Tape Notes

Thanks to SoundBetter for supporting this episode of Tape Notes.SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists.Head to SoundBetter.com to find out more.In this episode, John is back at Spitfire Audio to reunite with Matty and George of The 1975, to talk about how they wrote, recorded and produced the album ‘Being Funny in a Foreign Language’. Digging into stems, demos and the musical moments that inspired their writing, Matty and George give us a full behind-the-scenes tour of their creative process, sharing stories of very last-minute album additions and the unreleased songs that might one day be on a 1975 record. As well as tales from the studio working with producer Jack Antonoff, the pair reveal the tricks they used to create and record some of the most unique sounds and performances on the album, from constructing vast textures of only organic keyboard sounds to Googling the gear and instruments other people use. Listen to find out how simply soloing individual parts can lead to breakthrough moments when writing, the one scale you need to learn to play any 1975 song, and why Matty has now fully embraced his northern accent when singing. Tracks discussed: Part of the Band, The 1975, Happiness, When We Are TogetherLINKS TO EVERYTHING TAPE NOTES  linktr.ee/tapenotes Listen to ‘Being Funny in a Foreign Language’ here. Dirty Hit Intro Music - Sunshine Buddy, Laurel Collective - https://songwhip.com/laurelcollective/sunshinebuddy    GEAR MENTIONSGibson ES-330 GuitarRoland JV-1080Yamaha CP80 Yamaha CP-70BPlugin Alliance Brainworx Focusrite CSChandler TG ChannelKorg M1DynaCord Digital EchoBinson EchorecWEM Copicat Tape Echo Roland RE-201 Space EchoPhilips PhilicordaHarmoniumProTools Ableton OUR GEARhttps://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOWIf you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) Donate KEEP UP TO DATEFor behind the scenes photos and the latest updates, make sure to follow us on: Instagram: @tapenotes Twitter: @tapenotes Patreon: @TapeNotesPodcastFacebook: @tapenotespodcast  YouTube: Tape Notes PodcastDiscord: Tape NotesTo let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! Visit our website to join our mailing list: www.tapenotes.co.uk HELP SUPPORT THE SHOWIf you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) Donate TAPE NOTES TEAMWill Brown - Executive Producer, Engineer & EditorTim Adam-Smith - Executive ProducerWill Lyons - EditorHerbie Elton-Rowley - VideographerNathan Hetherington - PRRebecca Ibbotson - Digital Marketing

In this very special live episode in partnership with AIM, MPG and Transgressive, John is joined by Let’s Eat Grandma’s Rosa Walton and producer David Wrench at Signature Brew to talk about how they wrote, recorded and produced the band’s third album ‘Two Ribbons’.Taking us back to the album’s very beginnings, Rosa and David chart each song’s development, from early bedroom demos complete with mumble melodies and simple energy building tricks, to lyrics finished on the day of recording and adding surprising instruments that bring that extra glitter to their music.Discussing the way in which the band’s creative process has changed in parallel with their different life experiences, the pair share their thoughts on wanting to take on separate subjects and their methods of unifying them into a singular sonic world.Listen to find out how to approach a breakup song before you’ve broken up, why sometimes you don’t need to worry about microphones and how many chillies were unknowingly consumed in the making of this album.Unfortunately, we had a few technical difficulties with the recording and so the sound quality isn’t up to our usual standard, but we hope you enjoy this deep dive into the album nonetheless. Tracks discussed: Levitation, Sunday, Hall of Mirrors LINKS TO EVERYTHING TAPE NOTES linktr.ee/tapenotes  Listen to ‘Two Ribbons’ here.‘Two Ribbons’ - Transgressive Intro Music - Sunshine Buddy, Laurel Collective GEAR MENTIONS Arturia ARP 2600 V Arturia PluginsMoog OneElka SynthexBOSS DR-100 “Dr. Rhythm” Analog Drum MachineRoland TR-808Sequential Prophet Neumann TLM 47 Fender Stratocaster Gibson GuitarsMellotronBell TreeAbleton - Granulator PluginLogic Pro X   OUR GEARhttps://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOWIf you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) Donate KEEP UP TO DATEFor behind the scenes photos and the latest updates, make sure to follow us on: Instagram: @tapenotes Twitter: @tapenotes Facebook: @tapenotespodcast  YouTube: Tape Notes PodcastDiscord: Tape NotesTo let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAMWill Brown - Executive Producer, Engineer & EditorTim Adam-Smith - Executive ProducerWill Lyons - EditorHerbie Elton-Rowley - VideographerAndrew Tindall (Roam Film) - VideographerNathan Hetherington - PRRebecca Ibbotson - Digital Marketing

