B&H Photography Podcast

Vintage cameras and analog film have grown to be unprecedented media darlings within our crowded digital landscape. With a superstar status fueled by insatiable demand amid a limited supply, in this week's podcast we investigate both the beauty and quirks of these trending tools. Joining us in conversation are photographer / vintage camera buff Bill Bain, and expert camera technician / repair wizard Shlomo Weinberger from B&H Photo's Used Department. Whether you cut your teeth on old school tech or you're an analog adopter in the digital age, there's a topic of interest for everyone, plus plenty of DYI tips to be had, including our favorite—liquid electrical tape! How many of you dedicated camera buffs knew about that? Guests: Bill Bain and Shlomo Weinberger Top Shot © Jill Waterman For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/vintage-cameras-with-bill-bain-and-shlomo-weinberger Guest Bios: Bill Bain has loved photography since his teenage years, when all his earnings went towards buying gear and paying for film and development. During a long career as an engineer, photography was a constant thread—particularly documenting his family and their extensive travels. Now living a post-corporate life in the Canadian Rockies, Bain devotes much of his time to photography. In addition to being fully immersed in digital imaging, he continues to make good use of his extensive collection of vintage cameras, many dating from the early 1900s. Bain's analog and digital fine-art images have been featured in Black & White magazine, and his photos of Olympic-style wrestlers have been published internationally. Shlomo Weinberger is a gifted technician who developed a specialty in repairing vintage cameras and lenses over nearly 25 years at B&H Photo. After learning his trade from an old-world technician steeped in the analog age, Weinberger currently operates a special repair shop within B&H Photo's Used Department, where he patiently inspects, calibrates, lubricates, and otherwise assesses the condition of the cameras and lenses that pass through his hands before they are offered to customers. Stay Connected: Bill Bain's Website: https://www.bainphotos.com/Film-Photography-page Bill Bain's Instagram: https://www.instagram.com/bainphotos/ B&H Photo Used Department: https://www.bhphotovideo.com/c/browse/Used-Equipment/ci/2870/N/4294247188 B&H Photo Vintage Film Equipment: https://www.bhphotovideo.com/c/browse/Cameras-Photo-Gear/ci/2871/N/4294247179 Episode Timeline 2:47: Bill Bain's tips when shopping for a vintage camera 3:30: Inspect the lens for mildew or mold and actuate the shutter 4:45: Making use of vintage lens fungus for creative portraits 6:53: Bain's preferred vintage camera formats: Folding bellows and box cameras 8:05: Bain's new vintage camera—60-year-old Mamiya C330 twin lens reflex 9:08: How many cameras are in Bill Bain's collection? 10:19: Black and white or color film, and various emulsions 12:28: Discontinued film formats and a nod to 2016 podcast—Dick Haviland: Last of the Classic Film Re-Spoolers 13:57: Bain's DYI modification for unavailable film stocks: Plastic wall anchors! 15:34: Different film sizes and determining if a camera will accept a currently available stock 17:42: 120 format film—the most easily adaptable film format 18:18: The difference between 120- and 220-format film 19:12: 127 film and smaller formats 20:20: DYI tip—Use a cigar cutter to trim readily available films to fit smaller formats 22:54: Vintage cameras with interchangeable lenses vs fixed lens cameras 23:14: The Petzval lens—19th-century classic and Lomography's 2015 redesign and release 24:00: Bill Bain's favorite vintage camera—His mother's Kodak Jiffy 620 25:02: The poor man's Leica—the Argus C3 26:42: Read the manual! Plus, finding user manuals for vintage cameras online 28:38: Making minor repairs, and when to pass vintage camera repair off to a skilled technician 29:16: DYI camera repair discovery—Liquid Electrical Tape! 32:06: Episode break 34:00: Shlomo Weinberger's advice when shopping for a vintage camera 34:34: Evaluating lens scratches—front vs rear element, edges vs center of glass 35:05: The most popular vintage cameras in B&H's Used Department 36:50: The most common vintage camera problem / repair—stuck aperture blades 38:11: Weinberger's most respected vintage cameras—Leica M3, Hasselblad system, Rolleiflex 35:32: Leica M3 has the best rangefinder—you can shoot with both eyes open 41:44: Weinberger's weekly workload of vintage cameras and lenses 42:28: Repair quirks to an original Nikon F 43:02: What to look for when repairing a twin lens Rollieflex 44:26: Flash photography with vintage cameras that synchronize at all shutter speeds 44:58: Pro tip for evaluating a twin lens camera—ensure all four sides of the lens board focus straight 46:34: Process for overhauling a vintage camera shutter 48:48: B&H Photo's used department museum display 50:32: Jeff Berliner's Petzvel lens collection from the Penumbra Foundation 51:15: Lubrication of vintage cameras—don't try it yourself! 