B&H Photography Podcast

We’re all about flower power on this week’s podcast, in celebration of Valentine’s Day. Joining us in discussion are photography curator Danae Panchaud, co-author of the recent book Flora Photographica, along with contributing photographer and audience favorite Abelardo Morell. After describing the book’s genesis and scope, Danae delves into the extensive research process she and co-author William Ewing employed to sift through many thousands of photographs celebrating this wide-ranging subject. From sumptuous floral still lives to delicate blooms photographed in service of an activist cause to conceptual treatments depicting flowers as imposters of real life and beyond—this magnificent book offers fertile ground for consideration and debate. After a break we continue the conversation with photographer Abelardo Morell, whose featured images from the series Flowers for Lisa evolved from a single photograph created as a gift for his wife to encompass a wide-ranging exploration of and homage to great artists of the past.  As an alternative to a floral bouquet, we invite you to consider the enduring value in the gift of a photograph—or better yet an entire book of floral photography—to make a photoholic’s heart flutter. Guests: Danae Panchaud and Abelardo Morell Top shot © Abelardo Morell For more information on our guests and the gear they use, see: www.bhphotovideo.com/explora/podcasts Episode Timeline   4:52: Danae Panchaud explains the research process for Flora Photographica and describes the joy in discovering the innovative methods photographers have used to explore this wide-ranging subject.   10:16: Distinctions between the new edition of Flora Photographica and an earlier volume by William Ewing sharing the same title, published in the 1990s. 13:53: The effects of digital tools and technologies on both the images themselves, and the research methods used to source images for the book.   16:31: Insights about Flora Photographica’s nine intriguing chapter titles: Roots, In Situ, Enquiry, Arrangement, Essence, Imposters, Hybrids, Fugue, and Reverie.   21:00: Incorporating floral pictures with political themes and conceptual work on floral subjects, and the use of captions to help convey these messages.   23:55: Using the element of surprise in picture selection and sequencing to highlight unexpected images and allow readers to discover new artists.   32:50: Episode break   34:20: Abe Morell’s first flower photograph was a double gift: A birthday gift for his wife and a gift for Abe to embark on a new challenge.   38:19: The benefits of working at home in the studio to use as a breeding ground for new ideas.   39:55: The incorporation of painting with photography, and Abe’s efforts to reinterpret and transform past works from art history. 42:34: How work on this photo series enhanced Abe’s perception of flowers as a common object. Guest Bios: Danae Panchaud is a photography curator, lecturer, and museum professional based in Switzerland. After studying photography at the widely acclaimed Vevey School of the Arts, she turned to curatorial practices at Geneva University of Art and Design. She has since held positions in the fields of contemporary art, design, and science at several Swiss institutions. From 2018 to 2021, she served as director and curator of Photoforum Pasquart in Biel. She was appointed director of the Centre de la Photographie Genève in 2021, where she explores the medium as a tool for constructing knowledge through both contemporary and historical photographs. Danae is actively involved in a number of Swiss associations for photography and the arts, currently serving as president of Spectrum – Photography in Switzerland.   Abelardo Morell is a repeat visitor to the podcast, having previously appeared in the show Abelardo Morell: Alchemist of Photography in 2022. Born in Havana, Cuba, Morell immigrated to the United States with his parents at the age of 14. After earning a BFA from Bowdoin College and an MFA from Yale, he had a distinguished career as a photography professor at the Massachusetts College of Art and Design from 1983 to 2010. Morell has received many awards and accolades for his work, including a Guggenheim fellowship in 1994, an ICP Infinity Award in 2011, and a Lucie Award for achievement in fine art in 2017. He is the author of 8 books, including Flowers for Lisa, the subject of today’s discussion, and his photographs have been exhibited and collected by galleries, institutions, and museums worldwide. Stay Connected: Flora Photographica book: https://thamesandhudson.com/flora-photographica-the-flower-in-contemporary-photography-9780500024584 Danae Panchaud Website: https://danaepanchaud.net/ Danae Panchaud Facebook: https://www.facebook.com/danae.panchaud/ Danae Panchaud Instagram: https://www.instagram.com/danaepanchaud/ Danae Panchaud Medium: https://medium.com/@danaep Centre de la Photographie Genève Website: https://www.centrephotogeneve.ch/ Abelardo Morell Website: https://www.abelardomorell.net/ Abe Morell’s Flowers for Lisa book: https://www.abramsbooks.com/product/flowers-for-lisa_9781419732331/ Abe Morell’s Instagram page: https://www.instagram.com/abelardomorell/ Abe Morell’s Twitter: https://twitter.com/abelardomorell  

"Selecting photos is a different skill than making them,” explains renowned picture editor Mike Davis in this week’s podcast. This essential understanding forms the core of Davis’s new book Creating Visual Narratives Through Photography: A Fresh Approach to Making a Living as a Photographer. Davis approaches this topic with a mix of clarity and candor, to offer deeply engaged yet highly accessible insights about making photos—and making sense of those photos—while also discussing the elusive art of selecting and sequencing pictures and other ways to create visual narratives. Some of the key points covered in our chat include the visual vocabulary Davis assigns to photographs, his ideas about elevating pictures beyond simply informational content, how making multiple passes through a photo edit can help a photographer remove themselves from the experience of making the work, and his three different approaches to image sequencing. Listeners will also gain a fresh understanding of ways in which both the art of creating visual narratives and the photo industry itself have evolved over time, to raise the bar on creative expression. In presenting this book, Davis’s goal echoes the response he has received from hundreds of photographers he’s helped to tell stories with their pictures, “I never would have thought of things that way, had we not had this engagement.” Guests: Mike Davis Photos © Mike Davis Episode Timeline 3:26: Photography as a visual vocabulary, and distinctions between, nouns, verbs, adjectives and adverbs. 6:25: What are informational photographs and how to make photos that rise above this basic level. 9:08: Davis’s definition of composition: the full realization of light, and color, and distance in conveying a 3-dimensional space. 18:33: How the photo industry and relationships between photographers and photo editors have changed over time. 30:42: Davis discusses his photos published in the book and shares thoughts about photographing with intention. 39:34: Episode break 44:18: Three approaches to image sequencing and how they work within the full spectrum ofrafting a narrative 46:17: Mike Davis’s most visually successful book project and a general timeframe for image sequencing. 48:06: Davis’s approach to working with photographers on sequencing a book.   51:46: Davis describes his picture editing process using multiple passes through a set of photographs. 56:40: The primary audience and Davis’s ultimate goal in writing Creating Visual Narratives Through Photography: A Fresh Approach to Making a Living as a Photographer. Guest Bio: Mike Davis is a visual consultant, editor, author, photographer, and professor emeritus. He has worked independently with hundreds of photographers as well as in staff positions for organizations as diverse as National Geographic, The White House, and several of America’s visually powerful newspapers. Mike was twice named newspaper picture editor of the year, and he received The Sprague Award from The National Press Photographers Association, its highest honor. He has edited more than 40 books as an independent consultant, judged a wide range of photography competitions and grant programs, lectured widely, and served as a member of various workshop and review faculty. Most recently, Mike spent eight years as an endowed faculty member at Syracuse University’s Newhouse School, where he taught visual storytelling courses and directed The Alexia Grants. Stay Connected: Mike Davis website: https://www.michaelddavis.com/ Mike Davis Instagram: https://www.instagram.com/mikedavis_mnpls/ Creating Visual Narratives Book: https://www.routledge.com/Creating-Visual-Narratives-Through-Photography-A-Fresh-Approach-to-Making/Davis/p/book/9781032262857      

Creating and sustaining a successful photo career is no easy feat. To help aspiring young imagemakers acquire the needed creative concepts and business skills, two New York-based organizations—ASMP NY and BKC—have teamed up to offer the innovative mentorship, education, and industry immersion program The Bridge. Open to individuals from 18- to 26-years-old, The Bridge embraces diversity and offers opportunity to underserved communities, regardless of formal photography experience. Best of all, this four-month, real world program is free to accepted students. We first learned about The Bridge during a chat with program co-founder Liam Alexander for the show ASMP-NY and the Future of Photo Trade Organizations in February 2022. Since the program’s second year recently wrapped with a gallery exhibition in Brooklyn, and plans are in the works to expand The Bridge to other ASMP chapters in 2023, we wanted to learn more about this valuable initiative in advance of the next application window this spring. For this week’s podcast, we’re joined by Alexander, who sheds light on The Bridge program’s inner workings and educational goals during the first half of the show. After a break, we speak with 2022 Bridge graduate Eli Edwards, who describes what he learned through the program, and the resulting shift in the pictures he makes, as well as in his creative point of view. To discover how to futureproof your career and learn how to apply for this free program, make sure to listen in! Guests: Liam Alexander and Eli Edwards ASMP Bridge Program photo © Saad El Amin For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/celebrating-asmp-nys-mentorship-program-the-bridge Episode Timeline 3:50: Application and selection process for The Bridge Mentorship, a program designed to fill the gap in existing educational models. 9:27: Introduction to The Bridge program partner BKC, and program co-founder Justin Lin. 17:13: The Bridge Program coursework: Developing Your Creative Point of View. 20:52: Bridge Mentorship Program Core Supporters: The ASMP Foundation, Sony, and Freelancers Union, and a widening network of additional supporters. 25:17: A five-year vision for the program: Producing the future of the photo industry every summer. 26:50: Episode break 27:24: 2022 Bridge Program participant Eli Edwards and his easy application through Instagram. 32:42: Effects of the program on Eli’s pictures and his new confidence in making project-based work. 36:40: Is YouTube University an effective tool for learning the ropes of photography? 