Word In Your Ear

word-podcast-798-peter-ames-carlinFriend of the pod and chronicler of the careers of Springsteen, Paul Simon and REM, Peter Ames Carlin has heard all the recordings that went into the album which was Springsteen’s last chance saloon and spoken to the people who were there to put together the story of how it was all done.….the lucky break that came when the boss’s son went to a Springsteen show….the man who played on Bruce Springsteen’s greatest record and then left….how Springsteen learned that the way to make a live-sounding record was not to record it live….the reconnecting of 70s rock with the great American rock & roll of the 50s…the thinking behind one of the few album covers deserving of the adjective “iconic”…what happened when Steve Van Zandt told the Brecker Brothers what to play….the fundamental difference between American and British musicTonight In Jungleland: The Making Of Born To Run: https://www.amazon.co.uk/Tonight-Jungleland-Making-Born-Run/dp/0385551533Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Jah Wobble - touring in October - is outstanding company and rattles on here like a steam train, sparking off at tangents in a brilliant, barely steerable monologue with a crackling cast of characters. It’s not often a podcast gets a visitor mid-recording who says, “I’ve put more poison in - but the good news is, there’s nothing in your traps!” Here you will find … … an afternoon with Anthony Hopkins … the time Ginger Baker got the wrong dessert - “a bowl of rhubarb went flying” … East End violence: the Whitechapel firm v the Mile End mob … why bands are like short-order cooks … his first gig with Public Image – teargas, barricaded in the dressing-room and the head of security getting kicked in the throat … and his second gig – “someone threw a frozen pig’s head and it lay there looking balefully up at me” … Wilko Johnson (“a caged tiger”) and Lee Brilleaux tying his shoelaces to the mic lead … Bob Marley at the Lyceum and how Aston Barrett changed the game … tour managers whose metal briefcases have a cosh and a pepper spray … onstage exorcisms with the Invaders Of The Heart … John Lydon meeting Arthur Brown, the Heavy Metal Kids, Woody Woodmansey and the man with six fingers in Get Carter … and his community music project ‘Tuned In’ at Merton Arts Space, Wimbledon Library.  Order tickets here: https://www.songkick.com/artists/13218-jah-wobble/calendarFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

There’s a widely accepted view of the relationship between Elvis and his manager Tom Parker, the one sustained by the recent Baz Luhrmann movie, but a new and fascinating archive of unseen letters makes you see it differently: it was warmer, deeper and infinitely more complicated. Peter Guralnick – rock book royalty! - met Parker towards the end of his life and has just published ‘The Colonel And The King: Tom Parker, Elvis Presley and the Partnership That Rocked The World’. He talks to us here about separating the myth from reality which touches on … ... overturning the conventional wisdom “that Elvis was the puppet, Sam Phillips the genius and Tom Parker the manipulator”. ... how theirs was “a partnership of equals” – though Elvis was in charge, not the Colonel. … how Presley’s “security risk” – carrying guns and drugs across borders – was a factor in his refusal to accept world tour offers. … two men powerfully motivated by money – Elvis liked spending it, Parker liked losing it. … humour, charisma, intelligence, a force of nature: how Parker’s letters paint a different picture. … “he was an entirely self-invented man. And there was no-one more American – which was ironic as he was Dutch.” … the full story of the Elvis TV Christmas Special. … how Parker grossly undersold Presley’s catalogue rights to RCA in 1973 for $5.4m. … the Colonel’s Honesty game – “think of the number I’m thinking of and I’ll pay you if you’re right!” … how Parker tried to curb Presley’s “smutty humour” and sell his “James Dean enigma” to the film industry after Dean’s death in 1955. … how the only time he didn’t carefully manage an Elvis appearance was the Steve Allen Show hound dog debacle. … why Parker couldn’t control either his or Presley’s self-destructive habits. … his gambling addiction and a miserable 72-hour stint in a Vegas casino. … and would the first internationally-known artist’s manager have been as famous had he not called himself “the Colonel”? Order ‘The Colonel And the King’ here: https://www.hachettebookgroup.com/titles/peter-guralnick/the-colonel-and-the-king/9780316399449/?lens=little-brownFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Lowering the