Recall This Book

Charles Yu won the 2020 National Book Award for Interior Chinatown but some of us became fans a decade earlier, with How to Live Safely in a Science Fictional Universe (2010). That novel brilliantly uses SF conventions to uncover the kind of self-deceptive infilling that we all do every day, the little stories we tell ourselves to make our world seem predictable and safe when it’s anything but. In this crossover episode, which originally aired on Novel Dialogue, where critics and novelists sit down together in peace, He speaks with John and with science-fiction scholar Chris Fan, Assistant Professor at UC Irvine, senior editor and co-founder of Hyphen magazine.The conversation gets quickly into intimate territory: the pockets of safe space and the “small feelings” that families can and cannot provide, and that science fiction can or cannot recreate. Graph paper and old math books get a star turn. Charlie’s time as a lawyer is scrutinized; so too is “acute impostor syndrome” and the everyday feeling of putting on a costume or a mask, as well as what Du Bois called “double-consciousness.”Mentioned in this Episode:--Dale Carnegie How to Win Friends and Influence People (1936)--W. E. B. Du Bois on “double-consciousness” (and so much more): Souls of Black Folk (1903) Learn more about your ad choices. Visit megaphone.fm/adchoices

Margaret Cohen joins John to discuss The Underwater Eye, which explores "How the Movie Camera Opened the Depths and Unleashed New Realms of Fantasy." Margaret's earlier prizewinning books include The Novel and the Sea and The Sentimental Education of the Novel, but this project brings her places even her frequent surfing forays hadn't yet reached. She charts the rise of "wet for wet" filming both in the ocean itself and in various surrogates, exploring the implications of entering a domain that humans can explore and come to know, but never master.She and John discuss the rarity of professional divers in early 19th century (Henri Edwards 1843) and Natasha Adamowsky on the abiding fear of the depths. Conversation also pivots towards such SF classics as Stanislas Lem Solaris (1961), featuring a sentient underwater being which controls the planetary tides, though this wrinkle disappears in the 1971 Tarkovsky film. Margaret wittily labels the unintended consequences of human agency the "dialectic of the anthropocene."Mentioned in the episode 1916 20,000 Leagues was Hollywood’s first great underwater filming project. Underwater scenes of a length and complexity not seen again until modern films like The Deep (1977). Man Ray The Starfish is proof of high art's shared investment (also in Jean Painleve's science and sexlife films) in the same oceanic aspects that thrilled popular filmmakers. Esther William's Jupiter's Darling may be the apotheosis of bathing beauty breath-holding. Undersea World of Jacques Cousteau Sea Hunt with Lloyd Bridges as underwater beefcake. Luc Besson, The Big Blue Recallable Books/FilmsMargaret chose Creature from the Black Lagoon 1954 which inspired Guillermo del Toro's The Shape of Water (a "dry for wet" film, shot in studio rather than underwater) and was in its turn inspired by Gabriel Figueora, cinematographer of The Pearl.John favored a SF novel about space aliens who on landing seek out the oceanic depths, John Wyndham The Kraken Wakes (1953)Read a transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In nearly 50 years of filmmaking, British director Mike Leigh has ranged from comic portrayals of ordinary life amid the social breakdowns of Thatcher’s Britain (Life is Sweet, High Hopes) to gritty renditions of working-class constraint and bourgeois hypocrisy (Meantime, Abigail’s Party, Hard Labour) to period films that reveal the “profoundly trivial” elements of artistic life even two centuries in the past (Topsy-Turvy, Mr. Turner).Leigh contains multitudes. What Roland Barthes says about the novels of Marcel Proust is true of Mike Leigh films as well: you notice different things every time you return to them.In this Columbus, Ohio conversation, Mike and John they discovered their shared love for a hometown boy made good: James Thurber. The conversation ranged from recording working-class voices in the 19th century to Method acting to the pointlessness of fetishizing closeups to the movies John had never seen and should have–and that’s only the first twenty minutes. It cries out for footnotes, but maybe the best result of all this talk would be simply your decision to go off and see a couple (or like John seven) of Mike Leigh films you’d never seen before. You won’t be sorry.Discussed in this episode: Peter Jackson (dir.), They Shall Not Grow Old John Osborne, Look Back in Anger Ingmar Bergman (dir.), The Seventh Seal Harold Pinter, The Caretaker Jean-Luc Godard (dir.), A bout de souffle John Cassavetes (dir.), Shadows and The Killing of a Chinese Bookie Sam Mendes (dir.), 1917 Alexander Sukorov (dir.), Russian Ark James Thurber, The 13 Clocks, “The Unicorn in the Garden” and “The Greatest Man in the World“ Norman Z. McLeod (dir.), The Secret Life of Walter Mitty Stanley Davis (dir.), Miles Davis: Birth of the Cool Philip Roth, Portnoy’s Complaint and Exit Ghost Ermanno Olmi (dir.), The Tree of Wooden Clogs George Eliot, Middlemarch Philip Larkin, “This Be the Verse“ H.G. Wells, The Time Machine Transcript Available Here Learn more about your ad choices. Visit megaphone.fm/adchoices