52:44: Things to know before contacting B&H with a vintage camera inquiry 55:45: How to find Bill Bain online and in social media

Mike Tyson has long been a boxing legend, and for this week's podcast we speak with the photographer who was there from the very start. Lori Grinker was just a student with a semester-long assignment when she first met Tyson as a 13-year-old kid under the tutelage of famed boxing trainer Cus D'Amato. Grinker's inside access over the next decade offers an intimate portrait of Tyson that few others have seen, and is now published in the book Mike Tyson. Listen in as Grinker describes how she learned on the job as the only woman ringside, transforming from student to pro in step with Tyson's meteoric rise. She also weighs in about gear choices, making distinctions between photographing with reflex cameras and rangefinders, and sharing thoughts on shooting black and while film vs digital captures in monochrome mode. Listen in to learn how she juggled documentary coverage with celebrity reportage and sports photography in what was truly a wild ride. Guest: Lori Grinker Photographs © Lori Grinker, Courtesy of Contact Press Images This episode is sponsored by Audio Technica For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/ringside-access-lori-grinker-captures-mike-tysons-rise Guest Bio: Lori Grinker is an award-winning photographer whose work straddles documentary and fine art. Internationally published and exhibited, her long-term, non-linear projects often mix photography with video, audio recording, text, installation, books, and collage. The recipient of many awards and the author of three books, Grinker is a dedicated educator for both University programs and private workshops. She is a senior member of Contact Press Images and is represented by ClampArt Gallery in New York City. Stay Connected: Personal Website: www.lorigrinker.com Instagram: www.instagram.com/lgrinker Twitter: twitter.com/lgrinker Facebook: www.facebook.com/lorigrinker/ Episode Timeline 2:02: Grinker's photojournalism class assignment, and shifting focus to Mike Tyson 4:40: Tyson's dedicated study under legendary boxing trainer Cus D'Amato 7:26: The trajectory of Grinker's photos—from school project to documenting Tyson's daily life to published news stories 9:04: The learning curve from daily life to photographing ringside 11:55: Enlisting Tyson's help to get paid by Don King 13:02: Robin Givens, her mother the publicist, and control over Grinker's pictures 15:34: Tyson's interest in seeing himself in pictures 17:04: Grinker's embedded access and hurdles of Tyson's rise to fame 20:12: Grinker's experiences in dealing with a no-show photo subject 21:44: Working with photo agencies and joining Contact Press Images 24:36: The benefits to Grinker's agency support: Canon camera gear, exhibitions, and books 24:58: Grinker's advice for photographers seeking agency representation 26:26: The importance of owning the rights to your pictures and registering the copyright 28:10: Episode break 28:42: Lori Grinker's photo gear: From Nikkormat to Leica to Canon and beyond 29:50: Grinker's first experience with digital—embedded on a ship the during Iraqi invasion 30:36: Learning to use flash and shooting with black-and-white film 31:41: Making the switch to color film for photo assignments 32:00: Comparing the shooting style of reflex cameras and rangefinders 34:52: Grinker's thoughts on teaching students depth of field 35:32: Learning by doing and Grinker's earliest teachers 36:52: Grain vs pixels: shooting black-and-white film vs digital in black and white mode 40:50: Film type, Kodak chemistry, and printing with Agfa Portriga paper 42:02: Printing gelatin silver prints for upcoming ClampArt exhibit 44:08: Grinker's Mike Tyson book and the 2014 book contract 45:12: Reconnecting with Tyson for Spike Lee's Broadway production 48:18: Choosing a book designer, going through the pictures, making a huge book, and then cuts 49:44: What does Mike Tyson think of the finished book? 50:32: It's more a photo book than a sports book—a time capsule, a slice of pop culture 52:30: Lori Grinker's upcoming events—book launch and ClampArt exhibit 54:34: Grinker's website and social media contacts

