Off Camera with Sam Jones

Andrew Bird grew up no stranger to music, and he started playing the violin was he was four, using the Suzuki method. But Andrew argues he wasn’t “prodigy material.” Yes, he was naturally musical, but classical training requires strict adherence to rules and technique, and that just wasn’t his thing. “I always had this rebellious response to my teachers. I was trying to bust out of it before I had the basics. They would say, “Just learn what we’re trying to teach you, and then you can do that other stuff.” Of course, my response was, ‘But when?’”It took a bit of time, but in his late teens, Andrew finally discovered a scene that piqued his interest. “When I came out of music school, I started going to the club Lounge Ax in Chicago, and I was perplexed by this thing called indie rock. The guitars were spitefully out of tune, and the singing was a little waif-ish, but I was fascinated by it.” The DIY nature of the genre was even more appealing—he didn’t need to wait for permission or for someone to say, “Okay, now you have earned a place in the orchestra.”Once Andrew took the reins, he made a name for himself with his unique melodies and unconventional way of playing the violin. Over the years, he’s released music at a prolific pace—15 albums in the past 13 years. My Finest Work Yet is his latest, filled with infectious melodies, cinematic themes, probing lyrics, and his signature whistle. It’s clear that a large part of his success comes from his self proclaimed pride in “being the weirdo.” No wonder he’d love to call his early music teachers and say, “Hey, look! I’m breaking all the rules, and people are loving it.”Andrew joins Off Camera to talk about the madness that drives his songwriting process, why he hates headphones, and why he whistles when he works, constantly.

Growing up on a little island off the coast of Massachusetts didn’t afford Jason Mantzoukas, an aspiring performer, much room to interact with the outside world, but it was a good place for Jason to hone his comedic skills. “I was a little Greek kid in a very WASP-y town. I very much felt like ‘the other’ and was subjected to lots of name calling and threats, but that’s where I came into being as a funny person—I diffused situations by making people laugh, and I never got into fights.”Jason’s world started to expand when he got bussed to a regional high school. That’s where his talent and passion for performing really took shape—he wrote and performed in sketch shows, played in bands, and did comedy bits for his class.After college, Jason received the Watson Fellowship to explore abroad. He was greeted by fear and loneliness the moment he landed, but working through that experience was essential to his growth. It’s why he got involved with improv and the Upright Citizens Brigade; it’s how he persevered through the rejection during his early acting career; and it’s why he writes, co-hosts a podcast, and has so much acting work on television and in film (The League, The Good Place, The Long Dumb Road, and John Wick 3 to name a few).Jason joins Off Camera to talk about his nervous breakdown in Morocco, why he’ll never stop doing improv, and why playing a maniac in The League made him a target for drunk bros everywhere.

All it took for Canadian-born actress Sarah Goldberg to realize she wanted to become an actor was a preschool production of The Owl and the Pussycat. And as she got older, the joy of acting in plays only intensified: “I discovered that being on stage is this point in time where everything goes quiet, and you’re completely free.” With that passion for the craft driving her, Sarah headed off for London to hit the boards as soon as she could leave home.After graduating from the London Academy of Music and Drama, Sarah found immediate success, booking a part in a play at the Young Vic Theatre, but it was the insecurity during the down time between jobs that she had the hardest time adjusting to. “Acting is a glorious job when you’re working. The job itself is a joy. We’re adult humans who dress up and play make-believe for money. But all the stuff around the job is really tough, like being unemployed for long stretches and being exposed in certain ways.”Sarah moved to New York, leaving the relative security of London’s West End for a shot at a film and television career. Instead she found herself doing any job she could to stay afloat and pay her rent, including video game voiceover work and Best Buy employee training videos. One particularly tough lull between jobs in 2016 was the straw that nearly broke the camel’s back. Sarah, very much unemployed, was sitting in her bathrobe at 3PM considering her career options when she got the call that would change her life. She was cast opposite Bill Hader in HBO’s Barry, the critically acclaimed, Emmy award winning series. And with Barry now getting picked up for a third season, Sarah not only gets another year of stability on a successful television show, she also gets to bask in the joy of playing a real, complex woman.Sarah joins Off Camera to talk about her most embarrassing audition story, about the Julianne Moore advice that completely altered the way she regards her job, and why being number two on the call sheet can be a good or bad thing.

For years, Weird Al Yankovic was dismissed as a novelty musician—here today, gone tomorrow—but it’s been 40 years, and his weird and wonderful career shows no signs of slowing down. “People often think that if something is funny, it has lesser value and doesn’t deserve respect. Obviously, not me. I embrace it, and I encourage the people I work with to let their freak flag fly.”Al developed his “freak flag” pretty early on. “I was always a little outside the norm. Even in elementary school when everyone was playing together at recess, I would act out some TV show in my mind. I must have looked like a crazy kid, off by myself doing all these characters. It didn’t make me very popular.” An only child, Al did not make friends easily and had a hard time finding his crowd—a situation which was exacerbated by being two years younger than his classmates. But he was so smart and, well, nerdy, he skipped a few grades.Al found solace by listening to the radio, particularly Southern California DJ Dr. Demento, who brought unique, funny novelty music to the masses every Sunday night. Al already had a unique talent—he played the accordion. So, he tried his hand at making his own musical parodies, and one of them, a parody of The Knack’s “My Sharona” called “My Bologna,” made it onto Dr. Demento’s radio show and quickly became the number one song on the program.With wind in his sails, Al moved to Los Angeles to see if he could make it as a comedic musician, and the rest is history. After 40 years of success, he’s outlasted many of the artists that he’s parodied over the years, and as each new generation of twelve-year-olds rediscover Weird Al, his legend grows. “I’m kind of a novelty dinosaur at this point, but maybe society can only handle one Weird Al at a time.”Al joins Off Camera to talk about why MTV was such a catalyst for his career, how he once gave Madonna a business lesson, why parents of only children should not be given binoculars, and just how white and nerdy he really is.

Believe it or not, the origin of Seth Rogen’s incredible acting, writing, and producing career traces all the way back to Bar Mitzvah class in Vancouver. That’s where twelve-year-old Seth met Evan Goldberg, a fellow movie enthusiast who loved writing just as much as Seth did. A creative partnership between the two began instantaneously, and they started writing what would become Superbad, inspired by their own high school escapades, by the time they were thirteen. “We always wondered if our very specific high school experience would be relatable to other people, because we were just writing what happened to us as Jewish Canadian boys in Vancouver. It seemed pretty niche.” Of course, it became one of the most successful movies about high school of all time.As his writing career post-Superbad took off, so did his acting career. Within the span of a few years, he became the face of American comedy, working on hit films like The Pineapple Express, The 40-Year-Old Virgin, and Knocked Up. In fact, he had so much success over that span of time, he just assumed that was how the business worked: “I didn’t appreciate how miraculous that streak was. At the time, I was like, ‘Oh, great. You make a movie. It turns out great. Everyone loves it, and you make tons of money. Perfect.’”Eventually, he learned that wasn’t always the case—and as the movie budgets got bigger, so did the stakes, with more creative pressure and input from studio executives. It took one bad experience as a studio’s most expensive movie for Seth to realize that it was more important for Evan and him to maintain their artistic freedom than make the highest profile movie. To this day, he holds onto that philosophy and it’s why he still loves making movies, including his newest film Long Shot, a political romantic comedy starring Charlize Theron and himself. “When Evan and I make a movie like Long Shot, and we’re able to sit in a theater and watch the audience laugh at and feel what we hoped—it’s really gratifying. It means they’re invested in the same things we are.”Seth joins Off Camera to talk about why moving to Los Angeles for a role in Freaks and Geeks was his version of going off to college, how he and Evan turn an idea into a full-fledged movie, and why saying no to a role on a CW sitcom early in his career wasn’t a hard choice at all.