Dana Stevens joins Elizabeth and John to discuss Camera Man: Buster Keaton, the Dawn of Cinema and the Invention of the Twentieth Century. Her fantastic new book serves as occasion to revel in the work and working world of Buster Keaton, that "solemn, beautiful, perpetually airborne man."Although packed with fascinating tidbits from Keaton's life, Camera Man is much more than just a biography. It performs its own airborne magic, lightly traversing topics like the crackdown on the use of children in vaudeville, the fluidity of roles before and behind the camera in early Hollywood and the doors that were briefly (ever so briefly) opened for female directors. Among other treats, Dana unpacks one of Keaton's early great "two-reelers" One Week ( a spoof of brisk upbeat industrial films) and his parodic "burlesques" e.g. of Lillian Gish.People, Films, Books and Ideas in the conversation include:Roscoe ("Fatty") Arbuckle: got Keaton his start in early films like Butcher Boy, reportedly filmed the day Keaton first stepped onto a set. He said "Buster lived inside the camera.""Cinema of Attractions." a phrase coined by film historian Tom Gunning to describe the way the early years of cinema (1895 to 1913, more or less) achieved success by way of gags, stunts, special effects and other dazzling technological innovations--rather than plot or character development,.John and Dana rave about Keaton's last great film (age 33!), The Cameraman (1928) and deprecate the later silents (with a silent caveat for the pancake scene Grand Slam Opera).Mabel Normand: Arbuckle's longtime collaborator and briefly a rising director--Charlie Chaplin kneecapped her at a crucial moment in her career. Dana singles out for special praise Fatty and Mabel Adrift (1916) starring Luke, the first canine movie star.Singing in the Rain as a MGM-friendly myth-making explanation for Clara Bow's eclipse (and the famous vocal failure moment: "I can't stand 'im")Steamboat Bill Jr. ( 1928, Buster Keaton feature) "Keaton's most mature movie" says Dana.Read the transcript here.Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our first August rebroadcast was John and Pu's 2019 interview with SF superstar Cixin Liu (you may want to re-listen to that episode before this one!). Here, they reflect on the most significant things that Liu had said, and to ponder the political situation for contemporary Chinese writers who come to the West to discuss their work.They consider whether our world is like a cabinet in a basement, and what kind of optimism or pessimism might be available to science fiction writers. They compare the interview to a recent profile of Liu in The New Yorker, and ponder the advantages and disadvantages of pressing writers to weigh in on the hot-button topics of the day.Discussed in this episode: Cixin Liu, The Three Body Problem, The Dark Forest, and Death’s End Jiayang Fan, “Liu Cixin’s War of the Worlds” (New Yorker interview/profile) Yuri Slezkine, The House of Government: A Saga of the Russian Revolution Isaac Asimov, The End of Eternity George Melies (dir.), A Voyage to the Moon Fritz Lang (dir.), Metropolis Frant Gwo (dir.), The Wandering Earth Ivan Goncharov, Oblomov Transcript available here.Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

John and Pu Wang, a Brandeis professor of Chinese literature, spoke with science-fiction genius Cixin Liu back in 2019. His most celebrated works include The Three Body Problem, The Dark Forest, and Death’s End.When he visited Brandeis to receive an honorary degree, Liu paid a visit to the RTB lair to record this interview. Liu spoke in Chinese and Pu translated his remarks in this English version of the interview (the original Chinese conversation is at 刘慈欣访谈中文版 Episode 14c).Mr. Liu, flanked by John and Pu (photo: Claire Ogden)They discuss the evolution of Mr. Liu’s science fiction fandom, and the powerful influence of Leo Tolstoy on Mr. Liu’s work, which leads to a consideration of realism and its relationship to science fiction. Science fiction is also compared and contrasted with myth, mathematics, and technology.Lastly, they consider translation, and the special capacity that science fiction has to emerge through the translation process relatively unscathed. This is a testament to science fiction’s taking as its subject the affairs of the whole human community–compared to the valuable but distinctly Chinese concerns of Mo Yan, or the distinctly Russian concerns of Tolstoy.Discussed in This Episode: Cixin Liu, The Three Body Problem, The Dark Forest, and Death’s End Leo Tolstoy, War and Peace Stanley Kubrick (dir.), 2001: A Space Odyssey E.M. Forster, “The Machine Stops“ Mo Yan, Red Sorghum Read the transcript hereElizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

