Electronic Music

Composer and musician Yann Tiersen talks to William Stokes about his love of modular synthesis, the joys and challenges of touring and performing and how he found himself unexpectedly involved in film composition, followed by an exclusive performance using five selected modules.Chapters00:00 - Introduction01:26 - An Accidental Film Composer05:44 - Recording And Mixing Process11:38 - Visiting Erica Synths13:21 - Trans Musicale Festival In Rennes18:47 - Eskal Studio On Ouessant Island21:00 - Module 1: Serge New Timbral Oscillator25:51 - Module 2: Instruō Lúbadh31:06 - Module 3: Mutable Instruments Beads32:58 - Module 4: Erica Synths Black Stereo Delay37:21 - Module 5: TouellSkouarn Ar Merc'het Brao41:30 - Yann Tiersen PerformanceYann Tiersen BiogYann Tiersen is a French composer and multi-instrumentalist whose work spans classical, electronic, and experimental music. He gained international recognition in 2001 for his soundtrack to Le Fabuleux Destin d'Amélie Poulain (Amélie), following the success of his 1998 album Le Phare, which achieved gold status in France.Since then, Tiersen has released numerous studio albums and has performed extensively across Europe, North America and Asia. His discography includes collaborations with artists such as Jane Birkin, Elizabeth Fraser and Matt Elliott. His work has been featured in films, theatre productions and contemporary art installations.Tiersen's compositions have appeared in a range of films beyond Amélie, including Good Bye, Lenin! (2003), Alice et Martin (1998) and Tabarly (2008), as well as various short films and documentaries. His music is frequently used for its emotive and atmospheric qualities, particularly in European cinema.His latest release, Rathlin from a Distance | The Liquid Hour (2024), is a double album where the first part comprises eight solo piano pieces written during a 2023 sailing trip, each linked to a specific location. The second part shifts to electronic production, incorporating modular synths, samples and rhythmic textures, created following a night at sea near Belfast. The project reflects Tiersen’s ongoing interest in location-based composition and the integration of acoustic and electronic elements.Tiersen records at his studio on the island of Ushant, off the coast of Brittany and continues to tour internationally.https://www.yanntiersen.com/https://www.instagram.com/yanntiersenhttps://www.facebook.com/yanntiersen.officialhttps://www.youtube.com/yanntiersenWilliam Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips’ Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I’m always seeking out the most ‘out-there’, experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” Stokes currently lectures in Music Production at City, University of London.https://www.vokagentle.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Nick Rothwell is joined by Jeff Albert, Associate Professor at Georgia Tech, and Paul McCabe, Senior Vice President of Research and Innovation at Roland, to discuss the 2025 Guthman Musical Instrument Competition - an annual event showcasing new technologies and innovations in music.Chapters00:00 - Introduction01:10 - Jeff Albert And Georgia Tech05:02 - Paul McCabe And Roland's Future Design Lab10:17 - Judging The Guthman Competition12:06 - Getting Hands-On With The Instruments13:45 - Getting The Back Stories From The Creators 15:11 - A Wide Range Of Instruments And Technologies17:37 - Face-To-Face Demos And Performances18:45 - The Origins Of The Guthman Competition21:33 - The 2025 Winner: Chromaplane24:55 - 3rd Place: Adult Corythosaurus30:34 - How The Instruments Are JudgedThe Guthman Musical Instrument CompetitionThe Guthman Musical Instrument Competition began in 1996, founded by Georgia Tech alumnus Richard Guthman in tribute to his wife Margaret, a talented pianist. Originally a jazz piano contest, it grew steadily over a decade, drawing students from dozens of US states.As Georgia Tech's music landscape evolved, introducing a Music Technology Master’s in 2006 and launching the Georgia Tech Center for Music Technology in 2007, the competition shifted focus. In 2009, it was re-imagined as the Guthman Musical Instrument Competition, celebrating innovation in musical instrument design. Now an international event, it attracts inventors from across the globe. From experimental prototypes to market-ready