Ta Shma

Our practice of cycling through the Torah over and over again, year after year, creates a unique  reading experience.  After we have been through enough times, we begin to hear echoes not only from what has come before, but from what will come after.  Here in this first chapter of Abraham’s story those echoes are particularly loud.  We hear them not only in recurring images and themes, but also in familiar words and phrases that seem to be laid out here and there like little clues, prompting us to follow along.

Taking a vow is a serious halakhic undertaking, and Rabbinic law warns us against taking them hastily. But even if a voew is ultimately annulled, it's possible that for the vow - the words we saw when we feel the most desperate - to be part of a broader process of growth and change. The Ma'or Va'Shemesh explains."Ki Anu Amecha," "Ah Shtarker Bistu," and "Nigun Hisva'adus" from RAZA Kapelya (2023) by Chana Raskin. Produced by Joey Weisenberg and Chana Raskin for Hadar’s Rising Song Records.

God wants us to serve Him with excitement and joy, which is reflected in the lighting of the the Menorah. The Ma’or VaShemesh reads the lighting of this lamp on the part of Kohen Gadol as analogous to the igniting of religious fervor that can often happen when people are in the presence of great religious teachers and inspirational spiritual leaders. Like the flame which achieves independence from the spark that ignites it and then draws from its own fuel to keep the light burning, so too, people need to draw from their own internal resources to maintain excitement and to be internally motivated to keep on growing."Ki Anu Amecha," "Klimovitcher Nigun," and "Nigun Hisva'adus" from RAZA Kapelya (2023) by Chana Raskin. Produced by Joey Weisenberg and Chana Raskin for Hadar’s Rising Song Records.

Noah is a notoriously difficult character to pin down.  Is he being presented as one of our heroes, to be emulated for his exceptional virtue, or as a tragic foil for the real heroes to come?

At Sinai, people hear God’s voice. But a Midrash records that what they were most impressed by a glimpse of the entire community of the angels in heaven, and the way that the angels were arranged. What could possibly have been so moving about the angels' formations?“Mitteler Rebbe,” "Ki Anu Amecha," and “Nigun Hisva'adus” from RAZA Kapelya (2023) by Chana Raskin. Produced by Joey Weisenberg and Chana Raskin for Hadar’s Rising Song Records.

The Torah signals to us from the start that words have great power.  A book that opens with an account of a world created through divine speech acts reveals its own interest in the creative possibilities of language.  So we can expect this text to choose its words carefully, deliberately. We might not, however, have expected the extent to which the Torah is willing to manipulate the other features and forms of language in order to communicate ideas.

At the end of the day, or perhaps at the end of the Jewish calendar year, am I actually a better person as a result of the many hours given over each year to Torah study? Or, am I the same person I was before, just another year older?

In our prayers, we often call God “ברוך - blessed.”  What images might this word evoke, and how might it deepen our connection to God, the source of blessings?

For much of our lives we are unable to receive or offer the holding and embracing that we need. Sukkot is yhe holiday that invites us to pause—to hold and to be held.

The search for God will span a lifetime. But once a year the dynamic is different. If Judaism offers up life as a giant game of hide and seek with the Holy One, Yom Kippur is the one day when God doesn't hide. The game is paused, and God emerges in search of us.