Making Contact

Today we present the first half of a two-part radio documentary from our friends at the San Francisco Public Press, “Exposed,” opening a window into the little-known history of the Hunters Point Naval Shipyard. The sprawling abandoned naval base, in San Francisco’s southeast waterfront Bayview neighborhood, is currently the site of the city’s largest real estate development project. The base played a key role in the Cold War nuclear era, when it housed a research institution known as the Naval Radiological Defense Laboratory, which studied the human health effects of radiation. In episode one of the podcast, we trace the radioactive contamination found in the shipyard soil today back to its origins, with nuclear bomb testing in the Marshall Islands. We also hear from environmental justice advocates, including one who led a health biomonitoring survey revealing that nearby residents have toxic elements stored in body tissues that match the hazardous chemicals of concern identified at the shipyard. Featuring: Ahimsa Porter Sumchai, community advocate and medical doctor Michelle Pierce, Executive director of Bayview Hunters Point Community Advocates Leaotis Martin, resident of Bayview Raymond Tompkins, community advocate, chemist and former member of the Hunters Point Shipyard Restoration Advisory Board Daniel Hirsch, president of Committee to Bridge the Gap; Derek Robinson; Navy representative. Credits: San Francisco Public Press: Reporting: Rebecca Bowe and Chris Roberts Editing: Michael Stoll and Liz Enochs Research Editing: Ambika Kandasamy Web Design: John Angelico Copy Editing: Kurt Aguilar, Michele Anderson and Richard Knee Archival Research and Illustration: Stacey Carter Audio Editing: Liana Wilcox, Mel Baker and Megan Maurer Sound Gathering: Justin Benttinen Photography: Sharon Wickham, Yesica Prado and Guillermo Hernandez Graphic Design: Reid Brown Fact Checking: Dani Solakian and Ali Hanks Proofreading: Lila LaHood, Noah Arroyo, Zhe Wu and Sylvie Sturm Special thanks to Alastair Gee and Danielle Renwick at The Guardian and Ben Trefny at KALW Public Radio, and to Laura Wenus and Amy Pyle Making Contact: Host: Salima Hamirani Producers: Anita Johnson, Salima Hamirani, Amy Gastelum, and Lucy Kang Executive Director: Jina Chung Editor: Adwoa Gyimah-Brempong Engineer: Jeff Emtman Digital Media Marketing: Anubhuti Kumar Music Credits: Midday, by the Blue Dot Sessions Sweet Leilani, by Bing Crosby Learn more: Exposed on the San Francsisco Public Press Exposed Part Two Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.

Today we head back to Indianapolis with the podcast Urban Roots. In the 1950s and 1960s, Ms. Jean Spears was a young mother and burgeoning preservationist. She saved antiques from houses about to be demolished; she bought a home in a white slum and renovated it; later on, she did the same with a historic home in the black neighborhood near Indiana Avenue. In the eighties, she and some neighbors started digging into this black neighborhood’s history, uncovering the names of Black doctors, civic leaders, and other professionals who had lived there, many of whom had worked for Madam C.J. Walker. She helped rename the neighborhood to Ransom Place, in honor of Freeman Ransom, Madam Walker’s prodigious lawyer. And in 1991, they succeeded in getting the Ransom Place Historic District included in the National Register of Historic Places. Thanks in no small part to the connection to Madam C.J. Walker, Jean Spears was able to save this pocket of Black history, in an area that — as we explained last episode — the city of Indianapolis had almost erased from memory. But black Indy history is about more than Madam Walker, and other stories and places in the city need protection, too. In this episode, we’ll introduce you to three Black women who are carrying on what Ms. Jean Spears started — safeguarding these little-known stories of the past and guiding Indianapolis toward a brighter future. Featuring: Claudia Polley, Urban Legacy Lands Initiative; Kaila Austin, artist and historian; Judith Thomas, Deputy Mayor of Neighborhood Engagement for the City of Indianapolis; Paula Brooks, the Environmental Justice Program Manager at the Hoosier Environment Council. Credits: Urban Roots: Urban Roots unearths little-known stories from urban history, especially histories of women and people of color that are in danger of being forgotten. Our mission is to elevate underrepresented voices and help preserve the places significant to them. Hosts and Executive Producers: Deqah Hussein-Wetzel and Vanessa Maria Quirk Editor and Executive Producer: Connor Lynch  Mixer: Andrew Callaway.  Music/Composer: Adaam James Levin-Areddy.   Making Contact Credits Episode Host: Salima Hamirani Producers: Anita Johnson, Salima Hamirani, Amy Gastelum, and Lucy Kang Executive Director: Jina Chung Editor: Adwoa Gyimah-Brempong Engineer:[ Jeff Emtman](https://www.jeffemtman.com/) Digital Media Marketing: Lissa Deonarain Music: Roman- Galaxy (inspired up melody) Will Bangs – I’m so glad you exist   Learn More:  Urbanist Media   