It's leaf peeping time in the northern hemisphere when trees break into riots of color as autumn plows a path from north to south. Two of the best regions for capturing the show here in the US are across New England and along California's magnificent Sierra Nevada. To help get you up to speed when preparing for your own foliage excursions, we speak with landscape photography specialists in each of these regions—Jerry Monkman in New England and G. Dan Mitchell in California's Sierra Nevada. After weighing in with informed opinions about when and where to find the best color this year, Monkman and Mitchell make suggestions about fresh ways to picture the scenery and discuss topographic and geological differences between east and west. We also talk gear—both DSLR and mirrorless—with Monkman opting for the Canon 5D Mark IV or EOS R5, and Mitchell alternating between the Canon 5DS R and FUJIFILM X series mirrorless. For all of the above and much more, please join us for this informative discussion and discover new ways to reap an autumn photography harvest and take your landscape and scenic photography to new heights. Guests: Jerry Monkman & G. Dan Mitchell Photo © Jerry Monkman For further details about our guests, their gear, and a selection of their secenic photographs, find this episode on the B&H Explora blog at: https://www.bhphotovideo.com/explora/podcasts/photography/fall-foliage-east-and-west-with-jerry-monkman-and-g-dan-mitchell-the-bh Guest Bios: Jerry Monkman is a New England-based conservation photographer, filmmaker, and writer, who's been telling adventure- and conservation-themed stories for more than 20 years. Together with his wife Marcy, Monkman runs EcoPhotography, a Portsmouth, New Hampshire-based stock and assignment photo business and video production company. EcoPhotography's award-winning images have been published worldwide, and the Monkman's have received National Outdoor Book Awards for two books: The AMC Guide to Outdoor Digital Photography in 2012, and Outdoor Adventures: Acadia National Park, in 2017. Monkman's first feature-length film, The Power of Place, was an official selection of the 2015 New Hampshire Film Festival. His newest documentary feature, The Merrimack: River at Risk, premiered on New Hampshire PBS in July 2020. In 2022, Monkman launched the film production company Reel Quest Films, LLC with partner Ryan Smith. Stay Connected: Jerry Monkman Personal Website: https://ecophotography.com Film Production Website: https://reelquestfilms.com Instagram: https://www.instagram.com/jerrymonkman/ Twitter: https://twitter.com/jerrymonkman Facebook: https://www.facebook.com/ecophotography G Dan Mitchell is a California-based landscape and nature photographer who focus's his attention on the Pacific coast, the Sierra Nevada, the central California grasslands and deserts, and the American Southwest. Author of the 2015 book California's Fall Color: A Photographer's Guide to Autumn in the Sierra, Mitchell's photographs have been widely exhibited, published, and licensed for commercial use. In 2018, he photographed extensively in Yosemite National Park as a Yosemite Renaissance artist-in-residence. He maintains a prolific online presence, sharing daily images and commentary at his website. Equally active on social media, he founded the 10,000-member "Sierra Nevada: Photographs from the Range of Light" Facebook community. Yet, Mitchell is most at home in the field, where he has scoured the Sierra Nevada backcountry for photographic moments for more than 50 years, and photographed each summer since 2011 with the "First Light" group. Stay Connected: G. Dan Mitchell Personal Website: https://gdanmitchell.com Flickr: https://www.flickr.com/photos/gdanmitchell Instagram: https://www.instagram.com/gdanmitchell Twitter: https://twitter.com/gdanmitchell Facebook: https://www.facebook.com/gdanmitchell