magnet of curiosity into the scrapyard of news and seeing what’s attracted, which includes … … does anyone still write satirical songs? … Four Sides of the Circle, Margaret On The Guillotine, From Here To Infirmary … real or fictitious working album titles? … the rarity of hearing new music without knowing what the musician looks like  … the Strokes, the Faces and other confident gangs you wanted to join … Poisoning Pigeons In The Park, the Vatican Rag and the moment Tom Lehrer claimed was the death of satire … the dwindling need to feel ‘contemporary’ - Blur, Primal Scream and the Libertines have made one album in the last ten years … when MTV went ‘lifestyle’ … how ‘a 60 year-old rock star’ still feels young … bring on the ‘90s package tour! … “Please give my regards to Mr. Chainz, or may I call him 2?” … and honorary mentions of Chappell Roan, Blink 182, Henry Kissinger, Wet Leg, Randy Newman, PP Arnold and ‘Kicking Pigeons’ by Spunge.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The Wedding Present formed 40 years ago – why does that seem astonishing? - and have a new box set and tour to celebrate. David Gedge digs out his old notes about the first gigs he ever saw and played and looks back at what four decades onstage might have taught him. Among the delights …   … Rick Wakeman in full cape attire at Manchester Free Trade Hall in ’76 and how Be-bop Deluxe pointed to the future … the bone-dry humour of the Ramones – “the only time I ever pogo-ed” – and memories of seeing Wire and Queen.   … how Leeds’ goth culture coloured his early band the Lost Pandas (who had the nerve to play “minor chords”) … ‘Reception: The Wedding Present Musical’, about to open in Leeds and built around stories, characters and relationships in his songs. “Musicals are very divisive and I wasn’t sure I liked them” … “meticulous and geeky”: how the set lists flow and the two songs he never omits … how John Peel playing Go Out And Get 'Em, Boy! ten times launched the Wedding Present: “he was like the Emperor Nero really, almost too powerful. If he didn’t like you, you could vanish without trace” ... the unexpected challenge of band member manipulation … “if anything gets a laugh, repeat it” … and costly future visions of the Wedding Present plus orchestra! Order tickets to the Wedding Present 40th anniversary tour here: https://www.scopitones.co.uk/forthcomingconcerts And the box set here: https://www.scopitones.co.uk/post/the-wedding-present-to-release-career-spanning-40th-anniversary-compilationFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Bret McKenzie now mainly works on movie soundtracks, the Simpsons, Minecraft and the Muppets among them, which brings the pure delight of hearing his songs sung by Lady Gaga, Benedict Cumberbatch, Miss Piggy and Tony Bennett. He talks here about his early life in Wellington (ballet teacher Mum, racehorse trainer Dad), narrative comedy, songwriting heroes and his new album Freak Out City, and unravels New Zealand’s double-edged sense of humour. Along with … … how Randy Newman pitches songs for soundtracks … “the test of a good song works is if it works with just one instrument” … lyrics he loved growing up like 16 Tons by Tennessee Ernie Ford – ‘Some people say a man is made out of mud/ A poor man's made out of muscle and blood’ … Morrissey’s wounded reaction to his sausage-firing Quilloughby on the Simpsons ‘Panic On The Streets Of Springfield’ ... solving the “fun puzzles” of a song brief and writing for “donkeys who have a dream” … the ingenious humour of John Prine, Harry Nilsson and Leonard Cohen … the moment in his live shows where he asks the audience for a story and creates a song around it – “one woman suggested ‘falling out of love’ with her husband standing right beside her” ... playing the local girls schools aged 15 as the drummer in a James Brown funk band … reworking rejected songs – “which was hard with one from Paddington with its multiple rhymes for marmalade and Peru” … Flight Of The Conchords lampooning the acts they loved (Bowie, Pet Shop Boys) and playing the O2 – “pretending to be a stadium band and the audience pretending to be a stadium audience” … live on-stage application of the John Lennon “pomegranate” lyric-solving technique … “Play like a used car salesman! I need a Steely Dan solo here!” Recording with LA session legends like Leland Sklar. Order Bret’s ‘Freak Out City’ album here: https://music.subpop.com/bretmckenzie_freakoutcityFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Tour dates and tickets …https://www.ticketmaster.co.uk/bret-mckenzie-tickets/artist/5380913 Hosted on Acast. See acast.com/privacy for more information.

Justin Currie, frontman of Del Amitri and author of The Tremolo Diaries, shares his three-decade journey in music. He discusses battling hostile crowds, the importance of staying in a 'bubble' while touring, and memorable experiences from the Glasgow music scene. Currie reflects on the fashion challenges of the '80s, his interactions with icons like Edwyn Collins, and the tension in evolving music identities. He also opens up about a shocking medical diagnosis and insights from Michael Stipe on the realities of life on the road.

Just when you thought it was safe to listen to a weekly rock and roll podcast … … how Black Sabbath discovered the dark side … why Elvis went onstage with a pistol in both boots … rock stars out of their comfort zone … five perfect things about Jaws we’d never taken onboard … Ozzy Osbourne, the bungled burglary and the fingerless gloves … Tony Iommi’s accident and how limitations are always strengths … beautiful men in military jackets and “an Account of the Misfortunes and Disasters Which Befell Barry Lyndon" … was Presley’s Americanness the most appealing thing about him? … rock stars managed by their wives … “everything was derived from American R&B and then we were plunged into this medieval graveyard. How could that possibly be entertainment?” … Syd Barrett outtakes? Rare Nina Simone? Richly competitive tape-making in music magazine offices … Colonel Tom Parker’s ‘Honesty’ game – “think of the number I’m thinking of and I’ll pay you if you’re right!” … and birthday guest David Cook on how meeting musicians changes your view of their music.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Cally Colomon looks after the legacy of Nick Drake, who died in 1974 but attracts new teenage admirers all the time. Here he talks to David Hepworth about just some of what that involves, including: …chancers getting in touch with a bogus live recording when they’ve got a tax bill to pay … film producers wishing to superimpose their image of Nick Drake on everybody else’s…spending months in the archives finding out exactly what is on every tape…listening to people who claim they know exactly what happened on a Tuesday sixty years ago…sorting out the real material from the bogus to put together a set which expands our understanding of the 1969 recording…responding to people who think all this work should somehow be available for free.The Making of Five Leaves Left: https://NickDrake.lnk.to/TMOFLLFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Suzi Quatro’s been onstage from the age of 14 as the bassist in the all-girl showband the Pleasure Seekers and the rock act Cradle. And then moved to England in 1971 when signed by Mickie Most. This podcast is a testament to the power of self-belief – she’s got more front than Woolworths! - and the two things her father told her. She’s just started another world tour and talks to us here about … … how British “island humour” took a while to get used to. … two deals in a week: “Elektra wanted the second Janis Joplin. Mickie Most wanted the first Suzi Quatro.” … seeing Elvis on Ed Sullivan aged five and thinking “that’s what I want to do”. And how his comeback changed the clothes she wore. … why playing a disastrous Sgt Pepper set at a ‘60s festival was a fork in the road. … knowing she had “the X-Factor, the charisma button”. … hard times in Crouch End while waiting for a hit and how Chinn & Chapman turned her sound in three-minute singles. … supporting Slade and Thin Lizzy – and being supported by Kiss and Blue Oyster Cult. … wise advice her father gave her. … playing Leather Tuscadero in Happy Days and reunions with Henry Winkler. … Michael Aspel wandering on from the wings for ‘This Is Your Life’ at the Palladium.Order tickets here: http://www.suziquatro.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.