The Bowery Boys: New York City History

Celebrating the history of the Metropolitan Museum of Art in the 150th year since its founding -- and certainly one of the strangest years in its extraordinary existence. The Met is really the king of New York attractions, with visitors heading up to Central Park and streaming through the doors by the millions to gasp at the latest blockbuster exhibitions and priceless works of art and history. And who doesn’t love getting lost at the Met for a rainy afternoon — wandering from the Greek and Roman galleries to the imposing artifacts within the Arms and Armor collection and the treasures of the Asian Art rooms? But this museum has some surprising secrets in its history -- and more than a few skeletons (or are those mummies?) in its closet. WITH Ancient temples, fabulous fashions, classical relics, Dutch masters, controversial exhibitions and the decorative trappings of the Gilded Age. AND Find out how the museum building has evolved over the years, employing some of the greatest architects in American history. PLUS An interview with the Met's Andrea Bayer, Deputy Director for Collections and Administration, on the museum's celebratory exhibition Making the Met 1870-2020. How do you launch an anniversary celebration during a pandemic and lockdown? boweryboyshistory.comSupport the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Cleopatra’s Needle is the name given to the ancient Egyptian obelisk that sits in Central Park, right behind the Metropolitan Museum of Art. This is the bizarre tale of how it arrived in New York and the unusual forces that went behind its transportation from Alexandra to a hill called Greywacke Knoll. FEATURING The secrets of the Freemasons, a mysterious and controversial fraternity who have been involved in several critical moments in American history (including the inauguration of fellow Mason George Washington.) PLUS A newly recorded tale about another ancient landmark that has made its way to New York City -- a column from the ancient city of Jerash, brought here because of ... Robert Moses? boweryboyshistory.com boweryboyswalks.com This is a re-presentation of a show originally released on June 26, 2014 with new 2020 bonus material recorded for this episode. Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Charles Stratton, who would become world famous as “Tom Thumb” in the mid-19th century, was born in Bridgeport, CT on January 4, 1838 to parents of average height, and he grew normally during the first six months of his life -- to about 25 inches or so. And then, surprisingly, he just stopped growing. When P.T. Barnum, the master showman, would meet Charles and his parents, Charlie was 4, and he’d be signed on the spot to play the part of “General Tom Thumb” at Barnum’s American Museum. He’d be given a fancy new wardrobe, a new nationality (British), and a new age -- 11 years old. Charles would perform for the rest of his life as “Tom Thumb”. He’d enchant European royalty and American presidents, and sell out crowds around the world. And in 1863, during the darkest days of the Civil War, he’d be married in New York’s Grace Church to Lavinia Warren, another Barnum employee and another performer of short stature. Their wedding would be a sensation, and would actually knock news from the battlefields off the front page of the New York Times for three days. We're joined in today’s show by four guests: Dr. Michael Mark Chemers is a Professor of Dramatic Literature and Director of Graduate Studies in the Department of Theatre Arts at the University of California, Santa Cruz. He’s the author of Staging Stigma: A Critical Examination of the American Freak Show published by Palgrave MacMillan in 2008, in which he looks into the career and reception of Charles Stratton. Eric Lehman is an Associate Professor of English at the University of Bridgeport and the author of 18 books, including Becoming Tom Thumb, published in 2013 by Wesleyan University Press. Kathy Maher is the Executive Director of the Barnum Museum and is celebrating her 22nd year with the Museum. Located an hour out of New York City, P.T. Barnum's last museum continues to stand on Main Street in the heart of downtown Bridgeport, CT, his adopted home. Although the Barnum Museum is currently closed due to covid-19 regulations, the Museum remains active with social media, virtual programming and a major historic restoration and re-envisioning https://barnum-museum.org/ Robert Wilson has been the editor of The American Scholar magazine since 2004. Before that, he edited Preservation magazine and was the book editor and columnist for USA Today. His previous books include The Explorer King (2006), about the 19th-century scientist, explorer, and writer Clarence King, and Mathew Brady: Portraits of a Nation (2013), about the Civil War photographer. His most recent book, Barnum: An American Life (from 2019), has just been published in paperback. Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Fraunces Tavern is one of America’s most important historical sites of the Revolutionary War and a reminder of the great importance of taverns on the New York way of life during the Colonial era. This revered building at the corner of Pearl and Broad street was the location of George Washington‘s farewell address to his Continental Army officers and one of the first government buildings of the young United States of America. John Jay and Alexander Hamilton both used Fraunces as an office. As with many places connected to the country’s birth — where fact and legend intermingle — many mysteries still remain. Was the tavern owner Samuel Fraunces one of America’s first great black patriots? Did Samuel use his position here to spy upon the British during the years of occupation between 1776 and 1783? Was his daughter on hand to prevent an assassination attempt on the life of George Washington? And is it possible that the basement of Fraunces Tavern could have once housed a dungeon? ALSO: Learn about the two deadly attacks on Fraunces Tavern — one by a British war vessel in the 1770s, and another, more violent act of terror that occurred in its doorway 200 years later! PLUS: Where to find the ruins of Lovelace's Tavern, dating back to the days of New Amsterdam. boweryboyshistory.com frauncestavernmuseum.org This is a re-presentation of a show originally released on March 18, 2011 with new 2020 bonus material recorded for this episode. Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Interview with author Eric K. Washington, author of “Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal”. The Red Caps of Grand Central Terminal were a workforce of hundreds of African-American men who were an essential part of the long-distance railroad experience. Passengers relied on Red caps for more than simply grabbing their bags -- they were navigators, they helped with taxis, offered advice, and provided a warm greeting. In his 2019 book, “Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal”, author Eric K. Washington tells the remarkable story of Williams, “The Chief” of the Grand Central Red Caps. He was a boss to many, a friend to thousands of passengers, and a confidant to celebrities, politicians… even occupants of the White House. He also tells the story of Grand Central Terminal, and specifically, of the Red Caps who worked here, especially during the Terminal’s heyday in the first half of the 20th century. And along the way, the book chronicles how New York’s African-American enclaves and communities developed and moved around the city. That huge story is told through the lens of this one, often underappreciated, and yet instrumental man -- James Williams. He was the chief of the Red Caps, but also an under-reported figure in the Harlem Renaissance. www.boweryboyshistory.com www.patreon.com/boweryboysSupport the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ancient space rocks, dinosaur fossils, anthropological artifacts and biological specimens are housed in New York's world famous natural history complex on the Upper West Side -- the American Museum of Natural History! Throughout the 19th century, New Yorkers tried to establish a legitimate natural history venue in the city, including an aborted plan for a Central Park dinosaur pavilion. With the creation of the American Museum of Natural History, the city finally had a premier institution that celebrated science and sent expeditions to the four corners of the earth. Tune in to hear the stories of some of the museum's most treasured artifacts and the origins of its collection. But there's also a dark side to the museum's history, one that includes the tragic tale of Minik the Inughuit child, subject by museum directors to a bizarre and cruel lie. PLUS: How exactly do you display a 68,100 lb meteorite? AND: What will be the fate of that controversial Theodore Roosevelt monument? A 2020 update! boweryboyshistory.com This is a re-presentation of a show originally released on November 24, 2010 with bonus material recorded in 2020. Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

PART 2 of our two-part podcast series, "A NEW DEAL FOR NEW YORK" In this episode, we look at how one aspect of FDR's New Deal -- the WPA's Federal Project Number One -- was used to put the country's creative community back to work and lift the spirits of downtrodden Americans. Federal Project Number One -- the "artistic wing" of the Works Progress Administration -- inspired one of the most important and lasting cultural revolutions in the United States, an infusion of funds that put musicians, painters, writers and the theater community back to work, creating works that would promote and celebrate the American experience. The already-rich creative communities of New York City thrived during the program in several unique ways -- from the stages of Broadway to the art studios of Harlem. In this episode we present several tales from the four main units of Federal One -- the Federal Music Project, the Federal Theatre Project, the Federal Art Project and the Federal Writers' Project Including the stories of these WPA creators -- -- Juanita Hall: A future Tony-winning actress whose WPA-funded gospel chorus performed more than 5,000 times -- Orson Welles: A brilliant stage producer (not yet a filmmaker) whose bold stage inventions pressed the limits of government censorship. -- Jackson Pollock: A budding painter just finding his artistic voice, making a living working on murals and canvas -- Zora Neale Hurston: The Harlem Renaissance anthropologist and novelist who used the WPA program to explore folklore and traditions in Florida. PLUS: The mural program, the WPA Guides and the contributions of WNYC and the New York Public Library boweryboyshistory.comSupport the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

