B&H Photography Podcast

In September 2017, we dedicated an episode to a conversation about one photograph—an image made by photographer Richard Drew, on September 11, 2001, in New York, which has come to be called "The Falling Man." It was an insightful recollection and analysis of an incredibly painful image, and on today's episode of the B&H Photography Podcast, we will again discuss one photograph to try to understand it better. The photograph is titled, "The Drowning," and it was taken in August of 2020 during another national crisis, albeit a very different one. Photographer Cornell Watson created the series "Behind the Mask," "… for the times we pretend to be strong when we are dying from the weight of racism." Each image in the series is a carefully created and powerful allegory, but "The Drowning," for reasons we will discuss in the episode, has a quiet power that has not waned since we first saw it. To learn more about this photograph, we are fortunate to have Cornell Watson join us, as well as photographer, author, and educator Tara Pixley. With Watson we chat about his motivations, inspiration, and his collaborative process, camera, and lenses, and workflow on the day of the shoot. We consider the reception of the image and discuss the life of the entire series. In addition to her work as a visual journalist, a college professor, and curator, Tara Pixley is also a board member of the National Press Photographers Association, a member of the WPPI Advisory Board, and a co-founder of Authority Collective. Pixley is the ideal voice to provide us with aesthetic insight into the strength and significance of "The Drowning," as well as the cultural and chronological contexts of why this image is an important artistic contribution from 2020 that echoes years of injustice and calls us to be more understanding and compassionate. We'd also like to thank Cara Finnegan and Michael Shaw of "Reading the Pictures" for their contribution to this episode. Guests: Cornell Watson and Tara Pixley Above photograph: © Cornell Watson This conversation has been edited for length and clarity. The views and opinions expressed in this podcast are those of the individual guests and do not necessarily represent the views of B&H Photo.

Our conversation on this week's episode of the B&H Photography Podcast is about the challenges that the practice of photojournalism faced during, and in the wake of, the monumental year, 2020. With the Coronavirus pandemic and the protests following the murder of George Floyd news photographers and editors were faced with situations few had ever experienced. To their credit, the institution as a whole, worked through it, adapted their workflows, and continued to produce honest journalism in the face of many dangers. Our guests to discuss this topic are Lauren Walsh and Danese Kenon. Author, Lauren Walsh is a past guest on our show and her recent book "Through the Lens: The Pandemic and Black Lives Matter" addresses the challenges for photojournalism brought by the Covid pandemic and the protests and politics of 2020. It is a wonderful collection of interviews with noted photojournalists and editors who worked through the events of that unprecedented year. Danese Kenon is the Managing Editor of Visuals at the "Philadelphia Inquirer" and has held many positions as both photojournalist and editor at publications such as "The Indianapolis Star", "The Pittsburgh Post-Gazette" and "Tampa Bay Times". Kenon, who is interviewed in Walsh's new book, lived the events we are considering and brings her first-hand perspective to our conversation. With Walsh and Kenon we first discuss the procedures brought to photojournalism by the coronavirus, how photographers were able to safely cover this story and how editors supported that mission. We then address the new challenges brought by the large-scale Black Lives Matter marches and the dangers, not only of disease, but of clashes between protesters and police and violence directed directly at the media. We talk about simple workflow changes, such as how photographers got access to photography and protective gear, how a living room or even a car became a de facto newsroom, and how editors scheduled and safeguarded their photography staffs. The courage as well as the emotional toll taken on photographers and editors who had never worked in such conditions before is also part of our conversation and we ask about establishing new training and support methods. Finally, we discuss the work that was produced, how shooting styles and relationship with subjects adapted and how photographers and editors collaborated to create honest and nuanced documents of this unprecedented year. Guests: Lauren Walsh and Danese Kenon Above Photograph © Spencer Platt/Getty Images. Courtesy of Lauren Walsh/Routledge Press https://www.bhphotovideo.com/explora/podcasts The views and opinions expressed in this podcast are those of the individual guests and do not necessarily represent the views of B&H Photo.

(This episode of the B&H Photography Podcast was originally published on January 20, 2017.) We are living in a Golden Age of landscape photography. Digital cameras and improved software enable the kind of imaging that until recently was only possible via the budgets of large publications and the talents and ambitions of a few select photographers. Ambition and talent remain, and with enhanced dynamic range and color algorithms, higher sensitivity settings, simplified stitching and compositing software, and a network of websites to display work, impressive landscape photography is abundant; however, there are new masters and the skill set of current practitioners includes not only those of the photographer, but also of the savvy digital graphic artist. With the ability to pull details from shadows, augment colors, and combine distinct files into a single image now easier than ever, we must ask—is it acceptable to represent nature without natural characteristics, to merge photos from different focal lengths into one image, or add a blazing sunset to a foreground taken hours or days apart? Can images composed in such a way even be defined as photography and does an ethos, akin to that in photojournalism, apply to nature photography? These are some of the questions we pose to two incredible landscape photographers, Adam Burton and Ryan Dyar. We spoke with them separately, but prepared a similar set of questions, and asked them to walk us through their in-camera workflow and post-process techniques. We spoke about their approach to a scene, their use of "grad-filters" and plug-ins, acceptable degrees of enhancement, and strove to understand if there is indeed an ethics to landscape photography. Guests: Ryan Dyar and Adam Burton Photograph © Ryan Dyar For more information on the photographers and the gear discussed in this episode, please see the B&H Photography Podcast home page.

