; and how your actions are telling a story to everyone you live with. So, vote for Trump, but God is the only Storyteller who should have control of your emotions. Stories are soul food, after all.

Public perception of Christianity has soured in the past decade -- and so has most of the famous "Christian" nonfiction -- titles such as The Shack, Love Wins, Blue Like Jazz, Love Does, Wild at Heart have aged like milk. In contrast, Brian asks Nate why his own nonfiction seems so well suited for the negative world. Notes from the Tilt-a-Whirl is now a barrel-aged 15-year whiskey, the gospel of story. Death by Living is a bold declaration of your mortality in a time when "normal" dreams are shattering. The guys discuss why storytelling is kingdom work, and why the Gospel of Story is a key skill for every Christian living now to develop. Nate also addresses readers who don't like his writing, and that one secular reviewer who, days after publishing a positive review, accosted Nate with this realization of how Christianity had tiptoed into his books: "You pulled that C.S. Lewis s***." Find the matching hardcover sets of each book at ndwilson.com.