40:56: How Eli’s shift from social media to photography changed his creative point of view, and some social media tips. 46:38: Ways to support The Bridge program and application window for the 2023 Bridge program mentorship. Guest Bios: Liam Alexander is a fine artist and creative director who seeks to catalyze social change through artistic expression. As the current president of ASMP New York, he co-founded the ASMP NY Bridge program in 2020 with Justin Lin of BKC. He has also been instrumental in building other community focused creative projects designed to educate and inspire, such as IThou at NYU’s Kimmel Galleries, The Exchange at Rush Arts, and #StrokeofGenius. Liam’s own work has been featured in gallery exhibitions and art fairs throughout the US, and at the second annual Toolkit Festival in Venice, Italy. His work has been published in magazines including Nylon and Rolling Stone, and he creates projects with major brands like Wix.com, Samsung, SAP, Renaissance Hotels, and the city of New York. Eli Edwards is a photographer, videographer, writer, producer, and director. Born in Los Angeles, Eli currently resides in New York City, where he works as a freelance videographer and photographer for brands, events, and musical artists. He was a 2022 participant in the ASMP Bridge program, where he produced the photo series ‘A Community of Hoops’, which is about the dedicated group that frequents New York’s iconic West 4th Street basketball court. Eli is a 2019 graduate of NYU’s Steinhart School, receiving a bachelor of arts degree in Media, Culture, and Communication. After college, he worked as a social media editor for Turner Sports in Atlanta as part of the Emmy-Award winning NBA on TNT team, doing content creation work with the NBA. Stay Connected: The Bridge Program: https://www.wearebkc.com/bridge Donate to the Bridge: https://asmpfoundation.betterworld.org/campaigns/bridge-program ASMP National website: https://www.asmp.org/ ASMP New York website: https://www.asmp.org/newyork/ ASMP New York Facebook: https://www.facebook.com/asmpny ASMP New York Instagram: https://www.instagram.com/asmpny/ ASMP New York Twitter: https://twitter.com/asmpny Bridge Program partner BKC website: https://www.wearebkc.com/ BKC Instagram: https://www.instagram.com/wearebkc/ BKC Twitter: https://twitter.com/wearebkc Eli Edwards Website: https://www.eliedwardscreative.com/ Eli Edwards Instagram: https://www.instagram.com/edwards_eli/ Eli Edwards Twitter: https://twitter.com/ZenGeeks Eli Edwards TikTok: https://www.tiktok.com/@nbathoughtseli Liam Alexander Website: https://www.liam-alexander.com/ Liam Alexander Facebook: https://www.facebook.com/liam.alexander.rules Liam Alexander Instagram: https://www.instagram.com/leeumrulez/ Liam Alexander Twitter: https://twitter.com/LiamAlexander0  

In some locales, the period between Christmas and the New Year is known as the Wild Nights, where mischief reigns in the darkest days of the northern hemisphere. We’re digging into this theme for our last show of 2022, in a chat with photographer and producer of this very podcast, Jill Waterman, who has been documenting New Year’s Eve traditions and exploits around the globe for the past 38 years. We first spoke with Jill about this project in the two-part show Legacy and Commitment in January 2022. Since she’s now a full-fledged member of the podcast team, we thought we’d investigate some of her more memorable experiences a bit further. Jill is still shooting this series primarily with film, so our conversation ranges from the whys and wherefores of making that choice, to how the growth of the Internet became an essential research tool in the lead up to the Millennium and beyond. We also shed light on the elusive Austrian Perchten and Bulgarian Kukeri, and discuss parading Philadelphia Mummers, Bahamian Junkanoo figures, and Cape Town, South Africa’s legendary Minstrel Parade. To learn about the most rewarding aspect of Jill’s project and find out where she’ll be ringing in New Year’s Eve 2023, pull up a seat, pop some bubbly and listen in! Guest: Jill Waterman Photos © Jill Waterman Episode Timeline 2:35: The beginnings of the New Year’s Eve Project 4:28: Evolution of the project and approach over time 5:34: Shooting black and white film instead of monochrome digital captures 8:12: Opportunities of the Millennium 9:04: The growth of the Internet as a research tool and discovering locations for New Year’s Eve rituals 10:00: Documenting “Perchtenlaufs” in Austria during the Wild Nights 10:59: Common themes in different cultures: Mummer’s Parade in Philadelphia; Junkanoo in Nassau, Bahamas; and the Minstrel Parade in Cape Town, South Africa 14:48: The spread of oral New Year’s traditions and rituals: Burning Effigies and New Year’s Widows in Quito, Ecuador 16:32: Bulgarian Kukeri and New Year’s parade to scare away evil spirits in Razlog 17:28: Advance planning before arrival and proceeding with boots on the ground 18:46: The value of spontaneity and capturing action in the moment 19:58: Working through anxiety, emotional spikes, and physical challenges 21:09: Assessing coverage and reviewing images after the fact 22:12: Underwhelming celebrations, and New Year’s Eve during COVID lockdown 25:50: Episode break 26:35: Jill’s analog camera kit: Nikon F3 HP, a 35-70 mm f/2.8 zoom and 24 mm f/2.8 prime lenses 27:45: Black and white films used—Ilford HP5, Delta 400, FP4, Delta 100—and diluted development to minimize contrast 29:23: The most rewarding aspect of the New Year’s Eve Project 30:41: Working through language differences and being open to communication 32:15: Experiencing the Pied Piper syndrome 32:45: Big crowds and safety issues on New Year’s Eve 35:36: This year’s destination, recent New York Foundation for the Arts award, and project links Guest Bio: Born and raised in Massachusetts, Jill Waterman has been based in New York since 1985. Her personal work is centered in long-term photo projects, such as the ongoing New Year’s Eve Project and other