Thanks to SoundBetter for supporting this episode of Tape Notes.SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists.Head to SoundBetter.com to find out more.In this milestone 100th episode of Tape Notes, John is joined by the Finneas at Lightship95 Studio, to talk about how he wrote, recorded and produced his album ‘Optimist’ and his new single ‘Mona Lisa Mona Lisa’.Reflecting on the fluidity of his writing process, Finneas talks us through the varied methods and circumstances in which his tracks took shape, from the very first synth sounds that kick-started ideas, to the detailed sonic decisions that helped each element work towards a cohesive goal.Alongside the production masterclass, Finneas looks back on his career so far, discussing his family’s involvement with his music and the impact they’ve had on his creativity. We hear stories from the early days of making music videos with his mum, vocal mic shootouts with Billie, and the essential advice that he still lives by.Listen to find out why mediocrity isn’t a bad thing, how finishing a song isn’t too dissimilar to finishing a meal, and why the correct way to do something isn’t always the correct way.Tracks discussed: How It Ends, Medieval, Mona Lisa Mona Lisa LINKS TO EVERYTHING TAPE NOTES linktr.ee/tapenotes  Listen to ‘Optimist’ here.Listen to ‘Mona Lisa Mona Lisa’ here.OYOY Inc, Interscope Records Intro Music - Sunshine Buddy, Laurel Collective. GEAR MENTIONSArturia FarfisaOutput Analogue StringsFabFilter Twin 2Spectrasonics TrilianSpectrasonics OmnisphereSoundtoys DecapitatorSoundtoys Little AlterBoySoundtoys TremolatorAntares AutotuneNative Instruments BundleNative Instruments MassiveValhalla RoomNeumann TLM103Chandler REDDTelefunken ELA M 251Audio Technica AT2020Shure SM7BShure SM57M-Audio VenomSequential Prophet XNovation UltraNova SynthElektron SynthFender AcoustasonicTube-Tech CL1B CompressorCloud Microphones CloudlifterSweetwater Best Seller ListAbletonLogic ProLogic - Compressor Plugin OUR GEARhttps://linktr.ee/tapenotes_ourgear  KEEP UP TO DATEFor behind the scenes photos and the latest updates, make sure to follow us on: Instagram: @tapenotes Twitter: @tapenotes Facebook: @tapenotespodcast  YouTube: Tape Notes PodcastDiscord: Tape NotesTo let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! Visit our website to join our mailing list: www.tapenotes.co.uk  HELP SUPPORT THE SHOWIf you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) Donate TAPE NOTES TEAMWill Brown - Executive Producer, Engineer & EditorTim Adam-Smith - Executive ProducerWill Lyons - EditorHerbie Elton-Rowley - VideographerRob Leedell - Camera Assistant and PhotographerGeorge Durston - Production AssistantNathan Hetherington - PRRebecca Ibbotson - Digital Marketing 

In this episode, John heads to Fiction Studios to catch up with Jon and Alex of Everything Everything to talk about how they wrote, recorded and produced the album ‘Raw Data Feel’.Taking us through the very first scraps of ideas, Jon and Alex pull apart the elements within each demo they often endeavour to carry into the final songs, from the qualities found within their raw desk mixes to the hidden melodies that end up pulling a whole track together.Alongside Jon’s tips on writing to suit different people’s vocal ranges and Alex’s deep dive into his modular synth collection, we’re given a glimpse into the influence and use of AI on the album, including a sneak peek at the lyrics generated when a system is fed with text from Beowulf, Tumblr feeds and the LinkedIn T&Cs.Listen to find out how a studio clean out led to a slide guitar feature, why limitation is such a useful tool and what to start cutting out when you’re bored with a track. Tracks discussed: Jennifer, Leviathan, Software Greatman Listen to ‘Raw Data Feel’ here.‘Raw Data Feel’ - Infinity Industries LLP, AWAL Recordings Ltd Intro Music - Sunshine Buddy, Laurel Collective LINKS TO EVERYTHING TAPE NOTES https://linktr.ee/tapenotes  GEAR MENTIONSLinnstrumentRoli SeaboardVerbos SequencerVerbos ElectronicsVerbos Harmonic OscillatorSOMA Pulsar 23Cwejman S1Cwejman MMF 2 FilterZoom 4040 PedalMetal Zone PedalsValhalla ReverbsNeumann U67Ableton - CV ToolsAbleton  OUR GEARhttps://linktr.ee/tapenotes_ourgear  KEEP UP TO DATEFor behind the scenes photos and the latest updates, make sure to follow us on: Instagram: @tapenotes Twitter: @tapenotes Facebook: @tapenotespodcast  YouTube: Tape Notes PodcastDiscord: Tape NotesTo let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! Visit our website to join our mailing list: www.tapenotes.co.uk  HELP SUPPORT THE SHOWIf you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) Donate TAPE NOTES TEAMWill Brown - Executive Producer, Engineer & EditorTim Adam-Smith - Executive ProducerWill Lyons - EditorHerbie Elton-Rowley - VideographerGeorge Durston - Production AssistantNathan Hetherington - PRRebecca Ibbotson - Digital Marketing

