New Books in Music

The untold story of Chicago's pivotal role as a country and folk music capital.Chicago is revered as a musical breeding ground, having launched major figures like blues legend Muddy Waters, gospel soul icon Mavis Staples, hip-hop firebrand Kanye West, and the jazz-rock band that shares its name with the city. Far less known, however, is the vital role Chicago played in the rise of prewar country music, the folk revival of the 1950s and 1960s, and the contemporary offspring of those scenes.In Country and Midwestern: Chicago in the History of Country Music and the Folk Revival (U Chicago Press, 2023), veteran journalist Mark Guarino tells the epic century-long story of Chicago's influence on sounds typically associated with regions further south. Drawing on hundreds of interviews and deep archival research, Guarino tells a forgotten story of music, migration, and the ways that rural culture infiltrated urban communities through the radio, the automobile, and the railroad. The Midwest's biggest city was the place where rural transplants could reinvent themselves and shape their music for the new commercial possibilities the city offered. Years before Nashville emerged as the commercial and spiritual center of country music, major record labels made Chicago their home and recorded legendary figures like Bill Monroe, The Carter Family, and Gene Autry. The National Barn Dance--broadcast from the city's South Loop starting in 1924--flourished for two decades as the premier country radio show before the Grand Ole Opry. Guarino chronicles the makeshift niche scenes like "Hillbilly Heaven" in Uptown, where thousands of relocated Southerners created their own hardscrabble honky-tonk subculture, as well as the 1960s rise of the Old Town School of Folk Music, which eventually brought national attention to local luminaries like John Prine and Steve Goodman. The story continues through the end of the twentieth century and into the present day, where artists like Jon Langford, The Handsome Family, and Wilco meld contemporary experimentation with country traditions.Featuring a foreword from Grammy-nominated singer-songwriter Robbie Fulks and casting a cross-genre net that stretches from Bob Dylan to punk rock, Country and Midwestern rediscovers a history as sprawling as the Windy City--celebrating the creative spirit that modernized American folk idioms, the colorful characters who took them into new terrain, and the music itself, which is still kicking down doors even today.Mark Guarino covers national news and culture from Chicago for the Washington Post, ABC News, the New York Times, and other outlets. He was the Midwest bureau chief for the Christian Science Monitor for seven years. Mark on Twitter.Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Despite the vast popularity and cultural influence of hip-hop, efforts to archive its history are still in fairly early stages. Hip-Hop Archives: The Politics and Poetics of Knowledge Production (Intellect, 2023), edited by Mark V. Campbell and Murray Forman, focuses on the cultural and political aspects of those undertakings. It addresses practical aspects, including methods of collection, curation, preservation, and digitization, and critically analyzes institutional power, community engagement, urban economics, public access, and the ideological implications of hip-hop culture’s enduring tensions with dominant social values. A wide swath of hip-hop culture is covered by the contributors, including dance, graffiti, clothing, and battle rap.Links Mentioned in the Episode 83 'til Infinity: 40 Years of Hip-Hop in the Ottawa–Gatineau Region exhibit at Ottawa Art Gallery Institute of Popular Music, University of Liverpool Sarah Baker (Google Scholar profile) Marion Leonard (university profile) Les Roberts (university profile) Sara Cohen (university profile) Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Francis O’Neill (1848–1936) was a Chicago police officer and a folk music collector. Michael O’Malley connects these two seemingly unrelated activities in his biography of O’Neill, The Beat Cop: Chicago’s Chief O’Neill and the Creation of Irish Music (University of Chicago Press, 2022). Born in Ireland in 1848, O’Neill emigrated to the United States soon after the Civil War was over and eventually joined the Chicago Police Department. He rose through the ranks and became Chief of Police in 1901. But in his spare time and after his retirement in 1905, O’Neill devoted himself to collecting Irish traditional music, ultimately publishing several important large collections of the repertory as well as a book that documents Ireland’s musical landscape at the turn of the twentieth century. O’Malley tells O’Neill’s story within multiple, interwoven contexts including British colonialism, Irish nationalism in the United States, American race relations, the standardization in American institutions, and the internal politics of the Chicago Police Department and the city it protected. O’Malley also reveals fascinating connections between O’Neill’s policework and his approach to Irish music.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The era of ska shame is officially over, and ska fans no longer need to hide in the basement, skanking alone.The creator of the popular podcast In Defense of Ska has doubled down on defending the checkered flag genre with his new edition of In Defense of Ska: Ska Now More Than Ever Edition (Clash Books, 2024). The original version was chosen by Pitchfork as one of the best music books of 2021, and was an official recommended read in Rolling Stone’s June 2021 issue. In this expanded version, author Aaron Carnes weaves in tons of new interviews and stories, continuing his crusade to rebuff pop culture’s dismissal of American ska as nothing more than porkpie hats and silly lyrics.Updated journalistic essays, personal stories, historical investigations, and a brand-new epilogue exploring ska’s “lost years” serve as a much-needed crash course on the hundreds of bands, big or small, that formed the passionate community that continues to love and evolve America’s much-maligned and infamously underrated ska scene.Join the movement today and discover why ska is a cultural force that can’t be ignored!Aaron Carnes is a music journalist based out of Northern California. His work has appeared in Playboy, Salon, Noisey, Bandcamp Daily, Sun Magazine, Sierra Club Magazine, and Ozy. He’s also the music editor at Good Times weekly newspaper in Santa Cruz, CA. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The Roman singer, courtesan, and writer Margherita Costa won prominence and fame across the courts of Italy and France during the mid-seventeenth century. She secured a steady stream of elite patrons – including popes, queens, grand dukes, and influential cardinals – while male poets and librettists wrote celebratory poetry on her behalf. In addition to her appearances as a soprano on the opera stage, Costa published a remarkable fourteen full-length texts across an expanse of genres: burlesque comedy, drama, equestrian ballet, pastoral opera, amorous letters, lyric poetry, and history.Margherita Costa, Diva of the Baroque Court (U Toronto Press, 2023) brings together close textual readings of Costa’s numerous publications with archival materials detailing her performance itinerary and social-cultural networks. The book progresses chronologically through her life, geographically along the routes she travelled, and thematically via the genres in which she experimented. Jessica Goethals illuminates how Costa was unafraid to leap over the boundaries of decorum that delimited what women should and did write about. More than merely a literary biography, this book is also a portrait of seventeenth-century courts, their concerns, and their entertainments.Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Why is music important to place, and place important to music? In Where We Come From: Rap, Home and Hope in Modern Britain (Faber and Faber, 2024), Aniefiok Ekpoudom, a freelance writer and storyteller from South London, tells the story of UK Rap and Grime music. In doing so he tells the story of Modern British culture. The book uses three places- South London, South Wales, and the Midlands, and three case studies of some of UK Rap and Grime’s leading artists. In doing so, the book powerfully charts the struggles and triumphs of modern British music, and the struggles and triumphs of the places where that music comes from. A work of brilliant and compelling narrative non-fiction, the book is essential reading across the humanities and social sciences, as well as for anyone interested in music, culture, and place.Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Adriana Helbig's book ReSounding Poverty: Romani Music and Development Aid (Oxford University Press, 2023) offers a micro ethnography of economic networks that impact the daily lives of Romani musicians on the borders of the former Soviet Union and the European Union. It argues that the development aid allotted to provide economic assistance to Romani communities, when analyzed from the perspective of the performance arts, continues to marginalize the poorest among them. Through their structure and programming, NGOs choose which segments of the population are the most vulnerable and in the greatest need of assistance. Drawing on ethnographic research in development contexts, ReSounding Poverty asks who speaks for whom within the Romani rights movement today. Framing the critique of development aid in musical terms, it engages with Romani marginalization and economic deprivation through a closer listening to vocal inflections, physical vocalizations of health and disease, and emotional affect. ReSounding Poverty brings us into the back rooms of saman, mud and straw brick, houses not visited by media reporters and politicians, amplifying the cultural expressions of the Romani poor, silenced in the business of development.Maggie Freeman is a PhD candidate in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Bands like R.E.M., U2, Public Enemy, and Nirvana found success as darlings of college radio, but the extraordinary influence of these stations and their DJs on musical culture since the 1970s was anything but inevitable. As media deregulation and political conflict over obscenity and censorship transformed the business and politics of culture, students and community DJs turned to college radio to defy the mainstream—and they ended up disrupting popular music and commercial radio in the process. In Live from the Underground: A History of College Radio (UNC Press, 2023), Katherine Rye Jewell reveals that these eclectic stations in major cities and college towns across the United States owed their collective cultural power to the politics of higher education as much as they did to upstart bohemian music scenes coast to coast.Jewell uncovers how battles to control college radio were about more than music—they were an influential, if unexpected, front in the nation’s culture wars. These battles created unintended consequences and overlooked contributions to popular culture that students, DJs, and listeners never anticipated. More than an ode to beloved stations, this book will resonate with both music fans and observers of the politics of culture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

A literary and visual exploration of the songs of Steely Dan.Steely Dan's songs are exercises in fictional world-building. No one else in the classic-rock canon has conjured a more vivid cast of rogues and heroes, creeps and schmucks, lovers and dreamers and cold-blooded operators--or imbued their characters with so much humanity. Pulling from history, lived experience, pulp fiction, the lore of the counterculture, and their own darkly comic imaginations, Donald Fagen and Walter Becker summoned protagonists who seemed like fully formed people with complicated pasts, scars they don't talk about, delusions and desires and memories they can't shake. From Rikki to Dr. Wu, Hoops McCann to Kid Charlemagne, Franny from NYU to the Woolly Man without a Face, every name is a locked-room mystery, beguiling listeners and earning the band an exceptionally passionate and ever-growing cult fandom.Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors from the Songs of Steely Dan (U Texas Press, 2023) presents the world of Steely Dan as it has never been seen, much less heard. Artist Joan LeMay has crafted lively, color-saturated images of her favorite characters from the Daniverse to accompany writer Alex Pappademas's explorations of the famous and obscure songs that inspired each painting, in short essays full of cultural context, wild speculation, inspired dot-connecting, and the occasional conspiracy theory. All of it is refracted through the perspectives of the characters themselves, making for a musical companion unlike any other. Funny, discerning, and visually stunning, Quantum Criminals is a singular celebration of Steely Dan's musical cosmos.Alex Pappademas is the author of Keanu Reeves: Most Triumphant--The Movies & Meaning of an Irrepressible Icon and the writer and host of the acclaimed podcast The Big Hit Show. His work has also appeared in GQ, the New York Times, and Grantland. Alex on Twitter.Joan LeMay is an artist based in London and New York City (although the paintings for this book were created in Portland). Her work appears in multiple publications and books and has been shown in museums, galleries, and public spaces internationally. Joan on Twitter.Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

How was music important to medieval society? In Medieval Sex Lives:The Sounds of Courtly Intimacy on the Francophone Borders (Cornell UP, 2023), Prof Elizabeth Eva Leach, a Professor of Music at the University of Oxford explores the history and content of the Douce 308 manuscript to tell the story of the cultural and sexual scripts that framed courtly life in the Medieval era. The book tells the long history of the idea of courtly love, as well as using contemporary theories and cultural practices to re-examine the songs and lyrics in the manuscript. A fascinating and absorbing read, the book will be of interest to humanities scholars and more widely to anyone interested in the history of music, sex, and sexuality. You can also find out more about the book here on Prof Leach’s blog.Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music