We discuss why the Long Seventies gave birth to so many dystopian creative works, specifically in the context of crises of continuity and progress. 

We discuss the 1976 dystopian sci-fi classic film Logan's Run, societal symbolic illiteracy, announce the Decade of Dystopia series and much more. 

We discuss acclaimed author JG Ballard’s 1969 experimental piece of transgressive syncromystical literature. Love, death, loss, trauma, tragedy, eroticism, car accidents as immanent mystical experiences, JFK, Ralph Nader, Elizabeth Taylor, WWII, Vietnam, art etc. 

We each choose ten pieces of audio and musical gear that we think were important to the audio/musical landscape of the Long Seventies. 

We discuss the eerily prescient 1975 dystopian film Rollerball, starring James Caan. Skates, motorcycles, fire, blood, murder, drugs, multivision tv and more!

We finish our discussion of John Egerton’s 1974 book The Americanization of the South, focusing on Politics, Industrialization, City growth and Culture. 

We discuss some of the best bareknuckle boxing movies from The Long Seventies, in particular Charles Bronson's Hard Times and Clint Eastwood's Every Which Way But Loose. 

We discuss the meaning of "Americanization" the first three chapters of John Egerton's fascinating 1974 book "The Americanization of Dixie." 

We talk about the 1980 Michael Mann film Thief, starring ultimate tough guy James Caan as a besieged jewel thief working the mean streets of Chicago. 

We discuss the flourishing of the horror genre during the long seventies as hauntology and Grady Hendrix's fantastic book Paperbacks From Hell.