products, entrants showcase their creations live, competing for recognition as the most groundbreaking idea in music technology.https://guthman.gatech.edu/Jeff Albert BiogAn Associate Professor and Interim Chair at Georgia Tech, Jeff Albert’s areas of research and creative practice include improvisation and interaction, jazz performance, performance paradigms for live computer music and audio production. He has performed in concerts and festivals in the U.S and throughout Europe, and contributed as a performer, producer, or engineer on over 60 recordings, including the 2017 Grammy winner for Best Traditional Blues Album. He has been named a Rising Star in the DownBeat Critics Poll and his album Unanimous Sources was named a Top 10 album of 2020 by Jan Garelick in the Boston Globe. Albert received his B.M. from Loyola University New Orleans, and his M.M. from the University of New Orleans. In May of 2013, he became the first graduate of the PhD program in Experimental Music and Digital Media at Louisiana State University, where he was a founding member of the Laptop Orchestra of Louisiana (LOLs).https://jeffalbert.com/Paul McCabe BiogPaul McCabe is the Senior Vice President of Research and Innovation at Roland, where he has spearheaded the development of the Future Design Labs. Under his leadership, this global R&D team of engineers and researchers has been dedicated to exploring and harnessing emerging trends, fostering innovation, and shaping the global creative landscape for the next 50 years. In addition to his work at Future Design Labs, Paul also brings his expertise to Roland's Central Marketing Group, where he provides executive leadership to Consumer Research and Insights. Throughout his career, Paul has held numerous leadership positions, including VP of R&D and Strategic Partnerships, VP of Global CX and VP of Global Marketing. At Roland Canada, he served in various key roles such as President & CEO, COO, Product Manager, Marketing Communications Manager, Technical Marketing and Product Specialist.https://mccabepaulj.com/https://www.instagram.com/mccabep/Nick Rothwell BiogNick Rothwell is a composer, performer, software architect, coder and visual artist. He has built media performance systems for projects with Ballett Frankfurt and Vienna Volksoper, composed sound scores for Aydın Teker (Istanbul / Kapadokya), Shobana Jeyasingh, AWA Dance, Luz&Mannion Dance (Flamenco) and Undercurrent Theatre, programmed physical media sculptures with Simeon Nelson and Rob Godman, live coded in Mexico and in Berlin with sitar player Shama Rahman, collaborated with the body>data>space collective in Prague, Paris and Dresden, written software for Studio Wayne McGregor, Beinghuman in Kathmandu, the Pina Bausch Foundation and Nesta's FutureFest, consulted for Tate Modern, and developed algorithmic visuals for large-scale outdoor projections in Poland, Estonia, the Cambridge Music Festival and Lumiere (London / Durham). He has taught design at CODE Berlin and currently runs the Computer Science undergraduate course at University of the Arts London.Project Cassiel - https://cassiel.comCatch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Oli Freke talks us through the history of samplers, from the introduction of the Mellotron in 1963, through to current day sampling software, while highlighting the golden era of sampling from the late 80s to early 90s.Chapters00:00 - Introduction01:08 - The Mellotron02:28 - Pre-Digital Samplers03:18 - Pierre Schaeffer And The Phonogène04:03 - Peter Zinovieff And EMS 05:44 - The University Of Illinois' PLATO06:08 - Harry Mendell's Melodian 07:21 - Wendel Sampling Computer08:29 - The Fairlight and Fairlight II15:20 - The Fundamentals Of Sampling19:43 - The Synclavier23:47 - Digital Delay Lines (DDLs)26:04 - EMU Systems Emulator31:01 - Ensoniq Mirage32:39 - Other Notable 1980s Releases34:46 - Akai S1000 and Roland S Series38:14 - Sampling And Legal Issues 41:16 - Modern Day SamplingOli Freke BiogOli Freke is a London based musician, artist and author who has had a life-long passion for electronic instruments, synthesizers and electronic music. Currently working for the BBC, he has previously enjoyed success with electro band Cassette Electrik supporting the Human League on tour, written music for television and produced dance music since the 1990s.His Synth Evolution range of posters, celebrating the