Madam C.J. Walker was a brilliant entrepreneur who built a haircare empire and became the first African American woman millionaire. You might have heard about her, but not many people know that her headquarters used to be located in Indianapolis, along a once vibrant Black corridor called Indiana Avenue, a place that today is known for parking lots, high-speed traffic, and uninspiring university buildings. Why do so few people know this story? Because, over decades, government planners and private developers slowly and systematically erased Indiana Avenue's history. Luckily, however, some Black Hoosiers are working to uncover, and reclaim, what almost disappeared without a trace. In this episode, we tell their, and the Avenue’s, story. Featuring: A’Lelia Bundles: Journalist and Madam C.J. Walker biographer; Susan Hall Dotson of the Indiana Historical Society; Claudia Polley of the Urban Legacy Lands Initiative; Wildstyle Paschall, artist and community advocate; Devon Ginn of the Walker Legacy Center; and centenarian/Indiana Avenue author, Mr. Thomas Hart Ridley. Credits: Urban Roots Credits: Urban Roots dives deep into little known stories from urban history, unearthing histories of women and people of color that are in danger of being forgotten.  Hosts and Executive Producers: Deqah Hussein-Wetzel and Vanessa Maria Quirk. Editor and Executive Producer: Connor Lynch  Mixer: Andrew Callaway. Music Composer: [Adaam James Levin-Areddy.](https://www.ajla.me/) Making Contact Credits Episode Host: Salima Hamirani Producers: Anita Johnson, Salima Hamirani, Amy Gastelum, and Lucy Kang Executive Director: Jina Chung Editor: Adwoa Gyimah-Brempong Engineer:Jeff Emtman Digital Media Marketing: Lissa Deonarain Music Credits Tephra- anemoia Ben von Wildenhaus - Week Twenty-five Learn More:  Urbanist Media  Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.

On today's show, we look at how art can highlight the struggles of incarcerated women, build solidarity with them across prison walls, and fight against the erasure and censorship inherent to incarceration.  First, we'll hear about a dance performance called "If I Give You My Sorrows" that's built around the complex ways that incarcerated women relate to their beds. Then, we'll learn about an art exhibition, "The Only Door I Can Open," that's curated and created by incarcerated artists, writers and poets inside Central California Women's Facility. Featuring Jo Kreiter, artistic director of Flyaway Productions and creative director of If I Give You My Sorrows Betty McKay, formerly incarcerated advocate and organizer Tomiekia Johnson, incarcerated writer and co-curator of The Only Door I Can Open Chantell-Jeannette Black, incarcerated artist and co-curator of The Only Door I Can Open Rahsaan “New York” Thomas, executive director of Empowerment Avenue Credits Making Contact Team Episode Host: Lucy Kang Producers: Anita Johnson, Salima Hamirani, Amy Gastelum, and Lucy Kang Executive Director: Jina Chung Editor: Adwoa Gyimah-Brempong Engineer: Jeff Emtman  Digital Media Marketing: Lissa Deonarain Special thanks to Christine Lashaw from Empowerment Avenue for recording interviews with Tomiekia and Chantell that were part of this show. Music The music in this episode was excerpted from compositions for If You Give Me Your Sorrows. “Skewed” Carla Kihlstedt – voice, music box, field recordings Elijah Oberman – voice, synths Music/sound design – Carla Kihlstedt & Eli Oberman “Where Betty Can Go Find Betty”  Pamela Z – voice, processing, MIDI instruments Vocal samples excerpted from an interview with Betty McKay Music by Pamela Z “Closure” Cole Kamen-Greene – trumpet Carla Kihlstedt – voice, violin Devin Ray Hoff – bass Matthias Bossi – percussion Music by Carla Kihlstedt (with structural advice from Elijah Oberman) “Prayer” Carla Kihlstedt – voice Music by Carla Kihlstedt “Salve” Kalyn Harewood – spoken voice (excerpted from an interview with Tomiekia Johnson) Carla Kihlstedt – violin, nyckelharpa, marxophone, voice Elijah Oberman – violin, sound design Jeremy Flower – synth programming Jon Evans – bass, guitar Matthias Bossi – percussion Music by Carla Kihlstedt   The Only Door I Can Open and If I Give You My Sorrows presented by Yerba Buena Center for the Arts in 2025: www.ybca.org/event/the-only-door-i-can-open and www.ybca.org/event/if-i-give-you-my-sorrows The Only Door I Can Open virtual exhibition hosted by MoAD: www.moadsf.org/virtual-exhibition Empowerment Avenue website: www.empowermentave.org Flyaway Productions: www.flyawayproductions.com Museum of the African Diaspora: www.moadsf.org The music featured in If I Give You My Sorrows is available for purchase: http://ifigiveyoumysorrows.bandcamp.com Petition for Tomiekia Johnson’s request for commutation https://www.change.org/p/gavin-newsom-grant-commutation-for-incarcerated-survivor-tomiekia-johnson Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.

What are borders, and why do we have them? And how is violent border enforcement at the US-Mexico border connected to Israel's brutal assault on Gaza? And what happens when borders cross living land and communities? We'll dig into these questions on this week's episode with the help of Heba Gowayed, sociology professor at CUNY Hunter College and Graduate Center. And then we'll hear a story brought to us by In Confianza, with Pulso about one time when the natural boundary between two countries changed – and what happened to the people caught on the other side. Featuring: Heba Gowayed, sociology professor at CUNY Hunter College and Graduate Center and author of "Refuge: How the State Shapes Human Potential" and the forthcoming "The Cost of Border" Credits:  "The Border is Alive!" from In Confianza, with Pulso** Written and produced by Charlie Garcia  Edited by Liz Alarcón Original Music by Julian Blackmore Audio engineering and mixing by Charlie Garcia and Julian Blackmore Special thanks to Gina Hernandez at Chamizal National Memorial Making Contact Staff: Host: Lucy Kang Producers: Anita Johnson, Salima Hamirani, Amy Gastelum, and Lucy Kang Executive Director: Jina Chung Editor: Adwoa Gyimah-Brempong Engineer: [Jeff Emtman](http://www.jeffemtman.com/)  Digital Media Marketing: Anubhuti Kumar Music Credits: "Documentary" by AlisiaBeats via Pixabay Learn More:  Making Contact website: [www.radioproject.org](http://www.radioproject.org/) Heba Gowayed: www.[hebagowayed.com](http://hebagowayed.com/)  In Confianza, with Pulso: [www.projectpulso.org/tag/podcast](http://www.projectpulso.org/tag/podcast) URL: https://focmedia.org/2024/05/borders-what-are-they-good-for/ Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.