John and Elizabeth look back at Recall This Book’s 2019 conversation with Zadie Smith, so you may want to listen to that again before proceeding. Elizabeth and John try their best to unpack Zadie Smith’s take on sincerity, authenticity and human sacredness; the “golden ticket” dirty secret behind our hypocritical academic meritocracy; surveillance capitalism as the “biggest capital grab of human experience in history;” and her genealogy of the novel. If we had to sum the day up with a few adjectives: funny, provocative, resplendent, chill, generous, cantankerous.Discussed in this episode: Tony Judt, Postwar Richard Hoggart, The Uses of Literacy Nicholas Lehmann, The Big Test Elizabeth Strout, Olive Kitteridge Doris Lessing The Fifth Child Muriel Spark, The Girls of Slender Means Stephen McCauley (with JP on RTB) Barbara Pym and the Comic Novel Hilary Mantel, Beyond Black (and others…) Joseph O’Neill, Netherland J. P. Toussaint, The Bathroom Virginia Woolf, The Common Reader, A Room of One’s Own, “Moments of Being” Philip Roth, The Counterlife, Exit Ghost You can read the transcript here:RTB 15x Ferry and Plotz on ZS Learn more about your ad choices. Visit megaphone.fm/adchoices

In this 2019 episode, John interviews the celebrated British writer Zadie Smith. The conversation quickly moves through Brexit (oh, the inhumanity!) and what it means to be a London–no, a Northwest London–writer before arriving at her case against identity politics. That case is bolstered by a discussion of Hannah Arendt on the difference between who and what a person is.Zadie and John also touch on the purpose of criticism and why it gets harder to hate as you (middle) age. She reveals an affection for “talkies” (as a “90’s kid,” she can’t help her fondness for Quentin Tarantino); asks whether young novelists in England need to write a book about Henry VIII just to break into bookstores; hears Hegel talking to Kierkegaard, and Jane Austen failing to talk to Jean Genet. Lastly, in Recallable Books, Zadie recommends Jean-Philippe Toussaint’s The Bathroom.Transcript of the episode here.Mentioned: Zadie Smith, White Teeth, NW, Swing Time, “Two Paths for the Novel” “Embassy of Cambodia,” Joni Mitchell: Some Notes on Attunement” “Zadie Smith on J G Ballard’s Crash“ Willa Cather, Song of the Lark (1915, revised 1932) Elif Batuman, The Idiot Charlotte Bronte, The Professor and Villette George Eliot, Middlemarch Pauline Kael, various film reviews Quentin Tarantino, Once Upon a Time…In Hollywood Ursula Le Guin, “The Story’s Where I Go: An Interview” Doris Lessing, The Fifth Child Hilary Mantel, Beyond Black and Wolf Hall Dexter Filkins, “The Moral Logic of Humanitarian Intervention” (on Samantha Power) Patti Smith, Just Kids Elizabeth Strout, Olive Kitteridge, Olive Again Gary Winick (dir.), Thirteen Going on Thirty (starring Jennifer Garner, not Anne Hathaway) Sally Rooney, Normal People Toyin Ojih Odutola Matthew Lopez, The Inheritance Jean-Philippe Toussaint, The Bathroom Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since the original airing of this episode in June 2021, Roger Reeves' second book Best Barbarian was published by W. W. Norton, and the paperback edition of David Ferry's translation of The Aeneid was published by the University of Chicago Press.The underworld, that repository of the Shades of the Dead, gets a lot of traffic from heroes (Gilgamesh, Theseus, Odysseus, Aeneas) and poets (Orpheus, Virgil, Dante). Some come down for information or in hopes of rescuing or just seeing their loved ones, or perhaps for a sense of comfort in their grief. They often find those they have loved, but they rarely can bring them back. Comfort they never find, at least not in any easy way.In conversation with Elizabeth for this episode of Recall this Book, originally broadcast back in 2021, poets Roger Reeves and David Ferry join the procession through the underworld, each one leading the other. They talk about David’s poem Resemblance, in which he sees his father, whose grave he just visited, eating in the corner of a small New Jersey restaurant and “listening to a conversation/With two or three others—Shades of the Dead come back/From where they went to when they went away?”Roger reads “Grendel’s Mother,” in which the worlds of Grendel and Orpheus and George Floyd coexist but do not resemble each other, and where Grendel’s mother hears her dying son and refuses the heaven he might be called to, since entering it means he’d have to die.Mentioned in this episode David Ferry, Bewilderment: New Poems and Translations, University of Chicago Press Virgil, The Aeneid, translated by David Ferry, University of Chicago Press Roger Reeves, King Me, Copper Canyon Press Jonathan Culler, Theory of the Lyric , Harvard University Press. Read transcript of the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rajiv Mohabir is a dazzling poet of linguistics crossovers, who works in English, Bhojpuri, Hindi and more. He is as prolific as he is polyglot (three books in 2021!) and has undertaken a remarkable array of projects includes the prizewinning resurrection of a forgotten century-old memoir about mass involuntary migration.He joined John and first-time host Ulka Anjaria (English prof, Bollywood expert and Director of the Brandeis Mandel Center for the Humanities) in the old purple RtB studio. During the conversation, Rajiv read and in one case sang poems from his wonderful recent books, Cutlish and Antiman.Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices