New Books in Music

Sailor Song: The Shanties and Ballads of the High Seas (University of Washington Press, 2020) by performer and scholar Gerry Smyth includes lyrics and commentary for dozens of sea shanties, as well as a brief history of the genre. The world that emerges in these 19th century sailor songs is surprisingly multi-cultural; in a sense, sea shanties were the first sonic products of globalization, combining African-American work songs, Irish ballads, and English folk tunes. This book is designed to be used by performers and ensembles looking for singable versions of these ribald and entertaining songs.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

How do songwriters, worship leaders, and music industry professionals collaborate to make music that can become prayer? Ari Y. Kelman explores this question in his excellent study, Shout to the Lord: Making Worship Music in Evangelical America (New York University Press, 2018). Presenting years of research through fieldwork, case studies, and interviews with more than 75 people involved in the production of the complex artifact that is the worship song, Kelman adroitly illuminates the tensions and values that propel this influential creative process. The confluence of popular music forms with liturgical participation has introduced a variety of paradoxes, and this research gives us a glimpse into how many of the leading voices in this movement conceptualize and navigate these competing concerns. Shout to the Lord provides readers with an expert example of the study of modern religion, and deserves the attention of both readers interested in the current developments of popular religion in the United States and also practitioners and participants across a wide spectrum of contemporary Evangelical worship. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Anthony Valerio's Before the Sidewalk Ended: A Walk with Shel Silverstein (Daisy H. Productions, 2020) is a startling portrait of the great writer of children's books, songs and plays Shel Silverstein. What he was like as a man and a friend. What interested and inspired him. Some of the women in his life. The loving, often hilarious relationship between Shel Silverstein and Anthony Valerio depicted in these pages entertains as much as informs. Take a ground-breaking walk beside them through Greenwich Village on a routine workday, their stops, their conversations. Lending beauty and life to this charming memoir of an historical time and place are never before seen photos by the great graphic artist and photographer Dave Barry. About Anthony Valerio, Shel Silverstein wrote: "He knows his people. He knows his craft. He gets in, tells his story and gets out. It's what good writing should be."  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Enter the Wu-Tang. Return to the 36 Chambers. People listening to these albums by the Wu-Tang Clan and its members likely never knew about Sophia Chang: a Korean-Canadian woman who worked with members like RZA, ODB and Method Man. Q-Tip of A Tribe Called Quest called Sophia Chang “an integral part of the golden era of hip-hop.”The Baddest Bitch in the Room (Catapult, 2020) charts Sophia Chang’s life, from her childhood in Vancouver, through time in New York’s hip-hop scene and travels between the United States and China managing martial arts, through to the present day.Sophia Chang is the music business matriarchitect who managed Ol’ Dirty Bastard, RZA, GZA, D’Angelo, Raphael Saadiq, Q Tip, and A Tribe Called Quest as well as working with Paul Simon. She did marketing at Atlantic, A&R at Jive, A&R Admin at Universal, as well as serving as General Manager of RZA’s Razor Sharp Records, Cinematic Music Group, and Joey Bada$$’ Pro Era Records. Sophia is currently a screenwriter and author developing numerous TV properties, including a scripted series at FX based on her memoir “The Baddest Bitch in the Room”. She trained with and managed a Shaolin Monk, who became her partner and father of her children. She produced runway shows for Vivienne Tam and "Project Runway All Stars," and recently created Unlock Her Potential, a program that provides mentorship for women of color.In this interview, Sophia and I talk about her life: her time in the music business, her relationship with hip-hop, and her transition to martial arts and other cultural activities. We talk about what spurred her to tell her own story, and what it was like to be an Asian woman working in these spaces.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, where you can find its review of The Baddest Bitch in the Room. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Mark Porter (@mrmarkporter) explores the relationship between music, sound, space, and spirit in his new book Ecologies of Resonance in Christian Musicking (Oxford University Press, 2020). Using the analytical tools of resonance to describe the sounding and re-sounding of sonic production in different spaces, Porter uses the disciplines of musicology and ethnography to describe the worlds of relationships in an assortment of Christian musical traditions. How do the varieties of musicking from the desert monastics, to charismatic evangelicals, to live-streamed prayer rooms, among others, illustrate the different approaches of Christian musical participation? How might these different ecologies of resonance contribute toward ecumenical dialogue and understanding? Join us for a conversation with Mark Porter to hear about his excellent new study. You can find more information about Mark’s work at his website. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In the first book in the Modern Music Masters series, Tom Boniface-Webb examines the Manchester band Modern Music Masters-Oasis (MMM, 2020). Founded in 1994 and playing together until their spectacular and abrupt breakup in 2009, during their time together Oasis made an imprint on British music that will last for generations, impacting fans throughout the world. Modern Music Masters-Oasis looks at the ways in which the band's chart placings--including eight number 1 albums and eight number 1 singes- show the larger narrative of rock-n-roll and the way Oasis impacted the rock-n-roll landscape during their 15-year history. Modern Music Masters-Oasis is the first in this series of books that explores artists (most of which from the United Kingdom) by looking at the social and political environment surrounding their careers. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Bedroom Beats & B-Sides: Instrumental Hip-Hop & Electronic Music at the Turn of the Century (Velocity Press, 2020), Laurent Fintoni explores the rise of a new generation of bedroom producers at the turn of the century through the stories of various instrumental hip-hop and electronic music scenes. From trip-hop, downtempo, and IDM to leftfield hip-hop, glitch, and beats, the book explores how these scenes acted as incubators for new ideas about composition and performance that are now taken for granted. Combining social, cultural, and musical history with extensive research and over 100 interviews, the book tells the B-side stories of hip-hop and electronic music from the 1990s to the 2010s. Using the format of a beat tape, it explores the evolution of a modern beat culture from local scenes to global community via the diverse groups of idealists on the fringes who made it happen and the external forces that shaped their efforts. Before the uniformity of streaming services, always-on social media, and online tutorials for everything, this is a portrait of independence and experimentation amid historical change.Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

HONK! A Street Band Renaissance of Music and Activism (Routledge, 2020), edited by Reebee Garofalo, Erin T. Allen, and Andrew Snyder, explores a fast-growing and transnational movement of street bands—particularly brass and percussion ensembles—and examines how this exciting phenomenon mobilizes communities to reimagine public spaces, protest injustice, and assert their activism. Through the joy of participatory music making, HONK! bands foster active musical engagement in street protests while encouraging grassroots organization, representing a manifestation of cultural activity that exists at the intersections of community, activism, and music. This collection of twenty essays considers the parallels between the diversity of these movements and the diversity of the musical repertoire these bands play and share. Learn more at this website. Reebee Garofalo is a member of the Organizing Committee for the Somerville HONK! Festival and a longtime scholar of popular music studies. He is Professor Emeritus at the University of Massachusetts Boston.Erin T. Allen is a PhD candidate in Ethnomusicology at Ohio State University with a dissertation focused on the HONK! community in the United States. She is an ethnomusicologist who plays trumpet with Chicago’s Environmental Encroachment.Andrew Snyder received his PhD in Ethnomusicology at the University of California, Berkeley in 2018 with a dissertation about brass bands in Rio de Janeiro. He is an ethnomusicologist who plays trumpet and co-founded San Francisco’s Mission Delirium, and this month he began a research postdoc at the Ethnomusicology Institute at the New University of Lisbon in Portugal.Emily Ruth Allen (@emmyru91) is a Ph.D. candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Groove Theory: The Blues Foundation of Funk (University Press of Mississippi, 2020) by Tony Bolden, an Associate Professor of African and African American Studies at the University of Kansas, and author of Afro-Blue: Improvisation in African American Poetry and Culture (University of Illinois Press, 2003), is a history of funk artists such as George Clinton who developed a new aesthetic style through the Black Arts Era of the 1960s and 1970s. Bolden defines these artists such as Clinton as Gil Scot Heron of the band The Last Poets as “organic intellectuals” who helped fashion a new Black aesthetic in their development of funk music and culture. The book has an “Introduction” section, six concise chapters, including an extensive notes section and selected bibliography.Bolden’s main premise is that “blues and funk are not just musical forms; they are interrelated concepts. And blues is “like the nucleus” of rock as well as rhythm and blues, which includes soul and funk” (4). In many respects, the text is a history of the variant interrelated Black vernacular forms that flourished during the twentieth century that overlap and are intermingled within the funk aesthetic. Groove Theory is interdisciplinary in scope in that it engages a broad spectrum of academic disciplines including history, literary studies, and musicology to advance an argument about the meaning, style, and structure of funk as type of aesthetical practice in the history of African Americans. Bolden uses a myriad of sources such as poetry, literature, memoirs, interviews, and song lyrics to support his analysis.The first part of the book contains three chapters that discusses both the historical and theoretical foundations of funk as a genre of music and cultural style. Chapter One titled “Groove Theory: Liner Notes on Funk Aesthetics” discusses how the funk “operates as a distinct form of black vernacular epistemology” and the Chapter Two “Blue Funk: The Ugly Beauty of Stank” focuses on the development of funk as an idea in the blues era. The last chapter in this part of the text Chapter Three “Sly Stone and the Gospel of Funk” concerns the impact of Sly Stone on the development of the funk sound.Part two of Groove Theory contains three chapters that consider the relationship between blue funk and the black fantastic. This section also brings into the discussion the role of women in the development of the funk genre. In Chapter Four, Chaka Khan’s impact on funk music and culture while the following Chapter Five “Funky Bluesology: Gil Scott Heron As Black Organic Intellectual” considers the role of Heron in the advancement of the funk aesthetic. The final chapter “The Kinkiness of Turquoise: Betty Davis’s Liberated Funk-Rock” concerns the legacy of Betty Davis the famed Black woman rocker of the funk era. Bolden ends his text with an “Outro” that considers the lasting impact of funk music on American music culture.Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and edited/authored five books. Her latest publications include Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger, 2017) and, with Dr. G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union (University Press of Mississippi 2014). Follow me on twitter: @DrHettie2017 Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

There is no shortage of books about the British Invasion or the history of R&B and the Blues in the United Kingdom. Belfast might seem like something of a peripheral backwater to that story, only meriting a passing reference as Van Morrison’s hometown. Yet, in How Belfast Got the Blues: A Cultural History of Popular Music in the 1960s (Intellect Books, 2020) authors Joanna Braniff and Noel McLaughlin center Belfast, the complex political situation of Northern Ireland just before the Troubles, and the Blues as a politicized art form that played its part in the complicated dance among the Catholics, the Protestants, the generation just coming of age in the 1960s, and the Irish political leadership. They argue that popular music in Northern Ireland was central to the politics of the time. They demolish some cherished myths about the Blues in Belfast, bring some important figures back into the narrative—most importantly Ottilie Patterson, Ireland’s first Blues singer—and find unexpected meaning in the film, Charlie is My Darling, directed by Peter Whitehead, that even die-hard Rolling Stones fans probably don’t know about.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music