Off Camera with Sam Jones

When Lance Reddick was growing up, he was a shy and introverted kid. He was one of a handful of African-Americans at his school, so he never felt like he fit in, and his introverted nature made him an easy target for bullies. In the face of these struggles, Lance had to confront his own self-perception at an early age. As he says, “In order to escape the trap of trying to fit into places where people tried to define me or how they defined being black, I had to find a sense of myself that was independent of that.” That’s where the arts came in.During his college years, Lance discovered that he had a talent for music and acting. “When I was onstage and it was going well, I felt powerful, which was something I wasn’t used to feeling in front of a bunch of people.” Despite his natural talent for acting, he took a detour to pursue his first love—music. When that didn’t pan out, he found his way back to theater, got into Yale’s drama school, and the rest is history.His experience at Yale changed his life and his approach to the craft, and he’s been working as an actor ever since in shows like The Wire, Oz, Fringe, and most recently, in Amazon’s Bosch and Comedy Central’s Corporate.Lance joins Off Camera to talk about his most terrifying moment on stage, confronting systemic racism in the industry, and the time he serenaded his crush, only to get turned down in humiliating fashion.

For the past 25 years, Edward Norton has established himself as one of the greatest actors in his generation. His legacy includes roles in films like Primal Fear, American History X, Fight Club, and Birdman to name a few, and he’s the type of artist who constantly seeks to challenge himself. Take his new film Motherless Brooklyn, which he wrote, directed, and stars in. The noir-esque film is an incredible achievement for Edward, and it’s a direct product of all of his years of hard work and experience in the industry.For Edward, being an artist is more of a compulsion than a mere desire. As he says, “Most of us are one or two degrees away from obsession tipping over into a true condition and affliction. That’s how I feel about acting and writing.” Luckily, Edward has a creative place to put that obsession, and that creativity was inspired by the work of musicians like Bob Dylan and David Bowie when Edward was a teenager. The resounding message was: “The freaks are who you want to hang with.” So, Edward sought to find his own tribe of like-minded, creative people. It’s through that band of people that Edward got his first big role, and it also helped him fund and cast Motherless Brooklyn. As he says, “If I’ve got any collateral via what I’ve done, why wouldn’t I try to do something else? Why wouldn’t I try to swing for a story that I think I understand and say something?”Edward joins Off Camera to talk about identifying with his underdog character in Motherless Brooklyn, learning to put problems in perspective after his mother passed away, and why he has a hard time trusting anyone who actually enjoyed high school.

Jeff Bridges is back again, and this time, the legendary multi-hyphenate is joining me because he’s just released a new photography book titled Jeff Bridges: Pictures, Volume Two. Composed of behind-the-scenes photos taken throughout his career, the book is a wonderful representation of the magic and mystery of filmmaking.Despite so many years of experience, Jeff approaches every new artistic project with a "beginner’s mind." Whether he’s prepping for a new role, writing songs, painting, or taking photos, getting down to work is how Jeff staves off his self-critic. “We’re often looking for passion and where to find it, but it doesn’t come out of nowhere—passion is the fire you get when you rub sticks together.” It’s this passion that drew me to Jeff many years ago, and it’s why I’m excited to see what he’ll work on next.Jeff joins Off Camera to talk about his fear of making decisions, what he’s learned after 42 years of marriage, and why you better have a safe word or you might end up in the hospital.

Jake Johnson’s made a career out of acting next to some of the top names in the business, and that’s exactly how he likes it. From his vantage point, he’s got the best seat in the house, watching people like Zooey Deschanel (New Girl), Tom Cruise (The Mummy), and Cobie Smulders (Stumptown) do their thing. All the while, he’s living out a dream that started when he was a kid, watching shows like Cheers and Roseanne and desperately wanting to be in them.Jake and his two siblings were brought up by their mother in a Chicago suburb. He wasn’t a great student, but he lit up when he discovered writing and acting in high school. “Back then, I was in a very tricky emotional place, but writing plays, I had total control, and I loved it.” Combine that with the praise he received from performing in the school sketch show, and he knew he found his thing.Now, Jake’s 41 and still doing it, and his favorite part of the work is getting to play within the world of make-believe. It’s why he’s drawn to the sets of filmmaker Joe Swanberg (Drinking Buddies, Digging for Fire, Win It All) and turned off by micro-managing directors who kill the magic and overshoot scenes. “I’m not here for your final cut. I’m here for right now—me and this other human being can act. Let us act, and get the camera out of here. Hide it, and let us go!”Jake joins Off Camera to talk about forging a relationship with his absent father, the rude awakening he got after dropping out of high school, and his stint as a degenerate gambler…luckily, he was saved by New Girl.

