New Books in Music

It’s the UConn Popcast, and Taylor Swift is by some measures the most popular person on the planet. Her periodic reinventions set the mass cultural terms of debate, and her political interventions – through exhorting her fans on social media – lead to huge spikes in voter registration. It is hoped by Democrats, and feared by Republicans, that a Taylor endorsement of Joe Biden in 2024 might meaningfully tip the scales in favor of reelection.In this episode, we consider Taylor Swift as a popular and political text, over which she exercises substantial, but not total, authorial control. What role in the culture does she play? How should we interpret her recent association with the NFL? How do the parasocial relationships of her fans – “Swifties” – to the artist herself contribute to authorship of the Taylor text. And how should we read the counter-subversive conspiratorial responses to her halting forays into electoral politics? Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Discover how Broadway musicals have influenced South Korea and Germany, shaping a unique blend of local traditions with American musical theatre. Dive into the evolution of musical theatre, the global impact of 'White Horse Inn,' and explore innovative opera-inspired music theatre productions.

How can culture be authentic in the modern world? In The Poet's Song: Folk and its Cultural Politics in South Asia (Rouitledge, 2023), Dr Priyanka Basu, a Lecturer in Performing Arts at Kings College London, explores the history and practice of the folk performance Kobigaan. The book draws on rich archival and historical analysis, as well as fieldwork in West Bengal and Bangladesh, to tell the story of how Kobigaan has evolved over time, how it has been preserved, how it has changed media and changed practice, and how the struggles over to whom Kobigaan belongs play out today. A fascinating and engaging text, the book will be of interest to scholars across the humanities, as well as for anyone interested in arts and culture! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

How Hip Hop Became Hit Pop: Radio, Rap, and Race (U California Press, 2023) examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the mainstream. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The marvellous, a key concept in literary debates at the turn of the seventeenth century, involved sensory and perspectival transformation, a rhetoric built on the unexpected, contradictory, and thought-provoking. The composer Claudio Monteverdi (1567–1643) created a new practice in which the expressive materials of music and poetry were placed in concert. This innovative new study of Monteverdi's literary personality integrates musical and poetic analysis to create an approach to text-music relations that addresses scholars of both literature and music. Roseen Giles' book Monteverdi and the Marvellous: Poetry, Sound, and Representation (Cambridge UP, 2023) illuminates how experiments in language and perception at the turn of the seventeenth century were influenced and informed by the work of musicians of that era. Giles provides a new perspective on the music and poetry of Monteverdi's madrigals through the poetics of the marvellous. In his madrigals, Monteverdi created a reciprocity between poetry and music which encouraged audiences to contemplate their interactions, and, consequently, to listen differently.Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

What people ultimately want from music-drama, audience research suggests, is to be absorbed in a story that engages their feelings, even moves them deeply, and that may lead them to insights about life and, perhaps, themselves. Joseph Cone's Seeing Opera Anew: A Cultural and Biological Perspective (Routledge, 2023) shows how both human biology and culture cause these effects.Cone, a lifelong opera fan, ardent amateur singer and professional science writer, goes beyond the traditional approaches of musicology, criticism, history and biography. He adopts a "stereo" approach to assimilate cultural perspectives and contemporary evolutionary theories based in human biology. In doing so, he offers fresh insights on why music-dramas can offer such rich, immersive experiences, powerfully affecting our feelings and our understanding of life.Written to stimulate the student and opera-goer as much as the professional, "Seeing Opera Anew" examines and interprets more than 15 operas in an informal and lively way based on a range of recent scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The basement of a veteran shopping mall located in the central business district of Singapore affords opportunities to a group of amateur and semi-professional musicians, of different ethnicities, ages, and generations to make a sonic way of life. Based on five years of deep participatory experience, this multi-modal (text, musical composition, social media, performance) sonic ethnography is centered around a community of noisy people who make rock music within the constraints of urban life in Singapore. The heart and soul of this community is English Language rock and roll music pioneered in Singapore by several members of the 1960s legendary "beats and blues" band, The Straydogs, who continue to engage this community in a sonic way of life.In Sonic City: Making Rock Music and Urban Life in Singapore (NUS Press, 2021), Ferzacca draws on Bruno Latour's ideas of the social--continually emergent, constantly in-the-making, "associations of heterogeneous elements" of human and non-human "mediators and intermediaries"--to portray a community entangled in the confounding relations between vernacular and national heritage projects. Music shops, music gear, music genres, sound, urban space, neighborhoods, State presence, performance venues, practice spaces, regional travel, local, national, regional, and sonic histories afford expected and unexpected opportunities for work, play, and meaning, in the contemporary music scene in this Southeast Asian city-state. The emergent quality of this deep sound is fiercely cosmopolitan, yet entirely Singaporean. What emerges is a vernacular heritage drawing upon Singapore's unique place in Southeast Asian and world history. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Race and Gender in the Western Music History Survey: A Teacher’s Guide provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provides a reconceptualization of the principles that shape the decisions instructors should make when crafting the syllabus. It offers new perspectives on canonical composers and pieces that take into account musical, cultural, and social contexts where women and people of color are present. Secondly, it suggests new topics of study and pieces by composers whose work fits into a more inclusive narrative of music history. A thematic approach parallels the traditional chronological sequencing in Western music history classes. Three themes include people and communities that suffer from various kinds of exclusion: Locales & Locations; Forms & Factions; Responses & Reception. Each theme is designed to uncover a different cultural facet that is often minimized in traditional music history classrooms but which, if explored, lead to topics in which other perspectives and people can be included organically in the curriculum, while not excluding canonical composers.Dr. Horace J. Maxile, Jr. is Associate Professor of Music Theory at Baylor University. His primary interests are the concert music of Black composers, music semiotics, and gospel music. His research has appeared in scholarly journals such as Perspectives of New Music, American Music, the Journal of the Society for American Music, and Black Music Research Journal.Dr. Kristen M. Turner is a Lecturer in the music and honors departments at North Carolina State University. Her work centers on issues of race, gender, and class in American popular culture at the turn of the twentieth cen­tury. Her research has appeared in collected editions and scholarly journals including the Journal of the American Musicological Society, the Journal of the Society for American Music, American Studies, and Musical Quarterly.Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Can a song trigger a murder? Can a poem spark a riot? Can a book divide a people? Away from the gaze of mainstream urban media, across India's dusty, sleepy towns, a brand of popular culture is quietly seizing the imagination of millions, on the internet and off it. From catchy songs with acerbic lyrics to poetry recited in kavi sammelans to social media influencers shaping opinions with their brand of 'breaking news' to books rescripting historical events, 'Hindutva Pop' or H-Pop is steadily creating societal acceptability for Hindutva's core beliefs. By cleverly inserting Hindutva into popular culture, H-Pop normalizes Islamophobia, demonizes minorities and vilifies its critics each day, without ever making headlines. What makes H-Pop so popular? Who are its stars and its audience? Who is pouring in the money, the effort and the resources to produce and broadcast it? What is its impact on the BJP and Prime Minister Modi's popularity? And what kind of an India is it trying to create? These are some of the questions that award-winning independent journalist Kunal Purohit explores in this riveting investigative book as he travels through India, profiling some of H-Pop's most prolific and popular creators--its stars and celebrities. He interrogates whether the creators are driven by ideology or commerce, and what motivates the audience to consume their daily dose of bigotry. In H-Pop: The Secretive World of Hindutva Pop Stars (HarperCollins, 2023), Purohit uncovers the frightening face of a New India--one that is united by hate, divided by art.Kunal Purohit has been a journalist for nearly two decades, writing on issues of development, politics, inequality, gender and the intersections between them. He is an independent journalist and has, in the recent past, reported closely on hate crimes and the rise of Hindu nationalism across the country. He has worked in the newsrooms of Hindustan Times and The Free Press Journal in Mumbai. He is an alumnus of the School of Oriental and African Studies, University of London, from where, as a Felix Scholar, he earned an MSc in Development Studies with distinction in 2017. Kunal received the Ramnath Goenka Award for Excellence in Civic Journalism in 2012, the Statesman Award for Rural Reporting in 2014 and the UNFPA-Laadli Media Award for Gender Sensitive Reporting in 2014 and 2019. He has also received various fellowships and journalism grants. His work can be found in Al Jazeera, ProPublica, The Times of India, Foreign Policy, Hindustan Times, South China Morning Post, Deutsche Welle and The Wire, among others. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music (U California Press, 2021) explores a deluxe-production aesthetic that has long thrived in American popular music, in which popular-music idioms are merged with lush string orchestrations and big-band instrumentation. John Howland presents an alternative music history that centers on shifts in timbre and sound through innovative uses of orchestration and arranging, traveling from symphonic jazz to the Great American Songbook, the teenage symphonies of Motown to the “countrypolitan” sound of Nashville, the sunshine pop of the Beach Boys to the blending of soul and funk into 1970s disco, and Jay-Z’s hip-hop-orchestra events to indie rock bands performing with the Brooklyn Philharmonic. This book attunes readers to hear the discourses gathered around the music and its associated images as it examines pop’s relations to aspirational consumer culture, theatricality, sophistication, cosmopolitanism, and glamorous lifestyles.Nathan Smith is a PhD Student in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music