The American socialite Wallis Simpson is best known as the wife of former British king Edward VIII. When they announced their intention to marry, her status as a divorcée (and an American) caused a constitutional crisis that led to Edward's abdication in 1936. But long before that, Simpson's adventures had led her to spend a year in interwar China, from 1924-25, while fleeing her abusive first husband and allegedly transporting U.S. diplomatic documents. Later maligned by the British press for this "lotus year," the truth of Simpson's China sojourn reveals much about the chaotic state of the nation in the 1920s, and attitudes toward it — and foreigners living there — from outside.Our guest on the podcast this month is Paul French, a British writer who lived in Shanghai in the 1990s and 2000s, where he ran a market research firm. He is the author of several books on modern Chinese history, including the bestselling Midnight in Peking (Viking, 2012) and City of Devils (Picador, 2018). His latest title, Her Lotus Year: China, the Roaring Twenties, and the Making of Wallis Simpson (St Martin’s Press, 2024), tells the full story of Simpson's China year, long before her tryst with King Edward VIII caused a scandal worthy of Harry and Megan. French talked to us about the political backdrop to this personal drama, what it shows about the status of foreigners in China, and the state of the “China book” in general.The China Books Podcast is a companion of China Books Review, a project of Asia Society’s Center on U.S.-China Relations and The Wire, a digital business platform that also publishes The Wire China. For any queries or comments, please write to editor[at]chinabooksreview.com.

In this episode, we’re pleased to have had the opportunity to talk to Kishore Mahbubani, a Singaporean former diplomat who was Singapore’s representative to the UN in the 1980s and 1990s, and later Dean at the Lee Kuan Yew School of Public Policy at National University of Singapore. Mahbubani is the author of ten books on Asia and the world, most recently Living the Asian Century (2024).Though the book has a broad scope, we focused more generally on China in this conversation, given our remit. Mahbubani talked about the legacy of colonialism in Asia; how Singapore became a success story; China’s model of non-interference in the region; its peaceful intentions overseas and at home; and anti-China bias in the West — though we pushed back on all points in a lively discussion.The China Books Podcast is a companion of China Books Review, a project of Asia Society’s Center on U.S.-China Relations and The Wire, a digital business platform that also publishes The Wire China. For any queries or comments, please write to editor[at]chinabooksreview.com.

Our guest this month is renowned writer Peter Hessler, a staff writer at The New Yorker and author of five books about China, most recently Other Rivers: A Chinese Education, published earlier this year by Penguin Press. In the book, Hessler details his most recent stint living in China, teaching writing at Sichuan University in Chengdu from 2019 to 2021. Hessler talked to us about how the new generation of Chinese students differ from those he taught in the late 1990s; his experiences of Covid in 2020; the circumstances in which he left China in 2021; and the uncertain future of China writing.The China Books Podcast is a companion of China Books Review, a project of Asia Society’s Center on U.S.-China Relations and The Wire, a digital business platform that also publishes The Wire China. For any queries or comments, please write to editor[at]chinabooksreview.com.

China’s edgy contemporary art exploded into global view over decades of China’s meteoric economic growth. Gone were the days of Mao Zedong insisting that art had to “serve the people", by which he meant, the Communist Party, with socialist realist propaganda. Freed from those contraints with Mao's death and the end of the Cultural Revolution in 1976, successive generations of contemporary artists in China worked through political trauma, explored Chinese identity, experimented with the styles of modern masters in other parts of the world, and found their own voices, in ways that drew global attention, and drove a hot art market in the early 2000s and 2010s. How did that all happen, and what’s happened to it now, under Xi Jinping’s reassertion of the idea that art – and journalism, and film, and pretty much everything – should serve the Party’s interests? In this episode, Barbara Pollack, an art critic, curator, and author who has focused on contemporary Chinese art since the late 1990s, shares her thinking and experience.  Barbara Pollack, author of The Wild, Wild East:  An American Art Critic's Adventures in China (2010) and Brand New Art from China: A Generation on the Rise (2018), is an award-winning writer, art critic, and curator, and a respected voice on contemporary Chinese art for a quarter century. As a curator, she created My Generation: Young Chinese Artists (Tampa Museum of Art and Orange County Museum of Art, 2014-2015);  Mirror Image: A Transformation of Chinese Identity (Asia Society Museum New York, 2022), and Multiply: Strength in Numbers (Modern Art Museum Shanghai, 2024). She is cofounder of Art at a Time Like This, a nonprofit organization that provides platforms for artists and curators to respond to current events and social crises. The China Books Podcast is a companion of China Books Review, a project of Asia Society’s Center on U.S.-China Relations and The Wire, a digital business platform that also publishes The Wire China. For any queries or comments, please write to editor[at]chinabooksreview.com.

Beijing is many things to many people, sometimes all at once – a mecca for migrants and artists, a tech hub, a proving ground for young graduates, a capital of politics and power, a smoggy, traffic-choked dystopia, a charming collection of lakes, leafy parks, narrow lanes and courtyard houses, an enduring city with 800 years of history and lore, and millions of stories to tell. Ten such stories are told in The Book of Beijing: A City in Short Fiction, an anthology in English translation by 10 Chinese writers, many of them award-winning, all of whom live in Beijing or have a close and enduring connection to it. The stories were all previously published in Chinese in China, including one in which a young woman wonders what her older boyfriend saw in 1989 in Tiananmen Square, and another, in which a pre-teen boy – left alone after his older siblings are sent to the countryside – gets caught stealing, and fears the consequences. Other stories include speculative fiction from Gu Shi, who’s shortlisted for a 2024 Hugo Award for a different story, and a tale from Xu Zechen, translated by Paper Republic founder Eric Abrahamsen, about how a counterfeiter who sells fake IDs gets smitten with a fellow seller of fake IDs and toys with the idea of settling down into a normal life. The book is part of the acclaimed "A City in Short Fiction" series by Comma Press in the UK, which has included The Book of Jakarta, The Book of Istanbul, and The Book of Gaza. The Book of Beijing brings a reader in to this complex city through intimate, textured, and at times jarring tales, of ordinary people navigating extraordinary times.In this episode of the China Books podcast, The Book of Beijing ‘s editor, Bingbing Shi, shares her thoughts on Beijing, on how she brought the book together, and on the impact she hopes it will have on readers outside of China.Bingbing Shi earned her PhD from the Faculty of Asian and Middle Eastern Studies, University of Cambridge. Her research interests include modern and contemporary Chinese literature, adaptation studies, memory studies, translation studies, and feminist writing. She has a BA and MA in Chinese literature from Beijing Normal University. Her fiction in Chinese has appeared in People’s Literature and Youth Literature. The China Books Podcast is a companion of China Books Review, a project of Asia Society’s Center on U.S.-China Relations and The Wire, a digital business platform that also publishes The Wire China. For any queries or comments, please write to editor[at]chinabooksreview.com.

Former correspondent in China and current global economics correspondent at The New York Times, Peter Goodman, discusses U.S.-China trade dynamics. He highlights China's rise as a top exporter, the hidden costs of outsourcing to China, and the need for resilience in the U.S. economy. The conversation explores the risks of just-in-time supply chains, China's policies post WTO, challenges in China's economy and society, and the future of US-China trade relations.

Tiananmen -- the place, the protests, the crackdown -- reverberates in memories and imaginations around the world, even 35 years after tanks rolled in Beijing’s streets, and the Chinese military’s crackdown on student demonstrators in the week hours of June 4, 1989, killed at least hundreds and wounded thousands of people. The protesters had been calling for political reforms, for a more open and less corrupt society, after decades of political upheaval under Mao Zedong’s leadership. What they got instead from Deng Xiaoping was a brutal ‘no’ to the call for political reform, but with a green light to instead focus on making money and growing China’s economy. China’s Communist Party leaders insist to this day that China’s economic rise couldn’t have happened without the crushing of the 1989 Tiananmen demonstrations, and the hopes for political reform of many Chinese people. Still, the Party has tried to erase the Tiananmen crackdown from public memory in China, even as many Chinese remember the protests and all they stood for, with some dedicating their lives to working toward those same goals.  The guest for this episode, Xiao Qiang, is one such person. He talks about his life before, during, and after the protests, and recommends books for anyone interested in better understanding what the Tiananmen demonstrations and crackdown meant, and still mean, in China and beyond. Xiao Qiang is the founder and Editor-in-Chief of China Digital Times, a bilingual China news website launched in 2003 to aggregate, organize, and recommend online information from and about China. He is an adjunct professor at the School of Information, University of California at Berkeley, and director of the school’s Counter-Power Lab, an interdisciplinary faculty-student research group focusing on the intersection of digital media, counter-censorship technology and cyber-activism.The China Books Podcast is a companion of China Books Review, a project of Asia Society’s Center on U.S.-China Relations and The Wire, a digital business platform that also publishes The Wire China. For any queries or comments, please write to editor[at]chinabooksreview.com.