synthesizer and electronic music culture, launched in 2017 and led to the definitive, hand-illustrated book, ‘Synth Evolution: From Analogue to Digital (and Back)’, featuring every commercial synth of the 20th century.www.synthevolution.netwww.linktr.ee/olifrekeCatch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Composer, pianist and producer Martin Kohlstedt talks to Caro C about his approach to combining piano and electronic instruments, improvisation in the studio and on stage, plus the work he is doing to reduce the carbon footprint of touring.Chapters00:00 - Introduction01:42 - Combining Piano And Electronics05:10 - Organic, Improvised Performances09:29 - Incorporating The Voice Into Recordings10:23 - Favoured Hardware Choices12:56 - Touring Equipment 15:54 - Selecting A Live Team17:10 - The Recording Process 20:14 - Launching The Edition Kohlstedt Label 23:39 - Film, TV and Other Commissions25:11 - The Process Of Collaboration27:14 - The Influenced Of Nature 30:15 - Supporting Ecological Projects 32:07 - Planning The Touring Schedule 35:52 - Kinship With Other ArtistsMartin Kohlstedt BiogMartin Kohlstedt is a composer, pianist and producer known for his work in instrumental music and electronica. His albums, including Tag and Nacht, Strom, Ströme, Flur and Feld, along with their respective reworks, have earned international recognition and led to global concert tours.Kohlstedt’s music blends electronica with acoustic and analogue elements, incorporating classical piano, ambient sounds, field recordings, and score design. His work is characterised by the seamless integration of diverse influences and soundscapes. Whether performing at festivals, in intimate piano concerts, or creating movie scores, his music is dynamic and immersive, evolving in real-time during live performances.He describes his approach as modular composition, where his pieces are never fixed. Improvisation plays a key role in his process and he values audience interaction, the freedom to experiment and to collaborate with people, spaces and contexts. Throughout his career, Kohlstedt has worked with notable partners such as the Leipzig Gewandhaus Choir, artists like Douglas Dare and Sudan Archives and labels including Warner Classics. In addition to his own compositions, he creates music and scores for films, plays, podcasts and audiobooks. Kohlstedt also runs his own label, Edition Kohlstedt that supports a reforestation project near his hometown.https://martinkohlstedt.com/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Composer and Sound Designer Robert Aiki Aubrey Lowe tells Caro C about his preferred sound modules and working methodologies, plus shares details some of the film and TV projects that he has recently been collaborating on.Chapters00:00 - Introduction01:35 - Finding A Musical Voice04:38 - Choosing Modular Synthesis10:18 - Avant Garde Artistry17:14 - Current Modular Setup23:19 - Other Favourite Modules 28:11 - Composing For TV And Film34:03 - Combining Hardware And Software#morphagene #spectraphon #dxg #optomix #proworkout #arbharRobert Aiki Aubrey Lowe BiogRobert Aiki Aubrey Lowe is an artist, curator and composer based in Brooklyn, New York. Robert is known for his work with modular synthesis combined with voice. Along with analogue video synthesis works, he has had exhibitions of his work at John Michael Kohler Art Center, Museum of Art and Design, Kunsthal Charlottenborg and the Broad.Over the last several years Robert has collaborated on projects or provided sound in a featured artist capacity for such films as “End of Summer”, “Sicario”, “Arrival”, “Last and First Men” with Johann Johannsson and “It Comes at Night” with Brian McOmber. In recent years Robert has scored “Candyman” for Nia DaCosta, “The Color of Care” and “Power” for Yance Ford, “Master” for Mariama Diallo, “Grasshopper Republic” for Daniel McCabe, docuseries “Telemarketers”, “UNION” for Brett Story and Stephen Maing, “The Man In My Basement” for Nadia Latif, “Life After" for Reid Davenport and “Seeds” for Brittany Shyne. Through collaboration Robert has worked with Tarek Atoui, Ben Russell, Ben Rivers, Rose Lazar, Nicolas Becker, Rashaad Newsome, Jóhann Jóhannsson, Hildur Guđnadóttir, Sabrina Ratté, Philippe Parreno, Evan Calder Williams, Ariel Kalma, Susie Ibarra and YoshimiO, as well as many others.https://robertaikiaubreylowe.bandcamp.com/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Tony Rolando, a self-taught musician and founder of Make Noise, shares his journey in the modular synth world. He reflects on the resilience of the Asheville community post-hurricane and the innovative strides made in electronic music during challenging times. The conversation dives deep into the evolution of modular synthesizers, from nostalgic sampling techniques to modern design. Tony showcases new modules and discusses the intricate blend of analog and digital technologies. His passion for music shines through as he reveals the emotional connections to synths that shape creative expression.

