Writers on Writing

Téa Obreht is the international bestselling author of The Tiger’s Wife, which won the 2011 Orange Prize for Fiction and was a finalist for the National Book Award when she was only 25. Her second novel, Inland, was an instant bestseller, won the Southwest Book Award, and was a finalist for the Dylan Thomas Prize. Téa’s latest is The Morningside, out later this month by Random House. It has all her signature magical realism elements alongside exploring big contemporary issues like climate change and immigration, all spun around some compelling mysterious figures living in an evocative place. Téa joins Marrie Stone to talk about finding her characters, constructing her setting, and settling on her structure and point of view. They also talk about how to weave non-POV character’s backstory into a first-person narrative, her color-coded system of keeping track of her symbols, prologues, and her advice to writers just entering the field.For more information on Writers on Writing and extra writing perks, visit our Patreon page. To listen to past interviews, visit our website. You can also support the show by buying books at our bookstore on bookshop.org. We’ve stocked it with titles from our guests, as well as some of our personal favorites. You’ll support independent bookstores and our show by purchasing through the store. Finally, on Spotify you can listen to an album’s worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners.(Recorded on March 7, 2024)  Host: Barbara DeMarco-BarrettHost: Marrie StoneMusic and sound editing: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

Grant Faulkner, the former Executive Director of National Novel Writing Month (NaNoWriMo), the co-founder of 100 Word Story, and the co-host of the podcast, Write-minded. His essays on creativity have been published in The New York Times, Poets & Writers, Literary Hub, Writer’s Digest, and The Writer. His stories have appeared in The Southwest Review, and The Gettysburg Review, and he has been anthologized in collections such as Norton’s New Micro: Exceptionally Short Fiction, Flash Fiction America, Best Small Fictions, and Best Microfiction. His new book is The Art of Brevity, published by the University of New Mexico Press.Grant joins Barbara Demarco-Barrett to talk about The Art of Brevity and why writing good flash fiction can be difficult to get right, the role of dialogue in flash, what you want to leave a reader with at the end of a story, how writing flash fiction influences his longer prose, the most common mistake he encounters in flash, and more.For more information on Writers on Writing and extra writing perks, visit our Patreon page. To listen to past interviews, visit our website. You can also support the show by buying books at our bookstore on bookshop.org. We’ve stocked it with titles from our guests, as well as some of our personal favorites. You’ll support independent bookstores and our show by purchasing through the store. Finally, on Spotify you can listen to an album’s worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners.(Recorded on March 1, 2024)  Host: Barbara DeMarco-BarrettHost: Marrie StoneMusic and sound editing: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

Mona Simpson is the bestselling author of seven novels including Anywhere But Here, The Lost Father, A Regular Guy, Off Keck Road, My Hollywood, Casebook and, most recently, Commitment. Mona studied poetry at Berkley. She got her MFA from Columbia. During grad school, she published her first short stories in Ploughshares, The Iowa Review and Mademoiselle. She worked as an editor at The Paris Review for five years. She also teaches at UCLA. She knows the industry from several angles and has worked in it for decades.She joins Marrie Stone to talk about Commitment and writing multiple point-of-view novels. They talk about maintaining momentum in a novel’s middle, bringing bygone eras back to life, breathing life into your characters, playing the role of psychologist as writer, the role of research and much more. In many ways, Commitment might be considered a “what-if” novel. Some aspects bear resemblance to Mona’s life and other aspects are very different. Mona and Marrie also discuss the generative idea of “what-if” novels, how writing one novel sometimes begets another, and other ways to generate ideas for your fiction. For more information on Writers on Writing and extra writing perks, visit our Patreon page. To listen to past interviews, visit our website. You can also support the show by buying books at our bookstore on bookshop.org. We’ve stocked it with titles from our guests, as well as some of our personal favorites. You’ll support independent bookstores and our show by purchasing through the store. Finally, on Spotify you can listen to an album’s worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners.(Recorded on February 9, 2024)  Host: Barbara DeMarco-BarrettHost: Marrie StoneMusic and sound editing: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

CeCe Lyra, a literary agent at P.S. Literary Agency, represents adult fiction and nonfiction. She is especially looking for clients with whom she can build fruitful, lasting relationships. CeCe believes that stories are empathy-generating machines capable of healing, connecting, and enacting true change. As a mixed-race Latinx immigrant, CeCe understands the power of seeing oneself reflected in books, hence her passion for championing under or misrepresented voices and narratives. She is also the co-host of the popular podcast, The Shit No One Tells You About Writing, which has over two million downloads.CeCe joins Barbara DeMarco-Barrett to talk about query letters, conversations writers should have with prospective agents, interpreting rejection letters, how much of a submission an agent will read before they stop, googling writers, mistakes writers make, and much more.For more information on Writers on Writing and extra writing perks, visit our Patreon page. To listen to past interviews, visit our website. You can also support the show by buying books at our new bookstore on bookshop.org. We’ve stocked it with titles from our guests, as well as some of our personal favorites. You’ll support independent bookstores and our show by purchasing through the store. Finally, on Spotify you can listen to an album’s worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners.(Recorded on Feb. 1, 2024)  Host: Barbara DeMarco-BarrettHost: Marrie StoneMusic and sound editing: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

Louise Kennedy may not have been a name you’d heard five years ago. Since 2021, she’s had both a debut novel and a collection of short stories published. Trespasses was named a Best Book of the Year by the Washington Post and shortlisted for the Women’s Prize for Fiction.  Her story collection The End of the World is a Cul De Sac came out to great acclaim.Louise spent 30 years working as a chef and didn’t come to writing until her 50s. She grew up Catholic on the outskirts of Belfast in Northern Ireland at the height of the Troubles. A bomb detonated in front of her grandmother during a walk to the bank, resulting in several hundred stitches. The pub that her grandfather ran suffered two bombing attempts. After the second one, they moved to Ireland where she still lives today. She joins Marrie Stone to talk about both books, her approaches to short stories versus novels, what coming to writing later in life gave to her fiction, why Irish is such a dynamic language, the importance of her writing shed, and much more.For more information on Writers on Writing and extra writing perks, visit our Patreon page. To listen to past interviews, visit our website. You can also support the show by buying books at our new bookstore on bookshop.org. We’ve stocked it with titles from our guests, as well as some of our own personal favorites. By purchasing through the store, you’ll support both independent bookstores and our show. Finally, on Spotify you can listen to an album’s worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners.(Recorded on January 31, 2024)  Host: Barbara DeMarco-BarrettHost: Marrie StoneMusic and sound editing: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

Andrew Ewell, the author of the new novel, Set for Life. He’s received fellowships from Yaddo, the Virginia Center for the Creative Arts, and VCCA France. His stories and essays have appeared in Salon, the Chattahoochee Review, Five Chapters, and TriQuarterly, among others. He holds an MFA in creative writing from Boston University and taught creative writing at numerous other universities before writing Set for Life. Andrew joined Barbara DeMarco-Barrett to discuss autofiction, unnamed protagonists, unlikeable characters—a popular topic these days, keeping track of characters and plot, writing about academia, endings, and much more.For more information on Writers on Writing and extra writing perks, visit our Patreon page. To listen to past interviews, visit our website. You can also support the show by buying books at our new bookstore on bookshop.org. We’ve stocked it with titles from our guests, as well as some of our personal favorites. By purchasing through the store, you’ll support both independent bookstores and our show. Finally, on Spotify you can listen to an album’s worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners.(Recorded on January 19, 2024)  Host: Barbara DeMarco-BarrettHost: Marrie StoneMusic and sound editing: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

Kristin Hannah is the award-winning and bestselling author of more than 20 novels including the international blockbuster, The Nightingale. She also authored the NYT bestsellers The Great Alone, The Four Winds and, most recently, The Women, which shares the largely untold tales of women in the Vietnam War who served in the nursing corp. Warner Brothers already acquired the film rights even before the book’s release. (An interview with Kristin regarding The Great Alone can be found here.)Kristin joins Marrie Stone to talk about The Women and why it took more than 20 years before she felt ready to tackle this topic. She talks about her approach to writing trauma and war without overwhelming the reader, and why writing about Vietnam was so different from writing about WWII. She also discusses what goes into researching a book like this and how she knows when she’s done enough. In addition to other writing advice, Kristin shares how Breaking Bad and Game of Thrones impacted her writing, why she writes in longhand, and much more.For more information on Writers on Writing and extra writing perks, visit our Patreon page. To listen to past interviews, visit our website. You can also support the show by buying books at our new bookstore on bookshop.org. We’ve stocked it with titles from our guests, as well as some of our own personal favorites. By purchasing through the store, you’ll support both independent bookstores and our show. Finally, on Spotify you can listen to an album’s worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners.(Recorded on January 18, 2024)  Host: Barbara DeMarco-BarrettHost: Marrie StoneMusic and sound editing: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

Literary agent Emma Dries is a writer and editor, and an agent at Triangle House Literary, where she represents literary fiction, narrative nonfiction, and academic crossover, with a special interest in climate writing. She began her career in editorial, working with bestselling and award winning authors at Alfred A. Knopf, Doubleday,  Ecco, and Flatiron Books. She has a BA in History from the University of Chicago and an MFA in Fiction from Johns Hopkins, where she also taught undergraduate fiction and poetry. Her writing has been published in Lit Hub, Bookforum, Outside and Dwell and she was the finalist for the Boston Review 2021 Aura Estrada Short Story Contest.Emma joins Barbara DeMarco-Barrett to talk about about unlikeable characters in fiction, query letters, MFAs, when you know a manuscript is ready to send out, ageism, a conversation you should have with an agent before signing, and much more.For more information on Writers on Writing and extra writing perks, visit our Patreon page. To listen to past interviews, visit our website. You can also support the show by buying books at our new bookstore on bookshop.org. We’ve stocked it with titles from our guests, as well as some of our own personal favorites. By purchasing through the store, you’ll support both independent bookstores and our show. Finally, on Spotify you can listen to an album’s worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners.(Recorded on January 20, 2024)  Host: Barbara DeMarco-BarrettHost: Marrie StoneMusic and sound editing: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

Pulitzer Prize winning author Hisham Matar’s debut novel, In the Country of Men, was shortlisted for the Man Booker Prize and The Guardian First Book Award and won numerous international prizes. His prize-winning memoir, The Return, published in 2016, received the 2017 Pulitzer Prize. It was one of The New York Times' top 10 books of the year. He’s also the author of Anatomy of a Disappearance and A Month in Siena, which was named One of the Best Books of the Year in 2019 by The Washington Post and Evening Standard. My Friends is his latest. The New York Times recently said of it, “Readers encountering Matar for the first time will find in My Friends a masterly literary meditation on his lifelong themes. For those who already know his work, the effect is amplified tenfold. In the dark house Matar continues to explore, the rooms are full of echoes: The further in you go, the louder they get.”Matar joins Marrie Stone to talk about these lifelong preoccupations, and the sources from which they stem. He discusses his literary influences, why he believes literature is critical in times of despair, and what he hopes to achieve in his fiction. They also discuss structure, points of view, how time can work in fiction, and other issues of craft. For more information on Writers on Writing and extra writing perks, visit our Patreon page. To listen to past interviews, visit our website. We’re also excited to announce the opening of our new bookstore on bookshop.org. We’ve stocked it with titles from our guests, as well as some of our own personal favorites. By purchasing through the store, you’ll support both independent bookstores and our show. New titles will be added all the time (it’s a work in progress). Finally, on Spotify you can listen to an album’s worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners.(Recorded on January 8, 2024)  Host: Barbara DeMarco-BarrettHost: Marrie StoneMusic and sound editing: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)  

Melissa Broder, the talented author known for her novels and poetry, dives into her latest work, Death Valley. She reveals how a striking first line shifted her focus to this project. The conversation touches on the art of blending tragedy with humor, the intriguing magic of cacti, and the emotional depth of her characters. Broder shares insights on her writing process, including the transition from poetry to prose, the significance of powerful openings, and how grief can inspire creativity.