aspects of her focus on night photography. Her photographs have been exhibited internationally and widely featured in press and media. Highlights include a 1997 arts documentary for Deutsche Welle TV in Berlin, Germany; a 2003 Today Show interview with Katie Couric; and a 2015 documentary for the web TV show Culture Connect. Waterman’s first book, the technical volume Night and Low Light Photography, was released by Amphoto books in August 2008. Her professional background includes a past career in image licensing, editorial positions in custom publishing, and her current role as creative producer for the B&H Photography Podcast. Stay Connected: New Year’s Eve Project Documentary: https://www.youtube.com/watch?v=SLqZ_PIEugA New Year’s Project Silvester Stories NFT: https://opensea.io/collection/silvester-stories Instagram: https://www.instagram.com/nightpix/ Facebook: https://www.facebook.com/jill.waterman  

For anyone seeking a new camera to gift or to hold this holiday season, we present the eighth annual installment of our Cameras of the Year episode! Featured in our discussion are 16 new cameras from Canon, FUJIFILM, Hasselblad, Leica, Nikon, OM SYSTEM, Panasonic, and Sony—presented in alphabetical order. In addition to a detailed review of each camera on our list, we also discuss trends such as the shift from separate cameras for photo and video to a single camera geared to content creation, recent advances in high resolution EVFs, the benefits to cameras with internal memory, an increasing prevalence of AI technologies, the continued relevance of Micro 4/3rds and APS-C models when full frame cameras are shrinking in size and weight, and much more. Along the way, we even come up with some new terminology—Exit Level Cameras! Tune in for yourself and find out what it means. Guest: Kevin Rickert Episode Timeline 3:30: Canon EOS R6 Mark II Mirrorless Camera 4:29: From separate cameras for photo and video to one camera for content creation 5:30: Canon EOS R7 Mirrorless Camera 6:42: A question about image stabilization 7:58: The increasing use of dual card slots 8:50: Newer Canon cameras have a different hotshoe 11:18: Canon EOS R10 Mirrorless Camera 12:25: The legacy of the Canon Rebel series name 14:25: Canon R5 C Mirrorless Cinema Camera 15:43: What constitutes a Netflix-approved cinema camera 17:08: FUJIFILM X-H2S Mirrorless Camera 18:12: FUJIFILM X-H2 Mirrorless Camera 18:20: FUJIFILM X-T5 Mirrorless Camera 19:43: Recent advances in high resolution EVFs 20:55: New FUJIFILM lenses mean faster full-time autofocus 22:15: Hasselblad X2D 100C Medium Format Mirrorless Camera 2400: The benefits to cameras with internal memory 24:38: Medium format 16-bit color gives you more crayons to play with in the box 26:02: Episode break 27:13: Leica M 11 Rangefinder Camera 30:24: US-B Type C connection allows downloading pictures to a phone 30:59: What is pixel binning and why is it useful? 32:12: Nikon Z 30 Mirrorless Camera 35:44: OM SYSTEM OM-1 Mirrorless Camera 37:08: The continued relevance of Micro 4/3rds and APS-C sensors when full frame cameras are shrinking in size and weight 39:54: OM SYSTEM OM-5 Mirrorless Camera 41:29: Panasonic Lumix GH6 Mirrorless Camera 43:15: The value of dual image stabilization 44:14: Sony ZV-1F Vlogging Camera 46:51: Sony FX30 Digital Cinema Camera 48:42: What is a BSI sensor? 49:08: Sony a7R V Mirrorless Camera 49:52: The higher the resolution, the better your lenses need to be 50:52: The increasing prevalence of AI technologies in the photo world 54:40: Sony a7R V updated screen design and menu tweaks Guest Bio: Kevin Rickert is B&H Photo’s Senior Sales Trainer for Cameras and Lighting. It’s Kevin’s job to collaborate with camera and lens manufacturers to create curriculum for training B&H’s world-renowned sales staff. He knows his stuff! Born & raised in New York and self-described as a ball-park journeyman, Kevin has traveled to—and photographed—all* Major League Baseball Stadiums in the United States since 2008. He also recently travelled to South Korea for food, drink, and photography in October. Stay Connected: B&H Photo Video Website: https://www.bhphotovideo.com B&H Photo Video Instagram: https://www.instagram.com/bhphoto B& Photo Video Twitter: https://twitter.com/bhphoto B&H Photo Video YouTube: https://www.youtube.com/@BandH B&H Event Space YouTube: https://bhpho.to/BHEventSpaceYT B&H Photo Video Facebook: https://www.facebook.com/bhphoto B&H Photography Podcast Facebook Group: https://www.facebook.com/groups/1001107823418353

In an era brimming with instant gratification, some things are worth the wait. This is an apt takeaway from our chat with photographer Charles Daniels about his long-outdated film from the legendary Boston Tea Party and other 60s-era music venues, rarely processed until recently. Joining Daniels in conversation is his long-time partner Susan Berstler, and Gerald Freyer from Film Rescue International, the unique image processing and digitization specialists entrusted with his mother lode of 4,000 plus rolls. Listen in as Daniels tells of his rise from club denizen to emcee to cultural ambassador, introducing 60s-era British invasion rockers to America, with a Leica, two Nikons and a mic in hand. Berstler describes how the unprocessed rolls stockpiled in their home became a COVID project, which then went viral after the launch of a Go-Fund-Me campaign. After a break, Freyer explains how Film Rescue International’s unique processing and scanning technologies can breathe new life into lost and found film, saving untold stories from oblivion. Freyer also recounts his epic drive from Saskatchewan to Somerville (and back!) to safely collect the film for processing, without risking x-rays or other shipping hazards. As Daniels notes during the show, “For years, I never really developed any film, but I was shooting