Act Two Podcast

Hosts Tasha Huo and Josh Hallman sit down with Screenwriter James Stoteraux, Executive-Producer of "Batwoman", after his thread about his volatile experience at Columbia's graduate film program went viral on Twitter. We get honest with James as we all share our Film School experiences, how we feel Film School failed us, where film academia excels, and how to make the most of your program if you are taking the college plunge or are actively in Film School already.    Questions/Comments: ActTwoWriters@gmail.com  Edited by Paul Lundquist Music by 414beg

There are many ways to stay proactive in your writing life. If you're sitting on a script you're passionate about, there are (creative) ways to get it into the world. Hosts Tasha Huo and Josh Hallman talk about the different outlets screenwriters have and ways to be an advocate for yourself.    Edited by the great Paul Lundquist Music by 414beg. Questions/Comments: ActTwoWriters@gmail.com

Some Screenwriters think Open Writing Assignments (OWAs) are a waste of time and a product of the Devil, other Screenwriters build sustainable careers off of them, and still others believe they are a unique gateway for up & coming Screenwriters to get their foot in the door. Hosts Tasha Huo and Josh Hallman walk through what OWAs are, the different types, and the Pros & Cons to engaging on them.    Edited by the great Paul Lundquist Music by 414beg. Questions/Comments: ActTwoWriters@gmail.com

A busy week of A-list writer meltdowns, reps pushing us to be selfish jerkoids, organization coming back to haunt us, and one TV writer’s tirade against film school — Hosts Tasha Huo and Josh Hallman dish on their This Week in Writing, in the life of a professional Screenwriter. Edited by the great Paul Lundquist Music by 414beg. Questions/Comments: ActTwoWriters@gmail.com

In this Screenwriter-nerd episode, hosts Tasha Huo and Josh Hallman get specific about how they and other professional Screenwriters organize their files. Easy and clear organization becomes extremely important as you receive notes that could take you through years of development on the same project. A clean organization of your documents will allow you to refer back to single scenes from months ago, easily call back old drafts that suddenly become relevant with new producers, or for any number of unexpected reasons that come up when you're a working Screenwriter. Do you have a unique way of organizing your drafts and notes? Let us know!    Edited by the great Paul Lundquist Music by 414beg. Questions/Comments: ActTwoWriters@gmail.com

A busy week of new discoveries, bizarre meetings and franchise opportunities -- Hosts Tasha Huo and Josh Hallman dish on their This Week in Writing, in the life of a professional Screenwriter.   Edited by the great Paul Lundquist Music by 414beg. Questions/Comments: ActTwoWriters@gmail.com

Hosts Tasha Huo and Josh Hallman sit down with screenwriter and master of the adaptation Evan Spiliotopoulos (Snake Eyes, The Huntsman: Winter's War, Beauty and the Beast) to discuss how he approaches adaptation vs. an original idea, and how his latest film, the horror movie THE UNHOLY, based on the novel "Shrine" by James Herbert, was a unique adaptation experience. Evan also opens up about what it's like to be a Screenwriter making his directorial debut (and during a global pandemic!).  Edited by the great Paul Lundquist Music by 414beg. Questions/Comments: ActTwoWriters@gmail.com

This was the description I wrote — Writing for the small screen is not the same as writing for the big screen. They are completely different skills. In this episode, hosts Tasha Huo and Josh Hallman sit down with feature writer David Levinson -- who is currently writing his first TV pilot -- to discuss the growing pains between writing for Film vs. TV, how each requires a different way of thinking about story, and how they've approached adapting their screenwriting skills to the small screen.   Edited by the great Paul Lundquist Music by 414beg. Questions/Comments: ActTwoWriters@gmail.com    

Hosts Tasha Huo and Josh Hallman discuss the personal stories they consider turning points in their Screenwriting careers.    Edited by the great Paul Lundquist Music by 414beg. Questions/Comments: ActTwoWriters@gmail.com

It turns out there is a crucial moment after you pitch -- the ten-minute window when the pitch is finished. In part four of this multi-episode series hosts Tasha Huo and Josh Hallman discuss this moment and how it can make or break your pitch. It's important and pitching is the greatest/worst!!!    Edited by the great Paul Lundquist Music by 414beg. Questions/Comments: ActTwoWriters@gmail.com