In celebration of the 40th anniversary of the groundbreaking E-mu Systems Emulator II sampler, Dave Rossum, Kevin Monahan and Paul Wiffen share inside stories of the development and manufacture of the instrument, their struggles to get around the technological limitations of the time and how the instrument was widely adopted by bands, artists and pop culture.Chapters00:00 - Introduction01:50 - The Origins Of The Emulator03:59 - The E-mu Name 04:57 - Kevin's Background08:09 - Paul's Background11:19 - The Motivation For Creating Emulator II 16:26 - Specific Challenges25:19 - The Challenges Of Adding Hard Drives30:35 - How Did The Iconic Industrial Design Come About?35:11 - Having Two Disc Drives 38:22 - How Artists Responded To The Emulator II46:46 - Using Sampling To Create Novelty Sounds 56:08 - Kevin's Contribution To Ferris Bueller's Day Off 57:37 - The Legacy Of The Emulator II And Sampling #EmulatorII #Drumulator #SP12"This is all part of musical creativity, which is what I love about my job so much, is that I get to be at the forefront of inventing these tools that then the musicians can go figure out what to do with and blow my socks off" - Dave RossumDave Rossum BiogDave Rossum is a pioneering figure in the field of electronic music and audio technology, celebrated as the co-founder of E-mu Systems. Rossum’s early interest in engineering and music led him to study at the University of California, Santa Cruz, where he developed a deep understanding of both electronic circuits and music theory.In 1971, Rossum co-founded E-mu Systems with Scott Wedge. Initially focusing on modular synthesizers, the company became a cornerstone of the burgeoning electronic music scene. Rossum’s technical brilliance was pivotal in designing groundbreaking instruments, including the E-mu Emulator, one of the first affordable digital samplers, and the E-mu SP-1200 drum machine, which played a critical role in the development of hip-hop and electronic music.Rossum’s work extended beyond instruments to innovations in sound synthesis and sampling technologies, many of which remain influential. After E-mu was acquired in the 1990s, Rossum continued to innovate. In 2016, he launched Rossum Electro-Music, a company dedicated to creating advanced modular synthesizer tools, such as the Morpheus filter and Assimil8or sampler, which appeal to contemporary electronic musicians.Renowned for his combination of scientific rigour and musical sensitivity, Dave Rossum is regarded as a visionary who helped shape the sound of modern music and remains an influential force in the industry.https://www.rossum-electro.com/ Kevin Monahan BiogKevin Monahan was a key figure at E-mu Systems, contributing to the company’s legacy of groundbreaking innovations in electronic music technology. Monahan played a pivotal role in the development and marketing of E-mu’s iconic products during the company’s peak in the 1980s and 1990s, helping bridge the gap between technical engineering and the creative needs of musicians.As a product specialist and public face for E-mu Systems, Monahan was instrumental in introducing instruments like the E-mu Emulator series, the SP-1200 sampler, and the Proteus sound module to musicians around the world. His deep understanding of the technology, combined with his ability to communicate its potential to artists and producers, made him a vital part of E-mu’s success in both the professional and consumer music markets.Beyond his technical expertise, Monahan’s passion for music and sound design made him a respected voice in the industry, helping to shape the culture and tools of electronic music during a transformative era. His contributions to E-mu’s success are remembered as an important chapter in the