Genocide is not a word thrown around lightly by the U.S. government, but it uses that term to describe the Chinese government’s ongoing assaults on Uyghurs’ distinct culture, identity, rights, and freedom in China’s far western region of Xinjiang. China's government has long had an uneasy relationship with Uyghurs’ distinct Turkic Muslim identity, and has tried in various ways over time to control them, reduce and dilute their population, and make them assimilate.But lately, it’s gotten much worse. Within the past decade, about a million Uyghurs – almost one in 10 – were sent to reeducation camps. Under international pressure, the PRC says it closed the camps in 2019, because the "trainees" graduated. But it  transferred many of the Uyghurs in the camps to prison or forced labor, sending some to other provinces as part of a policy meant to reduce the concentration of Uyghurs in Xinjiang.  Those still in Xinjiang are under constant high-tech surveillance, with some forced to let security personnel live in their homes, to better indoctrinate and surveil them.In the midst of all this, a few Uyghur women in exile have proven especially effective at speaking out on their people’s plight, and advocating for international action . This episode is a conversation with two of them, about  their experiences growing up Uyghur in  China, going into exile in the United States, and becoming advocates for Uyghur rights.Gulchehra Hoja is the author of A Stone is Most Precious Where It Belongs: A Memoir of Uyghur Exile, Hope and Survival, named by The New Yorker as a best book of 2023. An award-winning Uyghur American journalist who has worked with Radio Free Asia since 2001, she grew up in Urumqi, studied Uyghur language and literature and, working for state-run Xinjiang TV, created and hosted China’s first Uyghur language children’s television program for five years.  Jewher Ilham’s two memoirs, Jewher Ilham: A Uyghur’s Fight to Free Her Father (2015) and Because I Have To: The Path to Survival, The Uyghur Struggle (2022), tell the story of how a Uyghur teenager who grew up in Beijing as the daughter of prominent economics professor and Uyghur rights advocate Ilham Tohti, went into exile in the United States and became an effective advocate for her father’s release from a life sentence in prison in China. She now also works with the Worker Rights Consortium in Washington, D.C. as forced labor project coordinator and spokesperson for the Coalition to End Uyghur Forced Labor.  The China Books Podcast is a companion of China Books Review, a project of Asia Society’s Center on U.S.-China Relations and The Wire, a digital business platform that also publishes The Wire China. For any queries or comments, please write to editor[at]chinabooksreview.com.

China has bet big over the past couple of decades on how building up its renewable energy sector -- solar panels, wind turbines, electric vehicles and their batteries, and the metals and minerals that make them all possible -- will help China achieve a dominant global position in an essential field.  So far, with intensifying climate change making the need to speed the transition from fossil fuels to renewables ever more urgent, China is winning that bet.  China's efforts, with fierce competition within its private sector spurred by government incentives, have driven down the global cost of solar panels and electric vehicles, and have given China a near-monopoly globally on processing rare earths, and in mining and processing nickel, cobalt, magnesium and more.  This episode focuses on the story of how China achieved this lead in the green energy 'gold rush', and what the West is now doing to try to catch up, with guest Henry Sanderson, author of VoltRush: The Winners and Losers in the Race to Go Green.  A former correspondent in China for the Associated Press and Bloomberg, a commodities reporter for The Financial Times and current executive editor for Benchmark Mineral Intelligence,  Sanderson reported on the ground for from lithium fields in Chile to cobalt mines in the Congo, on the environmental trade-offs of mining minerals for renewable energy, on promising alternatives, and on what the West and the rest of the world can learn from China's experience as an early leader in green energy.  Sanderson is also co-author, with The New York Times’ Michael Forsythe, of China’s Super Bank: Debt, Oil, and Influence -- How China Development Bank is Rewriting the Rules of Finance.  The China Books Podcast is a companion of China Books Review, a project of Asia Society’s Center on U.S.-China Relations and The Wire, a digital business platform that also publishes The Wire China. For any queries or comments, please write to editor[at]chinabooksreview.com.

Acclaimed spy novelist Adam Brookes started out in China as a languge student in the mid-'80s, skipping class to travel in trucks and buses to Tibet and other parts of China that had just opened up after being shut off to foreign visitors for decades. He want back as a BBC China correspondent, informed by his earlier experiences in remote parts of China, and informing a huge global audience about China's transformation. He has since parlayed both of those early chapters in China into vivid and thought-provoking writing, both in his spy novel triology Night Heron, Spy Games, and The Spy's Daughter, and in his narrative non-fiction thriller Fragile Cargo: The World War II Race to Save the Treasures of China's Forbidden City. In this episode, he talks about how, with each form of writing, he has tried to bring China to life for his audiences, and deepen understanding of a complex place and people, and China's impact on the world. The China Books Podcast is a companion of China Books Review, a project of Asia Society’s Center on U.S.-China Relations and The Wire, a digital business platform that also publishes The Wire China. For any queries or comments, please write to editor[at]chinabooksreview.com.