all the time. It was just there, and then at some point I realized that I needed to bring some of this older stuff to light.” With a nod to Daniels’s 80th birthday on November 30th, the pictures may have been a long time coming—but what a fabulous gift to photographers and music aficionados alike! Guests: Charles Daniels, Susan Berstler, Gerald Freyer Photographs © Charles Daniels For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/master-blaster-charles-daniels-reveals-his-unseen-60s-era-photo-archive Guest Bios: Charles Daniels was born in segregated Alabama, where his parents ran a late-night speakeasy after farming cotton all day; maybe that’s how outlaw music got into his blood. After moving to Boston’s Roxbury neighborhood with his family in the 1950s and teaching himself photography with a camera he found in his parent’s closet, Charles began capturing whatever caught his eye on city streets and in the era’s legendary music venues. Soon he was serving as emcee for the bands, which provided unique access and strong friendships. This led to Lear Jets and tours with the likes of Rod Stewart, Ron Wood, and the Rolling Stones. Since his start in rock-and-roll, Charles has expanded his photography to embrace a wide range of subjects from music and fashion to dance, performance, and everything in between. Susan Berstler has a long history as a visual artist, curator, and arts producer, deeply immersed in the vibrant arts scene of Somerville, Massachusetts. One of her primary interests is transformative events and media, especially within public art. Her passion for this medium is further enhanced by her work as an Emerging Technology Specialist for Creative Technologies at Harvard University’s Cabot Science Library. After a small grant from the Somerville Arts Council allowed her to begin developing Charles’s treasure trove of film, the Go-Fund-Me campaign set up by a friend quickly went viral, raising more than $70,000 to date. Susan was referred to the company Film Rescue International, which became an ideal solution for film processing and creating high-resolution archival files from the negatives. At present, she is also in discussions with publishers and university archives to identify a final home for this unique image collection. Gerald Freyer is a technically trained photographer who also studied folklore, monument preservation and cultural history at the University of Bamberg in Germany. After working as a research assistant in museums, he became a consultant for digital imaging pioneer Phase One. Since 2007, Gerald has trained museum and archive staff in the use of high-end digitization systems, completing both archival and 360-degree photography projects for international museums and cultural institutions. In 2021, he joined Film Rescue International to work on digitization projects for its clients. Stay Connected: Charles Daniels Go-Fund-Me Website: https://www.gofundme.com/f/2500-rolls-Charles-Daniels Charles Daniels Facebook page: https://www.facebook.com/profile.php?id=100088252000625 Film Rescue International Website: https://www.filmrescue.com Film Rescue International Facebook: https://www.facebook.com/filmrescueinternational/ Episode Timeline 4:15: Charles Daniels’s start as a music emcee and his most productive years for photography: 1967 – 1969 6:36: A friendship with J. Geils Band front man Peter Wolf and coming up with his Woofa Goofa nickname 8:20: Hanging out with the bands during the day provided easy access and authentic pictures 10:07: Daniels’s most enjoyable Rock & Roll subject and co-photographer mate: Alvin Lee from 10 Years After 13:26: How far to push black and white film for best results with concert pictures in low light   14:32: Using a handheld light meter, and shooting with Nikons and Leicas for best results 15:10: Daniels’s go-to lens: a 21 mm wide-angle for a different look 15:41: The challenge of pushing black and white film and not labeling it with the ISO 18:34: Daniels’s shooting strategy as emcee: a microphone in one hand and a camera in the other 20:53: Finding Charles’s undeveloped film became a COVID project   21:55: Unprocessed color film includes several rolls of Kodachrome, which was developed as black and white 22:16: Juggling an active Go Fund Me campaign with Charles’s recent health issues 24:30: Connecting with the lab Film Rescue International after developing initial rolls locally 25:35: Episode break 26:43: The back story to Canadian lab Film Rescue International in processing lost and found film 27:45: Effects to undeveloped film over time is based on cold storage and other environmental factors 28:46: A two-step process for developing old color film, including Kodachrome 30:35: The first step in Film Rescue’s development process with lost and found film 33:34: Proprietary chemistry for film development, plus years of experience 34:22: Processing and scanning movie film, 16mm, and Kodachrome Super-8 with high end laser graphic film scanner 35:10: Do certain types of film hold up better over time than others? 36:05: The importance of scanning old transparencies to maintain color integrity and save the image 37:46: Digital scanning of slides and negatives can offer more detail and better quality than the original photo 39:50: Film Rescue International’s workflow and time distribution between film development and scanning 41:14: Gerald Freyer’s epic 7-day trip from Saskatchewan and Somerville to pick up Charles’s film 43:08: Safety issues when shipping film and the risk of x-rays 45:59: Gerald’s favorite picture from Charles’s film: Joe Cocker 46:36: An update on Charles’s project and the potential for a book and documentary 48:04: Susan’s favorite roll of Charles’s film: Jeff Beck Group on the tarmac 49:09: The thousands of stories Film Rescue discovers in its work, and how to reach them 50:54: Contact details for Charles Daniels and the project’s Go-Fund-Me page

