New Books in Music

Whenever a person engages with music--when a piano student practices a scale, a jazz saxophonist riffs on a melody, a teenager sobs to a sad song, or a wedding guest gets down on the dance floor--countless neurons are firing. Playing an instrument requires all of the resources of the nervous system, including cognitive, sensory, and motor functions. Composition and improvisation are remarkable demonstrations of the brain's capacity for creativity. Something as seemingly simple as listening to a tune involves mental faculties most of us don't even realize we have.Larry S. Sherman, a neuroscientist and lifelong musician, and Dennis Plies, a professional musician and teacher, collaborate to show how our brains and music work in harmony. They consider music in all the ways we encounter it--teaching, learning, practicing, listening, composing, improvising, and performing--in terms of neuroscience as well as music pedagogy, showing how the brain functions and even changes in the process. Every Brain Needs Music: The Neuroscience of Making and Listening to Music (Columbia UP, 2023) draws on leading behavioral, cellular, and molecular neuroscience research as well as surveys of more than a hundred musical people. It provides new perspectives on learning to play, teaching, how to practice and perform, the ways we react to music, and why the brain benefits from musical experiences.Written for both musical and nonmusical people, including newcomers to brain science, Every Brain Needs Music is a lively and easy-to-read exploration of the neuroscience of music and its significance in our lives.Melek Firat Altay is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

A companion to the #1 music podcast on Spotify, this book takes listeners through the greatest hits that define a weirdly undefinable decade.The 1990s were a chaotic and gritty and utterly magical time for music, a confounding barrage of genres and lifestyles and superstars, from grunge to hip-hop, from sumptuous R&B to rambunctious ska-punk, from Axl to Kurt to Missy to Santana to Tupac to Britney. In 60 Songs That Explain The 90s (Twelve, 2023), Ringer music critic Rob Harvilla reimagines all the earwormy, iconic hits Gen Xers pine for with vivid historical storytelling, sharp critical analysis, rampant loopiness, and wryly personal ruminations on the most bizarre, joyous, and inescapable songs from a decade we both regret entirely and miss desperately. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Several years ago, a treasure trove containing some 6,000 original Bob Dylan manuscripts was revealed to exist. Their destination? Tulsa, Oklahoma.The documents, as essential as they are intriguing—draft lyrics, notebooks, and diverse ephemera— comprise one of the most important cultural archives in the modern world. Along with countless still and moving images and thousands of hours of riveting studio and live recordings, this priceless collection now resides at The Bob Dylan Center in Tulsa, Oklahoma, just steps away from the archival home of Dylan’s early hero, Woody Guthrie.Nearly all the materials preserved at The Bob Dylan Center are unique, previously unavailable, and, in many cases, even previously unknown. As the official publication of The Bob Dylan Center, Bob Dylan: Mixing Up the Medicine (Callaway, 2023) is the first wide-angle look at the Dylan archive, a book that promises to be of vast interest to both the Nobel Laureate’s many musical fans and to a broader national and international audience as well.Edited by Mark Davidson and Parker Fishel, Bob Dylan: Mixing Up the Medicine focuses a close look at the full scope of Dylan’s working life, particularly from the dynamic perspective of his ongoing and shifting creative processes—his earliest home recordings in the mid-1950s right up through Rough and Rowdy Ways (2020), his most recent studio recording, and into the present day.The centerpiece of Bob Dylan: Mixing Up the Medicine is a carefully curated selection of over 600 images including never-before-circulated draft lyrics, writings, photographs, drawings and other ephemera from the Dylan archive.With an introductory essay by Sean Wilentz and epilogue by Douglas Brinkley, the book features a surprising range of distinguished writers, artists and musicians, including Joy Harjo, Greil Marcus, Michael Ondaatje, Gregory Pardlo, Amanda Petrusich, Tom Piazza, Lee Ranaldo, Alex Ross, Ed Ruscha, Lucy Sante, Greg Tate and many others. After experiencing the collection firsthand in Tulsa, each of the authors was asked to select a single item that beguiled or inspired them. The resulting essays, written specifically for this volume, shed new light on not only Dylan’s creative process, but also their own. Bob Dylan: Mixing Up the Medicine is an unprecedented glimpse into the creative life of one of America’s most groundbreaking, influential and enduring artists.Mark Davidson is the Curator of the Bob Dylan Archive and the Director of Archives and Exhibitions for the Bob Dylan and Woody Guthrie Centers in Tulsa, Oklahoma. He holds a PhD in musicology from the University of California, Santa Cruz, with an emphasis on folk music collecting, and an MSIS in archiving and library science from the University of Texas at Austin.Mark has written widely on music and archives-related subjects, including his dissertation, “Recording the Nation: Folk Music and the Government in Roosevelt’s New Deal, 1936–1941,” and the essay “Blood in the Stacks: On the Nature of Archives in the Twenty-First Century,” published in The World of Bob Dylan.Parker Fishel is an archivist and researcher who was co-curator of the inaugural exhibitions at the Bob Dylan Center. Providing archival consulting for numerous musicians and estates under the umbrella of Americana Music Productions, Fishel is also a co-founder of the improvised music archive Crossing Tones and a board member of the Hot Club Foundation. Highlights from his recording credits include Ann Arbor Blues Festival 1969 (Third Man Records), a forthcoming box set inspired by the Chelsea Hotel (Vinyl Me, Please), and several volumes of the GRAMMY Award–winning Bob Dylan’s Bootleg Series. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In the early twentieth century, American ragtime and the Parisian tango fuelled a dancing craze in Britain. Public ballrooms were built throughout the country, providing a glamorous setting for dancing. The new English style, defined in the 1920s and followed by the films of Fred Astaire and Ginger Rogers in the 1930s, ensured that ballroom dancing continued to be the most popular British pastime until the 1960s, rivalled only by cinema.Ballroom: A People's History of Dancing (Reaktion, 2022) by Dr. Hilary French explores the vibrant history of ballroom and Latin dancing: the dances, lavish venues, competitions and influential instructors. It also traces the decline of couple dancing and its resurgence in recent years with the hugely popular TV shows Strictly Come Dancing and Dancing with the Stars.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

This immersive new autobiography provides insight into the early life and illustrious career of the late great Ramsey Lewis, one of the most popular jazz pianists of all time. Beginning with his childhood growing up in Chicago's Cabrini Green neighborhood, Ramsey Lewis recounts his memories of the music in his parents' church and his early piano lessons. As he learned classical technique, Lewis also absorbed countless jazz records and heard gospel music weekly, finally becoming a performer himself in his teenage years. With his coauthor and collaborator, Aaron Cohen, Lewis describes his early steps in jazz from joining the Clefs in the '50s, to eventually establishing the Ramsey Lewis Trio.This memoir provides an evocative tour of Lewis's life from the club circuit of the early 1960s and recording with Chess Records to working with producer Maurice White and musicians such as Stevie Wonder. In this deep dive into an exceptional life and expansive career, Lewis takes us through his artistic challenges, offers insight and perspective on his own musical growth and the creative process, and describes his eventual foray into symphonic composition and performance.Gentleman of Jazz: A Life in Music (Blackstone, 2023) is an inspiration to young musicians eager to follow in his footsteps and a tribute to the legacy of Ramsey Lewis and is sure to appeal to longtime fans as well as those new to the jazz scene.Ramsey Lewis (1935-2022) was one of the most popular jazz pianists of all time, with more than eighty albums to his name. A National Endowment for the Arts Jazz Master, Top 10 hitmaker, and winner of three Grammys, Lewis also hosted popular television and radio shows that honored the history of jazz music. He was not only influential for many modern jazz artists but beats he created decades ago can be heard across R&B and hip-hop. Through it all, Lewis remained grounded, never leaving behind his roots in Chicago.Aaron Cohen covers the arts for numerous publications and teaches English, journalism, and humanities at the City Colleges of Chicago. He is the author of Aretha Franklin's "Amazing Grace" and Move on Up: Chicago Soul Music and Black Cultural Power.Aaron Cohen on Twitter.Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music.Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

When Germany invaded Norway on 9 April 1940, the long lasting bilateral relations changed fundamentally. Immediately, the administration of the ‘Reichskommissariat Norwegen’ responsible for culture and therein music together with the Norwegian puppet regime’s department for culture implemented the adaption to the new, official National Socialist guidelines.The diversity of music in Norway during the occupation is presented in this book by Norwegian and German authors, confronting research on collaboration, persecution, and resistance for the first time as an international endeavour. Persecution, Collaboration, Resistance: Music in the ‘Reichskommissariat Norwegen’ (1940–45) (Waxmann Verlag, 2020) illustrates not only examples of exile and persecution and ask for the consequences of Nazi politics on prominent and forgotten fates, but depict how Norwegian artists and their organisations positioned themselves towards collaboration or resistance during and after the war, as well as contrasting it with the impressions of German musicians, both military and civilian, playing in Norway during the occupation.Including Norway into the international discourse on ‘Music and Nazism’, the articles address readers both interested in the German occupation of Norway, and the implications the German administration and its Norwegian counterparts had on the music life.This book is available open access here.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Greil Marcus is perhaps the world’s foremost interpreter of Bob Dylan. This podcast focuses on Marcus’ latest Dylan book, Folk Music: A Bob Dylan Biography in Seven Songs (Yale University Press, 2022). Marcus begins his book with a 2001 quote from Dylan: “I can see myself in others.” In this sense, Marcus writes, “the engine of his songs is empathy.” We begin our conversation with “Murder Most Foul,” from 2020, on the assassination of John F. Kennedy, with Dylan “putting on Kennedy’s bloody suit.” We discuss, too, “Desolation Row,” from 1965. The opening line— “They’re selling postcards of the hanging…”— could be a reference, Marcus suggests, to a lynching of three black circus workers in Duluth, Minnesota in 1920, just over twenty years before Dylan was born there. And Marcus offers insights on the five other songs covered in this volume: “Blowin’ in the Wind”/1962; “The Lonesome Death of Hattie Caroll”/1964; “The Times They Are A-Changin’”/1964; “Jim Jones”/1992; and “Ain’t Talkin’”/2006.Veteran journalist Paul Starobin is a former Moscow bureau chief for Business Week and a former contributing editor of The Atlantic. He has written for The New York Times, The Washington Post, The Wall Street Journal and many other publications. His latest book, Putin’s Exiles: Their Fight for a Better Russia (Columbia Global Reports) will be published in January. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Without Nebraska, Bruce Springsteen might not be who he is today. The natural follow-up to Springsteen's hugely successful album The River should have been the hit-packed Born in the U.S.A. But instead, in 1982, he came out with an album consisting of a series of dark songs he had recorded by himself, for himself. But more than forty years later, Nebraska is arguably Springsteen's most important record--the lasting clue to understanding not just his career as an artist and the vision behind it, but also the man himself.Nebraska is rough and unfinished, recorded on cassette tape with a simple four-track recorder by Springsteen, alone in his bedroom, just as the digital future was announcing itself. And yet Springsteen now considers it his best album. Nebraska expressed a turmoil that was reflective of the mood of the country, but it was also a symptom of trouble in the artist's life, the beginnings of a mental breakdown that Springsteen would only talk about openly decades after the album's release.Warren Zanes spoke to many people for Deliver Me from Nowhere: The Making of Bruce Springsteen's Nebraska (Crown, 2023), including Bruce Springsteen himself. He also interviewed more than a dozen celebrated artists and musical insiders, from Rosanne Cash to Steven Van Zandt, about their reactions to the album. Zanes interweaves these conversations with inquiries into the myriad cultural touchpoints, including Terrence Malick's Badlands and the short stories of Flannery O'Conner, that influenced Springsteen as he was writing the album's haunting songs. The result is a textured and revelatory account of not only a crucial moment in the career of an icon but also a record that upended all expectations and predicted a home-recording revolution.Warren Zanes is the New York Times bestselling author of Petty: The Biography. As a member of the Del Fuegos, he has shared the stage with Bruce Springsteen, and continues to write and record music. Zanes holds a PhD in visual and cultural studies from the University of Rochester and presently teaches at New York University. He is a Grammy-nominated producer of the PBS series Soundbreaking and was a consulting producer on the Oscar-winning documentary 20 Feet from Stardom. Zane's work has appeared in Rolling Stone and the Oxford American, and he has served as a vice president at the Rock and Roll Hall of Fame.Warren on his website and Twitter.Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Pavitra Sundar's book Listening with a Feminist Ear: Soundwork in Bombay Cinema (U Michigan Press, 2023) is a study of the cultural politics and possibilities of sound in cinema. Eschewing ocularcentric and siloed disciplinary formations, the book takes seriously the radical theoretical and methodological potential of listening. It models a feminist interpretive practice that is not just attuned to how power and privilege are materialized in sound, but that engenders new, counter-hegemonic imaginaries.Focusing on mainstream Bombay cinema, Sundar identifies singing, listening, and speaking as key sites in which gendered notions of identity and difference take form. Charting new paths through seven decades of film, media, and cultural history, Sundar identifies key shifts in women's playback voices and the Islamicate genre of the qawwali. She also conceptualizes spoken language as sound, and turns up the volume on a capacious, multilingual politics of belonging that scholarly and popular accounts of nation typically render silent. All in all, Listening with a Feminist Ear offers a critical sonic sensibility that reinvigorates debates about the gendering of voice and body in cinema, and the role of sound and media in conjuring community.Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media at the National University of Singapore, Singapore. @KhadeejaAmenda. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The heart of Brigid Cohen’s Musical Migration and Imperial New York: Early Cold War Scenes (University of Chicago Press, 2022) are the connections forged and broken amid the dislocations caused by war and imperialist ambitions. Rather than telling a simple chronological narrative, Cohen circles loosely around a single year, 1960, and crosses time and place to examine how a group of artists mediated ideas of displacement, race, gender, imperialism, and Cold War Orientalism in their work. Cohen begins with an examination of the complex musical and personal interactions during the 1957 Greenwich House sessions organized by Edgard Varèse, and then turns to the Columbia-Princeton Electronic Music Center, the early work of Yoko Ono, and finally the early years of Fluxus. She considers a disparate collection of crossed paths in New York City, a place she calls a “capital of Empire.” While she focuses on figures, institutions, and groups that are well known among scholars who work on music and Cold War politics, she looks under and around these familiar topics to center people, art, and events that have been overlooked or even dismissed in other scholarship.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music