On this week's episode, we speak with Jenny Odell, acclaimed author of _Saving Time: Discovering a Life Beyond the Clock_ and _How to Do Nothing: Resisting the Attention Economy._ We'll dig into the ideas behind _Saving Time, _which gives a sweeping panoramic overview of how the ways we think about time actually shapes our lives. We begin with a critical look at productivity culture and the idea that time is money. Then we'll hear how to begin to disentangle our daily concept of time from its capitalistic and colonialist roots in order to liberate and expand our relationship to time.  Featuring: Jenny Odell, artist and author of Saving Time: Discovering a Life Beyond the Clock and How to Do Nothing: Resisting the Attention Economy Credits: Host: Lucy Kang Producers: Anita Johnson, Salima Hamirani, Amy Gastelum, and Lucy Kang Executive Director: Jina Chung Editor: Adwoa Gyimah-Brempong Engineer: Jeff Emtman  Digital Media Marketing: Anubhuti Kumar Music Credits: "Simonero" by Keyframe Audio via Pixabay "Documentary Ambient Guitar" by William\_King via Pixabay Clock sound effects by Pixabay and Semen Surin via Pixabay   Learn More:  Making Contact homepage:  Jenny Odell:  Jenny Odell on Making Contact   Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.

On this week's episode, we dive into the hidden biases of the digital age with Dr. Safiya Umoja Noble, author of the groundbreaking book, _Algorithms of Oppression._ Dr. Noble unpacks how search engines, often seen as neutral tools, can reinforce harmful stereotypes and limit access to critical knowledge. Join us as we explore the forces shaping our digital experiences and discuss the urgent need for accountability in technology. Featuring: Dr. Safiya U. Noble is the David O. Sears Presidential Endowed Chair of Social Sciences and Professor of Gender Studies, African American Studies, and Information Studies at the University of California, Los Angeles (UCLA). She is the Director of the Center on Race & Digital Justice and Co-Director of the Minderoo Initiative on Tech & Power at the UCLA Center for Critical Internet Inquiry (C2i2). She currently serves as Interim Director of the UCLA DataX Initiative, leading work in critical data studies for the campus. Making Contact Team: Episode Host: Lucy Kang Producers: Anita Johnson, Salima Hamirani, Amy Gastelum, and Lucy Kang Executive Director: Jina Chung Editor: Adwoa Gyimah-Brempong Engineer: Jeff Emtman Digital Media Marketing: Lissa Deonarain Music credits: Xylo-Ziko - Phase 2 Audiobinger - The Garden State Learn More:  Dr. Safiya Noble  Dr. Safiya Noble  Algorithms of Oppression  Watch Dr. Noble discuss the themes of her book in this lecture. Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.

On today's show, we look at how art can highlight the struggles of incarcerated women, build solidarity with them across prison walls, and fight against the erasure and censorship inherent to incarceration.  First, we'll hear about a dance performance called _If I Give You My Sorrows _that's built around the complex ways that incarcerated women relate to their beds. Then, we'll learn about an art exhibition, _The Only Door I Can Open, _that's_ _curated and created by incarcerated artists, writers and poets inside Central California Women's Facility. Featuring: Jo Kreiter, artistic director of Flyaway Productions and creative director of _If I Give You My Sorrows_ Betty McKay, formerly incarcerated advocate and organizer Tomiekia Johnson, incarcerated writer and co-curator of _The Only Door I Can Open_ Chantell-Jeannette Black, incarcerated artist and co-curator of _The Only Door I Can Open_ Rahsaan “New York” Thomas, executive director of Empowerment Avenue **Making Contact Team:** Episode Host: Lucy Kang Producers: Anita Johnson, Salima Hamirani, Amy Gastelum, and Lucy Kang Executive Director: Jina Chung Editor: Adwoa Gyimah-Brempong Engineer: [Jeff Emtman](http://www.jeffemtman.com/)  Digital Media Marketing: Lissa Deonarain **Music credits: ** The music in this episode was excerpted from compositions for _If You Give Me Your Sorrows._ "Skewed" Carla Kihlstedt – voice, music box, field recordings Elijah Oberman – voice, synths Music/sound design – Carla Kihlstedt & Eli Oberman "Where Betty Can Go Find Betty"  Pamela Z – voice, processing, MIDI instruments Vocal samples excerpted from an interview with Betty McKay Music by Pamela Z "Closure" Cole Kamen-Greene – trumpet Carla Kihlstedt – voice, violin Devin Ray Hoff – bass Matthias Bossi – percussion Music by Carla Kihlstedt (with structural advice from Elijah Oberman) "Prayer" Carla Kihlstedt – voice Music by Carla Kihlstedt "Salve" Kalyn Harewood – spoken voice (excerpted from an interview with Tomiekia Johnson) Carla Kihlstedt – violin, nyckelharpa, marxophone, voice Elijah Oberman – violin, sound design Jeremy Flower – synth programming Jon Evans – bass, guitar Matthias Bossi – percussion Music by Carla Kihlstedt   Learn More:  Making Contact:  The Only Door I Can Open and, If I Give You My Sorrows_ presented by Yerba Buena Center for the Arts in 2025 The Only Door I Can Open_ virtual exhibition hosted by MoAD:  Empowerment Avenue website Flyaway Productions:  Museum of the African Diaspora: [www.moadsf.org](www.moadsf.org) The music featured in _If I Give You My Sorrows_ is available for purchase here:  Petition for Tomiekia Johnson's request for commutation: Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.