For over 20 years, Busy Philipps has been navigating the highs and lows of a being an actress in Hollywood. With unrivaled determination and a strong belief in herself, Busy left her home in Arizona at 18 years old for Los Angeles to pursue acting and briefly, college. Her dream came true sophomore year, when she was cast in the cult TV show Freaks & Geeks, and since that time, Busy’s been a staple of American television, with roles in popular shows like Dawson’s Creek, Cougar Town, and Vice Principals.Despite her success, Busy hasn’t been immune to the uglier elements of being a woman in Hollywood. She’s dealt with body shaming, inequality, and harassment by male colleagues while also fighting the insecurity that comes with the job. But overcoming challenges is in Busy’s DNA: “I only do things the hard way. It’s the only interesting way to do anything, and it’s a part of my personality.”In response to her traumatic experiences and as someone who has “wanted to be seen” ever since childhood, Busy chose to write a memoir, titled This Will Only Hurt A Little, to give herself a voice and to memorialize her story. Between the book’s success and the large social media following she garnered by posting snippets of her daily life, Busy had an epiphany: “Maybe I need to lean into the thing that people are responding to and saying is really interesting.” That led to the creation of Busy’s late night talk show Busy Tonight, currently airing on E!. She’s spent her entire career in the shoes of different characters, now, she gets to be herself.Busy joins Off Camera to talk about the double standard that exists for female actors, losing a job she knew was hers because the television network deemed her overweight, and the first gig she ever booked…as a life-size Barbie.

When David Harbour was growing up in the suburbs of Westchester County, he was an outcast. A self-described nerdy and intense weirdo who preferred to march to the beat of his own drum over assimilating with the popular crowd, David explains, “I basically felt like an alien growing up.” But his isolation from the group and things like team sports led him to pursue more solitary, artistic, and creative endeavors, and along the way, he discovered acting.On stage, David’s socially off-putting intensity was an asset, and it allowed him to explore all of the dark and complex emotions he was feeling at the time within the structure of a story. By the time he was 19 and cast as Hamlet in a regional theater production, David had hit his stride. “I played Hamlet, and I don’t think I’ve ever been better. I was so fired up and alive, so engaged with the world. Hamlet was just me. All the things he was feeling were all the things I was feeling.” As a naturally gifted actor who simply loved the craft, David made the choice to pursue acting as a career, and it was a no brainer.Over the years, David has amassed a large body of work in things like The Newsroom, Revolutionary Road, Pan Am, the upcoming Hellboy remake, and much more, but his role as Jim Hopper in the beloved Netflix series Stranger Things has really blown up his career over the past couple of years. In large part, David’s success as Hopper is a result of the humanity he brings to his character, an internally broken leading man that we’re all rooting for. David, now in his 40s, has come to leading roles late, but with all of that life and career experience, he’s bringing much needed nuance to our idea of what it means to be a hero: “One of the traps actors fall into with leading roles is that they think they need to present a strength, but I think most people really want to identify with someone who goes through the same vicissitudes of life and brokenness that we all do.”David joins Off Camera to talk about how a group of industry rejects turned Stranger Things into a massively popular phenomenon, how he dealt with the inner monsters that nearly cost him his life, and why he really doesn’t like his face.

