New Books in Music

People have always sought ecstatic experiences - moments where they go beyond their ordinary self and feel connected to something greater than them. Such moments are fundamental to human flourishing, but they can also be dangerous. Beginning around the Enlightenment, western intellectual culture has written off ecstasy as ignorance or delusion. But philosopher Jules Evans argues that this diminishes our reality and denies us the healing, connection and meaning that ecstasy can bring.In his book, The Art of Losing Control: A Philosopher's Search for Ecstatic Experience (Canongate Books, 2017) he sets out to discover how people find ecstasy in a post-religious culture, how it can be good for us, and also harmful. Along the way, he explores the growing science of ecstasy, to help the reader - and himself - learn the art of losing control.Evans’ exploration of ecstasy is an intellectual and emotional odyssey drawing on personal experience, interviews, and readings from ancient and modern philosophers. From Aristotle and Plato, via the Bishop of London and Sister Bliss, radical jihadis and Silicon Valley transhumanists, The Art of Losing Control is a funny and thought-provoking journey through under-explored terrain, which Evans creatively maps out like a tour through a festival, with stops at the major pavilions along the way. [complete with a cutely drawn festival map at the front of the book]Jules Evans is policy director at the Centre for the History of Emotions at Queen Mary, University of London. He is the author of Philosophy for Life and Other Dangerous Situations, which was published in 19 countries and was a Times Book of the Year. Evans has written for The Times, Financial Times, Guardian, Spectator and WIRED and is a BBC New Generation Thinker. He also runs the London Philosophy Club, the world’s biggest philosophy club.Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor Austin Choi-Fitzpatrick, whose book, The Good Drone: How Social Movements Democratize Surveillance (forthcoming with MIT Press) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge.You can participate in the MOPR process of The Good Drone through this link: https://thegooddrone.pubpub.org/Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Given its expanding multimedia presence in Asia and around the world for many years now, K-pop is a phenomenon that is hard to ignore. This “animal that thrives on excess,” as Suk-Young Kim puts it (p. 6) is more than just music, however, as it offers us a way of looking at a host of fascinating and important subjects in politics, economics, anthropology and performance studies.Suk-Young Kim's book K-Pop Live: Fans, Idols, and Multimedia Performance (Stanford University Press, 2018) transports us into K-pop's dizzying world of production, consumption, participation and neoliberal commerce. As well as navigating the geopolitical and technological conditions that have enabled K-pop’s emergence and success, Kim takes us up close to the fans and stars themselves through her ethnographic work at gigs, conventions and TV recordings. Combining all the passion of a true fan with clear-headed analysis of postmodern subjects' interactions with big business and the state, this is a must-read for anyone curious about contemporary Korean cultural history, digital technologies, or how BIGBANG perfect their dance moves. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The Lied is one of the most important genres of nineteenth-century Romantic music, and one of the most intriguing. Balanced between public and private performance, an expression of both poetic and musical meaning, musicologists have tended to study Lieder by analyzing the connections between the music and text. In her new book Intimacy, Performance, and the Lied in the Early Nineteenth Century published by Indiana University Press in 2018, Dr. Jennifer Ronyak studies a set of Lieder with texts she identifies as “intimate lyric poetry” through the lens of performance using methodologies culled from literary studies, philosophy, and musicology. Delving deeply into German Romantic ideas about interiority and the self, Ronyak considers Lieder as an intimate expression of meaning for composer, lyricist, singer, and audience. She contextualizes this act of performance within the salon culture of several important German cities. By centering a philosophical inquiry into the paradox of the Lieder as the outward expression of inwardly facing ideas, Ronyak is able to de-emphasize the most famous Lieder composers of the period and bring in the voices and contributions of marginalized figures including women who functioned in a variety of roles: performers, intellectuals, salon hostesses, and writers.Jennifer Ronyak is currently Senior Scientist in Musicology at the Institute for Musical Aesthetics at the University for Music and Performing Arts Graz, Austria (Kunstuniversität Graz). Her work has been published in The Journal of the American Musicological Society, 19th-Century Music, Music & Letters, The Journal of Musicology, and the Jahrbuch Musik und Gender; additional research is forthcoming in collections from Boydell & Brewer and Oxford University Press. She has also explored the implications of her research into song for current performing practices as a guest faculty member of the Vancouver International Song Institute and at the Kunstuniversität Graz.Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Nick Soulsby's most recent book, Sacrifice and Transcendence: The Oral History of Swans was published in 2018 by Jawbone Press and is a collection of extensive and revealing interviews regarding the US experimental rock band Swans. Soulsby talks to key players in the band’s history and traces their evolution from noise rock provocateurs in New York’s 1980s underground music scene to one of the most intense, and must see live attractions of recent years.Stephen Lee Naish is a writer and author of several books on the subjects of film and popular culture. He lives in Ontario, Canada. Follow him on Twitter @riffsandmeaning. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Music lovers and researchers alike have long been fascinated by the story of Ludwig van Beethoven who became profoundly deaf as an adult and could not hear some of his most famous compositions including the Ninth Symphony. Many people have written about Beethoven’s deafness and speculated how he might have been able to compose despite his disability. Robin Wallace, however, is the first musicologist to write about Beethoven’s life and music who has had an intimate experience with deafness. Hearing Beethoven: A Story of Musical Loss and Discovery published by University of Chicago Press in 2018 pairs a new consideration of the effects of Beethoven’s deafness on his life and music with a loving memoir of the last years of Wallace’s first marriage after his wife, Barbara, suddenly lost her hearing. Written for a general audience as well as musicologists, in Hearing Beethoven, Wallace applies what he learned from Barbara’s experiences to Beethoven’s life. Wallace focuses on three main areas: Beethoven’s social life, the technology he used to help him hear speaking voices and music, and his compositional method and music. While providing new insights into Beethoven’s biography and compositions, Wallace also undermines some of the most enduring myths about Beethoven. He reminds us that neither Beethoven nor his wife Barbara overcame the challenges presented by their deafness, instead they strove to find “wholeness by learning to live within them.”Robin Wallace is a Professor of Musicology in the School of Music at Baylor University. He has published widely on the critical reception of Beethoven’s music including his first book, Beethoven’s Critics: Aesthetic Dilemmas and Resolutions During the Composer’s Lifetime (University of Cambridge Press, 1986). In addition to his scholarly publications, Wallace is the author of an introductory music textbook from Oxford University Press titled Take Note: An Introduction to Music through Active Listening.Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall (Algonquin Books, 2018), Tim Mohr examines East Germany punk rock and its role in the collapse of the East German dictatorship. Starting in the late 1970s, a small group of East Berlin teens started listening to the Sex Pistols through British military radio broadcast to troops in West Berlin. Punk became life-changing. With so much future dictated for teens by the East German dictatorship, punk was a revolutionary philosophy that gave the youth a way to reject the society around them and build a new one. In Burning Down the Haus, Mohr shares the stories of the early punk scene as it formed in East Berlin, as youth formed bands and created sites of resistance. Mohr relates how the youth endured torture by the Stasi (East German secret police), being spied on by friends and their families, being fired from jobs and expelled from school, and imprisoned and beaten by police. The punks fought back, pushing to bring down the East German government throughout the 1980s. Instead of leaving East Berlin, the young people chose to remain and fight against the regime, creating revolution in their own communities. Through interviews with individuals who were part of the scene as well as letters, Stasi files, and other primary research, Mohr presents a comprehensive exploration into the lives and histories of the young people who openly fought to end the East German dictatorship by using the ideologies of punk rock and creating their own scene.Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Katherine Preston’s new book, Opera for the People: English-Language Opera & Women Managers in Late 19th-Century America (Oxford University Press, 2017) is the first complete overview of the repertoire, companies, performers, and managers that provided English-language opera to Americans after the Civil War. Preston is one of the pioneers of the musicological study of American musical culture during the nineteenth century. In one of her earlier books, Opera on the Road: Traveling Opera Troupes in the United States, 1825–60 (University of Illinois Press, 1993), Preston established that opera was one of the most popular forms of entertainment in the United States. In Opera for the People, Preston focuses on English-language opera companies that traveled throughout the United States during the second half of the nineteenth century bringing European operas and operettas performed in English translation to big cities and small towns alike. She argues that the middle-class audience cultivated by English-language troupes eventually turned their attention to musical theater beginning around 1900. Many of the troupes Preston examines were managed by their leading prima donnas, which complicates the traditional view of nineteenth-century American women as confined to the private sphere. Despite wielding significant artistic and economic power, these women were accepted by their peers and the musical press. Bolstered by her stringent attention to detail and impressive primary research, Preston’s monograph finishes the account of the history of opera in America she began twenty-five years agoKatherine K. Preston is the David N. and Margaret C. Bottoms Professor (emerita) at the College of William and Mary. She has published multiple books including Music for Hire: Professional Musicians in Washington, D.C. 1877-1900 and a scholarly edition of George Bristow’s Symphony No. 2, along with many articles in journals and collected editions. A past president of the Society for American Music, Preston has been active in promoting the study of American music throughout her career and has received fellowships from the National Endowment for the Humanities, the National Humanities Center, and the Fulbright Foundation. She will deliver the annual American Musicological Society lecture at the Library of Congress on April 16, 2019, which will be available on the Library’s website. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

On its back cover, Patrick B. Mullen’s Right to the Juke Joint: A Personal History of American Music(University of Illinois Press, 2018) is aptly described as “part scholar's musings and part fan's memoir”. Mullen is professor emeritus of English and folklore at the Ohio State University and across the eight chapters that make up this book, he enthusiastically and engagingly describes his many encounters with a wide range of vernacular musics throughout the north American continent and details his experiences with the musical genres, performers, events, and songs that have shaped the soundscape of his life. As his fellow music scholar, E. Cecilia Conway puts it: this “book lets us ride shotgun with Mullen on his journey from Beaumont, Texas boy to Ohio professor to dancing to 'Don't Be Cruel' and 'The Twist' amidst the diversity of American Music. Read Pat Mullen at his expansive best."Rachel Hopkin is a UK-born, US-based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of General Intellects: Twenty-One Thinkers for the Twenty-First Century (Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with! Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music