This week I’m talking with artist, Kim Smith. Smith paints in oil and she explains how she created an art practice that fit into her life, she’ll give you ideas on how to use warms and cools to create dynamic shadows and discusses  the value of sometimes not sharing your work. Plus a whole lot more.Support the show

I talk with watercolorist Andy Evansen. You'll discover how to use value studies to problem solve your paintings before you begin. You'll learn the importance of big shapes and get advice on good composition. Plus Evansen breaks down how to distinguish morning light from evening light. Plus a whole lot more.Support the show

I’m talking with artist and professor Mark Eanes. And we’re hitting a few subjects but MOSTLY we are focusing in on color. Eanes will explain the basics of color, the various characteristics of color and color relationships...and why it all matters. Eanes gives a ton of great examples of exercises he has his students do. You are going to have so many ideas for practicing color after this conversation.  Support the show

This week I’m talking with acrylic artist Betty Franks Krause.  Krause explains how she creates and keeps those wonderful colors. She talks painting large, and discusses why sometimes it’s important to put your head down and stay focused on your own work especially when it comes to learning to paint. Support the show

This week mixed media artist Stan Kurth talks about how he creates and uses those beautiful neutrals. He explains the importance of choosing a direction and sticking with it, and discusses how he decides when a painting is finished. Support the show

Today is the second half of my conversation with watercolorist Carrie Waller. If you haven’t heard Part A, I would recommend starting there as we get into Waller’s process and outlook and a whole bunch of other great stuff that lays the groundwork today’s part B. In today’s episode, we get into the technical. Waller paints beautiful glass and she talks about the pitfalls she sees her students (and herself) running into with glass. You’ll also learn about the importance of artist friends and some tips on creating stronger compositions in your own work. she approaches painting glass. What she needs from her light. you do listen to it first. It lays the groundwork for some of what we discuss in today’s episode. Plus it’s always useful to understand an artists’ process when hearing why they work that way. Support the show

For the next two episodes, I’m talking with watercolorist Carrie Waller. I’ve divided the episodes up into two parts. In part A (today’s) Waller talks about being OK with finishing paintings slowly. She explains how she uses color- like puzzle pieces- in her work. And she shares the method she uses to bypass those ugly middles stages that can demoralize so many of us.In part B we get into the specifics of glass, the importance of art friends and why sometimes you  just need to take one of those technical art classes. It’ll pay off later big time.Support the show

In this episode, Fullerton discusses how she learned to distinguish the voice inside of her, how she teaches materials in her workshops  and why learning to critique your own work- the right way- is so important as a painter. Plus a whole lot more.Support the show

What's season two of the Learn to Paint Podcast look like? What guests will I be speaking to? How often will it come out?You've got questions. I've got answers.Take a listen! Support the show

Season Two begins early 2020. In the meantime, let's explore some art 101 ideas. Oil? Watercolor? Acrylic? Today we'll explore the difference between three of the most popular media. How are they different and why does it matter? New interviews start soon so head to learntopaintpodcast.com/subscribe to add your name to the newsletter. You'll be first in line when the new episodes arrive. Happy painting!Support the show