In this episode, John links up with Lykke Li and producer Bjorn Yttling to talk about how they wrote, recorded and produced Lykke’s latest album ‘EYEYE’.Digging into the truly multi-dimensional record, Lykke and Bjorn look back on their process of creating the sonic world in which the tracks all live, from finding different angles to songs by playing them on different instruments, to the breakthrough moments in the studio when an idea just unlocks.Alongside sharing thoughts on feeling the beat and what makes a very Swedish sounding riff, the conversation turns to Lykke’s start in music, the star quality she possessed that drew Bjorn to her despite some vocal and songwriting flaws, and the constant resistance she faces as an artist.Listen to why condoms can be helpful tools when micing up, what headphone-phobia does to your recordings, and how to truly tap into the divine within music.Tracks discussed: OVER, CAROUSEL, u&i Listen to ‘EYEYE’ here.'EYEYE' - Play It Again Sam/Crush Music Intro Music - Sunshine Buddy, Laurel Collective LINKS TO EVERYTHING TAPE NOTES https://linktr.ee/tapenotes  GEAR MENTIONSSoundtoys MicroshiftShure SM58AKG D190eSoma Synths The PipeCasio 101Moog RogueCrumar String SynthLevin GuitarsHagstrom AmpsRoland Amp (Battery Operated) OUR GEARhttps://linktr.ee/tapenotes_ourgear  HELP SUPPORT THE SHOWIf you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) DonateKEEP UP TO DATEFor behind the scenes photos and the latest updates, make sure to follow us on: Instagram: @tapenotes Twitter: @tapenotes Facebook: @tapenotespodcast  YouTube: Tape Notes PodcastDiscord: Tape NotesTo let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! Visit our website to join our mailing list: www.tapenotes.co.uk  TAPE NOTES TEAMWill Brown - Executive Producer, Engineer & EditorTim Adam-Smith - Executive ProducerWill Lyons - EditorHerbie Elton-Rowley - VideographerGeorge Durston - Production AssistantNathan Hetherington - PRRebecca Ibbotson - Digital Marketing 

In this episode, John is back at Spitfire Audio to catch up with Yannis and Jimmy of Foals, to discuss how they wrote, recorded and produced their new album ‘Life Is Yours’.Giving us a fascinating insight into their process and how they adapted it for their current 3 piece line up, the pair look back on how they kept their creativity organic and spontaneous, as well as the impact of each new producer along the way.With writing-room demos and plenty of stories from the studio, we’re given a full rundown of the elements that went into shaping the band’s updated sound, from the list of keywords they wrote before even playing a note through to the almost hour-long jams. Listen to find out how they sneak discarded ideas back in to the lives show, why it’s so important for the groove of a song to be set before anything else, and what producers often do to keep their production secrets under wraps.Tracks discussed: Wild Green, 2001 Listen to ‘Life Is Yours’ here‘Life Is Yours’- Warner Music UKIntro Music - Sunshine Buddy, Laurel Collective LINKS TO EVERYTHING TAPE NOTES https://linktr.ee/tapenotes   GEAR MENTIONSElectro Harmonix POG PedalPrometheus DLX Resonant FilterStrymon PedalRoland Jupiter 4Korg MinilogueSequential MophoTravis Bean Guitars Gibson Hollowbody BassSelmer Zodiac AmpLeslie Rotary SpeakerReaper OUR GEARhttps://linktr.ee/tapenotes_ourgear  HELP SUPPORT THE SHOWIf you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) Donate KEEP UP TO DATEFor behind the scenes photos and the latest updates, make sure to follow us on: Instagram: @tapenotes Twitter: @tapenotes YouTube: Tape Notes PodcastFacebook: @tapenotespodcast  Discord: Tape NotesTo let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! Visit our website to join our mailing list: www.tapenotes.co.uk  TAPE NOTES TEAMWill Brown - Executive Producer, Engineer & EditorTim Adam-Smith - Executive ProducerWill Lyons - EditorHerbie Elton-Rowley - VideographerGeorge Durston - AssistantNathan Hetherington - PRRebecca Ibbotson - Digital Marketing 

In this episode, John heads over to Spitfire Audio to chat with Mahalia and producer JD. Reid about how they wrote, recorded and produced the EP ‘Letter To Ur Ex’.Looking back on their early writing sessions together, the pair reflect on their very first meeting and the approach they took to get the best out of one another. From scatting line after line over a beat and jamming ideas until something just sticks, to the promise of food as a reward for finishing each section of a song.Alongside sharing their thoughts on blending the worlds of hip-hop and R&B, we’re treated to a production deep dive, looking at the intricate relationships between the parts that make up a beat and the small yet essential ingredients that add so much to each track in such subtle ways.Listen to find out why Mahalia sometimes sings with a man’s voice, what moments just scream out for a Talk Box, and why it’s always important to look at a track as more than just an instrumental and vocal. Tracks discussed: Letter To Ur N(ex)t, Whatever Simon Says, In The Club Listen to ‘Letter To Ur Ex’ here.‘Letter To Ur Ex’ - Warner Music UK Intro Music - Sunshine Buddy, Laurel Collective LINKS TO EVERYTHING TAPE NOTES https://linktr.ee/tapenotes  GEAR MENTIONSWavesfactory Cassette Tape SaturationGoodhertz LossySpectrasonics OmnisphereArturia CS80Arturia MellotronArturia Juno Chorus Antares AutotuneKeyscape RhodesUAD Empirical Labs DistressorUAD Empirical Labs PultecUniversal Audio Apollo Twin (JD’s Interface)Native Instruments Rickenbacker BassNative Instruments ReaktorNative Instruments KontaktValhalla ReverbsValhalla ShimmerSpitfire StringsSpitfire AudioTalk BoxMicroKorgShure SM7BSpliceLogic Pro OUR GEARhttps://linktr.ee/tapenotes_ourgear  HELP SUPPORT THE SHOWIf you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) Donate KEEP UP TO DATEFor behind the scenes photos and the latest updates, make sure to follow us on: Instagram: @tapenotes Twitter: @tapenotes YouTube: Tape Notes PodcastFacebook: @tapenotespodcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! Visit our website to join our mailing list: www.tapenotes.co.uk  TAPE NOTES TEAMWill Brown - Executive Producer, Engineer & EditorTim Adam-Smith - Executive ProducerWill Lyons - EditorHerbie Elton-Rowley - VideographerGeorge Durston - AssistantNathan Hetherington - PRRebecca Ibbotson - Digital Marketing 

In this episode, John links up with Chaz Bear, the mind behind Toro y Moi, to talk about how he wrote, recorded and produced the album ‘MAHAL’.Digging into jam sessions dating back to 2015 with all of the original recordings to hand, Chaz gives us the lowdown on how his musical ideas formulate, and the simple yet impactful journey they undertake to arrive as fully fleshed out tracks.Reflecting on life as an all-round creative, Chaz looks back on how he got started in music, from the early days using his parent's karaoke machine, to the importance of community and collaboration in today's music world.Listen to find out what in The Godfather had such a huge influence on a song, why it’s so difficult to create completely emotionless performances, and how to fearlessly explore ideas in your music.Tracks discussed: Déjà Vu, Magazine, The Loop Listen to ‘MAHAL’ here.‘MAHAL’ - Dead Oceans Intro Music - Sunshine Buddy, Laurel Collective LINKS TO EVERYTHING TAPE NOTES https://linktr.ee/tapenotes  GEAR MENTIONSShure SM7BShure SM57Neumann MicsAPI Channel StripHofner BassReasonAbletonFL StudioFostex MultitrackerWurlitzer Piano OUR GEARhttps://linktr.ee/tapenotes_ourgear  HELP SUPPORT THE SHOWIf you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) Donate KEEP UP TO DATEFor behind the scenes photos and the latest updates, make sure to follow us on: Instagram: @tapenotes Twitter: @tapenotes Facebook: @tapenotespodcast  YouTube: Tape Notes PodcastDiscord: Tape NotesTo let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! Visit our website to join our mailing list: www.tapenotes.co.uk  TAPE NOTES TEAMWill Brown - Executive Producer, Engineer & EditorTim Adam-Smith - Executive ProducerWill Lyons - EditorHerbie Elton-Rowley - VideographerGeorge Durston - AssistantNathan Hetherington - PRRebecca Ibbotson - Digital Marketing 

Thanks to SoundBetter for supporting this episode of Tape Notes.SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists.Head to SoundBetter.com to find out more.In this episode, John links up with Harley Streten, better known as Flume, to talk through how he wrote, recorded and produced the four opening tracks from his mixtape and three albums - ‘Flume’, ‘Skin’, ‘Hi This Is Flume’ and ‘Palaces’.Digging out files from sessions dating back to his early adventures travelling around Europe, Harley gives us a rundown on some of the key parts of his life in music and how his approach to producing has changed over the years. From his early days using cereal box software to his approach to fixing writer’s block and the mental strain of life in music.As well as the long list of failed experiments that never made the final tracks, we’re given a full tour of the painstaking tweaks and subtle changes Harley teases into his work to humanise a production.Listen to find out what question Harley always asks when visiting synth stores, why you shouldn’t be afraid to rip off other people, and what some of the key elements to consider are when navigating success.Tracks discussed: Sintra, Helix, Hi This Is Flume, Highest Building Listen to ‘Palaces’ here. Listen to ‘Skin’ here.Listen to ‘Flume’ here.Listen to ‘Hi This Is Flume’ here.Future Classic, Transgressive Records Ltd Intro Music - Sunshine Buddy, Laurel Collective LINKS TO EVERYTHING TAPE NOTES https://linktr.ee/tapenotes  GEAR MENTIONSSonic Charge SynplantVengeance Vocal PackNative Instruments Razor SynthNative Instruments ReaktorElektron MonomachineReasonFL StudioCubaseAbleton OUR GEARhttps://linktr.ee/tapenotes_ourgear  HELP SUPPORT THE SHOWIf you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) Donate KEEP UP TO DATEFor behind the scenes photos and the latest updates, make sure to follow us on: Instagram: @tapenotes Twitter: @tapenotes Facebook: @tapenotespodcast  YouTube: Tape Notes PodcastDiscord: Tape NotesTo let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! Visit our website to join our mailing list: www.tapenotes.co.uk  TAPE NOTES TEAMWill Brown - Executive Producer, Engineer & EditorTim Adam-Smith - Executive ProducerWill Lyons - EditorHerbie Elton-Rowley - VideographerGeorge Durston - Production AssistantNathan Hetherington - PRRebecca Ibbotson - Digital Marketing 

Thanks to SoundBetter for supporting this episode of Tape Notes.SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists.Head to SoundBetter.com to find out more.In this episode, John heads to Miloco’s The Yard Studios to catch up with The Chainsmokers, Alex and Drew, talking through how they wrote, recorded and produced their latest album ‘So Far, So Good’.Giving us a glimpse into their Hawaii writing sessions and drunken nights in the studio, the duo share the initial sparks and early ideas (both good and not so good) that developed into the final tracks. As well as a beat building masterclass, creating drum patterns that no one would ever think up, the pair reflect on removing any pressure from their writing process and the impact it had on their creativity.Listen to find out how to get away with recycling beats from different songs, why sometimes it pays to be the least organised producer in the game, and what the best question to ask yourself is in order to handle almost every situation.Tracks discussed: If You’re Serious, iPad, I Love U Listen to ‘So Far, So Good’ here.‘So Far, So Good’ - Disruptor Records/Columbia Records Intro Music - Sunshine Buddy, Laurel Collective  LINKS TO EVERYTHING TAPE NOTES https://linktr.ee/tapenotes  GEAR MENTIONSArturia Analogue LabArturia PluginsAntares Auto-Tune iZotope Trash 2Output REVOutput EXHALEOutput SIGNALSoundtoys AlterBoyU-He DivaXfer LFO ToolZynaptiq PitchmapNative Instrument FM8 SynthApogee Duet InterfaceApogee Symphony InterfaceNeumann MicsTelefunken MicsGibson Les PaulYamaha Baby Grand PianoMason Hamlin PianoNord KeyboardsSteinway Pianos OUR GEARhttps://linktr.ee/tapenotes_ourgear  HELP SUPPORT THE SHOWIf you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) Donate KEEP UP TO DATEFor behind the scenes photos and the latest updates, make sure to follow us on: Instagram: @tapenotes Twitter: @tapenotes Facebook: @tapenotespodcast  YouTube: Tape Notes PodcastDiscord: Tape NotesTo let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! Visit our website to join our mailing list: www.tapenotes.co.uk  TAPE NOTES TEAMWill Brown - Executive Producer, Engineer & EditorTim Adam-Smith - Executive ProducerWill Lyons - EditorHerbie Elton-Rowley - VideographerSam Nahirny - Photographer and Camera AssistantGeorge Durston - Production AssistantNathan Hetherington - PRRebecca Ibbotson - Digital Marketing