Food, glorious food—there’s no better time than the holiday season for a bountiful exploration of food photography—a fan favorite. For this episode of the podcast, we’re delighted to connect with food blogger, educator, and content creator extraordinaire Joanie Simon. Listen in as she discusses the magic behind her aspirational, achievable shooting style. Besides examining the limits to reality when shooting fake food, Simon describes her collaborations with a dedicated crew, offers advice about a photographer’s responsibilities when working remotely, and describes her personal evolution through camera brands and models to arrive at the Nikon Z mirrorless system she shoots with today. Discover all these things and much, much more—including a secret recipe for fake ice cream! Guests: Joanie Simon Photograph © Joanie Simon Guest Bio: Instead of an apron, Joanie Simon wears many hats. She’s a food photographer, published author, educator, and content queen, and her daily life is a bouillabaisse of camera gear and culinary delights. In just a baker’s dozen year—that’s 13 for the inexperienced cooks—Simon has built her brand into a powerhouse of creative content and learning. In addition to shooting commercial and editorial assignments, Joanie teaches food photography through her online platform, The Bite Shot. Her food photo adventures on YouTube and Instagram can be found at @thebiteshot and on Tik Tok @joaniesimonsays, and you learn tons more from the many tutorials in her 2021 book, Picture Perfect Food. For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/festive-food-photography-with-joanie-simon Stay Connected: Website: https://joaniesimon.com Education Website: https://thebiteshot.com Instagram: https://www.instagram.com/thebiteshot YouTube: https://www.youtube.com/c/joaniesimonmedia TikTok: https://www.tiktok.com/@joaniesimonsays Episode Timeline 3:56: Joanie Simon’s favorite holiday and seasonal foods to photograph 4:34: Cultivating aspirational, achievable food content 6:11: Images created with high quality gear requires exact timing 6:58: How far can you push reality and tricks to making food look good. 8:38: Editorial shooting - an opportunity to run wild, get creative, and shoot conceptually 9:48: A secret recipe for fake ice cream. 12:18: The hero of the shot vs the crash test dummy 13:12: The ratio between single shot pictures and food items that need a test run 15:18: How many team members are on set during a food shoot? 17:37: The evolution of Joanie Simon’s food photography career 19:16: Discovery of remote work and creating digital content from home 21:26: The need to take responsibility for communications when working remotely 23:10: What’s Joanie’s preference: mouth-watering stills or toe tapping videos and stop motion content? 27:18: Software for stills, video, and animation content: Capture One, Dragonframe, and Premiere Pro 29:44: The benefits to and workflow behind shooting tethered 31:09: Joanie Simon’s art background and her hesitation about studying art in school   33:10: Episode break 33:58: Thoughts on using gear in a controlled environment: 35:38: Joanie’s personal evolution through camera brands: from Nikon to Sony mirrorless to Canon and back to Nikon 40:04: The benefits to working in manual mode, and when to use auto focus 42:14: Joanie’s go-to lighting tool: the Godox AD 600 Pro strobe 43:52:  Advantages to flash over working with continuous light LEDs 45:44: Drag your shutter when shooting with flash to control the ambient light 46:33: Joanie’s primary light modelling tool: Westcott 4’x4’ Scrim Jim Cineframe 48:36: Lens preferences: Primes or zooms and Joanie’s go-to lenses: 24 – 70 f/2.8 for flexibility and 105 macro lens for background compression 51:02: Food photography with a phone: wipe off the lenses and it all comes down to the light 52:30: Key elements to a food photograph: Texture, highlights, and getting close up to the food 53:36: Tips for transitioning from a phone to a more formalized camera: Look to the mirrorless world and get a camera in your hands to test 54:50: When photographing people around a holiday table: Stage the magic and direct your subjects. 56:54: Joanie’s free workshop about building a food photography business 57:34: Connect with Joanie at thebiteshot.com for links to TicToc, Instagram, YouTube, and blog  

Vintage cameras and analog film have grown to be unprecedented media darlings within our crowded digital landscape. With a superstar status fueled by insatiable demand amid a limited supply, in this week’s podcast we investigate both the beauty and quirks of these trending tools. Joining us in conversation are photographer / vintage camera buff Bill Bain, and expert camera technician / repair wizard Shlomo Weinberger from B&H Photo’s Used Department. Whether you cut your teeth on old school tech or you’re an analog adopter in the digital age, there’s a topic of interest for everyone, plus plenty of DYI tips to be had, including our favorite—liquid electrical tape! How many of you dedicated camera buffs knew about that? Guests: Bill Bain and Shlomo Weinberger Top Shot © Jill Waterman For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/vintage-cameras-with-bill-bain-and-shlomo-weinberger Guest Bios: Bill Bain has loved photography since his teenage years, when all his earnings went towards buying gear and paying for film and development. During a long career as an engineer, photography was a constant thread—particularly documenting his family and their extensive travels. Now living a post-corporate life in the Canadian Rockies, Bain devotes much of his time to photography. In addition to being fully immersed in digital imaging, he continues to make good use of his extensive collection of vintage cameras, many dating from the early 1900s. Bain’s analog and digital fine-art images have been featured in Black & White magazine, and his photos of Olympic-style wrestlers have been published internationally. Shlomo Weinberger is a gifted technician who developed a specialty in repairing vintage cameras and lenses over nearly 25 years at B&H Photo. After learning his trade from an old-world technician steeped in the analog age, Weinberger currently operates a special repair shop within B&H Photo’s Used Department, where he patiently inspects, calibrates, lubricates, and otherwise assesses the condition of the cameras and lenses that pass through his hands before they are offered to customers. Stay Connected: Bill Bain’s Website: https://www.bainphotos.com/Film-Photography-page Bill Bain’s Instagram: https://www.instagram.com/bainphotos/ B&H Photo Used Department: https://www.bhphotovideo.com/c/browse/Used-Equipment/ci/2870/N/4294247188 B&H Photo Vintage Film Equipment: https://www.bhphotovideo.com/c/browse/Cameras-Photo-Gear/ci/2871/N/4294247179 Episode Timeline 2:47: Bill Bain’s tips when shopping for a vintage camera 3:30: Inspect the lens for mildew or mold and actuate the shutter 4:45: Making use of vintage lens fungus for creative portraits 6:53: Bain’s preferred vintage camera formats: Folding bellows and box cameras 8:05: Bain’s new vintage camera—60-year-old Mamiya C330 twin lens reflex 9:08: How many cameras are in Bill Bain’s collection? 10:19: Black and white or color film, and various emulsions 12:28: Discontinued film formats and a nod to 2016 podcast—Dick Haviland: Last of the Classic Film Re-Spoolers 13:57: Bain’s DYI modification for unavailable film stocks: Plastic wall anchors! 15:34: Different film sizes and determining if a camera will accept a currently available stock 17:42: 120 format film—the most easily adaptable film format 18:18: The difference between 120- and 220-format film 19:12: 127 film and smaller formats 20:20: DYI tip—Use a cigar cutter to trim readily available films to fit smaller formats 22:54: Vintage cameras with interchangeable lenses vs fixed lens cameras 23:14: The Petzval lens—19th-century classic and Lomography’s 2015 redesign and release 24:00: Bill Bain’s favorite vintage camera—His mother’s Kodak Jiffy 620 25:02: The poor man’s Leica—the Argus C3 26:42: Read the manual! Plus, finding user manuals for vintage cameras online 28:38: Making minor repairs, and when to pass vintage camera repair off to a skilled technician 29:16: DYI camera repair discovery—Liquid Electrical Tape! 32:06: Episode break 34:00: Shlomo Weinberger’s advice when shopping for a vintage camera 34:34: Evaluating lens scratches—front vs rear element, edges vs center of glass 35:05: The most popular vintage cameras in B&H’s Used Department 36:50: The most common vintage camera problem / repair—stuck aperture blades 38:11: Weinberger’s most respected vintage cameras—Leica M3, Hasselblad system, Rolleiflex 35:32: Leica M3 has the best rangefinder—you can shoot with both eyes open 41:44: Weinberger’s weekly workload of vintage cameras and lenses 42:28: Repair quirks to an original Nikon F 43:02: What to look for when repairing a twin lens Rollieflex 44:26: Flash photography with vintage cameras that synchronize at all shutter speeds 44:58: Pro tip for evaluating a twin lens camera—ensure all four sides of the lens board focus straight 46:34: Process for overhauling a vintage camera shutter   48:48: B&H Photo’s used department museum display 50:32: Jeff Berliner’s Petzvel lens collection from the Penumbra Foundation 51:15: Lubrication of vintage cameras—don’t try it yourself! 52:44: Things to know before contacting B&H with a vintage camera inquiry 55:45: How to find Bill Bain online and in social media 

Mike Tyson has long been a boxing legend, and for this week’s podcast we speak with the photographer who was there from the very start. Lori Grinker was just a student with a semester-long assignment when she first met Tyson as a 13-year-old kid under the tutelage of famed boxing trainer Cus D’Amato. Grinker’s inside access over the next decade offers an intimate portrait of Tyson that few others have seen, and is now published in the book Mike Tyson. Listen in as Grinker describes how she learned on the job as the only woman ringside, transforming from student to pro in step with Tyson’s meteoric rise. She also weighs in about gear choices, making distinctions between photographing with reflex cameras and rangefinders, and sharing thoughts on shooting black and while film vs digital captures in monochrome mode. Listen in to learn how she juggled documentary coverage with celebrity reportage and sports photography in what was truly a wild ride. Guest: Lori Grinker Photographs © Lori Grinker, Courtesy of Contact Press Images This episode is sponsored by Audio Technica For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/ringside-access-lori-grinker-captures-mike-tysons-rise Guest Bio: Lori Grinker is an award-winning photographer whose work straddles documentary and fine art. Internationally published and exhibited, her long-term, non-linear projects often mix photography with video, audio recording, text, installation, books, and collage. The recipient of many awards and the author of three books, Grinker is a dedicated educator for both University programs and private workshops. She is a senior member of Contact Press Images and is represented by ClampArt Gallery in New York City. Stay Connected: Personal Website: www.lorigrinker.com Instagram: www.instagram.com/lgrinker Twitter: twitter.com/lgrinker Facebook: www.facebook.com/lorigrinker/ Episode Timeline 2:02: Grinker’s photojournalism class assignment, and shifting focus to Mike Tyson 4:40: Tyson’s dedicated study under legendary boxing trainer Cus D’Amato 7:26: The trajectory of Grinker’s photos—from school project to documenting Tyson’s daily life to published news stories 9:04: The learning curve from daily life to photographing ringside 11:55: Enlisting Tyson’s help to get paid by Don King 13:02: Robin Givens, her mother the publicist, and control over Grinker’s pictures 15:34: Tyson’s interest in seeing himself in pictures 17:04: Grinker’s embedded access and hurdles of Tyson’s rise to fame 20:12: Grinker’s experiences in dealing with a no-show photo subject 21:44: Working with photo agencies and joining Contact Press Images 24:36: The benefits to Grinker’s agency support: Canon camera gear, exhibitions, and books 24:58: Grinker’s advice for photographers seeking agency representation 26:26: The importance of owning the rights to your pictures and registering the copyright   28:10: Episode break   28:42: Lori Grinker’s photo gear: From Nikkormat to Leica to Canon and beyond 29:50: Grinker’s first experience with digital—embedded on a ship the during Iraqi invasion 30:36: Learning to use flash and shooting with black-and-white film 31:41: Making the switch to color film for photo assignments 32:00: Comparing the shooting style of reflex cameras and rangefinders 34:52: Grinker’s thoughts on teaching students depth of field 35:32: Learning by doing and Grinker’s earliest teachers 36:52: Grain vs pixels: shooting black-and-white film vs digital in black and white mode 40:50: Film type, Kodak chemistry, and printing with Agfa Portriga paper 42:02: Printing gelatin silver prints for upcoming ClampArt exhibit 44:08: Grinker’s Mike Tyson book and the 2014 book contract 45:12: Reconnecting with Tyson for Spike Lee’s Broadway production 48:18: Choosing a book designer, going through the pictures, making a huge book, and then cuts 49:44: What does Mike Tyson think of the finished book? 50:32: It’s more a photo book than a sports book—a time capsule, a slice of pop culture 52:30: Lori Grinker’s upcoming events—book launch and ClampArt exhibit 54:34: Grinker’s website and social media contacts

It’s leaf peeping time in the northern hemisphere when trees break into riots of color as autumn plows a path from north to south. Two of the best regions for capturing the show here in the US are across New England and along California’s magnificent Sierra Nevada. To help get you up to speed when preparing for your own foliage excursions, we speak with landscape photography specialists in each of these regions—Jerry Monkman in New England and G. Dan Mitchell in California’s Sierra Nevada. After weighing in with informed opinions about when and where to find the best color this year, Monkman and Mitchell make suggestions about fresh ways to picture the scenery and discuss topographic and geological differences between east and west. We also talk gear—both DSLR and mirrorless—with Monkman opting for the Canon 5D Mark IV or EOS R5, and Mitchell alternating between the Canon 5DS R and FUJIFILM X series mirrorless. For all of the above and much more, please join us for this informative discussion and discover new ways to reap an autumn photography harvest and take your landscape and scenic photography to new heights.  Guests: Jerry Monkman & G. Dan Mitchell Photo © Jerry Monkman For further details about our guests, their gear, and a selection of their secenic photographs, find this episode on the B&H Explora blog at: https://www.bhphotovideo.com/explora/podcasts/photography/fall-foliage-east-and-west-with-jerry-monkman-and-g-dan-mitchell-the-bh Guest Bios: Jerry Monkman is a New England-based conservation photographer, filmmaker, and writer, who’s been telling adventure- and conservation-themed stories for more than 20 years. Together with his wife Marcy, Monkman runs EcoPhotography, a Portsmouth, New Hampshire-based stock and assignment photo business and video production company. EcoPhotography’s award-winning images have been published worldwide, and the Monkman’s have received National Outdoor Book Awards for two books: The AMC Guide to Outdoor Digital Photography in 2012, and Outdoor Adventures: Acadia National Park, in 2017. Monkman’s first feature-length film, The Power of Place, was an official selection of the 2015 New Hampshire Film Festival. His newest documentary feature, The Merrimack: River at Risk, premiered on New Hampshire PBS in July 2020. In 2022, Monkman launched the film production company Reel Quest Films, LLC with partner Ryan Smith. Stay Connected: Jerry Monkman Personal Website: https://ecophotography.com Film Production Website: https://reelquestfilms.com Instagram: https://www.instagram.com/jerrymonkman/ Twitter: https://twitter.com/jerrymonkman Facebook: https://www.facebook.com/ecophotography G Dan Mitchell is a California-based landscape and nature photographer who focus’s his attention on the Pacific coast, the Sierra Nevada, the central California grasslands and deserts, and the American Southwest. Author of the 2015 book California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra, Mitchell’s photographs have been widely exhibited, published, and licensed for commercial use. In 2018, he photographed extensively in Yosemite National Park as a Yosemite Renaissance artist-in-residence. He maintains a prolific online presence, sharing daily images and commentary at his website. Equally active on social media, he founded the 10,000-member “Sierra Nevada: Photographs from the Range of Light” Facebook community. Yet, Mitchell is most at home in the field, where he has scoured the Sierra Nevada backcountry for photographic moments for more than 50 years, and photographed each summer since 2011 with the “First Light” group. Stay Connected: G. Dan Mitchell Personal Website: https://gdanmitchell.com Flickr: https://www.flickr.com/photos/gdanmitchell Instagram: https://www.instagram.com/gdanmitchell Twitter: https://twitter.com/gdanmitchell Facebook: https://www.facebook.com/gdanmitchell