When Adam Devine was in fourth grade, a bully turned the entire class against him, and it took Adam nailing his performance in that year’s school play for his social prospects to start looking up. One great scene made the entire audience laugh, and after the play, he was greeted by praise. “From that moment on, I realized that no matter what was happening in my life, I could be good at acting and that can be my thing.”The following year, Adam suffered a near fatal collision with a cement truck which broke most of the bones in his body. When he wasn’t relearning how to walk, he had plenty of time to himself to watch TV, movies, and old SNL clips. He began writing his own sketches and regularly calling in to the local radio station as his idol Chris Farley. By the time he recovered from the accident, Adam had taught himself how to write and had a natural instinct for comedy.When college came around, Adam opted to go to community college in California to pursue comedy instead of going to state school in his hometown of Omaha, Nebraska. It ended up being the right choice, because Orange Coast Community College is where he met likeminded creative friends Kyle Newacheck and Blake Anderson. They began writing and producing sketches together, and they eventually created the hit series Workaholics. Between acting, writing, and standup, Adam does it all. Right now, you can watch him in his Netflix standup special Best Time of Our Lives, the HBO series The Righteous Gemstones, and his new film Jexi.Adam joins Off Camera to talk about the value of relentlessness, practicing standup in front of an imaginary audience, and why a slap in the face might do you some good.

Ever since three-year-old Beth Behrs saw Julie Andrews in The Sound of Music, she knew she wanted to become an actor. Beth’s perfectionist nature and her professional approach to the craft resulted in a driving ambition that got her into UCLA’s acting program and eventually led to her first role on network television as the co-star of the CBS sitcom 2 Broke Girls.Success wasn't the answer to everything though, and it brought its own set of challenges, like navigating the gauntlet that is being an actress in Hollywood. As Beth says, “We’re told so many different things in the media about how we’re supposed to be and act. When 2 Broke Girls began, I went from having no money and working as a nanny to being on a hit television show. At some point, the schedule, the pressure, and the anxiety from all of that started to break down my body.” In order to be the best actress she could be, she had to learn how to manage stress and take care of herself.Beth soon discovered the therapeutic power of meditation, nature, and horses. She got back in touch with her inner “theater kid in pajama pants”—the person she used to be before the overwhelming social pressures of Hollywood, and with her newfound wisdom, Beth wrote a book about self-care called The Total Me-Tox. She’s the first to admit that she still has plenty of work to do, so now, in addition to acting, she’s found a new calling. “I want to empower people to be who they are and be okay with that.”Beth joins Off Camera to talk about the C that derailed her acting degree, why she’s more comfortable in a character’s skin than her own, and the audition where she was told to “cry prettier."

Zach Galifianakis had his big moment of success a bit later than most. Zach was a stand-up comedian with a small but loyal following, but when the massive hit comedy The Hangover came out, his life drastically changed. At 40 years old, Zach was unaccustomed to throngs of fans and perplexed by the attention brought by fame. As he says, “No one wanted to hear me speak or ask my opinion until I got into the movies. That doesn’t make any sense.”Zach’s down to earth approach to life likely originated with his family—a naturally funny and supportive crowd who encouraged Zach to follow his dreams of performing at an early age. After school, he moved to New York City to find an acting coach who could take him under their wing and provide an entrance into the business. Success wasn’t imminent though. As Zach says, “I worked for an uncle who managed a restaurant called Tequila Willie’s, where I had to wear a sombrero and pick up my tips off the kitchen room floor. Have you ever been on the kitchen floor on your hands and knees picking up quarters with a sombrero on? It’s very uplifting. Especially, when you’re still a busboy at 28.” Zach never found his long sought after acting coach but instead discovered stand up in the back of a burger restaurant, and never looked back.Even with his roles in big budget films, Zach continues to take on interesting, outside the box projects—whether it’s being a fake talk show host in the Netflix movie adaptation of Between Two Ferns or doing impromptu stand-up at a steakhouse in Pasadena. Over the course of our conversation, you’ll realize Zach’s honesty and modesty is as endearing as it is hilarious, as awkward as it is intimate.Zach joins Off Camera to talk about his favorite Between Two Ferns moment, his mission to take the piss out of “celebrity,” and why you should dress up as a witch and go find him on the streets of Venice if you want to have a nice ten-minute conversation.

