LSQ

Chances are you’re already aware of the genius of Tim Heidecker as a comedian, actor, writer and director. But if you haven’t been paying close attention to his career the past decade, you might have missed that he has also devoted quite a bit of time and passion to making music, as well. And he’s quite good at it. Heidecker talks with Jenny about some of his lifelong musical favorites (Bob Dylan, Randy Newman, the Beatles, the Band), discusses how writing music differs from writing comedy, and shares exclusive insights into the making of his next album, a collaboration with Weyes Blood, and members of Lemon Twigs and Warpaint.

tUnE-yArDs co-founder Merrill Garbus chats with Jenny about her life in music, discussing early musical influences (Ani DiFranco, Johnny Clegg, Ali Farka Touré, to name a few), how her focus shifted from theater and puppeteering (!) to making music in a band, and how she hopes tUnE-yArDs can contribute to positive change in the world.

“The biggest artistic change for me in the last ten years is that I finally view my inconsistencies not as my Achilles’ heel, but as my superpower," says Alex Ebert. "I can score a movie, I can work on political stuff, I can write, I can do all these things, I can be happy, I can be sad, I can be a punk, I can be a hippie, because to quote Walt Whitman, I do contain multitudes. And so do you. I think we all do.”

Hannah Hooper went through a lot in the months leading up to making Grouplove's new LP, Healer: emergency brain surgery, the death of a close friend, recording an album down the road from one of the most notorious U.S./Mexico border detention camps, and the cathartic experience of painting her first solo exhibition. We delve into all of it in episode 42, as well as discussing her evolving songwriting practice and how she’s learned to overcome stage fright by embracing a superhero version of herself.

Episode 41 traces the creative journey of Cursive and The Good Life’s Tim Kasher, who helped his hometown of Omaha, Nebraska build its own cottage record industry, in partnership with bands such as Bright Eyes and The Faint. The conversation also finds Kasher reflecting on the ebbs and flows of songwriting, his relationship with his singing voice, his screenwriting hobby, and more. Plus, some important Kasher news: The Good Life are touring again this spring! Dates below.

Natasha Khan, the U.K.-born artist who records under the moniker Bat for Lashes, talks about major musical moments in her life (the Michael Jackson concert her mom took her to, the feeling of laying on her patio in a green mohair sweater, dreaming of Kurt Cobain, her earliest attempts at making her own art, etc.) and how they have shaped her creative approach. She also explains how she came to the 80s-tinged sound on her new album, Lost Girls. Plus, in honor of a new LP by Best Coast, the episode includes an excerpt from LSQ #13 with the band’s Bethany Cosentino.

Hop Along's Frances Quinlan, on her creative evolution and her new solo album, Likewise. Plus, an excerpt from a 2011 chat with Lana Del Rey.

An in-depth interview with singer-songwriter Hamilton Leithauser (erstwhile frontman for The Walkmen), where he shares the first details about his upcoming new solo album. He also discusses early influences (Springsteen, The Cramps, soundtracks to Fred Astaire films), his initial songwriting endeavors (using the mathematical side of composition to sketch out his ideas) and why he chose to build a home studio to record the new LP.

“The problem with good vs evil: Evil has a better publicist,” says Broken Social Scene’s Kevin Drew, describing the difficulty of cutting through digital noise in an algorithm-driven world. It’s part of a fascinating interview that touches on early creative influences (Morricone’s The Mission soundtrack , trips to Rod Stewart concerts with his mom), the pros and cons of leading a band with more than a dozen people in it, and what it was like to sit court-side during the Toronto Raptors epic NBA Fi

Caroline Polachek, known for her work in Chairlift, discusses her intoxicating new solo LP and key moments in her creative journey: from learning the basics of music transposition playing Disney songs on a keyboard her dad brought home, to her teenage nu-metal band, to the ladies’ choir where she performed a cappella versions of Enya and Brandy & Monica tunes. Plus, a 2001 interview with Stone Temple Pilots’ Scott Weiland, where he discusses sobriety, bipolar disorder and STP’s place in rock history.