Not Too Busy To Write

Chloe Times is an author, podcaster and former teacher based in Kent. Her debut novel The Seawomen, a dystopian tale about a closed community and one young woman who gets a small taste of freedom, is out now. Chloe and I talk about how her disability naturally leads her to write about marginalised characters, building worlds and complex female friendships on the page. Chloe is a graduate of the Faber Academy and talks about how that experience changed her life as a writer. We also chat about the joys of writing podcasts and her wonderful podcast Confessions of a Debut Novelist.LinksThe Seawomen - Chloe TimmsThe Faber Academy - ScholarshipsConfessions of a Debut Novelist Podcast with Chloe TimmsYou can find Chloe on twitter @clotimms and instagram @clotimmsYou can find Penny on Instagram @pennywincer

Chloe Ashby is an arts journalist and author based in London. Her debut novel Wet Paint is about a young woman struggling to move forward after the traumatic death of her best friend, who finds solace in a painting and a life of routine, until a sudden change of circumstances has her undressing for strangers as a life model. We talk about ways of finding your way in to a story as a writer, writing about visual art and exploring ideas of control in characters. We also talk about having an 'affair' with novel writing on the side of other paid writing work and Chloe's life as a freelance arts writer working on non-fiction art books and reviewing exhibitions. linksWet Paint - Chloe Ashby Look at this if you love great art - Chloe AshbyColours of Art: The story of art in 80 palletes - Chloe Ashbychloeashby.comInstagram - @chloeashbyTwitter - @chloeashbyYou can find us on instagram @pennywincer and @ali_millar_writes

Ilona Bannister's second novel Little Prisons, is set in one building, from four perspectives, each one a woman experiencing a kind of imprisonment. Emotional, mental and literal. Ilona is our first return guest on the podcast and we discuss the difference between the experience of writing book one and book two, the complex literary devices she uses in the novel to examine issues around human trafficking and how she challenges the reader and our expectations by writing characters that stretch our compassion and have us question how we see those who are the most invisible in our society. LinksLittle Prisons - Ilona BannisterWhen I Ran Away - Ilona Bannister

Sophie Howarth has a varied and unique career spanning art, entrepreneurship, teaching, activism and writing. She has been Curator of Public Programs at Tate Modern, co-founded The School Of Life and Department Store for The Mind, has written several books on photography. Her latest book The Mindful Photographer is about slowing down and paying attention to what we see. Sophie is a big believer in the joy of being an amateur and the book is for anyone, regardless of equipment or expertise, to find a fresh way of paying attention in the world. We talk about 'beginning in the middle' - how in middle age, with our awareness of impermanence, we are somehow freed from constraints by being more aware of death. We also talk about the process of writing a photography book, of approaching the artists she wanted to use to illustrate the ideas in the book and the range of work including diversity of gender, race and genre.Our conversation spans so many areas - inspiration (and too much inspiration/input), work freedom, following joy and the idea of practise as a way of living. LinksThe Mindful Photographer - Sophie HowarthStreet Photography Now - Sophie HowarthFamily Photography Now - Sophie Howarthsophiehowarth.com

Sian Meades-Williams is the brains (and muscle) behind the hugely popular Freelance Writing Jobs newsletter and co-founder of the award winning lifestyle newsletter Tigers Are Better Looking (formerly Domestic Sluttery). In today's episode we discuss Sian's new book The Pyjama Myth: The Freelance Writer's Survival Guide - an indispensable guide for writers from pitching to getting paid. Sian is full of fantastic advice for earning a living from the craft of writing, including pitching. We also do a deep dive into newsletters and the freedom and joy they bring to her work. A must listen for anyone experiencing the highs and lows of freelance writing life.LinksThe Pyjama Myth - Sian Meades-WilliamsFreelance Writing Jobs Newsletter Sign upTigers Are better looking Newsletter Sign UpThe Feminist Quiz Book - Sian Meades-Williams and Laura BrownYou can find Sian on Twitter @SianySianySiany and sianmeadeswilliams.com

In this episode Maggie Gee reads extracts from her stunning new novel, The Red Children (Saqi Books). Set in the near future against a backdrop of increased migration pressure, climate change and increasing isolation, The Red Children explores themes of far right extremism and the aftermath of virus. Ali talks to Maggie about the enduring power of fable. How characters with radically different personalities to ours can foster a deeper empathy, and how to write the non-human successfully.

Lizzie Damilola Blackburn's debut novel Yinka, Where is Your Huzband? tells the story of 31 yr old British-Nigerian Yinka, who is feeling the pressure to settle down. When she finds out her ex-boyfriend is bringing his new fiance to her cousins wedding, she decides to go on a mission to find herself a plus one for the big day. Lizzie and Penny chat about how Yinka started life in a short story and how Lizzie felt characters like Yinka were missing from mainstream women's fiction. After the story won a prize, Lizzie decided to write her into a novel. Lizzie is passionate about representation in fiction and about writing religion in a way that feels true to her. She also discusses the importance of writing about colourism and body image for dark skinned black women and creating nuance and humour these complex issues. LinksYinka, Where is Your Huzband? - Lizzie Damilola BlackburnHope and Glory - Jendella Benson The Christie Affair - Nina De GramontYou can find Lizzie on twitter @DamilolaLizzie

Clover Stroud is a Sunday Times best selling author of a number of books including The Wild Other and My Wild and Sleepless Nights. Her latest book, The Red of My Blood, is the story of her sister Nell's death and the immediate aftermath. Clover talks about how her writing benefits from the immediacy of writing in real time and how it felt natural for her to write about the extremities of grief when she was deep in its throws. We also talk about taking yourself to the edge creatively and how it makes life more vivid and putting a magnifying glass up to human experience as well as some of the positive aspects of social media. Clover also has some excellent reading advice for writers.LinksThe Red of My Blood - Clover StroudMy Wild and Sleepless Nights - Clover StroudThe Stone Mason - Andrew ZeminskiDevil in a Coma - Mark LaneganAtlas of the Heart - Brene BrownYou can find Clover on instagram @clover.stroud

Doreen Cunningham began her a career as a climate science researcher and has spent the last 20 years as a journalist. Her memoir, Soundings: Journeys in the company of whales, is the story of her experiences follow the grey whale migration from Mexico to Alaska as a newly single parent with her very young son in tow. Woven into the book is the story of her time spent with an Inupiaq family in Northern Alaska, where she joined a traditional whale hunt and learnt about how climate change was already affecting artic communities. It's a memoir about love, wrestlessness, colonialism, motherhood and climate change. Doreen talks about the challenges and responsibility of writing about her experiences as a white person within an indigenous community, the urgent drive to write about climate change in a way that would resonate with readers and writing about science in an accessible, story driven way. LinksSoundings: Journeys in the company of whalesLiterary KitchenSociety of Authors - Grants for work in progressBig Magic - Elizabeth GilbertWe Need New Names - Noviolet BulawayoDevotion - Hannah Kent

In this week's episode Ali talks to Lily Dunn, the author of Sins of my Father (W&N, 17th March) about the craft of memoir. Together they discuss how narrative techniques can be used to move the form past expected norms, taking the personal into the realms of the universal, how the 'I' on the page differs from the 'I' in every day life, and how at the heart of memoir lies a love of storytelling. They also consider where the writer sits - does the writer operate as observer or partaker, are they inside or outside, and how does the act of writing alter this position.