New Books in Music

In 1971, Americans made two historic visits to China that would transform relations between the two countries. One was by US official Henry Kissinger; the other, earlier, visit was by the US table tennis team. Historians have mulled over the transcripts of Kissinger's negotiations with Chinese leaders. However, they have overlooked how, alongside these diplomatic talks, a rich program of travel and exchange had begun with ping-pong diplomacy. Improbable Diplomats: How Ping-Pong Players, Musicians, and Scientists Remade US-China Relations (Cambridge UP, 2022) reveals how a diverse cast of Chinese and Americans – athletes and physicists, performing artists and seismologists – played a critical, but to date overlooked, role in remaking US-China relations. Based on new sources from more than a dozen archives in China and the United States, Pete Millwood argues that the significance of cultural and scientific exchanges went beyond reacquainting the Chinese and American people after two decades of minimal contact; exchanges also powerfully influenced Sino-American diplomatic relations and helped transform post-Mao China.Grant Golub is an Ernest May Fellow in History and Policy at the Harvard Kennedy School and a PhD candidate in the Department of International History at the London School of Economics and Political Science. His research focuses on the politics of American grand strategy during World War II. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

For the past two decades, the arts and cultural establishment in the UK has been trying to engage a broader set of audiences in their work. Countless initiatives to make the arts more accessible to the public and to make them more relevant have been advocated for in policy and funding settlements.But the dial on who participates and how much has not shifted, despite many thousands of projects trying to address the problem. And this isn’t even the punchline. Not only do the interventions not work, nobody involved in them admits that the interventions may have been a failure.Having spent many years working in cultural policy studies and in arts practice, Leila Jancovich and David Stevenson take the arts and culture sector to task over this fiction. Their book Failures in Cultural Participation (Palgrave Macmillan, 2022) puts a mirror to the industry and invites cultural policymakers, organisations, and practitioners to confront their failures.David Stevenson speaks to Pierre d’Alancaisez about the culture sector’s refusal to acknowledge failure in widening participation and moving the debate from the ‘value’ of culture to considering how policies can be designed and implemented. David argues for an honest and transparent acknowledgement of failure at individual, organisational and governmental levels. The Failspace Project tools A special issue of the Transdisciplinary Journal of Cultural Participation edited by Leila and David David’s “I hate opera” paper. Leila Jancovich is a professor of Cultural Policy and Participation at the University of Leeds. Before entering academia, she worked for many years in the arts and festivals sector as a producer, researcher, and policy maker.David Stevenson is the Dean of The School of Arts, Social Sciences, and Management at Queen Margaret University. His research focuses on relations of power and the production of value within the cultural sector.Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Music is not merely entertainment—it is a living tradition, a connective tissue linking generations together in a shared pursuit of joy and significance. And through those links across time and space, we build a world of meaning, one improvisation at a time.Guest: Vijay Iyer is an American composer, pianist, bandleader, producer, and writer based in New York City. The New York Times has called him a "social conscience, multimedia collaborator, system builder, rhapsodist, historical thinker and multicultural gateway." Iyer received a 2013 MacArthur Fellowship,a Doris Duke Performing Artist Award, a United States Artists Fellowship, a Grammy nomination, and the Alpert Award in the Arts. In 2014 he received a lifetime appointment as the Franklin D. and Florence Rosenblatt Professor of the Arts at Harvard University, where he is jointly appointed in the Department of Music and the Department of African and African American Studies.Making Meaning is a limited series from Ministry of Ideas that explores how life can be lived more meaningfully. Featuring meditations by some of the world’s most sensitive and insightful thinkers, Making Meaning will give you fresh perspective and encouragement to live with greater intention and fullness. Making Meaning is produced by Jack Pombriant and Zachary Davis. Artwork by Dan Pecci. Learn more at ministryofideas.org and find us on Twitter @ministryofideas. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success. In Queer Voices in Hip Hop: Cultures, Communities, and Contemporary Performance (University of Michigan Press, 2022), Lauron J. Kehrer turns our attention to openly queer and trans rappers and presents an alternative and more inclusive narrative about the development of hip hop that includes the contributions of queer people throughout the history of the genre. They consider the role of disco, house music, and the ballroom scene in New York City to demonstrate how these different communities and networks played and continue to play a role in hip hop. Kehrer also explores Bounce, a regional form of hip hop with deep roots in New Orleans and its queer communities that has recently entered national circulation. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the queer roots of hip hop. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In his memoir, Bang Bang Crash (Counterpoint, 2023), Nic Brown shares his experiences as a rock and roll drummer who abandons his successful music career to pursue his true passion and discovers a deeper understanding of artistic fulfillment in this episodic memoir of swapping one dream for another In the mid-1990s, fresh out of high school, Nic Brown was living his childhood dream as a rock and roll drummer. Signing a major label record deal, playing big shows, hitting the charts, giving interviews in Rolling Stone, appearing on The Tonight Show—what could be better for a young artist? But contrary to expectations, getting a shot at his artistic dream early in life was a destabilizing shock. The more he achieved, the more accolades that came his way, the less sure Brown became about his path. Only a few years into a promising musical career, he discovered the crux of his discontent: he was never meant to remain behind the drums. In fact, his true artistic path lay in a radically different direction entirely: he decided to become a writer, embarking on a journey leading him to attend the Iowa Writers’ Workshop, publish novels and short stories, and teach literature to college students across the country. Bang Bang Crash tells the story of Nic Brown’s unusual journey to gain new strength, presence of mind, and sense of perspective, enabling him to discover an even greater life of artistic fulfillment.Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In music, Kimbra found a way to create and share gifts. And through that gifting, she provides space for others to find deep connection and belonging. But music also offers something more mysterious—a language to wrestle with meaning, an attempt to capture and express the experience of life.Guest: Kimbra is a two-time Grammy Award and six-time Aria winner who mixes pop, R&B, jazz, and rock. Some of her most famous singles include “Cameo Lover,” “Belong,” and “Somebody that I Used To Know.”Making Meaning is a limited series from Ministry of Ideas that explores how life can be lived more meaningfully. Featuring meditations by some of the world’s most sensitive and insightful thinkers, Making Meaning will give you fresh perspective and encouragement to live with greater intention and fullness. Making Meaning is produced by Jack Pombriant and Zachary Davis. Artwork by Dan Pecci. Learn more at ministryofideas.org and find us on Twitter @ministryofideas. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Ever since Pearl Jam first blasted onto the Seattle grunge scene three decades ago with their debut album, Ten, they have sold 85M+ albums, performed for hundreds of thousands of fans around the world, and have even been inducted into the Rock and Roll Hall of Fame. In Long Road: Pearl Jam and the Soundtrack of A Generation, music critic and journalist Steven Hyden celebrates the life, career, and music of this legendary group, widely considered to be one of the greatest American rock bands of all time. Long Road is structured like a mix tape, using 18 different Pearl Jam classics as starting points for telling a mix of personal and universal stories. Each chapter tells the tale of this great band -- how they got to where they are, what drove them to greatness, and why it matters now.Much like the generation it emerged from, Pearl Jam is a mass of contradictions. They were an enormously successful mainstream rock band who felt deeply uncomfortable with the pursuit of capitalistic spoils. They were progressive activists who spoke in favor of abortion rights and against the Ticketmaster monopoly, and yet they epitomized the sound of traditional, male-dominated rock 'n' roll. They were looked at as spokesmen for their generation, even though they ultimately projected profound confusion and alienation. They triumphed, and failed, in equal doses -- the quintessential Gen-X tale.Impressive as their stats, accolades, and longevity may be, Hyden also argues that Pearl Jam's most definitive accomplishment lies in the impact their music had on Generation X as a whole. Pearl Jam's music helped an entire generation of listeners connect with the glory of bygone rock mythology, and made it relevant during a period in which tremendous American economic prosperity belied a darkness at the heart of American youth. More than just a chronicle of the band's career, this book is also a story about Gen- X itself, who like Pearl Jam came from angsty, outspoken roots and then evolved into an establishment institution, without ever fully shaking off their uncertain, outsider past. For so many Gen-Xers growing up at the time, Pearl Jam's music was a beacon that offered both solace and guidance. They taught an entire generation how to grow up without losing the purest and most essential parts of themselves.Written with his celebrated blend of personal memoir, criticism, and journalism, Hyden explores Pearl Jam's path from Ten to now. It's a chance for new fans and old fans alike to geek out over Pearl Jam minutia--the B-sides, the beloved deep cuts, the concert bootlegs--and explore the multitude of reasons why Pearl Jam's music resonated with so many people. As Hyden explains, "Most songs pass through our lives and are swiftly forgotten. But Pearl Jam is forever."Steven Hyden is the author of This Isn't Happening, Twilight of the Gods, Your Favorite Band Is Killing Me, and (with Steve Gorman) Hard to Handle. His writing has appeared in the New York Times Magazine, Washington Post, Billboard, Pitchfork, Rolling Stone, Grantland, The A.V. Club, Slate, and Salon. He is currently the cultural critic at UPROXX.Steven Hyden on Twitter.Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music.Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Jesse Kavadlo is the classic “renaissance man” – literature and humanities professor, author of acclaimed books and articles, President of the Don DeLillo Society, fantastic husband and father…AND self-taught guitarist and vocalist with Top Gunz, one of the most popular 1980s rock cover bands in America.In this Deep Cuts conversation, Jesse and Bob discuss his guitar-saturated youth and the circuitous path he later took to the university classroom. They regale in their shared Gen X roots and how that past still informs them today, as well as a variety of pop culture topics, from grunge’s almost overnight takedown of hair metal to professors and tweed jackets (and spandex).At the heart of this Deep Cut episode is Jesse’s guitar playing and singing as a lens to uncover the ways a new generation of young people are discovering classic rock, particularly the Doors (the subject of Bob’s book Roadhouse Blues: Morrison, the Doors, and the Death Days of the Sixties, published by Hamilcar Publications). A highlight is Jesse’s demonstration of the subtlety and beauty of Doors guitarist Robby Krieger versus the styles of soloists like Jimmy Page, Jimi Hendrix and Eddie Van Halen.Please drop us a line to let us know what you think!Bob Batchelor is an award-winning cultural historian and biographer. His latest books are Roadhouse Blues: Morrison, the Doors, and the Death Days of the Sixties and Stan Lee: A Life. Visit him on the web at www.bobbatchelor.com or email at bob@bobbatchelor.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The people who make music recommender systems have lofty goals: they want to broaden listeners’ horizons and help obscure musicians find audiences, taking advantage of the enormous catalogs offered by companies like Spotify, Apple Music, and Pandora. But for their critics, recommender systems seem to embody all the potential harms of algorithms: they flatten culture into numbers, they normalize ever-broadening data collection, and they profile their users for commercial ends. Drawing on years of ethnographic fieldwork, anthropologist Nick Seaver describes how the makers of music recommendation navigate these tensions: how product managers understand their relationship with the users they want to help and to capture; how scientists conceive of listening itself as a kind of data processing; and how engineers imagine the geography of the world of music as a space they care for and control.Computing Taste: Algorithms and the Makers of Music Recommendation (U Chicago Press, 2022) rehumanizes the algorithmic systems that shape our world, drawing attention to the people who build and maintain them. In this vividly theorized book, Seaver brings the thinking of programmers into conversation with the discipline of anthropology, opening up the cultural world of computation in a wide-ranging exploration that travels from cosmology to calculation, myth to machine learning, and captivation to care.Nick Seaver is Assistant Professor in the Department of Anthropology and the director of the Science, Technology, and Society program at Tufts University.Mathew Gagné is Assistant Professor in the Department of Sociology and Social Anthropology at Dalhousie University.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Soundworks: Race, Sound, and Poetry in Production (Duke UP, 2020), Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed’s term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes’s collaboration with Charles Mingus, Amiri Baraka’s work with the New York Art Quartet, Jayne Cortez’s albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes.Henry Ivry is a Lecturer in 20th and 21st Century Literature in the School of Critical Studies at the University of Glasgow. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music