

The Bowery Boys: New York City History
Tom Meyers, Greg Young
The tides of American history lead through the streets of New York City — from the huddled masses on Ellis Island to the sleazy theaters of 1970s Times Square. The elevated railroad to the Underground Railroad. Hamilton to Hammerstein! Greg and Tom explore more than 400 years of action-packed stories, featuring both classic and forgotten figures who have shaped the world.
Episodes
Mentioned books

Aug 14, 2020 • 50min
Rewind: TESLA -- The Inventor in Old New York
The Serbian immigrant Nikola Tesla was among the Gilded Age's brightest minds, a visionary thinker and inventor who gave the world innovations in electricity, radio and wireless communication.
So why has Tesla garnered the mantle of cult status among many?
Part of that has to do with his life in New York City, his shifting fortunes as he made his way (counting every step) along the city streets.
Tesla lived in Manhattan for more than 50 years, and although he hated it when he first arrived, he quickly understood its importance to the development of his inventions.
Travel with us to the many places Tesla worked and lived in Manhattan -- from the Little Italy roost where the Tesla Coil may have been invented to his doomed Greenwich Village laboratory. From his first job in the Lower East Side to his final home in one of Midtown Manhattan's most famous hotels.
Nikola Tesla, thank you for bringing your genius to New York City.
PLUS: The marvelous demonstration at Madison Square Garden in 1898 that proves that Tesla invented the drone!
Visit our website for more images illustrating the events from this week's show:
boweryboyshistory.com
This episode was originally released on April 29, 2016. Now including newly recorded bonus material for 2020! (And you might hear from David Bowie.)Support the show: https://www.patreon.com/boweryboys

Aug 7, 2020 • 1h 2min
#336 The War on Newspaper Row
The newspapers of Joseph Pulitzer and William Randolph Hearst -- the New York World and the New York Journal -- were locked in a fierce competition for readers in the mid 1890s. New Yorkers loved it. The paper's sensational style was so shocking that it became known as "yellow journalism".
So what happens when those flamboyant publications are given an international conflict to write about?
On February 15, 1898, the USS Maine mysteriously exploded while stationed in Havana Harbor in Cuba. While President McKinley urged calm and patience, two New York newspapers jumped to a hasty conclusion -- Spain had destroyed the ship!
The Spanish-American War allowed Hearst (with Pulitzer playing catch up) fresh opportunities to sell newspapers using exaggerated reports, melodramatic illustration and even outlandish stunts. (Think Hearst on a yacht, barreling into conflicts where he didn't belong.)
But by 1899, with the war only a recent memory, the publishers faced a very different battle -- one with their own newsboys, united against the paper's unfair pricing practices. It's a face-off so dramatic, they wrote a musical about it!
PLUS: How have the legacies of Pulitzer and Hearst influenced our world to this day? And where can you find the remnants of their respective empires in New York City today?
This is Part Two of our two-part series on Joseph Pulitzer and William Randolph Hearst. Listen to Episode 335 (Pulitzer vs. Hearst: The Rise of Yellow Journalism) before listening to this show.
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Support the Bowery Boys Podcast on Patreon, the patronage platform where you can support your favorite content creators for just a small contribution. Visit patreon.com/boweryboys for more information. Support the show: https://www.patreon.com/boweryboys

Jul 31, 2020 • 1h
#335 Pulitzer vs Hearst: The Rise of Yellow Journalism
In the 1890s, powerful New York publishers Joseph Pulitzer and William Randolph Hearst engaged in an all-out battle for readers of their respective newspapers, developing a flamboyant, sensational style of coverage today referred to as "yellow journalism".
This battle between the New York World and the New York Journal would determine the direction of the American media landscape and today we still feel its aftermath -- from melodramatic headlines to the birth of eyewitness reporting and so-called "fake news".
The two men come from very different backgrounds. Pulitzer, a Hungarian immigrant who started his publishing empire in St. Louis, used the World to highlight injustices upon the working class and to promote worthy civic projects (like the pedestal of the Statue of Liberty).
Hearst, himself the wealthy publisher of the San Francisco Examiner, entered the New York publishing world, specifically aimed at competing with Pulitzer. In many ways, he "out-Pulitzered" Pulitzer, creating extraordinary daily publications which appealed to all types of New Yorkers. (Even children!)
In Part One of this two-part series, we introduce you to the two publishers and meet them on a battlefield of newsprint and full-page headlines -- located on just a couple short blocks south of the Brooklyn Bridge.
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Support the Bowery Boys Podcast on Patreon, the patronage platform where you can support your favorite content creators for just a small contribution. Visit patreon.com/boweryboys for more information. Support the show: https://www.patreon.com/boweryboys

Jul 24, 2020 • 51min
Rewind: The Land of the Lenape
The story of the Lenape, the native people of New York Harbor region and their experiences with the first European arrivals — the explorers, the fur traders, the residents of New Amsterdam.
Before New York, before New Amsterdam — there was Lenapehoking, the land of the Lenape, the original inhabitants of the places we call Manhattan, Westchester, northern New Jersey and western Long Island.
This is the story of their first contact with European explorers and settlers and their gradual banishment from their ancestral land.
Fur trading changed the lifestyles of the Lenape well before any permanent European settlers stepped foot in this region. Early explorers had a series of mostly positive experiences with early native people.
With the Dutch settlement of New Amsterdam, the Lenape entered into various land deals, “selling" the land of Manhattan at a location in the area of today’s Inwood Hill Park.
But relations between New Amsterdam and the surrounding native population worsened with the arrival of Director-General William Kieft, leading to bloody attacks and vicious reprisals, killing hundreds of Lenape and colonists alike.
Peter Stuyvesant arrives to salvage the situation, but further attacks threatened any treaties of peace. But the time of English occupation, the Lenape were decimated and without their land.
And yet, descendants of the Lenape live on today in various parts of the United States and Canada. All that and more in this tragic but important tale of New York City history.
Visit our website for more images illustrating the events from this week's show:
boweryboyshistory.com
This episode was originally released in June 2016. Support the show: https://www.patreon.com/boweryboys

Jul 17, 2020 • 1h 28min
#334 Midnight Cowboy (Bowery Boys Movie Club)
It's summer in the city, so we're re-issuing our Bowery Boys Movie Club podcast devoted to Midnight Cowboy, the 1969 buddy film starring Dustin Hoffman and Jon Voight.
There are few time capsules of New York’s darker days quite as pleasurable as Midnight Cowboy. It’s hardly as provocative as when it was released in May 1969, but its ragged edges have only become more remarkable to view as a piece of history, paying tribute to an era often romanticized today.
If you’ve never seen the film — don’t worry, we’ll walk you through it, scene by scene, with some history and bad jokes thrown in. Or you could stop and watch it now, and then listen — it’s up to you!
Be sure to check out our blog post about Midnight Cowboy, which includes filming locations around the city.
This episode is made possible by our supporters on Patreon, and is part of our patron-only podcast series "Bowery Boys Movie Club". Join us on Patreon to access all Movie Club episodes, along with other patron-only audio.Support the show: https://www.patreon.com/boweryboys

Jul 10, 2020 • 51min
Rewind: The Secret Origin of Comic Books
A history of the comic book industry in New York City, how the energy and diversity of the city influenced the burgeoning medium in the 1930s and 40s and how New York’s history reflects out from the origins of its most popular characters.
In the 1890s a newspaper rivalry between William Randolph Hearst and Joseph Pulitzee helped bring about the birth of the comic strip and, a few decades later, the comic book.
Today, comic book superheroes are bigger than ever — in blockbuster summer movies and television shows — and most of them still have an inseparable bond with New York City.
What’s Spider-Man without a tall building from which to swing? But not only are the comics often set here; the creators were often born here too.
Many of the greatest writers and artists actually came from Jewish communities in the Lower East Side, Brooklyn or the Bronx.
For many decades, nearly all of America’s comic books were produced here. Unfortunately that meant they were in certain danger of being eliminated entirely during a 1950s witch hunt by a crusading psychiatrist from Bellevue Hospital named Frederic Wertham.
FEATURING a special chat with comics historian Peter Sandersonabout the unique New York City connections of Marvel Comics’ most famous characters. Sanderson is the author of The Marvel Comics Guide to New York City and The Marvel Encyclopedia.
WITH: The Yellow Kid, Little Orphan Annie, Batman, Doctor Strange and the Teenage Mutant Ninja Turtles!
The episode is a rebroadcast of a show which first aired on July 24, 2015.
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Support the show: https://www.patreon.com/boweryboys

Jul 3, 2020 • 38min
#333 Tearing Down King George: The Monumental Summer of 1776
In New York City, during the tumultuous summer of 1776, the King of England lost his head.
Two hundred and fifty years ago, Colonial New York received a monumental statue of King George III on horseback, an ostentatious and rather awkward display which once sat in Bowling Green park at the tip of Manhattan.
On July 9, 1776, angry New Yorkers violently tore down that statue of King George and, as the story goes, rendered his body into bullets used in the battles of the Revolutionary War.
Flash forward to 2020 — cities across the United States today are reevaluating the meaning of their own public monuments. Critics say that removing memorials to the Confederacy, for instance, work to ‘erase history’.
But a monument itself is not history lesson, but a time capsule of the motivations of the culture who created them.
And that’s why this story from 1776 resonates so strongly today. Public statues do have meaning. And for New Yorkers — in the run up to American independence — one statue represented oppression, servitude and annihilation.
In this episode, take a trip back to the city right before the war, when New York was split into those sympathetic to the Tories and those to the Sons of Liberty, an early organization dedicated to the liberty of the American colonies.
PLUS: The story lives on! Find out where you can locate artifacts from this story throughout the city today.
FEATURING A young Alexander Hamilton, that rascal Cadwallader Colden and an unsung hero named William Pitt
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Jun 26, 2020 • 1h 12min
#332 Welcome to Yorkville: German Life on the Upper East Side
EPISODE 332 The Manhattan neighborhood of Yorkville has a rich immigrant history that often gets overlooked because of its location on the Upper East Side, a destination usually associated with wealth and high society.
But Yorkville, for over 170 years, has been defined by waves of immigrant communities which have settled here, particular those cultures from Central and Eastern Europe -- Germans, Austrians, Hungarians, Czechs and Slovaks.
The neighborhood developed thanks to its location to various streetcar and train lines, but that proximity insured that Yorkville would evolve in quite a different way from the more luxurious Fifth Avenue just a few blocks away.
Yorkville's German cultural identity was centered around East 86th Street -- aka "Sauerkraut Boulevard" -- where cafes and dance halls catered to the amusements of German Americans. The Yorkville Casino was a 'German Madison Square Garden', featuring cabaret, film, ballroom dancing and even political rallies.
Does the spirit of old Yorkville still exist today? While events in the early 20th century brought dramatic change to this ethnic enclave, those events didn't entirely erase the German spirit from the city streets.
In this show, we tell you where can still find the most interesting cultural artifacts of this often overlooked historical gem.
This episode is brought to you by the Historic Districts Council. Funding for this episode is provided by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and Council Member Benjamin Kallos.
boweryboyshistory.comSupport the show: https://www.patreon.com/boweryboys

Jun 19, 2020 • 58min
Rewind: Seneca Village and New York's Forgotten Black Communities
The history of black and African-American settlements and neighborhoods which once existed in New York City in the 17th, 18th and 19th centuries.
Today we sometimes define New York City's African-American identity by the places where thriving black culture developed -- Harlem, of course, and also Crown Heights and Bedford-Stuyvesant, neighborhoods that developed for groups of black residents in the 20th century.
But by no means were these the first in New York City. Other centers of black and African-American life existed long before then. In many cases, they were obliterated by the growth of the city, sometimes built over without a single marker, without recognition.
This is the story of a few of those places. From the 'land of the blacks' -- the home to New Amsterdam and British New York's early black population -- to Seneca Village, a haven for freed people of color in the early 19th century that was wiped away by the need for a city park.
From Little Africa -- the Greenwich Village sector for the black working class in the mid 19th century -- to Sandy Ground, a rural escape in Staten Island with deep roots in the neighborhood today.
And then there's Weeksville, Brooklyn, the visionary village built to bond a community and to develop a political foothold.
In this collection of short historical stories, Greg welcomes Kamau Ware (of the Black Gotham Experience) and Tia Powell Harris (formerly of the Weeksville Heritage Center) to the show.
The episode is a rebroadcast of a show which first aired on June 9, 2017. Stay tuned to the end of this show for some newly written material and an update on the Black Gotham Experience and the Weeksville Heritage Center.
Visit our website for more images and information.Support the show: https://www.patreon.com/boweryboys

Jun 12, 2020 • 1h 13min
#331 The East Side Elevateds: Life Under the Tracks
During the Gilded Age, New York City had one form of rapid transit -- the elevated railroad.
The city's population had massively grown by the 1870s thanks to large waves of immigration from Ireland and Germany. Yet its transportation options -- mostly horse-drawn streetcars -- were slow and cumbersome.
As a result, people rarely lived far from where they worked. And in the case of most working class New Yorkers, that meant staying in overcrowded neighborhoods like the Lower East Side.
In the 1870s, New York hoped to alleviate the population pressure by constructing four elevated railroad lines -- along 2nd, 3rd, 6th and 9th Avenues -- in the hopes that people would begin inhabiting Upper Manhattan and the newly acquired portion of Westchester County known as the Annexed District (today's South Bronx).
In this show, we focus on the two eastern-most lines and their effects on the city's growth. Take a ride with us -- through Lower Manhattan, the Lower East Side, Midtown Manhattan, Yorkville, East Harlem and Mott Haven!
FEATURING an interview with elevated expert and tour guide Michael Morgenthal.
This episode is brought to you by the Historic Districts Council. Funding for this episode is provided by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and Council Member Benjamin Kallos.
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