evolution of music technology.Paul Wiffen BiogPaul Wiffen is a renowned keyboard player, sound designer, and music technologist. With a career spanning decades, Wiffen has worked as both a musician and a consultant for leading synthesizer manufacturers, blending his technical expertise with a keen musical sensibility. At the height of the Emulator II's success, he was London's most prominent programmer of the instrument.As a keyboardist, Wiffen has collaborated with prominent artists like Paul McCartney and Peter Gabriel, as well as recording the bass line on the Band Aid single. As a sound designer he's been involved in several film scores, from Blade Runner with Vangelis to Jungle Fever with Stevie Wonder. His sound design work for manufacturers is equally notable —he played a significant role in programming and demonstrating groundbreaking synthesizers such as the Elka Synthex, OSCar and the Korg Z1, helping to shape the sound palettes of the 1980s and 1990s.Known for his engaging live demonstrations at trade shows and clinics, Wiffen has also been an advocate for electronic music technology, helping musicians unlock the potential of new instruments and old.Rob Puricelli BiogRob Puricelli is a Music Technologist and Instructional Designer who has a healthy obsession with classic synthesizers and their history. In conjunction with former Fairlight Studio Manager, Peter Wielk, he fixes and restores Fairlight CMI’s so that they can enjoy prolonged and productive lives with new owners. He also writes reviews and articles for Sound On Sound, his website Failed Muso, and other music-related publications, as well as hosting a weekly livestream on YouTube for the Pro Synth Network and guesting on numerous music technology podcasts and shows. He also works alongside a number of manufacturers, demonstrating their products and lecturing at various educational and vocational establishments about music technology.www.failedmuso.comTwitter: @failedmusoInstagram: @failedmusoFacebook: https://www.facebook.com/failedmuso/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Electronic music pioneer and composer Suzanne Ciani discusses her career highlights in conversation with William Stokes, including early performance struggles due to her determination to present shows in quadraphonic, a career resurgence thanks to Moogfest and why she loves working with the Buchla interface.Chapters00:00 - Introduction01:06 - The First Female To Score A Movie04:01 - Having More Than 20 Albums04:36 - Golden Apples Of The Sun07:55 - Live Performance Struggles11:57 - A Love Of Programming14:09 - Interacting With A Buchla17:14 - A New Way Of Performing Music22:32 - The Buchla 250 MARF25:36 - Making A Comeback At Moogfest29:36 - Creating Spatial Content38:40 - A Meeting Of Art And Science 41:36 - Future Plans"I didn't build the machines, I certainly didn't design them, but I could interact with them and use them, you know, and that's what I liked".#buchla #moogSuzanne Ciani BiogSuzanne is a five-time Grammy award-nominated composer, electronic music pioneer, and neo-classical recording artist who has released over 20 solo albums including "Seven Waves," and "The Velocity of Love," along with a landmark quad LP “LIVE Quadraphonic,” which restarted her Buchla modular performances. Her work has been featured in films, games, and countless commercials as well. She was inducted into the first class of Keyboard Magazine's Hall of Fame alongside other synth luminaries, including Bob Moog, Don Buchla and Dave Smith and received the Moog Innovation Award. Most recently, she is the recipient of the Independent Icon Award from A2IM, The Golden Ear Award and the SEAMUS Award.Suzanne has provided the voice and sounds for Bally's groundbreaking "Xenon" pinball machine, created Coca-Cola’s pop-and-pour sound, designed logos for Fortune 500 companies and carved out a niche as one of the most creatively successful female composers in the world. A Life in Waves, a documentary about Ciani’s life and work, debuted at SXSW in 2017 and is available to watch on all digital platforms. Ciani is a graduate of Wellesley College and holds a Masters in Music Composition from the University of California, Berkeley.http://sevwave.com/https://transversales.bandcamp.com/album/golden-apples-of-the-sun-3William Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips’ Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I’m always seeking out the most ‘out-there’, experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” Stokes currently lectures in Music Production at City, University of London.https://www.vokagentle.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Krust, also known as K or DJ Krust, chats about his early involvement in the Bristol music scene in the late 80s to early 90s, the development of the Drum & Bass sound and setting up the Full Cycle and Dope Dragon labels with Roni Size.Chapters00:00 - Introduction01:28 - Early Influences And Getting Started07:28 - Getting Immersed In Rave08:45 - Launching A Label10:23 - Learning The Equipment12:12 - Jungle DJ / Producers16:11 - Creating A Sound Palette17:58 - Making Use Of Hardware19:52 - Preparing A Track23:23 - Dealing With Burnout28:20 - Helping Musicians31:06 - Crafting The New Album41:15 - The Current Jungle / DnB Scene48:36 - Current And Future ProjectsInterviewee BiogBristol-born b-boy Kirk Thompson is best known as DJ and producer Krust, an artist whose ideas and frequencies rumble and resonate deep within jungle’s DNA. With an indelible legacy as a key figurehead in the Bristol sound, he has never compromised since emerging in 1989 as a member of Fresh 4. As a founding member of Full Cycle, the first non-London label to truly mould and manipulate the jungle schematic, and Reprazents, one of the first D&B acts to infiltrate the popular psyche and win critical Mercury Music Prize acclaim, his designs continue to help shape our understanding of what drum & bass is.He is regarded as one of drum & bass and jungle's founders and pioneers noted for his unique musical style. Epic experimentalism of Krust’s  can be heard in his 1997 single ‘Soul In Motion’ and similarly ground-breaking ‘98 single ‘True Stories’ for Talkin Loud. An in-demand remixer, Krust has reworked tracks for Bjork, Korn, Moloko, Claude VonStroke, DJ Krush, Adam F, Shy FX, Alex Reece, DJ Ron, DJ Rap and many more. His recent album entitled Edge of Everything was released in 2020 on Crosstown Rebels and received critical acclaim. It was nominated for a album of the year with AIM Award and DjMag.In addition to making music Krust has helmed Adapt The Canvas, a lifestyle coaching consultancy that holds workshops and seminars giving advice on time management, overcoming personal challenges, creative thinking, wellness and the development of the working mindsets, which have taken place in music colleges, universities and The Barbican, London. His Weekly podcast Conversation for Creatives reaches a global audience of creatives and can be checked out on his Instagram and Spotify profiles.https://crosstownrebels.bandcamp.com/album/the-edge-of-everythinghttps://www.instagram.com/dj_krust/https://podcasters.spotify.com/pod/show/adaptthecanvasCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Pedals are not just for guitars. Here Paul White connects his extensive pedal collection to a modular synth system, effectively using the pedals as additional modules and suggesting some creative ways of setting up and combining them to create a range of sounds for different applications.(00:00) - Introduction (01:12) - Connecting Your Pedals (02:01) - Using A Delay Or Reverb (04:19) - Adding Some Overdrive (05:08) - Adding Effects With Pitch Shift (06:07) - Using Chorus To Thicken A Sound (06:58) - Tremolo And Vibrato (07:24) - Phasers And Flangers (08:40) - Adding An Envelope Filter (09:51) - Creating Textures With Granular Delay (10:56) - Ring Modulator Effects (12:22) - Combining Effects (15:03) - Adding In An Arpeggiator (15:53) - Creating A Softer Sound Chapters00:00 - Introduction00:42 - Connecting Your Pedals01:31 - Using A Delay Or Reverb03:49 - Adding Some Overdrive04:38 - Adding Effects With Pitch Shift05:37 - Using Chorus To Thicken A Sound06:28 - Tremolo And Vibrato06:54 - Phasers And Flangers08:10 - Adding An Envelope Filter09:21 - Creating Textures With Granular Delay10:26 - Ring Modulator Effects11:52 - Combining Effects 14:33 - Adding In An Arpeggiator15:23 - Creating A Softer Sound#StrymonCloudburstPaul White BiogPaul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing. He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual.Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!http://www.cydoniacollective.co.uk/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts