University of Minnesota Press

In Copenhagen in 1972, during the exhilarating early days of women’s liberation in Scandinavia and dramatic social change around the world, seven women had a child together. Recounting her mothers’ history—from the passions and beliefs they shared to the political divisions over sexual identity that ultimately split them apart—Pernille Ipsen’s chronicle of gender, sexuality, and feminism as it was constructed, contested, and lived reminds us that new worlds are always possible. Here, Ipsen is joined in conversation with Adriane Lentz-Smith.Pernille Ipsen is author of My Seven Mothers: Making a Family in the Danish Women's Movement and professor of gender and women’s studies and history at the University of Wisconsin-Madison. Ipsen is a historian of gender, women, feminism, race and colonialism in Scandinavia and the larger Atlantic world.Adriane Lentz-Smith is associate professor of history, African American studies, and gender, sexuality, and feminist studies at Duke University. Lentz-Smith is author of Freedom Struggles: African Americans and World War I.Praise for the book:"This book is a treasure, especially for a second-wave American feminist who was thrilled to learn of the boldness and courage of our Danish sisters at the very start of the 1970s women’s movement. I can’t recommend it highly enough."—Vivian Gornick, author of The Odd Woman and the City"My Seven Mothers certainly is not all happiness and light, but that makes it even more moving, and as an American feminist I felt a sense of recognition infused with my own memories."—Linda Gordon, author of Seven Social Movements That Changed America"Compulsively readable and historically insightful, My Seven Mothers reveals the spirit, courage, and tenacity required of the women who paved the way for second-wave feminist organizing in Denmark."—Birgitte Søland, author of Becoming Modern: Young Women and the Reconstruction of Womanhood in the 1920sMy Seven Mothers: Making a Family in the Danish Women’s Movement by Pernille Ipsen is available from University of Minnesota Press. Thank you for listening.

Chris Washington reads Jane Austen differently from how she is classically understood; rather than the doyen of the cisheteronormative marriage plot, Washington argues that Austen leverages the generic restraints of the novel and envisions a nonbinary future that traverses the two-sex model of gender that supposedly solidifies in the eighteenth century. Here, Washington discusses a politics built on plurality and possibility with Marquis Bey, Christopher Breu, and Alison Sperling.Chris Washington is associate professor of English at Francis Marion University. He is author of Nonbinary Jane Austen and editor of the Norton Critical Edition of Mary Shelley’s The Last Man.Marquis Bey is professor of black studies and gender and sexuality and critical theory at Northwestern University. Bey is author of several books including Cistem Failure, Black Trans Feminism, and The Problem of the Negro as a Problem for Gender.Christopher Breu is author of several books including In Defense of Sex, Insistence of the Material, Hard-Boiled Masculinities, and coeditor of Noir Affect. Breu is professor of English at Illinois State University. Alison Sperling is assistant professor of literature, media, and culture at Florida State University, and a visiting fellow at the Institute for Cultural Inquiry Berlin.REFERENCES:Derrida’s Of GrammatologyFoucaultTrans Femme Futures / Nat Raha and Mijke van der DriftThe Anthropocene Unconscious / Mark Bould; Alison Sperling review in Los Angeles Review of BooksThe Matrix filmBlack on Both Sides / C. Riley SnortonFred MotenJudith ButlerWe Are All Nonbinary (essay) / Kadji AminEdward SaidHistories of the Transgender Child / Jules Gill-PetersonS. Pearl Brilmyer / “The Ontology of the Couple” issue of GLQA Mercy / Toni MorrisonSojourner TruthNonbinary Jane Austen is available in the Forerunners series from University of Minnesota Press. An open-access edition is available at manifold.umn.edu. Thank you for listening.

“Lack of political will and corruption of the ruling class are certainly enormous obstacles but do not (fully) explain the widespread inaction against our current multidimensional crisis (ecological catastrophe, failing democracies, permanent and more destructive wars, etc.).” So opens Andrea Righi’s Three Economies of Transcendence, which takes a deep philosophical dive into the fundamental dimensions of subjectivity, society, and time through the lens of transcendence. Here, Righi is joined in a wide-ranging conversation with Michael Lewis about finitude, infinitude, evolution, neoliberalism, and radical change.Andrea Righi is a cultural theorist and professor of European studies and Italian at Monash University in Melbourne, Australia. Righi is author of Three Economies of Transcendence; The Other Side of the Digital: The Sacrificial Economy of New Media; and coeditor with Cesare Casarino of Another Mother: Diotima and the Symbolic Order of Italian Feminism.Michael Lewis is senior lecturer in philosophy at University of Newcastle Upon Tyne and editor of the Journal of Italian Philosophy.EPISODE REFERENCES:René GirardAdriana CavareroEmanuele SeverinoHannah ArendtPaolo VirnoJacques LacanMinistry for the Future / Kim Stanley RobinsonFredric JamesonHardt and NegriThree Economies of Transcendence by Andrea Righi is available from University of Minnesota Press. This book is part of the Forerunners series, and an open-access edition is available to read free online at manifold.umn.edu.

In his book Late Star Trek, Adam Kotsko analyzes the wealth of content set within Star Trek’s sprawling continuity, beginning with the prequel series Enterprise, highlighting creative triumphs and the tendency for franchise faithfulness to get in the way of new ideas. Arguing against the consensus that franchises are a sign of cultural decay, Kotsko zeroes in on their status as modern myths, owned as corporate intellectual property, as a source of creative limitation. Here, Kotsko is joined in conversation with David Seitz.Adam Kotsko teaches in the Shimer Great Books School at North Central College and runs an active, free-to-read Substack. He is author of many books including Late Star Trek, Agamben’s Philosophical Trajectory, Neoliberalism’s Demons, and What Is Theology? David Seitz is associate professor of cultural geography at Harvey Mudd College. He is author of A Different Trek and A House of Prayer for All People.REFERENCES:Shawna KidmanFrederic JamesonAnna KornbluhChristopher L. BennettKirsten BeyerDavid MackMichael ChabonLauren Berlant / On the Inconvenience of Other PeopleStar Trek references include:Deep Space NineEnterpriseNemesisDiscoveryPraise for the book:​​”Combining the rigorous critical eye of a literary and political theorist with the encyclopedic knowledge of a devoted fan, Adam Kotsko offers an original, persuasive, ethical, funny, grim, and nevertheless hopeful examination of Star Trek’s twenty-first-century incarnations. Late Star Trek is a salutary intervention, a sustained, cogent analysis of what’s gone wrong, what’s gone right, and what possibilities remain for creative and critical storytelling in our late-neoliberal streaming era.”—David Seitz“Adam Kotsko has written an eminently readable and deeply researched book on twenty-first-century Star Trek, providing an analysis that is both timely and long overdue. A must-read for anyone teaching, doing research on, or just thinking about this ever-growing franchise.”—Sabrina Mittermeier, coeditor of The Routledge Handbook of Star Trek and Fighting for the Future: Essays on “Star Trek: Discovery”Late Star Trek: The Final Frontier in the Franchise Era by Adam Kotsko is the inaugural volume in the University of Minnesota Press’s Mass Markets series.

Some attributes of the paranormal mind are dismissed as nonsense, but what can an exploration of pseudoscientific phenomena tell us about accepted scientific and cultural thought? In Parascientific Revolutions: The Science and Culture of the Paranormal, Derek Lee traces the evolution of psi epistemologies and uncovers how these ideas have migrated into scientific fields such as quantum physics and neurology, as well as diverse literary genres including science fiction, ethnic literature, and even government training manuals. Here, Lee is joined in conversation with Alicia Puglionesi.Derek Lee is author of Parascientific Revolutions: The Science and Culture of the Paranormal and assistant professor of literature at Wake Forest University.Alicia Puglionesi is a lecturer in the medicine, science, and humanities program at Johns Hopkins University and is author of Common Phantoms and In Whose Ruins: Power, Possession, and the Landscapes of American Empire and Common Phantoms: An American History of Psychic Science.REFERENCES:Society for Psychical ResearchRoger LuckhurstStargate ProjectIngo SwannStar Fire / Ingo SwannPsitronAdrian DobbsPhilip K. DickWilliam Butler YeatsJoseph E. UscinskiPraise for the book:“Derek Lee engages the ‘pseudoscience’ moniker, that ultimate rhetorical insult, and seeks to replace it with a more accurate ‘parascience’—a place where science and that which is other than science meet and express themselves in literally global pathways as distinct as pulp and science fiction, environmental thought, Asian and Indigenous ways of knowing, U.S. secret espionage, and ethnic fiction. Lee shows all of this with consummate skill and rigor, pushing us beyond our present impasses. This thing is not going away. This is a revolution.”—Jeffrey J. Kripal, author of How to Think Impossibly“Derek Lee delves into the rich history of the paranormal to instigate a captivating discussion of its influence on literature and science into the twenty-first century through SF and ethnic fictions with the unproven concepts of parascience—precognition, telekinesis, clairvoyance, spectral communication, and telepathy. A classic in the making!”—Isiah Lavender III, author of Afrofuturism RisingParascientific Revolutions: The Science and Culture of the Paranormal by Derek Lee is available from University of Minnesota Press. Thank you for listening.

Sasha Davis, an activist and scholar of radical environmental advocacy, brings new hope for social justice movements by looking to progressive campaigns that have found success by unconventional means. From contesting environmental abuse to reasserting Indigenous sovereignty, these movements demonstrate how people can collectively wrest control over their communities from oppressive governments and manage them with a more egalitarian ethics of care. The work is exciting, it’s messy, and it seeks to change the world. Here, Davis joins Laurel Mei-Singh and Khury Petersen-Smith in conversation about his new book, Replace the State: How to Change the World When Elections and Protests Fail.Sasha Davis is an activist and professor in the Department of Environmental and Sustainability Studies at Keene State College in New Hampshire. He is author of Replace the State: How to Change the World When Elections and Protests Fail; Islands and Oceans: Reimagining Sovereignty and Social Change; and The Empires’ Edge: Militarization, Resistance, and Transcending Hegemony in the Pacific.Laurel Mei-Singh is assistant professor of geography and Asian American studies at the University of Texas at Austin.Khury Petersen-Smith is the Michael Ratner Middle East Fellow and the Co-Director of the New Internationalism Project at the Institute for Policy Studies.REFERENCES:J. K. Gibson-GrahamHaunani-Kay TraskMilitary Geographies / Rachel WoodwardCooperation JacksonMichel Foucault / biopowerPraise for the book:“As the United States is being destroyed, millions of spaces are opening up for something new to emerge. Offering urgent lessons and insights, Replace the State explores relational governance as an alternative to systems that no longer serve. Sasha Davis shows how we can move forward to create and claim a truly inclusive, sustainable world.”—Lisa Fithian, author of Shut It Down: Stories from a Fierce, Loving ResistanceReplace the State: How to Change the World When Elections and Protests Fail by Sasha Davis is available from University of Minnesota Press. Thank you for listening.

From Get Out to The Babadook to Saint Maud: In his new book, Josh Gooch uses the horror film genre to expose the hostile conditions of life under capitalism, drawing connections between Marxist theory and contemporary narratives of psychological unease. Here, Gooch is joined in conversation with Jo Isaacson. This episode contains spoilers for multiple films (list below).Joshua Gooch is professor of English at D’Youville University in Buffalo, New York. He is author of Capitalism Hates You: Marxism and the New Horror Film; Dickensian Affects: Charles Dickens and Feelings of Precarity and The Victorian Novel, Service Work, and the Nineteenth-Century Economy.Johanna Isaacson is professor of English at Modesto Junior College and author of Stepford Daughters: Weapons for Feminists in Contemporary Horror. EPISODE REFERENCES:Sianne NgaiMichael Löwy / “critical irrealism”Linda Williams on Psycho, essay in Alfred Hitchcock’s Psycho: A CasebookSøren MauNancy FraserMariarosa Dalla CostaSilvia FedericiAmitav GhoshKim Stanley RobinsonJason W. MooreRuth Wilson GilmoreSophie LewisM. E. O’BrienKathi WeeksLauren BerlantFILMS DISCUSSED:PsychoDraculaNosferatuCandymanSam Raimi’s Drag Me to HellJoe Lynch’s MayhemRobert Eggers’s The WitchGillian Wallace Horvat’s I Blame SocietyRose Glass’s Saint MaudJennifer Kent’s The BabadookAri Aster’s HereditaryJane Schoenbrun’s We’re All Going to the World’s FairJordan Peele’s Get OutJordan Peele’s UsMariame Diallo’s MasterTim Story’s The BlackeningTimothy Covell’s Blood ConsciousCoralie Fargeat’s The SubstanceRomero’s Night of the Living DeadLamberti Bava’s DemonsThe RingJeremy Saulnier’s Murder PartyStanley Kubrick’s The ShiningPraise for the book:"Fiercely smart." —Annie McClanahan, author of Dead Pledges"This is a book not just for fans of horror but for everyone interested in the ways films embed and communicate values, judgments, and affects." —Jeffrey Andrew Weinstock, author of Gothic ThingsCapitalism Hates You: Marxism and the New Horror Film by Joshua Gooch is available from University of Minnesota Press. Thank you for listening.

Between the World Wars, ideas about meaning, truth, and the ethics of persuasion informed newly articulated principles for combining word and image. The young field of graphic design developed quickly during this period, and photography played a central role as a visual language of modern life. The concept Typophoto was coined by Bauhaus artist László Moholy-Nagy and played a foundational role in the modernist graphic design movement known as the New Typography. Here, Jessica D. Brier, author of Typophoto: New Typography and the Reinvention of Photography, joins Ellen Lupton in conversation about this fascinating period in design history.Jessica D. Brier is curator of photography at the Frances Lehman Loeb Art Center at Vassar College. She is author of Typophoto: New Typography and the Reinvention of Photography, editor of On the Grid: Ways of Seeing in Print and coeditor of Making a Life in Photography: Rollie McKenna.Ellen Lupton is a graphic designer, writer, and curator who has authored many books about design, including Thinking with Type and Extra Bold, and teaches design theory at Maryland Institute College of Art in Baltimore.REFERENCES:Painting, Photography, Film / László Moholy-NagyJan TschicholdWalter BenjaminEl LissitzkyNever Use Futura / Douglas ThomasPaul RennerMeisterschule für Deutschlands BuchdruckerBauhausPraise for the book:“A novel interplay between text and image, Typophoto fused—as Jessica D. Brier demonstrates in this insightful account—the interests of advertisers with those of the avant-garde, thus instigating a process that ultimately resulted in the ubiquitous pixelated imagery of our own day.—Kathleen James-Chakraborty, author of Modernism as Memory“Deeply researched . . . highlights the ways new print technologies enabled photography to become the central medium of modernist visual culture. “—Paul Stirton, author of Jan Tschichold and the New TypographyTypophoto: New Typography and the Reinvention of Photography by Jessica D. Brier is available from University of Minnesota Press. Thank you for listening.

From Plato and Derrida to anti-aging treatments, cryogenics, cloning, and whole-brain uploads, the dream of indefinite life is technological and, as Adam Rosenthal shows in Prosthetic Immortalities: a matter of prosthesis, the transformation of the original being. There can be no certainty of immortality and yet, the problem of immortality continues to haunt the soul. Rosenthal engages David Wills and Deborah Goldgaber in a conversation that touches on philosophy, transhumanism, biopolitics, Dolly the sheep and the return of the dire wolf, what it means to extend life or, ultimately, to extend death.Adam R. Rosenthal is associate professor of French and global studies at Texas A&M University. Rosenthal is author of Prosthetic Immortalities: Biology, Transhumanism, and the Search for Indefinite Life and Poetics and the Gift: Reading Poetry from Homer to Derrida.David Wills is professor of French studies at Brown University and author of Prosthesis. Deborah Goldgaber is assistant professor of philosophy at Louisiana State University and author of Speculative Grammatology: Deconstruction and the New Materialism.REFERENCES:Plato HomerDescartesHeidegger (the Dasein)DerridaGeoffrey HintonHegelNick BostrumDolly the sheepDavid ChalmersAubrey de GreyJean-Baptiste LamarckPraise for the book:“Rigorous, compelling, and beautifully written, Prosthetic Immortalities is at the vanguard of the new wave in Derrida studies.”—Nicole Anderson, founding editor, Derrida Today Journal“Adam R. Rosenthal conjures up the ghosts of metaphysics that return today through the promises of indefinite life from medical science and transhumanist speculations, moving brilliantly between science and science fiction.”—Francesco Vitale, author of Biodeconstruction: Jacques Derrida and the Life SciencesProsthetic Immortalities: Biology, Transhumanism, and the Search for Indefinite Life by Adam R. Rosenthal, with foreword by David Wills, is available from University of Minneota Press. Thank you for listening.

Presenting a view of fascism as a complex power network that plays out on scales both large and small, Alexander Menrisky, author of Everyday Ecofascism, shows how extremist sentiments have crept into everyday language, stories, and ideas. He illuminates ecofascism’s narrative patterns and their easy permeation of environmentalist discourses, from back-to-the-land movements to the resurgence of psychedelic drugs, food localism, and pandemic politics. Here, Menrisky is joined in conversation with April Anson and Kyle Boggs. Alexander Menrisky is assistant professor of English at the University of Connecticut. He is author of Everyday Ecofascism: Crisis and Consumption in American Literature and Wild Abandon: American Literature and the Identity Politics of Ecology.April Anson is assistant professor of English at the University of Connecticut. Anson writes and teaches at the intersection of the environmental humanities, Indigenous and American studies, and political theory. Anson is cofounder of the Anti-Creep Climate Initiative and coauthor of Against the Ecofascist Creep.Kyle Boggs is associate professor of rhetoric and community engagement in the Department of Humanities and Cultural Studies at Boise State University and author of Recreational Colonialism and the Rhetorical Landscapes of the Outdoors.REFERENCES:Anti-Creep Climate InitiativeMargaret Atwood’s MaddAddam trilogyTommy PicoJeff MannGloria AnzalduaLouise Erdrich’s Future Home of the Living GodLouise Erdrich’s The SentenceStewart Brand’s Whole Earth CatalogTheodore Roszak’s From Satori to Silicon ValleyErnest Callenbach’s EcotopiaKetan Joshi on lazy ecofascismMark Rifkin’s Settler Common SenseEmily Martin’s Flexible BodiesEveryday Ecofascism: Crisis and Consumption in American Literature by Alexander Menrisky is available from University of Minnesota Press. Thank you for listening.