Writer, director, comedian and podcast host Scott Aukerman is a very busy man. He is perhaps best known for his hit podcast Comedy Bang! Bang! which has been introducing audiences to the most talented comedians and improv artists for the last ten years. And that’s just Scott’s “side gig.” He’s written for movies and television shows, like Mr. Show, and more recently, Between Two Ferns, a wonderfully awkward talk show hosted by Zach Galifianakis which is now a full length Netflix movie. Even with all of his success, Scott still marvels at the fact that he gets to be silly and make other people laugh for a living. He wonders, “At what point will people figure out it’s all a scam?”He grew up with comedy in his bones and an affinity for David Letterman. In high school, he hosted a Letterman-inspired news show on his town’s public access channel. And in college he frequently turned serious, academic assignments into sketches, including a particularly memorable ballet performance which got him into trouble with his teachers. As Scott says, “I heard my whole life that I didn’t take things seriously enough, and I finally realized I should go into comedy.”Scott joins Off Camera to talk about Bob Odenkirk’s role in jump starting his career, his Between Two Ferns guest pitch/disclaimer, and how on the Between Two Ferns film, he was almost too afraid to talk to, let alone direct, David Letterman.

If you haven’t seen Andrea Savage’s comedy series I’m Sorry, you should…just be prepared to laugh your butt off. As the creator, writer, and star of the series, Andrea does it all—which makes sense since the show is based on her own experiences being a comedian, wife and mom. But it is also a show about us. Andrea has found the universal truths of being a parent while being a working artist, and her observational powers reveal the absurdity and pathos in our own lives.For years, Andrea was stuck in development hell. She had a stable acting career with roles in Step Brothers, Episodes, and Veep, but true to her improv and Groundlings background, Andrea wanted to write and create as well. She was pumping out pilot scripts and selling them, but they weren’t getting made. As she says, “It was heartbreak after heartbreak of putting your all into a project, getting good notes, and then nothing. It was always the bridesmaid, never the bride.” When Andrea turned 40, the self-described “successful failure” decided to change her approach with I’m Sorry. She put together a crew with some help from her talented friends Judy Greer and Jason Mantzoukas, and she filmed her own pilot presentation.Andrea figured out that she needed to show her vision, because her story was nuanced and personal, not full of big jokes that jumped off the page. The approach worked like gangbusters. Her presentation became the first episode of the show and established her as a creator, showrunner, director, and a force to be reckoned with. As she says, “I literally just willed it to happen.”Andrea joins Off Camera to talk about why her writer’s room is better than therapy, why her lack of darkness makes her question her comedy bonafides, and her dedication to being a “joke shepherd.”

Before she became a household name from her work in projects like Fresh Off the Boat and Crazy Rich Asians, Constance Wu was a full-time waitress in credit card debt who was trying to break into the TV and film industry.Despite her BFA in acting, Constance struggled to get steady acting work for nearly a decade. Her love of the craft never wavered—no matter how tough it was to deal with the rejection. But times got so tough she finally had to ask herself, “Are you okay if you’re still waiting tables at 50 in order to supplement your income so you can do one or two plays a year?” Wholeheartedly, her answer was, “Yes.”Finally, when the creditors were stalking her, she got her big break. In 2015, she was cast opposite Randall Park in the groundbreaking and popular ABC sitcom Fresh Off the Boat, a hilarious look at life as an Asian immigrant in America. Another historic role followed with the film Crazy Rich Asians, which featured an entirely Asian cast. Most recently, she’s acting opposite J-Lo in the film Hustlers, a true story about a group of strip club employees who drugged and robbed their rich Wall Street clientele.Constance joins Off Camera to talk about how privileged she feels to have a voice in the discussion about racial diversity in Hollywood, why she still loves going to acting class, and she also reveals the joys of sucking at guitar.