PART ONE of a two-part podcast series A NEW DEAL FOR NEW YORK. For Part One, we look at the impact FDR and New Deal funding had in shaping New York City's bridges and parks -- thanks to an especially tenacious parks commissioner! New York City during the 1930s was defined by massive unemployment, long lines at the soup kitchens, Hoovervilles in Central Park. But this was also the decade of the Triborough Bridge and Orchard Beach, new swimming pools and playgrounds Faced with the nationwide financial crisis, newly elected President Franklin Delano Roosevelt chose to boldly take the crisis on a series of transformative actions by the government that became known as the New Deal. No other American city would benefit more from the New Deal that New York City. At one point, one out of every seven dollars from the Works Progress Administration (WPA) was being spent in New York. And the two men responsible for funneling federal funding to the city was Mayor Fiorello LaGuardia and his new parks commissioner Robert Moses. Moses amassed a great amount of unchecked power, generating thousands of projects through out the city -- revitalizing the city landscape. How did Moses acquire so much power? And how did manage to funnel so much federal assistance into his own projects? boweryboyshistory.comSupport the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Serbian immigrant Nikola Tesla was among the Gilded Age's brightest minds, a visionary thinker and inventor who gave the world innovations in electricity, radio and wireless communication. So why has Tesla garnered the mantle of cult status among many? Part of that has to do with his life in New York City, his shifting fortunes as he made his way (counting every step) along the city streets. Tesla lived in Manhattan for more than 50 years, and although he hated it when he first arrived, he quickly understood its importance to the development of his inventions. Travel with us to the many places Tesla worked and lived in Manhattan -- from the Little Italy roost where the Tesla Coil may have been invented to his doomed Greenwich Village laboratory. From his first job in the Lower East Side to his final home in one of Midtown Manhattan's most famous hotels. Nikola Tesla, thank you for bringing your genius to New York City. PLUS: The marvelous demonstration at Madison Square Garden in 1898 that proves that Tesla invented the drone! Visit our website for more images illustrating the events from this week's show: boweryboyshistory.com This episode was originally released on April 29, 2016. Now including newly recorded bonus material for 2020! (And you might hear from David Bowie.)Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The newspapers of Joseph Pulitzer and William Randolph Hearst -- the New York World and the New York Journal -- were locked in a fierce competition for readers in the mid 1890s. New Yorkers loved it. The paper's sensational style was so shocking that it became known as "yellow journalism". So what happens when those flamboyant publications are given an international conflict to write about? On February 15, 1898, the USS Maine mysteriously exploded while stationed in Havana Harbor in Cuba. While President McKinley urged calm and patience, two New York newspapers jumped to a hasty conclusion -- Spain had destroyed the ship! The Spanish-American War allowed Hearst (with Pulitzer playing catch up) fresh opportunities to sell newspapers using exaggerated reports, melodramatic illustration and even outlandish stunts. (Think Hearst on a yacht, barreling into conflicts where he didn't belong.) But by 1899, with the war only a recent memory, the publishers faced a very different battle -- one with their own newsboys, united against the paper's unfair pricing practices. It's a face-off so dramatic, they wrote a musical about it! PLUS: How have the legacies of Pulitzer and Hearst influenced our world to this day? And where can you find the remnants of their respective empires in New York City today? This is Part Two of our two-part series on Joseph Pulitzer and William Randolph Hearst. Listen to Episode 335 (Pulitzer vs. Hearst: The Rise of Yellow Journalism) before listening to this show. boweryboyshistory.com Support the Bowery Boys Podcast on Patreon, the patronage platform where you can support your favorite content creators for just a small contribution. Visit patreon.com/boweryboys for more information. Support the show: https://www.patreon.com/boweryboys Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.