Graham Nash is a true visionary. Whether in the lyrics he writes, the music he plays, the songs he sings, or the photographs he captures, he sees things a little differently and—most important—he sees beauty everywhere. As he describes it during our podcast, "It's just energy. I see my life facing a column of energy every day. Where do I want to plug in today?" Listen in as Nash regales us with how multidisciplinary interests help him avoid writer's block, his fascination for early Daguerreotypes, his historic role as a digital printing pioneer, his deep respect for Epson products, and much more. Stay to the end for Nash's honest assessment of his singing voice, and to learn his secret to staying passionate and making the most of a creative life. Guest: Graham Nash Photos by Graham Nash, excerpted from A Life in Focus: The Photography of Graham Nash, and provided courtesy of Insight Editions. Cover photo © Joel Bernstein For further details about our guest, his gear, and a selection of his historic photographs, find this episode on the B&H Explora blog at: https://www.bhphotovideo.com/explora/podcasts/photography/graham-nash-ace-photographer-digital-printing-pioneer-music-legend-the-bh Guest Bio: English singer-songwriter and musician Graham Nash is known for his light tenor voice and his iconic status as a founding member of the Hollies, Crosby, Stills & Nash, and later Young. A two-time Rock and Roll Hall of Fame inductee and the recipient of four honorary degrees, Nash was appointed an Officer of the Order of the British Empire (OBE) for his services to music and to charity. A lesser-known detail is that Nash's long held passion for images even predates his start in music. An avid photographer since the age of 10, Nash began collecting photographs in the early 1970s. In 1990, he chose to auction off his 2,000-print collection to help fund Nash Editions, the pioneering fine art digital printing company he co-founded, using an IRIS Graphics 3047 printer that is now in the collection of the Smithsonian's National Museum of American History, At the tender age of 80, Nash is still busy creating both pictures and music, while also maintaining a hectic tour schedule. A book of his photographs, A Life in Focus: The Photography of Graham Nash, was recently released by Insight Editions and is widely available in bookstores and online. Stay Connected: Personal Website: https://grahamnash.com/ Instagram: https://www.instagram.com/officialgrahamnash/ Twitter: @TheGrahamNash Facebook: https://www.facebook.com/OfficialGrahamNash/ Episode Timeline 3:10: Graham Nash's photo collection and the objects he collects today 4:10: How and where his musical and photographic paths cross 4:58: Nash's work as a sculptor 6:34: The ability to hear photographs, see music, and talk in colors 8:14: Nash's introduction to photography at 10-years-old 9:50: Nash's first camera: an Agfa with a small bellows 10:10: Being invisible when taking pictures and blending into the woodwork 12:42: Nash's favorite music photographers 13:52: It doesn't matter what camera he uses 14:30: A 1980's digital camera and an early awareness of the digital world 15:32: Both ends of the photographic spectrum—digital to Daguerreotypes 17:45: From a sense of history to modern Daguerreotypists 18:58: A personal phone number for Louis Daguerre 25:20: Episode break 20:44: Nash's pioneering work in digital printing 22:18: Iris printers and the issue of ink longevity 25:04: The transition to Epson printers and ink 26:14: An Iris print fades during an hour lunch 27:56: Nash's preference between black and white and color 28:22: Recommended printers and number of color channels 30:50: Nash's paper choice: Epson Legacy Fiber 31:22: Coordinate paper, coatings, and inks for optimal results 32:42: Nash's new book A Life in Focus, and recording music remotely during the pandemic 33:59: Nash's singing voice and how it's held up over time 35:08: Two things Nash wants his audience to know 36:22: Nash's secret to remaining passionate: Keep your eyes open—360 degrees

