Off Camera with Sam Jones

If pro skateboarders have resumes, Tony Hawk’s is undoubtedly among the longest and most envied. Though he’s the most decorated skater ever with the highest contest win percentage of any sport and a $1 billion video game series, Hawk has arguably given more to the sport than he’s received. Watching Hawk skate is testament to creativity and artistry as much as athleticism, as is his autobiography, which required a glossary to catalog the tricks that are his legacy to the skateboarding lexicon. His Tony Hawk Foundation has contributed over $4 million to develop 500 skate parks around the world. He’s also been skating’s foremost advocate, promoting it through some of its darkest days (though smashing his pelvis while attempting a full loop dressed in a gorilla suit probably doesn’t count). Hawk joins Off Camera to talk about the evolution of the sport from its scrappy underground beginnings to X Games behemoth. He shares his thoughts on the vital role of creativity and artistry in athletics and his continued love and commitment to the sport. Now a father of 4 that can still stick the most difficult tricks ever invented, we learn why at 44, he still makes his primary living on four wheels.

“Moral certainty is always a sign of cultural inferiority. The more uncivilized the man, the surer he is that he knows precisely what is right and what is wrong. The truly civilized man is always skeptical and tolerant, in this field as in all others. His culture is based on ‘I am not too sure.’" -H.L. Mencken Henry Louis Mencken and Robert Downey Jr. did not cross paths in life (though it’s fun to imagine that conversation), but the essayist’s quote is an apt description of the actor’s approach to life. Downey’s restless intelligence is reflected in his ability to express several contradictory points of view simultaneously, making sense all the while. He can be direct one moment and elusive the next, often spinning off on seemingly unrelated tangents. But like watching a juggler on a wire, being in Downey’s presence is a riveting experience. For someone who almost from the outset was deemed “the greatest actor of his generation”, the majority of Robert Downey, Jr.’s career has been filled with big commercial flops, “critically acclaimed” flops, very public struggles with drugs and more than a little jail time – all of which have landed him squarely in some of the biggest blockbuster films in recent history. It’s an unlikely hero story, but then Robert Downey Jr. is an unlikely hero. With the release of the final film in the Iron Man trilogy, it’s ironic to contemplate that the studios also didn’t see him as a hero, least of all an action hero. Downey disagreed. At once supremely convinced of his own talent and extremely humble, he fought hard for the role of Tony Stark when the studio flatly refused to even let him audition. He prepped intensely, though for other roles he admits he’s just as likely to wing it. Downey is an enviably comfortable resident of the gray area we all inhabit. He is (somewhat) remorseful about his jail time but without resentment towards the upbringing that arguably introduced him to the lifestyle that led him there (“I choose to see it in a positive light.”) His years in the industry have left him clear-eyed and cynical about the business; yet he remains full of enthusiasm and curiosity about his art, and he’s deadly serious about bringing the best of himself to the set every day. He’s an obsessive analytic who’s inclined to let his gut make most of his decisions. On any multiple-choice personality test, Robert Downey Jr. is ‘all of the above.’ Maybe that’s what keeps us watching.

Aimee Mann, the Boston born singer/songwriter, Grammy winner and self-described Oscar loser, was recently named to NPR’s list of the ten finest living songwriters. It was a well-deserved honor, and put her in the company of artists like Bob Dylan, Paul McCartney, and Tom Waits. While Aimee Mann is widely acknowledged for her songwriting talent, her lesser-known role as an industry trailblazer is as laudable as it is fascinating. Starting with the sudden and disconcerting fame of her band ‘Til Tuesday and spanning eight solo albums, the arc of her career has largely reflected, and in some ways shaped, the music business itself. Much of that career was defined by her struggle and just plain bad luck with record labels that couldn’t see past Mann’s model looks and the dollar signs in their eyes that she was not the artist they were molding her to be. In her struggle to stay true to herself as an artist, Mann chafed under contracts and finally started her own label in order to put out her finely-observed songs the way she wanted to put them out – a ground-breaking move at the time and one that paved the way for musicians just starting to navigate the chaos of the music business today. The irony? With no more Goliath labels to fight and at the absolute peak of her talent as a songwriter, the channels for distributing and making a living from music are disappearing. With surprising humor and optimism, Mann lets us in on her bumpy journey, a few surprising hobbies and why, after a career-long struggle to make a living with her art, she believes there’s always a next step.

Blake Mills is a talented guitarist, producer, and songwriter known for his emotive playing and collaborations with renowned artists like Fiona Apple and Kid Rock. He discusses how discovering guitar as an escape from football shaped his creative journey. Mills shares insights on navigating the internet's impact on music, the balance between emotional depth and technical skill, and the joys of candid songwriting about family. He also highlights his unique jam sessions at a surf shop, emphasizing the importance of authenticity over novelty in music.

As Jim Halpert, John Krasinski embodies The Office’s most beloved Everyguy, but his middle-achiever alter ego belies the actor’s impressive and accomplished resume. At just 33, he has written, directed and produced both television and feature films with some of the industry’s most talented heavy-hitters. Krasinski shares his own version of the waiter-to A-list story and talks about staying true to his artistic path despite periods of self-doubt. An avid and humble student of experience, he discusses what he’s learned from his work with industry veterans such as Sam Mendes, Gus Van Sant and George Clooney. Krasinski talks to Off Camera about wrapping the final season of The Office, the value of supportive parents, and about his newest film, Promised Land, which he co-wrote, and co-stars with Matt Damon. At one of the most interesting junctions in his career, an actor who’s arguably done it all looks ahead to what he hopes will be next.

Whether or not you’ve heard of Val McCallum, you’ve undoubtedly heard his work. Val is a supremely talented guitarist, singer, songwriter and studio musician who got his start recording for the legendary songwriter Harry Nilsson at age 18. After 30 years of working with such artists as Jackson Browne, Lucinda Williams, The Wallflowers, Bonnie Raitt, and countless others, Val McCallum has released his first solo record. Entitled At the End of the Day, it is a collection of spare, acoustic and grippingly intimate songs. We grabbed Val between stops on his current tour with Jackson Browne and gigs with his own wickedly humorous country band Jackshit, where he performs as alter ego Beau Shit along with bass player Davey Faragher and drummer Pete Thomas, who make their living as Elvis Costello’s rhythm section. Val grew up in Los Angeles and is the son of actor David McCallum and actress Jill Ireland, but Ireland raised Val and his brothers Jason and Paul with Charles Bronson, who she married when Val was a young boy. Val discovered the guitar at age eight, and arguably hung on to it for dear life through some tough twists and turns, including the tragic death of his brother Jason and the loss of Ireland to cancer. In “At The End of the Day,” Val opens these wounds and sings with touching candor about themes that are at once deeply personal and universally human. It’s a record about loss, grief and loneliness that somehow manages to create a mood of catharsis, promise and understanding. Reminiscent of early Neil Young, Nick Drake and Crosby Stills and Nash, “At the End of the Day” is an achievement of understated beauty. In this episode, Sam Jones talks to Val McCallum about his experiences making records with so many iconic artists, and about the process of making his own. So pull up a chair and listen in.

Producer Chris Moore puts Sam Jones in the hot seat!

The talented and worldly Danai Gurira has been bridging the gap between disparate worlds ever since her family moved from Grinnell, IA to Africa when she was a toddler. In school, the self-described Zimerican (Zimbabwean-American) was the “African kid with a twangy American accent” who got along with everybody regardless of race and class. That ability to cross borders both artistic and geographic has defined Danai’s career. On the blockbuster side, Danai inhabits the character of Okoye in the highly anticipated Marvel film Black Panther and the character of Michonne, the butt-kicking zombie killer in AMC’s hit series The Walking Dead. On the literary side, she’s a playwright with Broadway success who mingles with the high-brow theatre crowd. But don’t get caught up in Western delineations between actor and writer because at her core, Danai is a storyteller—a woman who uses her unique perspective and artistic talent to reveal the shared humanity between seemingly different worlds of Africa and America. Danai points out that talent must be nurtured and distractions must be set aside because “the whole goal of storytelling is to became a worthy enough vessel for the story to come through you.” Danai joins Sam Jones to discuss the nuanced world of Ryan Coogler’s Black Panther, auditioning for The Walking Dead, overcoming grad school breakdowns, and discovering her artistic mandate.

Being a bona fide badass is the price of entry for a career in rock and roll; and if you ask Dave Grohl, it’s the key ingredient for just about anything worth doing. His approach to life has fueled the Foo Fighters’ 20 year,11 album career and garnered him a following of very stoked rock fans, many of who gathered at this year’s SXSW music conference to hear Grohl’s keynote address. The hipsters, rockers, start-uppers and next-big-thing developers packing the room were no doubt curious to hear how one goes about dropping out of high school, rising to fame as the drummer in Nirvana (a small Northwest act you may have heard of), and then go on to lead one today’s few remaining true rock bands? For Grohl, the answer’s pretty simple: figure out who you are and what inspires you and don’t look back – develop that individuality by working as hard as you can at what you love. That clarity of approach drove not only his Nirvana/Foo Fighters trajectory, but numerous musical side projects like Queens of the Stone Age, and Them Crooked Vultures. And most recently, a new artistic title: documentarian. He didn’t know anything about the film making process except what he needed to know most: Passion for your subject is sine qua non; and not one to do anything without it, Grohl didn’t question himself. Nor apparently did Rick Springfield, Neil Young, Stevie Nicks, Paul McCartney, and Tom Petty, all subjects of Sound City, his fascinating documentary about the people behind the studio that launched an amazing roster of legendary music acts. For a guy who admits to still feeling like a 13 year old and dressing like a 17 year old, Grohl has something to teach all of us…and shares it with Off Camera in one of our most inspiring interviews to date.

Awkwafina (also known as Nora Lum) is having quite a moment. She’s a part of the impressive cast of female icons (Sandra Bullock, Rihanna, Cate Blanchett, and more) in Ocean’s 8, and she’s so hilarious in Crazy Rich Asians that you’ll barely hear her next line over the sound of your own laughter. What does this moment in the spotlight feel like? Awkwafina likens it to this: “I compare it to a wall opening up and transporting you to an alternate dimension where there is no gravity, and everything is weird.” Her initial shock isn’t so strange when you consider the fact that she never allowed herself to dream of a career in the arts, and there weren’t exactly any female Asian-American actress/rapper hybrids to pave the road to possibility. Awkwafina tried to follow the path that her friends took after college, but living the buttoned-up office life of a publicity assistant in Manhattan wasn’t really her thing. When her boss made her choose between her music and her unfulfilling job, it wasn’t much of a contest—not only because she got fired, but especially because her identity was at stake. As she explains, “If I didn’t have my music, then I didn’t have an identity.” With nothing to lose, she decided to post her “My Vag” music video on Youtube, in which she hilariously raps about the superiority of her genitalia. After the push of a “Publish” button, Awkwafina became a viral success—and the rest is herstory. As the first Asian-American actress/rapper of any consequence, Awkwafina acknowledges, “Being the first sucks, but I found what I love. I found what I always dreamt of as a kid that would connect with adulthood. It’s so powerful for me. I finally feel like I can walk and know what I’m doing. I know why I’m there.” Awkwafina joins Off Camera to talk about embracing the responsibility that comes with being an Asian-American actor in Hollywood, discovering her comedic talents post personal tragedy, and why Margaret Cho is her spirit animal.