There’s an idea in Mexico that racism doesn’t exist, that all Mexicans are “mestizo” – a homogenous blend of Spanish and indigenous. But cultural worker José Antonio Aguilar says racism is lived by Black and brown Mexicans in many ways. He founded Racismo MX, an organization which seeks to dismantle racism, after coming to terms with his own racial reality as a “prieto” – a brown man. We also hear from anthropologist Ismael Rivera and Aztec expert Camilla Townsend as they unravel lies the Spanish colonizers told about ancient Aztecs that still feed racist tropes today.   Featuring: José Antonio Aguilar – Racismo MX, Founder and Director Ismael Rivera – Anthropologist, Historian, Cultural Guide Dr. Camilla Townsend, P.h.D. – Rutgers University, Professor  **Making Contact** Host: Amy Gastelum Freelance Producer: Anthony Wallace Producers: Anita Johnson, Salima Hamirani, Amy Gastelum, and Lucy Kang Executive Director: Jina Chung Engineer: [Jeff Emtman](https://jeffemtman.com/) Digital Media Marketing: Lissa Deonarain **Music** Nahuales Negros – Chinampa, Cempasúchil, Barcos A Lo Lejos, Mixquic, Teponaztli, Danza A Pakal Learn More:  Ismael Rivera Tours Racismo MX [Camilla Townsend ](https://history.rutgers.edu/people/faculty/details/188-townsend-camilla) Making Contact is a 29-minute weekly program committed to investigative journalism and in-depth critical analysis that goes beyond the breaking news. On the web at www.focmedia.org.

The attacks on Imane Khelif's gender at this year's 2024 Paris Olympics is not new. In fact, the focus on women's appearance and gender expression goes back to the founding of the Olympics, the minute women entered elite sports. We talk to Rose Eveleth, host and producer of the podcast Tested about the history of sex testing in the Olympics and why it existed in the first place, why there's no easy way to classify the natural, biological variation that exists in human beings and why we might want to consider new ways of organizing athletes that is less sexist, racist and more accepting of genders outside of a simple binary.   Featuring: Rose Eveleth, host and producer of the podcast Tested  Episode Credits: Host: Salima Hamirani Producers: Anita Johnson, Salima Hamirani, Amy Gastelum, and Lucy Kang Executive Director: Jina Chung Editor: Adwoa Gyimah-Brempong Engineer: Jeff Emtman Digital Media Marketing: Lissa Deonarain Music: Alpha Hydrae - Friends Soft and Furious - So What Axletree- The Silent Grove Blear Moon - Further Discovery Crowander - Opening Lines.   Learn More:  Tested on NPR Tested on CBC Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.