The art of photography offers boundless potential for altering and enhancing human perception—this is the focus of our conversation on this week's podcast. Listen in as we go down the rabbit hole of visual discovery with alchemist of photography Abelardo Morell. From his early desire to enlighten students by transforming his classroom into a camera obscura to his ever-expanding universe of ideas—and the subsequent tools he uses—to record moments in light, Morell is an undisputed master in conjuring magic from a cross section of art and science, time and space. Guest: Abelardo Morell Photographs © Abelardo Morell, Courtesy of Edwynn Houk Gallery For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/the-camera-obscura-and-recording-time-and-space-in-images-with-abelardo-morell Episode Timeline 3:30: Abelardo Morell's Street Photography Roots 4:29: The Power of a Visual Language 5:50: Creating a Camera Obscura in the Classroom 7:30: Making Pictures Inside the Camera Obscura 7:58: Reciprocity Failure in Film Captures 9:50: Determining Exposure Times When Polaroid Isn't an Option 11:18: Framing Up Compositions Inside the Camera Obscura 11:56: Shifting from Analog to Digital Cameras 12:22: Phase One Digital Allows the Capture of Moments in Light 14:22: From a Pinhole to Projecting an Image Using Diopters and Lenses 17:47: Morell's Digital Workflow and Working with a Digital Tech 18:55: Juggling Multiple Projects, Genres, and Tools 20:33: Picturing Childhood as a Creative Breakthrough 25:20: Episode break 26:04: Conceptualizing the Tent Camera for Use in the Landscape 30:25: Shooting Tethered in the Field 31:18: Developing the Tent Camera's Prism Periscope Lens 32:22: Shifting the Projected Image from the Wall to the Ground 33:00: Patina of the Ground and a Philosophical Meaning 34:00: Channeling Fox Talbot in Cliché Verres 37:42: Morell's Preference: Black and White or Color? 38:43: Becoming a Painter by Photographing Paint Drying 41:04: Composition and Tension in the Hitchock Series 43:35: Morell's Preference Between Studio or Landscape 46:26: The Value of Experience and a Benefits of a Teaching Career 48:00: The Bravery in a Lifetime of Artistic Work 49:10: An Evolving Vision for Alice in Wonderland 51:06: Abelardo Morell's Upcoming Projects and a Residency in Italy 52: 47: Morell's Upcoming Show at the Montclair Art Museum Stay Connected: Personal Website: https://abelardomorell.net Instagram: https://www.instagram.com/abelardomorell/ Twitter: https://twitter.com/abelardomorell Facebook: https://www.facebook.com/AbelardoMorellPhotography LinkedIn: https://www.linkedin.com/in/abelardo-morell-82848827

A well-crafted portrait is a beautiful thing, and this week's podcast takes a deep dive into creating individual, group, and family portraits, both on location and in the studio. Our guests are master portraitists Monica Sigmon and Michael Taylor, co-owners of SigmonTaylor Photography in Williamsburg, Virginia. Please join us for tips on everything from how to arrive at a signature style when working on location to the practicalities and pitfalls of establishing a dedicated portrait studio and turning client's heads in today's competitive marketplace. After listening, if you're still hungry for more portrait photography insights, look no further than Sigmon Taylor's six-part series Portrait Studio Intensive, produced by the B&H Event Space in February 2022. Guests: Monica Sigmon and Michael Taylor Photograph © Sigmon Taylor For more information on our guests and the gear they use, see: www.bhphotovideo.com/explora/podcasts Episode Timeline 2:37: How does one arrive at a signature style when shooting portraits in an infinite variety of different locations? 4:03: Building a visual library and exploring your photographic personality to make your portraits stand out. 5:52: Location portraits are more about the story you are telling than what the background looks like. 6:49: Use of lighting conditions as a common thread in defining your signature portrait style. 8:40: How to establish a high-end portrait niche and deliver the goods from the start. Creating work and an experience the client will love. 11:14: Every portrait is a self-portrait, and the value of stepping back to look inside yourself. 13:24: The skill of cultivating an interest in your subjects. People all have stories to tell. 14:18: Tips for expanding from an individual portrait to a group session, and the importance of scheduling a preliminary design session. 16:20: The smallest children rule the day. Keeping the attention of the adults while keeping the children entertained. 17:26: The portrait photographer as symphony conductor. How to take control of the portrait session and bring everything together in a single moment. 21:52: Valuable advice for new portraitists: Understand your limitations and have joy in what you are doing. 22:26: How to even the playing field when photographing powerful subjects who are hesitant to relinquish control. 27:30: Getting out of your own head and being in service to someone else. 27:58: Compositing elements within a group portrait: Is or isn't it cheating? 30:19: Commanding the set and taking the time to finesse the pose. Anticipating the rhythm and flow of a shoot. 33:33: Number one creativity killer: Feeling rushed for time. Slow down and manage expectations. 34:44: An inside look at the design consultation: Establishing the rules of engagement. 36:10: Making the sale up front: Explaining to the client what their investment will be. 41:12: Working on spec vs invitational portfolio building to create the work you want to shoot next. 43:44: Episode break 44:42: How practical is establishing a dedicated portrait studio today? 46:28: Creating a unique style to turn peoples' heads and make them into clients. 46:44: Can higher prices result in increased sales? 48:22: A fair payday leads to a different attitude and better pictures. 50:12: Finding a feasible studio space to work in: Renting space vs a brick-and-mortar address. 53:18: A creative approach to personalizing your office in a neutral space. 55:18: The creation of Sigmon Taylor's signature look: Black Label portraits. 57:31: The Black Label lighting style: A marriage of classical lighting with a contemporary personality. 1:00:08: Vehicles for Sigmon Taylor portraits: Prints, wall portraits, and coffee table books. 1:01:33: Digital files of client portraits: Selling them vs gifting them. 1:03:15: Sigmon Taylor's approach to printing portraits through relationships with various labs across the country. 1:05:50: Photographers show too many images. Do not put images online. 1:06:24: Considerations for camera gear when establishing a portrait studio. 1:09:34: Effective portrait studio lighting: Profoto and Elinchrom One. 1:11:40: Connect with Sigmon Taylor on social media. Stay Connected: Website: https://www.sigmontaylor.com/ Studio Instagram: https://www.instagram.com/sigmontaylor/ Monica's Instagram: https://www.instagram.com/monicasigmon/ Michael's Instagram: https://www.instagram.com/michaelglentaylor Twitter Feed: https://twitter.com/monicaandmike Facebook: https://www.facebook.com/SigmonTaylorPhotography Sigmon Taylor's six-part Portrait Studio Intensive: https://www.bhphotovideo.com/find/eventDetails.jsp/id/4063

Nature and wildlife photographers seeking to put their images to work for the good of the planet will love this week's podcast. Our first guest, Jaymi Heimbuch, founded the Conservation Visual Storytellers Academy to teach photographers how to connect their pictures to a larger purpose. Listen in as Heimbuch discusses ways to harness the three A's—Action, Audience, and Affect—and successfully target the people you want to reach with your work. After a break, we hear from Heimbuch's star student, Anne Readel, who reveals how the viral spread of her story on No-Mow May enabled her to recast her message with different angles, increasing the story's reach. Stay to the end for Readel's offbeat story about living with your urban turkey neighbors. Please join us for this inspiring discussion about conservation storytelling, and learn how the aforementioned three A's can be used to craft the focus of your nature and wildlife pictures and expand their impact. Guests: Jaymi Heimbuch and Anne Readel Episode Timeline 3:28: What is Conservation Photography? 7:00: The power of a call to action 8:40: Quick synopsis of the Conservation Visual Storytellers Academy 9:37: A look inside the Visual Storytellers Style quiz 12:25: Putting your visual storyteller style to use 14:00: Conservation stories are happening right outside your door 16:22: The effortless impact of No-Mow May 17:12: Pitching conservation stories and photo / text packages 19:08: The importance of the three A's – Action, Audience, Affect 20:15: Tips for reverse engineering a photo story 21:03: Where to pitch photo stories and how to get an editor's attention 23:18: Jaymi Heimbuch's gear tips for cameras and lenses 24:47: Two trends in lens types: wide angle macros for insects and telephoto zooms for birds 27:28: Jaymi's favorite brand of camera bag, plus backpacks vs messenger bags 28:52: Episode break 30:12: Anne Readel's first Sony camera and subsequent upgrades 31:06: Situations where Anne still uses her first crop sensor camera 32:30: Anne's go-to options for lenses 34:10: Anne's discovery of Conservation Storytelling 101 35:00: Getting to the goal line with publishing conservation stories 37:58: Anne's tips for turning scientific data into pictures with impact 38:46: Making pictures to make your point and spur people to action 39:46: More on No-Mow May and Anne's goal for the story 40:42: Recasting a story to appeal to multiple audiences and expand its impact 42:57: Focus on stories that get you excited 44:45: Countering negative media bias with a positive message – giving urban turkeys a different spin 46:12: How to catch up with Jayme and Anne For further details about our guests, their gear, and image galleries of their conservation photography, check out this episode on the B&H Explora blog at: https://www.bhphotovideo.com/explora/podcasts/photography/conservation-storytelling-with-jaymi-heimbuch-anne-readel Photograph © Anne Readel

There's a special feeling to photographing sports action that hooks you from day one. Listen in as we talk sports with Sony Artisan of Imagery Jean Fruth, and longtime Sports Illustrated Director of Photography Steve Fine. In 2019, Fruth co-founded Grassroots Baseball to celebrate the amateur game at the youngest levels. In her latest book Grassroots Baseball: Route 66, Fruth photographs young players in the same heroic manner as the pros. When it comes to equipment, she recommends the best gear to fit your budget, while singing the praises of fast lenses, As Fruth's longtime editor, Fine weighs in on the three pillars of sports photography and the vital importance of cropping. In Fine's view, great pictures are a shared accomplishment between a photographer and an athlete in a moment that cannot be repeated. Please join us for this spirited discussion about Grassroots Baseball and learn how the aforementioned three pillars can be woven into Sports Photography gold. Episode Timeline: 4:30: Jean Fruth's start in sports photography 11:40: Synopsis of Fruth's Grassroots Baseball nonprofit 14:24: Capturing golden hour light and the love of the game 22:08: Steve Fine discusses the three pillars of sports photography 29:22: Neil Leifer's advice to shoot for the double truck 31:34: Sports is messy, hence the importance of cropping 34:29: Rules for retouching and manipulation in sports photography 37:00: Episode break 37:51: Key attributes of a great sports photographer 40:46: What's preferable: trigger happy photographers or more selective shooters? 43:42: What separates football from other sports? 45:00: There are two kinds of hocky pictures: Great and awful 46:40: Sports photography don'ts from the editor's desk—less is more 52:02: Tips for parents when photographing their kids' sporting events 56:08: Gear recommendations for the aspirational sports photographer 1:01:00: Fruth's new project about women in baseball. 1:04:00: Grassroots Baseball: Route 66 book tour and gallery exhibits For further details about our guests, their gear, and for a Grassroots Baseball: Route 66 photo gallery, check out this episode on the B&H Explora blog. Photograph © Jean Fruth

With a camera in his hand, Harvey Stein owns the streets, having spent the past 50 years capturing quintessential moments and making sensitive portraits of the people he meets there. In this two-part episode, he shares details about his photographic process while also conveying the wisdom he's acquired in publishing 10 books of photographs. We first caught up with Stein at the 2022 B&H OPTIC Conference in June, where he spoke about his newest book Coney Island People: 50 Years. He describes his interactive approach to street photography by traveling near and far in search of the human animal. Although he packs a Canon 5D for foreign locales where vibrant colors can be an important element, Stein is most at home with his Leica M4, a 21 mm lens, and a finder that lets him maintain visual contact with his subjects. We also learn about his Manhattan darkroom, and all the money he's saved by rolling his own film for all these years. In addition to his substantial photography chops, Stein is also an expert in photo book publishing. To leave no stone unturned, we continue our conversation in the studio after a break. Stay to the end for insights about working with publishers, including pitfalls to avoid and tips for turning your own photo project into book form. Guests: Harvey Stein Photograph © Harvey Stein Sponsored by Logitech Blue Yeti Mics

