Books & Writers · The Creative Process: Novelists, Screenwriters, Playwrights, Poets, Non-fiction Writers & Journalists Talk Writing, Life & Creativity

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with M. E. O’Brien and Eman Abdelhadi about their dazzling and challenging book, Everything for Everyone: An Oral History of the New York Commune, 2052 to 2072. They imagine a world haunted by genocide, ecocide, disease, fascism, and viral capitalism, but rather than writing a dystopian novel, O’Brien and Abdelhadi create a complex mosaic of oral histories, in which they each play the part of interviewer. The result is a story that far exceeds New York, and the twenty years noted in the title. The histories cover generations across the globe, and reach into the deep sources of trauma, and the kinds of mutual care we will need to not only survive, but also to thrive in these frightening times.Eman Abdelhadiis an academic, organizer and writer based in Chicago. She is co-author of "Everything for Everyone: An Oral History of the New York Commune, 2052-2072," a revolutionary sci-fi novel published in 2022 with Common Notions Press. She is an assistant professor and sociologist at the University of Chicago, where she researches American Muslim communities, and she is a columnist at In These Times magazine where she writes on the Palestine Liberation movement and American politics. Eman organizes with the Salon Kawakib collective, Faculty and Staff for Justice in Palestine at the University of Chicago, Scholars for Social Justice, and other formations.M. E. O’Brien writes and speaks on gender freedom and capitalism. She has written two books: Family Abolition: Capitalism and the Communizing of Care (Pluto Press, 2023) and a co-authored speculative novel, Everything for Everyone: An Oral History of the New York Commune, 2052–2072 (Common Notions, 2022). She is a member of the editorial collective of Pinko, a magazine of gay communism. Her work on family abolition has been translated into Chinese, German, Greek, French, Spanish, Catalan, and Turkish. Previously, she coordinated the New York City Trans Oral History Project, and worked in HIV and AIDS activism and services. She completed a PhD at NYU, where she wrote on how capitalism shaped New York City LGBTQ social movements. She currently works a psychotherapist in private practice and is a psychoanalyst in formation.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“I like young people to know that they're extremely powerful. So I'm one person, but I think I always had this positive idea about my role. You cannot let anyone tell you what limitations are there, so you shouldn't feel limited by anyone telling you this is as far as you can go, or this is what you can do. I think only you know about that, and I think you start step by step. When I did the first case, I learned some things. Then was the next case. When the time to learn comes, learn with all your might because that's gold. It's a moment in life when you have the time to actually do that. Get informed. People who are into Googling everything should open up their searches, go out there, and learn in a different way. Don't hold back.I guess the book was about giving hope because I realized how much we could do together. If a person can manage to argue and make a major impact in the way we are understanding treaties in human rights or other things, imagine what could be if every single person is in their own place in some field, with that alertness and synced in the same way. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. And that means all of us. We all have a role.To the young people, I would say you have the right to joy, and you have the right to be happy. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.”Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers’ in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers’ Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature’ case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Aziz Rana about his brilliant and bracing article recently published in New Left Review, “Constitutional Collapse.” They talk about how the Trump administration and its enablers are shredding a liberal “compact” which was established in in the 1930s through the Sixties and extending an imperial presidency abroad to an authoritarian one domestically. They discuss the current constitutional crisis, but also the need for, and manifestations of, a politics which is at once a genuine membership organization and social community. As Aziz Rana powerfully argues, “its aim should be to transform the world people organically experience.” This is exactly the analysis and message so many of us need in these dark times.“In the US, we have this idea that exists as a kind of popular cultural sense. The country has basically had the same constitution—a document ratified in the 1780s, and it has really been in effect since then. However, one of the things that's distinctive about the US Constitution is that it is perhaps the hardest in the world to formally amend. It is incredibly difficult to change the actual terms of the text, even during times when we've had pretty profound changes to the language. Here, we can think about the Reconstruction period with the passage of the 13th, 14th, and 15th amendments.”www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“ It's a really dangerous time we're living through, and I do think that when we talk about these progressive policies, a huge problem in the US is that we still have a lot of stigma left over from the Cold War that keeps us from really great ideas because they're branded as socialist or communist. And I’ve seen, in the time I've been a journalist for the past 15 years, how that stigma has slowly faded. And you see that younger people are more and more interested in these ideas, whether or not they're considered socialist.”Natasha Hakimi Zapata is an award-winning journalist, translator, and university lecturer based in Europe. She is the author of Another World Is Possible: Lessons for America From Around the Globe. Her articles appear regularly in The Nation, In These Times, and the Los Angeles Review of Books. She is the former foreign editor of Truthdig and has received several Southern California Journalism and National Arts & Entertainment Journalism awards, most recently in 2024 for her work as a foreign correspondent.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu talks with Lindsay Weinberg and Robert Ovetz about the use of Artificial Intelligence in higher education. Under the guise of “personalizing” education and increasing efficiency, universities are increasingly sold on AI as a cure to their financial ills as public funds dry up and college applications drop. Rather than maintain that education is an essential public good that needs broad support, universities are looking to technology in ways that are changing the nature of education in dangerous and destructive ways. As Lindsay writes in the book, Smart University: “Higher education is becoming increasingly synonymous with digital surveillance in the United States. Advanced network infrastructure, internet- connected devices and sensors, radio frequency identification (RFID), data analytics, and artificial intelligence (AI) are being celebrated as a means of ushering in the age of “smart universities,” one where institutions canrun their services more efficiently and strengthen the quality of higher education using digital tools. However, as this book demonstrates, these tools have a darker side. They allow public universities to respond to and perpetuate corporate logics of austerity, use student data to reduce risk of financial investment in the face of dwindling public resources, and track student behavior to encourage compliance with institutional metrics of success. Surveillance of student behavior forms the foundation of the smart university, often in ways that prove harmful to students— particularly those who are already marginalized within the academy.They talk about these issues and attach them to critical issues of labor—everything from the outsourcing of the most dangerous work to laborers in the Global South, to the way university workers at all levels are subordinated to the logic that drives AI. They end with a discussion of what we can and should do about it.Dr. Lindsay Weinberg is a clinical associate professor in the Honors College at Purdue University, and the Director of the Tech Justice Lab. Her research and teaching are at the intersection of science and technology studies, media studies, and feminist studies, with an emphasis on the social and ethical impacts of digital technology. She is interested in the constitutive role that history and unequal power relations play in shaping the design,Robert Ovetz, Ph.D. is a Senior Lecturer in Political Science and teaches non-profit management and labor relations in the Master of Public Administration program at San José State University. He is the author and editor of four books, including We the Elites (Pluto, 2022), and the forthcoming Rebels for the System: NGOs and Capitalism (2025 Haymarket Press).www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInsta @speaking_out_of_place

What happens when the state, with the pretext of protecting public safety, can detain indefinitely certain individuals whose dreams seem to indicate they may be capable of committing a crime?  Set in a precarious world where sleep-enhancing devices and algorithms provide the tools and formulae for making one’s unconscious a witness to one’s possible waking life, this novel touches on a myriad of political, philosophical, and moral concerns as they particularly connect to issues of gender, race, ethnicity, privacy, and the security state.In this episode of Speaking Out of Place podcast Professor David Palumbo-Liu talks with award-winning novelist Laila Lalami about her new novel, The Dream Hotel. Laila Lalami is the author of five books, including The Moor’s Account, which won the American Book Award, the Arab-American Book Award, and the Hurston / Wright Legacy Award. It was on the longlist for the Booker Prize and was a finalist for the Pulitzer Prize in Fiction. Her most recent novel, The Other Americans, was a national bestseller, won the Joyce Carol Oates Prize, and was a finalist for the National Book Award in Fiction. Her books have been translated into twenty languages. Her essays have appeared in the Los Angeles Times, the Washington Post, The Nation, Harper’s, the Guardian, and the New York Times.  She has been awarded fellowships from the British Council, the Fulbright Program, the Guggenheim Foundation, and the Radcliffe Institute at Harvard University.  She lives in Los Angeles.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_placeEpisode WebsitePhoto credit: Beowulf Sheehan

“I'm hopeful for revolution. I'm optimistic. I want radical change. I think there's such a disinterest in education in America that it is sickening. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“One of the biggest symbols of America is Mount Rushmore. This monument, right? But I think most people fail to realize where it's located and why it's located there. Even more importantly, who did it? It's on a sacred Native American mountain, a place that was central to their creation stories. But then you think about who did it, and it was a Klansman. The guy who sculpted Mount Rushmore was a Klansman. People were like, "Wait, really?" Like, how is that a thing? But it seeps into our understanding and our embrace of white supremacy. This whole notion of us using Mount Rushmore as a metric of excellence is really sad. We are honoring slave owners and people who viciously killed natives, and those who pillage other lands in the name of capitalism. That's what America is, I guess.I think there's such a disinterest in education in America that it is sickening. We can't even agree on facts. It's up to states' rights to decide. Really? States can say that this is true in one state, but it's not true in another? Although these states are united, it's very bizarre. I'm hopeful for revolution. I'm optimistic. I want radical change. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward’s words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine’ when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That’s another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she’s earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson’s Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward’s words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine’ when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That’s another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she’s earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson’s Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast