“I really hope that kindness is preserved. I really think manners and being polite can go a long way. People are in such a rush these days. Everybody wants to acquire so much, and they forget to just be thankful for the little things in life. To slow down, how you move through the world and how selfless you are, holding open a door for someone, or just telling someone to have a good day. Those are all things that can have a lasting effect on another person and make them want to be better as well.”Best-selling author Courtney Peppernell is from Sydney, Australia. Her poetry collection Pillow Thoughts was a worldwide success. Her Young Adult novels and poetry books have struck a chord with young readers and the LGBTQ+ community. Her other works include I Hope You Stay, Watering the Soul, as well as Hope in the Morning, profits of which were donated to assist relief efforts for injured wildlife affected by Australian bushfires. · https://www.peppernell.com · https://www.instagram.com/courtneypeppernell/ · WIRES, Australia’s largest wildlife rescue organisation https://www.wires.org.au· www.creativeprocess.info · www.oneplanetpodcast.org

Best-selling author Courtney Peppernell is from Sydney, Australia. Her poetry collection Pillow Thoughts was a worldwide success. Her Young Adult novels and poetry books have struck a chord with young readers and the LGBTQ+ community. Her other works include I Hope You Stay, Watering the Soul, as well as Hope in the Morning, profits of which were donated to assist relief efforts for injured wildlife affected by Australian bushfires.“I really hope that kindness is preserved. I really think manners and being polite can go a long way. People are in such a rush these days. Everybody wants to acquire so much, and they forget to just be thankful for the little things in life. To slow down, how you move through the world and how selfless you are, holding open a door for someone, or just telling someone to have a good day. Those are all things that can have a lasting effect on another person and make them want to be better as well.” · https://www.peppernell.com · https://www.instagram.com/courtneypeppernell/ · WIRES, Australia’s largest wildlife rescue organisation https://www.wires.org.au· www.creativeprocess.info · www.oneplanetpodcast.org

“We have to be unwavering in our commitment to principles of justice and freedom and be harbingers of hope. It's what can feel like regression that’s happening. It’s like, okay, there is. I'm thinking about in the country right now, we’ve had these incredible moments, seeing a show like “Pose” on television with so many queer, trans, black, and brown actors. You have Laverne Cox on the cover of TIME, a really wonderful documentary “Disclosure” about trans representation, and some really positive steps made towards trans healthcare. And right now we're seeing all of these bills popping up across States criminalizing trans youth, and it is important for us to recognize at that moment part of that backlash is because certain progress was being made. Because we were starting to question gender and its fixity today and the ways that transphobia operates. Because people were becoming aware of how vulnerable trans people are in our world to violence. And, so of course, we see a response, which means we have to retool and keep fighting. That’s the charge. The struggle is at this point still in an ending one, but it doesn't mean that along the way that certain victories haven’t amassed that give us hope to propel us forward and be ready when the next attack on freedoms, on rights, on justice emerges, because it will. Right? We’re pushing in ways that are uncomfortable because we’re disrupting the center. We’re disrupting the default. We’re disrupting power. And Power it's not just going to concede because we're demanding it.So for me, this is a lifelong thing, and I think of it as ancestor work that I one day will be somebody's ancestor, and I want them to be proud of the work that we did to give them a world that’s a little better of an inheritance than the world that I was born into. And I think that is how we mark progress in more nuanced ways, in more honest ways. It doesn't need to be a straight line towards freedom, more of a journey with wins and losses, setbacks and victories.”Treva B. Lindsey, PhD is a Black feminist historian and Associate Professor of Women’s, Gender, and Sexuality Studies at The Ohio State University. She is the recipient of several prestigious fellowships including the ACLS/Mellon Scholars and Society Fellowship, The Equity for Women and Girls of Color Fellowship at Harvard University, and The Woodrow Wilson Career Enhancement Fellowship. Lindsey is the founder of the Transformative Black Feminisms Initiative at Ohio State and the co-founder of Black Feminist Night School at Zora’s House in Columbus, Ohio. Her latest book entitled America, Goddam: Violence, Black Women, and The Struggle for Justice explores contemporary violence against Black women and girls and how they mobilize to halt violence against them.· https://trevablindsey.com
· www.creativeprocess.info
· www.oneplanetpodcast.org

Treva B. Lindsey, PhD is a Black feminist historian and Associate Professor of Women’s, Gender, and Sexuality Studies at The Ohio State University. She is the recipient of several prestigious fellowships including the ACLS/Mellon Scholars and Society Fellowship, The Equity for Women and Girls of Color Fellowship at Harvard University, and The Woodrow Wilson Career Enhancement Fellowship. Lindsey is the founder of the Transformative Black Feminisms Initiative at Ohio State and the co-founder of Black Feminist Night School at Zora’s House in Columbus, Ohio. Her latest book entitled America, Goddam: Violence, Black Women, and The Struggle for Justice explores contemporary violence against Black women and girls and how they mobilize to halt violence against them.· https://trevablindsey.com · www.creativeprocess.info · www.oneplanetpodcast.org

“I would say that I write liminal fantasy. I write surrealist work and literary fiction. I write horror. Horror is probably the genre that speaks to me the most. I feel horror is the genre that I feel the most affinity towards. For me, that is the sweet spot where the beautiful and the grotesque meet each other. It's very interesting to me, and I think encouraging people to look at certain ideas that are horrifying, making them beautiful and interesting, that intersection of beauty and pain, humor and darkness, it’s the most interesting place.”Carmen Maria Machado is the author of the bestselling memoir In the Dream House and the award-winning short story collection Her Body and Other Parties. She has been a finalist for the National Book Award and the winner of the Bard Fiction Prize, the Lambda Literary Award for Lesbian Fiction, the Lambda Literary Award for LGBTQ Nonfiction, the Brooklyn Public Library Literature Prize, the Shirley Jackson Award, and the National Book Critics Circle's John Leonard Prize. In 2018, the New York Times listed Her Body and Other Parties as a member of "The New Vanguard," one of "15 remarkable books by women that are shaping the way we read and write fiction in the 21st century."· carmenmariamachado.com · www.creativeprocess.info · www.oneplanetpodcast.org

Carmen Maria Machado is the author of the bestselling memoir In the Dream House and the award-winning short story collection Her Body and Other Parties. She has been a finalist for the National Book Award and the winner of the Bard Fiction Prize, the Lambda Literary Award for Lesbian Fiction, the Lambda Literary Award for LGBTQ Nonfiction, the Brooklyn Public Library Literature Prize, the Shirley Jackson Award, and the National Book Critics Circle's John Leonard Prize. In 2018, the New York Times listed Her Body and Other Parties as a member of "The New Vanguard," one of "15 remarkable books by women that are shaping the way we read and write fiction in the 21st century."· carmenmariamachado.com · www.creativeprocess.info · www.oneplanetpodcast.org

“I do feel that we are infinite choice makers. You make millions of choices all the time. Make the right choice and if you make the wrong choice, understand that mistakes are great teachers. Learn from that and move on. I do have this sense of responsibility of passing something on a love of dance history that really informs my process. Speaking in old language in a new way with a contemporary accent. Something so wonderful about dance and the arts is that you never stop learning. It is like always just this long process, and I continue. Students teach me every day. It is such a gift. It is probably the most important thing I can think of. Especially when I think of two things. In terms of history, the humanities show us how we were, why we were, and while we were...But then I also think about the future. What are we doing now? What seeds are we planting to inform the future?...And I said it earlier about making sense out of a chaotic universe where bad things happen to good people. Arts will help you figure that out.”Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University’s Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden’s Danstation Theatre and France’s EXIT Festival. Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night’s Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L’Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons’ production of My Life with Albertine; Shakespeare in the Park’s As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran’s work has appeared on Broadway in James Joyce’s The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre’s studio company, Denmark’s Upper Cut Company, Sweden’s Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org

Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University’s Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden’s Danstation Theatre and France’s EXIT Festival.Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night’s Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L’Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons’ production of My Life with Albertine; Shakespeare in the Park’s As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran’s work has appeared on Broadway in James Joyce’s The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre’s studio company, Denmark’s Upper Cut Company, Sweden’s Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org

“In developing Harper’s character, it felt like just very realistic. We’re in a major city that's very liberal, that’s very creative, that this would be someone who would be a stylist, who would not necessarily need to have a coming out story because maybe they aren't from a background where… She might have come out as pansexual when she was 13. That probably didn’t need to be said. Carly wouldn't be someone you needed to sit down and hold her hand and say, “I’ve got something to tell you.” That this is someone who would say, “Oh, cool, my roommate brought home a woman.” Or, my roommate brought home someone nonbinary. That's not something that we have to discuss. And Laci has talked a lot about how there is a place for that in a lot of shows and it's really important to have art like that, but it’s also equally important to have shows where it's not this big deal coming out scene. That these are people just existing joyfully and living their lives and pursuing their dreams and relationships. That’s equally valuable. I think we really felt that with the nature of the show that was the opportunity we had. It’s such a joyful show that why not just show someone dating who they want to date and who they connect with.”Ali Schouten is a showrunner, executive producer, and writer who is quickly establishing herself as a creative on the rise as her formidable talent and artistic versatility continue to make waves.    Schouten currently serves as the showrunner and executive producer of the wildly successful iCarly revival for Paramount+, which set 10 years later, features Miranda Cosgrove reprising her iconic role. The series was renewed for a second season and will return on April 8th after swiftly becoming one of the streaming service’s top acquisition drivers, ranking among their most streamed titles since the series’ debut. The series, which holds an impressive rating of 100% on Rotten Tomatoes, continues to receive praise for its modernized and inclusive approach from audiences and critics alike, with Variety applauding its ability to “straddl[e] the line between childhood nostalgia and newfound maturity”. This follows her role as co-executive producer on the Latinx-led family series from Disney+, Diary of a Future President, created by Ilana Peña and executive produced by Gina Rodriguez. Schouten also served as a supervising producer on the Netflix holiday miniseries, MERRY HAPPY WHATEVER, starring Dennis Quaid, Bridgit Mendler, Brent Morin, and Ashley Tisdale.Additional credits include serving as consulting producer and writer on the CBS All Access series NO ACTIVITY, supervising producer and writer on the Hulu series ALL NIGHT, and co-producer and writer on the NBC series CHAMPIONS from Mindy Kaling and Charlie Grandy. Schouten also served as an executive story editor and writer on the hit ABC Family series, YOUNG AND HUNGRY, in addition to the Verizon go90's series, RELATIONSHIP STATUS, for which she received a Daytime Emmy Award nomination for ‘Outstanding Writing in a Digital Drama Series’.· www.paramountplus.com/shows/icarly-2021· www.creativeprocess.info

Ali Schouten is a showrunner, executive producer, and writer who is quickly establishing herself as a creative on the rise as her formidable talent and artistic versatility continue to make waves.Schouten currently serves as the showrunner and executive producer of the wildly successful iCarly revival for Paramount+, which set 10 years later, features Miranda Cosgrove reprising her iconic role. The series was renewed for a second season and will return on April 8th after swiftly becoming one of the streaming service’s top acquisition drivers, ranking among their most streamed titles since the series’ debut. The series, which holds an impressive rating of 100% on Rotten Tomatoes, continues to receive praise for its modernized and inclusive approach from audiences and critics alike, with Variety applauding its ability to “straddl[e] the line between childhood nostalgia and newfound maturity”. This follows her role as co-executive producer on the Latinx-led family series from Disney+, Diary of a Future President, created by Ilana Peña and executive produced by Gina Rodriguez. Schouten also served as a supervising producer on the Netflix holiday miniseries, MERRY HAPPY WHATEVER, starring Dennis Quaid, Bridgit Mendler, Brent Morin, and Ashley Tisdale.Additional credits include serving as consulting producer and writer on the CBS All Access series NO ACTIVITY, supervising producer and writer on the Hulu series ALL NIGHT, and co-producer and writer on the NBC series CHAMPIONS from Mindy Kaling and Charlie Grandy. Schouten also served as an executive story editor and writer on the hit ABC Family series, YOUNG AND HUNGRY, in addition to the Verizon go90's series, RELATIONSHIP STATUS, for which she received a Daytime Emmy Award nomination for ‘Outstanding Writing in a Digital Drama Series’.· www.paramountplus.com/shows/icarly-2021· www.creativeprocess.info