It has been a hope of ours for some time to speak with photographer Stanley Greenberg and, considering he's made three books in the past three years, there is a lot to talk about. Greenberg is known for his large-scale series on subjects like the New York City reservoir and water systems, on giant particle accelerators, telescopes, and dams. His recent projects, however, are an interesting blend of urban exploration and 19th-Century history. We speak briefly about his 2019 book, CODEX New York, and the typologies he identified walking the whole of Manhattan, but we concentrate our conversation on his work, Springs and Wells - Manhattan and the Bronx, and after a break, we discuss his latest book Olmsted Trees. Greenberg, who started his professional life working in city government, is a Guggenheim fellow and no stranger to prestigious grants and commissions. He's also no stranger to libraries and the research that informs his work. It was during a research visit to the New York Historical Society that he came across a book written and photographed primarily in the 1890s. The Springs and Wells of Manhattan and the Bronx (1938) is a survey made by James Reuel Smith, who located, described, and photographed hundreds of water sources throughout New York City, often traveling by bicycle. Greenberg commented: "My first response was that this had to have been done by a crazy person. [But] five minutes later, I knew I was going to map out all of his sites and photograph what was there now." And this is what he did, often also by bicycle. His 2021 book blends the work of Smith with his own contemporary photos from the same locations. In the second half of the podcast, we discuss the project Olmsted Trees, which Greenberg photographed with a Hasselblad medium format digital camera after using Sony and Leica M cameras for CODEX and Springs and Wells and 4x5 film cameras in previous work. For this series, he photographed the oldest trees of the great public parks designed by Frederick Law Olmsted. These images are a study in black-and-white, in texture and form, almost portraits, that ask you to soak up the power of the trees themselves and consider the genius of the parks' design. Join us for this enjoyable conversation and find more of Greenberg's work here. Guest: Stanley Greenberg Above photograph © James Reuel Smith. Courtesy of Stanley Greenberg https://www.bhphotovideo.com/explora/podcasts

Artist Pete Eckert began to lose his sight at age twenty-seven. That's the time he began to study photography. In a few years, Eckert would be completely blind, but his photography practice continued, and numerous exhibitions and high-profile assignments later, he is still creating unique and personal images―and we are fortunate to welcome him to the B&H Photography Podcast. We start our conversation learning a bit about how Eckert lost his sight and then dive right into discussing the ways he learned photography, the modifications he made to his gear, including his Mamiya medium format camera, and the manner in which he works, whether in studio, streets, or nature. Eckert is clear that his photography is not meant to pass for or mimic photography by a sighted person but to create images that tell his story and communicate his perceptions. One glance at his long-exposure, impressionistic images should make that clear. After a break, we talk with Eckert about his commercial photography assignments, and we learn how he created work for Volkswagen, Swarovski, and Playboy magazine, and how he produces commercial assignments compared to his personal work. We also discuss the value of photography competitions, the groundbreaking "Sight Unseen" photography exhibit, and why Eckert's photography was featured on an episode of the television police drama NCIS. Join us for this fascinating conversation. Guest: Pete Eckert Above photograph © Pete Eckert https://www.bhphotovideo.com/explora/podcasts

Except for the new flagship Olympus OM SYSTEM OM-1 Mirrorless Camera, there haven't been a lot of big camera announcements thus far in 2022, so we thought for this episode of the B&H Photography Podcast we'd start an introductory conversation about photo accessories and the wide range of tools and toys available to improve your photography or just make it easier. Along with our guest, B&H Explora writer and photographer Todd Vorenkamp, we made an outline of the most important accessory categories, and we speak about the photo disciplines for which each are used and what is important to understand when purchasing these items for your specific photography practice. We discuss tripods and camera support, straps, bags, and gear protection, lens filters, lens adapters, remote controls, and more. Because this conversation is primarily concerned with outdoor and natural light photography, we don't get much into accessories for the studio, but we do touch on flash photography and light modifiers. Thanks to the insights of Vorenkamp and our host, Allan Weitz, we also learn ways to avoid unnecessary or inferior accessories and even little hacks to make your accessories perform better. Join us for this informative episode. Guest: Todd Vorenkamp https://www.bhphotovideo.com/explora/podcasts

With much thanks for a listener's suggestion, we invited Pete Isgrigg back to the B&H Photography Podcast for an incredibly informative conversation about memory cards, external hard drives, and other digital image storage solutions. Isgrigg, who previously joined us in 2019, is from the Channel Marketing team at Western Digital (WD), which is the parent company of SanDisk and G-Technology, all very well-recognized names in the digital storage field. Isgrigg brings a wealth of knowledge to the conversation, and we start with simple terminology and the basics of SD cards, but then we discuss the latest memory card formats, capacities and speeds, and card readers, as well as best practices with memory cards in your photography practice. During the second half of the program, we focus on digital image storage and hard drives and we ask Isgrigg to explain SSD and HDD and the various interfaces and ports. We also get very practical advice on which devices are better for long-term storage and which for everyday use, and how best to keep your files secure and available. It's hard to imagine a more helpful conversation so thank you, Pete, and huge thanks to our listeners. Keep the suggestions coming! Guest: Pete Isgrigg www.bhphotovideo.com/c/promotion/15…solutions.html www.bhphotovideo.com/c/promotion/16…es-at-b-h.html www.bhphotovideo.com/c/promotion/15…le-memory.html www.bhphotovideo.com/explora/podcasts

(This is an encore presentation of an episode first published in November, 2018.) When we finished recording this episode, Jay Maisel asked us which podcast episode was our favorite. It didn't take Allan a second to answer, "This one!" While we now have recorded more than three hundred, there is no doubt that this episode of the B&H Photography Podcast is very memorable. Once we turned the mics on, nobody wanted this conversation to end and, indeed, it runs longer than 80 minutes, but it is worth every minute. When listening to Jay Maisel and Stephen Wilkes talk, time doesn't fly—it soars. The reason we have two such remarkable photographers and long-time associates on together is because Wilkes made a documentary about Maisel, called Jay Myself and with Maisel and Wilkes we discuss the making of the film and their personal and professional relationship that has lasted for 40 years. At the heart of the film is Maisel's former residence and studio, the six-story, 30,000 square-foot Germania Bank building that he bought, in 1967, and sold in 2014 for a tidy profit. This massive space, almost as legendary as Maisel himself, must be emptied before Maisel is to move, and Wilkes was there to capture this undertaking. The movie touches upon themes of mentorship, mortality, visual creativity, and the changing face of New York City, but along with the remarkable space he created, the film focuses on the life, work, and legacy of Maisel himself. It is a loving tribute from one photographer to another, one friend to another. Our conversation is filled with the type of creative insight and humor that these towering figures in contemporary photography can bring. Join us for this fascinating conversation. Guests: Jay Maisel and Stephen Wilkes Photograph © John Harris https://www.bhphotovideo.com/explora/podcasts

Our guest on this week's episode of the B&H Photography Podcast is food photographer Christina Peters, and we start with a discussion of Peters' macro food photography. We learn about her work with medium and large format systems, including FUJIFILM cameras. We also explore focus stacking, tilt-shift lenses, and when and why she might choose her Canon full-frame system over larger formats. Peters' work runs the gamut from large commercial jobs with major brands to editorial, portrait, and restaurant work, as well as the unique challenge of photographing pet food. Choice of lighting is also a topic we cover, and Peters offers practical advice for newbies considering a first lighting kit. In the second half of our conversation, we talk about The Food Photography Blog and The Food Photography Club, both founded by Peters and designed to "help foodies and photographers improve their photography and get higher-paying clients." We also acquire some perspective on Peters' professional trajectory and learn why she now prefers to work with smaller, healthy food clients, compared to the fast-food giants. For our listeners, Peters has put together a resource page loaded with practical information and the link to her Recommended Gear Page on the B&H Photo website. We also thank Pelican for its support of this episode, and encourage you to visit the Pelican product page on the B&H Photo-Video website. Guest: Christina Peters Above photograph © Christina Peters https://www.bhphotovideo.com/explora/podcasts https://www.christinapeters.com/index https://www.bhphotovideo.com/c/browse/Pelican/ci/4457/N/4232860887

On this week's episode of the B&H Photography Podcast we talk to an old friend about a new book; two-time past guest Amy Touchette joins us to discuss her book of street portraits. She also brought a friend with her - none other than photographer, Larry Fink. Is it fair to call Fink a photo legend? We think so, and clearly the people at the Center for Creative Photography seem to think so, because they just acquired his complete archive of work including images from the 1950's to the present, from his acclaimed series "The Beats", "Social Graces", "The Vanities" and others. While this is a roundtable conversation, we start with a few questions about Touchette's book "Personal Ties: Bed-Stuy, Brooklyn", which she shot over the course of summer strolls through her New York neighborhood. We learn why she started photography in 2001, about her working process with a Rolleiflex twin lens reflex film camera, and why her personal interaction with her subjects/collaborators is paramount in her photography practice. We also talk about crowdsourcing, editorial collaboration, and why Fink wrote the foreword for Touchette's book. Larry Fink's sixty years of photography work is well-recognized, but his harmonica playing, less so. We hope to remedy that with this episode, but while at it, we learn how he created an extensive archive of vintage prints and "hustled" to find a home for his life's work. We learn of his Mamiya medium format camera with bellows, his preferred photo paper, and mull on the difference between our two guest's aesthetic style. We also talk about an insider vs. outsider perspective, about the nature of portraiture, and the "revelatory excitement that defies the logic of what a frame could be". Join us for this playful yet insightful conversation and have a look at this link for portraiture and WPPI related specials. Guests: Amy Touchette and Larry Fink Photograph © Amy Touchette For more information on our guests or the gear discussed in this show, please visit https://www.bhphotovideo.com/explora/podcasts