Sapna Reddy and Matt Kloskowski have more in common than just colorful photos of birds in nature and soothing landscapes. In this week's episode of the B&H Photography Podcast, we investigate how their respective work lives have fueled the technical mastery that allows their creative vision to flourish. We spoke with them both as part of our continuing coverage of B&H's 2022 OPTIC Conference. We begin the show with Dr. Sapna Reddy, who balances a rigorous medical career in radiology with the creative freedom of time spent outdoors, capturing scenic landscapes. Reddy's medical work is limited to a strict analysis of grayscale image data, yet her colorful landscapes provide a healing influence from the world of hospitals. Listen in to learn how she follows the light based on what nature delivers—choosing extreme wide-angle lenses for scenes with powerful foregrounds that draw the viewer's eye and using longer focal length lenses for compositions that isolate elements. Reddy also tells of mastering the technical to allow the aesthetic step in, a process she freely shares with students during awe-inspiring photography workshops in destinations both near and far. After a break, we shift the conversation to Sony Artisan Matt Kloskowski, whose passion for bird photography is central to his motto of "Embrace the Chaos." During our chat, Kloskowski emphasizes how technical knowledge of one's gear can minimize barriers between the eye and the subject. Along with an honest assessment about absorbing failure and challenging success rates, Kloskowski describes how the blazing frame rate of his Sony A1 and its bird eye autofocus help him achieve razor sharp bird pictures. Widely known as an Adobe Photoshop, Lightroom, onOne type guy, Kloskowski also fills us in about the massive collection of online courses, YouTube tutorials, and Lightroom presets that fuels his career as a photo educator, and takes up 99 percent of his time and effort. Please join us for these insightful conversations about photographing birds, wildlife, and scenic landscapes, and balancing the creative with the technical until your process becomes innate. Guests: Sapna Reddy and Matt Kloskowski Photograph © Matt Kloskowski Sapna Reddy and Matt Kloskowski have more in common than just colorful photos of birds in nature and soothing landscapes. In this week's episode of the B&H Photography Podcast, we investigate how their respective work lives have fueled the technical mastery that allows their creative vision to flourish. We spoke with them both as part of our continuing coverage of B&H's 2022 OPTIC Conference. We begin the show with Dr. Sapna Reddy, who balances a rigorous medical career in radiology with the creative freedom of time spent outdoors, capturing scenic landscapes. Reddy's medical work is limited to a strict analysis of grayscale image data, yet her colorful landscapes provide a healing influence from the world of hospitals. Listen in to learn how she follows the light based on what nature delivers—choosing extreme wide-angle lenses for scenes with powerful foregrounds that draw the viewer's eye and using longer focal length lenses for compositions that isolate elements. Reddy also tells of mastering the technical to allow the aesthetic step in, a process she freely shares with students during awe-inspiring photography workshops in destinations both near and far. After a break, we shift the conversation to Sony Artisan Matt Kloskowski, whose passion for bird photography is central to his motto of "Embrace the Chaos." During our chat, Kloskowski emphasizes how technical knowledge of one's gear can minimize barriers between the eye and the subject. Along with an honest assessment about absorbing failure and challenging success rates, Kloskowski describes how the blazing frame rate of his Sony A1 and its bird eye autofocus help him achieve razor sharp bird pictures. Widely known as an Adobe Photoshop, Lightroom, onOne type guy, Kloskowski also fills us in about the massive collection of online courses, YouTube tutorials, and Lightroom presets that fuels his career as a photo educator, and takes up 99 percent of his time and effort. Please join us for these insightful conversations about photographing birds, wildlife, and scenic landscapes, and balancing the creative with the technical until your process becomes innate. Guests: Sapna Reddy and Matt Kloskowski Photograph © Matt Kloskowski