When Joey King went to the premiere of her upcoming Hulu show The Act, she didn’t anticipate watching the entire thing through her fingers, but the role was so personally and professionally momentous that she couldn’t bear to watch herself with clear, open eyes. “I was sitting in a room full of people that I knew, but I was sweating the entire time. I was so nervous—I’d never felt so vulnerable about a performance before.” The show, based on a real-life story of Gypsy Rose (played by Joey) and Dee Dee Blanchard (played by Patricia Arquette), explores the dark and disturbing dynamic between a teenage girl who wants to live a normal life and a needy, over-bearing mother who suffers from Munchausen syndrome by proxy and intentionally makes her daughter ill.Although Joey’s been acting since she was four, she rose to global fame nearly overnight after the release of the unexpected Netflix hit The Kissing Booth, a feel good teenage romantic comedy. Prior to The Act, playing a typical teenager who navigates friendships and relationships in the gauntlet that is high school had been commonplace for Joey but she was dying to try something different, to lose herself completely in a character. “As an actor, we dream of doing things that take us out of our comfort zone that we never thought we’d get the opportunity to do—wear fake teeth, shave my head, sit in a wheelchair, and study someone else’s movements. As an actor, it feels so good to do something like that.”Joey joins Off Camera to talk about why getting fired from her first pilot was a blessing in disguise, where she got her gift for tapping into emotions on command, and how she uses her social media platform (and her nearly 9 million followers) for the good of humanity and for changing chicken corsage protocol at KFC.

Brit Marling has created one of the most original, mind-bending, and creative shows on television with Netflix’s The OA; an exploration of near death experiences, inter-dimensional travel, modern dance, and much, much more. But the thing the sticks with you, and the thing that underlies all of the sci-fi excitement, is a very human yearning for connection and community. Between The OA and her films Another Earth and Sound of My Voice, Brit’s talent for tapping into her childhood imagination to create unique stories is undeniable. In a case of life almost imitating art, Brit nearly took a radically different career path. The parent-pleasing, Georgetown valedictorian graduated with a degree in economics that landed her at banking behemoth Goldman Sachs. She spent a year crunching numbers and cans of Red Bull before she realized that she was terribly depressed. “I couldn’t understand why all of these bright, excited young people found themselves here. No one was asking us to reinvent anything. It was just, ‘Here’s the model. Plug the numbers into the model.’ I had a moment there where I was like, ‘I’m going to die—is this what I want to do day-to-day?’” Luckily, Brit got a taste of a more fulfilling and creative career when her two college friends, both aspiring filmmakers, came to NYC with an invitation to make a short film for a 48-hour film festival. The thrill of the experience forced Brit to recognize, “Either I can have this career with safe, predictable outcomes, or I can work my butt off doing something I love. Yes, it’s dangerous, and yes, I may be broke all the time, but I’ll be happy.” Goldman Sachs was left in the dust. Brit joins Off Camera to talk about how wading through the acting swamp led her to screenwriting, why collaboration is the key to her success, and why death needs a redesign.

If you look at Lauren Cohan’s acting career, it’s clear she has a knack for playing strong and feisty women. She’s played a zombie killing badass in The Walking Dead, a secret agent in Peter Berg’s thriller Mile 22, and now, she’s chasing down international baddies in the action-packed ABC series Whiskey Cavalier. Rolling on the ground, shooting guns, and doing stunts can be exhausting work, but for Lauren it’s the opposite. “I naturally gravitate towards action. As soon as I started doing it, I felt exhilarated. I have an excess of adrenaline, so it’s good for me to have a physical element to acting.” Lauren’s career path wasn’t always so certain. She spent years slogging through auditions where the only requirement was to be a “beautiful woman.” She longed for the opportunity to do more, and that’s when Walking Dead came along. “Don’t get me wrong, it’s great to be an actor and get work because people want to see you onscreen, but when I got the role of Maggie, I was so relieved that it was a stripped down character study. I finally felt free.” Exploring the vast depth of human emotion is what ultimately drives her, even when she encounters moments or scenes that scare her. “I keep going back to this idea of embracing the challenge. It’s like, ‘That sounds painful and difficult…let me try it.’” Lauren joins Off Camera to talk about the Walking Dead scene that terrified her so much that she almost quit, why there’s no point in being an actor if you aren’t willing to be vulnerable and uncomfortable, and why finding your inner lion is all part of a day’s work.